Author Q and A: Peter Bell

We are delighted to be part of The Train to Impossible Places blog tour and so pleased that Peter was able to answer our questions. The Train to Impossible Places was highly anticipated by the Worms and instantly cemented itself into Noah’s favourite books when he read it a few months back. It is a great story and, as Noah’s review implies, everything you could possibly want from a book – a thrilling fast-paced adventure with quirks that twist and reshape the fantasy genre. Read Noah’s review here. Now over to Peter…

What are you reading at the moment?

Orphan, Monster, Spy by Matt Killeen, and it’s every bit as good as I’d heard – tense, brutal and moving. I really can’t wait to see what Matt does next. I’m also working my way through the Rivers of London series by Ben Aaronovitch, which are tremendous fun. He’s coming to Cardiff in November, and I want to be up to date before he gets here.

What are your favourite children’s books?

Too many to list here, but off the top of my head:

Pretty much the whole Roald Dahl cannon, especially The BFG, Charlie and the Chocolate Factory and Fantastic Mr Fox. I loved them when I was young, and my son is now a big fan too. He dressed as a Vermicious Knid for World Book Day last year!

The Worst Witch books by Jill Murphy. Such a great and accessible fantasy series – the Harry Potter of its day. It’s so good to know it’s still going strong.

Murder Mystery is a genre that’s largely passed me by, but I’ve absolutely loved the Murder Most Unladylike series by Robin Stevens. She re-purposes all the tropes so cleverly, while keeping the stories grounded in character. I look forward to reading the new one.

The Accidental Pirates books by Claire Fayers are everything fantasy adventure stories should be – inventive, exciting and funny. Her most recent books, Mirror Magic and Stormhound are equally good, but I’m still keeping my fingers crossed for an end to the Pirates trilogy one day.

And finally, anything with Diana Wynne Jones’s name on the cover!

Where and when do you write?

I mostly write in the mornings after dropping the kids off at school. I’ve got a small study at the back of the house, and I’ll get a few hours done there before lunch, with maybe another hour or so in the evening after the kids have gone to bed. My favourite mornings are the ones when Claire Fayers and I meet up at a local coffee shop and sit in silence for two and a half hours, typing away. They serve coffee in pint mugs, which endears the place to me greatly, and they’ve got to know us so well that they know our orders off by heart. 

We know that The Train To Impossible Places began as a bedtime story for your children. Is the finished version much different? What didn’t make the final cut?

Pretty much everything that was in the bedtime story ended up in the book, albeit in a much more polished form. The only thing that didn’t survive the jump was a flying visit to a supermarket, so the crew of the train could stock up on bananas. Every other change I made was adding material, rather than taking away – the whole sub plot of Captain Neoma, the observatory and Lord Meridian grew out of the editing process. The finished book is almost 15,000 words longer than my first draft.

How do you choose names for your characters?

I try to make their names reflect their nature or status in some way. So the Lady Crepuscula comes from the word “crepuscular”, which is an adjective describing anything to do with twilight. Her opposite number, Lord Meridian, takes his name from the point at which the sun is at its highest, suggesting enlightenment. He is a librarian, after all!

Some names, like Fletch and Wilmot, just came to me out of the blue and I’ve no idea why. But they stuck immediately.

We think the book has hints of The Magic Faraway Tree. What else has influenced the storyline?

Thank you for saying so! The Magic Faraway Tree books are the very first stories I remember from my childhood, and they’ve shaped all my reading ever since, so I guess it’s inevitable that there would be a dose of that in my writing.

I drew pretty heavily on Terry Pratchett’s Discworld novels, but only in terms of tone – I like to think that Suzy and the trolls would feel at home making deliveries to Ankh Morpork. Because each of the Impossible Places is different, I can effectively make each one a genre – or at least a collection of genre tropes – unto itself. So the Obsidian Tower has strong echoes of Tolkien, while the Topaz Narrows are every pirate adventure story you’ve ever read.

Are we right in thinking you’d love to write an episode of Doctor Who?

Let’s just say that if they ever ask me, I wouldn’t refuse.

How important is a sense of place to your writing? In particular, has living in Wales any influence on your writing?

A sense of place is always important, especially if your characters are travelling from place to place, as mine are. I want the reader to get excited about exploring these strange new worlds, so I always try and include a few details to help ground them. Trollville is probably the most fully-realised world in the book, as we spend quite a bit of time there (and we’ll see even more of it in the sequel!) Its post-industrial feel is definitely informed by my childhood in south Wales. It was everywhere – in the architecture and the street layouts, in the art and in the chimneys of the Llanwern Steelworks, which was still active at the time. And you never had to go far to meet a retired miner.

Our school caretaker was an old man who had gone down the pits at the age of 11. I remember one day he showed our class his missing fingers and recounted each of the accidents that had claimed them. He was the basis of the Old Guard – the retired Posties who spend their time comparing tales of daring and disaster.

The Train To Impossible Places is the first in a series, called A Cursed Delivery. What is the appeal in writing a number of books rather than a single story?

It’s a tremendous privilege to be given the chance to tell more stories with these characters. It’s allowed me to think of new directions to take them in, and new and interesting parts of the Impossible Places to explore. It’s also allowed me to become a full time professional writer for the first time in my life, which is a childhood dream come true.

The finished hardback is delightfully illustrated by Flavia Sorrentino. Should we judge your book by its cover and how important was it for you to have some internal illustration?

You should definitely judge the book by BOTH its covers, because they’re gorgeous. My favourite is the hidden cover underneath the dust jacket – my editors at Usborne presented me with a framed print of it at the launch party, and it’s now got pride of place in my study. 

Usborne made the decision very early on to include interior illustrations, and I was very happy to go along with the plan – I don’t know anyone who wouldn’t want a few illustrations with their text if given the chance. And Flavia’s work is just gorgeous. I love her expressionist style, and she’s absolutely nailed the characters.

What question have we forgotten to ask you?

You haven’t asked me who the best Doctor Who is. And the correct answer is: all of them. Although Sylvester McCoy is the best of the best.

 

There have been some really excellent blog posts as part of this tour. Why not check out some of the other hosts?

The Clockwork Crow

The Clockwork Crow

Catherine Fisher

Firefly Press

Catherine Fisher is an author of great talent who’s skillful writing draws praise for its ability to entrance the reader with its atmospheric prose. Often mysterious, sometimes dark, continually gripping, the publication of a new Catherine Fisher novel is always something to look forward to. Since hearing of the book deal last year, and revealing the cover to The Clockwork Crow in May, we have been guessing what lay beyond the gorgeous colours of the jacket.

We’re pleased to say it doesn’t disappoint! Whilst The Clockwork Crow is lighter than Catherine’s other books – it’s aimed at the blossoming 9-12 MG market – it is no less thrilling. It’s actually a perfect introduction to our national treasure for this age group. Noah (aged 11) loved the book and is already seeking out other books to devour. He calls it a “banger” – borrowed from the description of a fresh new song, unbelievably awesome and destined to become a popular, well-loved hit.

The story follows Seren, an orphan girl dreaming of a beautiful home and a loving, happy family. As she waits in the train station a nervous stranger asks her to guard a mysterious package. He doesn’t return and Seren feels compelled to take the package with her to Plas y Fran, the large manor house belonging to her new guardians, Captain Jones and Lady Mair. However, when she arrives, the grand house is shrouded in mystery – all furniture covered, minimal (and seemingly unfriendly) staff, and no sign of the loving family she was hoping for. A cold, bare residence brings her back down to earth with a bump and her dreams are shattered. The young boy she had wanted to befriend and play with has gone, and in time Seren learns that Tomos has been missing for a year and a day and the house is in mourning.

With the aid of the eponymous talking, walking, humorously irritable Clockwork Crow (who very nearly steals the show), Seren sets out to solve the mystery and put things right. In doing so, we learn that she is a determined and gutsy heroine, not afraid to stand up to the grown-ups, nor afraid to put her own security and future happiness at risk.

The world described by Catherine is beautifully wintry – filled with snow and stars, it sparkles like an ice-capped marvel. Featuring a cast of endearing characters, it reminded me of a wonderfully warm and entertaining Christmas period drama for all the family. Drawing on Welsh folklore, the story is magical and fantastic and such a great read. It’s got to be one of THE books of 2018.

Whilst reading and digesting, one constantly feels that this is a book that entertains and inspires in bucketloads.

We’re delighted that Catherine Fisher has revealed there will be a follow-up to The Clockwork Crow. We’re also thrilled that she recently answered the Worms’ questions in a Q and A.

 

Thank you to Firefly Press for the copy of Clockwork Crow, given in exchange for this review. Note that the cover has been designed by Anne Glenn. If you’d like to visit Catherine Fisher’s website, click here. If you want to follow her on Twitter, click here. If you want to buy The Clockwork Crow from Firefly, click here. That’s enough clicking.

 

Author Q and A: Catherine Fisher

The Clockwork Crow is Catherine Fisher’s latest novel – a beautifully crafted enchanted wintry tale for children. Catherine is an acclaimed author and poet of over 30 books and we are delighted that she took the time to answer our questions.

Born in Newport, she graduated from the University of Wales and has worked in education, archaeology and broadcasting. She has been shortlisted for numerous prizes and awards including the Smarties Prize (The Conjuror’s Game), the Whitbread Prize (The Oracle) and the Tir-na-nOg Award (The Candle Man / Corbenic).

What are you reading at the moment?

I always read a few books at once. At the moment it’s an odd mixture – Meetings with Remarkable Manuscripts by Christopher de Hamel,  The Fall of Gondolin by JRR Tolkien, and Anthony Trollope’s Autobiography!

Could you tell us how you got into writing?

I was about 11, and started with poems, at first in school and then at home. I had a whole notebook full of them. I only decided to write a novel when I was about 19 or 20.

Where and when do you write?

I try to write every morning between 9 and 1. I have room with a desk looking onto the garden, and that’s my usual place, though the good thing about writing is that you can do it anywhere.

How do you choose names for your characters?

Sometimes the names just come,like Seren in the Clockwork Crow, or Finn and Claudia in Incarceron. Other times I have to make a list and choose. I’m always looking at names on TV programmes or in books for ideas. I have a names page in a notebook with a few saved up for future books, if I can find the characters to suit them.  

Which books and authors have inspired you in your career?

Alan Garner’s fantasies, Tolkien, Robert Holdstock’s weird tales, Arthur Machen, who I have always found a great writer. Also a million fairy tales and myths and legends,Norse and Welsh and Irish and Greek.  In terms of poetry, Keats,Yeats, David Jones and George Mackay Brown.

A lot of your writing is set in Wales. How important is a sense of place to your books? 

In some books like Darkhenge or Crown of Acorns, very important because the story rises out of the landscape and history of that place. In Corbenic I used real places in Wales to set a very strange tale. I think Wales is an amazing place and full of untold stories.

The Tir na n-Og Award celebrates books with authentic Welsh backgrounds. You won the award in 1995 and have been nominated twice more. How does it feel to be recognised with literary awards?

It’s always a great honour and encouragement. But I know that many, many really good books are overlooked, so I try not to get down if I am not nominated. It doesn’t mean the book is any less good.

The book is published with Firefly Press, an independent Welsh publisher who we love. How did this come about?

I have been aware of Firefly since they started and they are doing such a great job for Welsh children’s fiction. I wanted to write a Christmas book and suggested the idea to Penny Thomas, who was very keen to publish it. I was very happy to write it for them.

What inspired The Clockwork Crow?

Christmas, the idea of a Crow you could put together from pieces, lots of snow and ice. I wrote the book last winter and as I was working it kept on snowing outside my window, so I think the snowglobe has a real magic!

Was it difficult / fun / strange to give a voice to the Crow?

Not difficult but great fun. He had to be tetchy and bossy and yet quite likeable underneath. And vain,of course.

The Clockwork Crow is a tale “of snow and stars”. Are you a fan of wintry weather?

I have memories of when I was very small and there were really bitterly cold winters when everything froze. I love snow and the dark starry skies, and Northern, arctic stories. The Snow Queen is one of my favourite books.

The new book is written for 9-12 year olds (though Daddy Worm really really enjoyed it!). You also have poetry and YA writing on the go. How do you approach writing for different age groups?

Each is different and arrives differently. Poetry is much more intense and every word has to be tested. Young Adult and children’s books differ in the age of the hero/ine and the complexity of the story.  

Noah (aged 11) has just finished The Clockwork Crow tonight. He’s not read anything else by you. Which books of yours would you suggest he reads next?

I hope he enjoyed it! Maybe a book called The Glass Tower; Three doors to the Otherworld, which contains 3 of my early stories. Or even The Relic Master, the first of a set. Or maybe The Obsidian Mirror.

Is it fair to ask you to name the favourite book you’ve written?

Corbenic. I’m not sure why but I like that character and his story a lot.

What’s next for Catherine Fisher?

I have a new poetry book out with Seren Books in April called The Bramble King, which I am very excited about. And I am working on the sequel to the Clockwork Crow, so look out for more of Seren, Tomos and the Crow.

 

Many many thanks to Catherine for answering our questions and thanks to Firefly Press for organising. You can learn more about Catherine by visiting her website. To order The Clockwork Crow, visit Firefly’s website.

Tell Me A Dragon

Tell Me A Dragon

Jackie Morris

Graffeg

Originally published in 2009, Tell Me A Dragon was recently re-released by Graffeg in a larger artist format. Following in the footsteps of The Ice Bear and The Snow Leopard, the book shows off the illustrations to the max (on art paper) and allows the freshly formatted words space to breathe.

Tell Me A Dragon stands proud next to similarly sized Lost Words and Snow Leopard

On her website, Jackie says “One day someone asked me, if I had a dragon, what would it be like. I realized that almost every day it would be different. Some days I would like a big dragon to fight battles for me, sometimes a small dragon to curl around my ear and tell me stories. Each day a different dragon, but each one mine. And so I wrote Tell Me a Dragon.” And so each double page spread documents a different type of dragon – from one as large as a village to a tiny dragon with whisper-thin wings, and from a snaggle-toothed dragon to a sea-dragon which races dolphins on the waves. Many teachers will be familiar with the book as it is used up, down and across the land to spark imagination and as an amazing stimulus for creative work in schools. Indeed, it was recently chosen as an essential picture book for Year 3 by Simon Smith (@smithsmm), Headteacher and Picture Book enthusiast (visit his blog). If you’re thinking of using it in the classroom then you should also seek out Pie Corbett’s teaching notes to accompany the book.

Who’s the Daddy? Larger format next to the original.

Otherwise, open the pages and drink in the gloriousness. Soak in the vibrancy of the colours and be washed by the words as they meander from the paper to your mind. Kit pored over the endpapers for hours imagining what would be borne of the eggs – radiant, rich and varied in shape and size. Nina sat and talked about her dragon, telling me of the adventures through the mountains, the snacks they would share, the parties they would hold. Noah took himself off to draw his own creations – an imagination in full flight, an awareness awoken.

Without a doubt this is a fabulous book with the power to invoke curiosity, creativity and comfort in all who pick her up.

Tell Me A Dragon is available from Graffeg, Solva Woollen Mill or your local independent bookshop. We are grateful to Graffeg for a copy of the book which was given in exchange for this honest review. Follow Jackie Morris on Twitter or visit her blog.

 

The Girl With The Dragon Heart

The Girl with the Dragon Heart

Stephanie Burgis

Bloomsbury

Review by Nina

Wow! This is a wonderful, magical, thrilling adventure – a compelling sequel to The Dragon with a Chocolate Heart. In that first book, we were introduced to Aventurine, a dragon cruelly cursed by magical hot chocolate. Silke, the street girl who guides Aventurine plays second fiddle in the ‘Chocolate Heart’ but in this book she is determined to tread her own path and tell her own story. And what a story! It all centres on an awful secret that Silke and her brother Dieter have hidden for years. Silke’s secret is her motivation for getting into the Royal Palace and solving a great mystery. At the heart of this secret is the fairy kingdom of Elfenwald and its evil king and queen. As baddies, these two are wicked, scary, horrid and terrible – Stephanie’s characterisations are brilliant!

What I love about both these books is diving in and feeling a part of the world. It’s a magical city with a medieval flavour – the narrow backstreets of numerous districts, the market stalls, castle walls and riverbank camps – Stephanie Burgis builds the world using all the senses, enveloping the reader with the sights, sounds and smells (mostly chocolatey!) so that you really feel in the midst of the action. Add in fairies, goblins and dragons and this is a fantasy you will not want to miss. I highly recommend this book for age 8 and up.

From the Press Release…

Once upon a time, in a beautiful city famous for chocolate and protected by dragons, there was a girl so fearless that she dared to try to tell the greatest story of all: the truth.

Silke has always been good at spinning the truth and storytelling. So good that since arriving as a penniless orphan, she has found her way up to working for the most splendid chocolate makers in the city (oh, and becoming best friends with a dragon). Now her gift for weaving words has caught the eye of the royal family, who want to use her as a spy when the mysterious and dangerous fairy royal family announces it will visit the city. But Silke has her own dark, secret reasons for not trusting fairies…

Can Silke find out the truth about the fairies while keeping her own secrets hidden?

From the author of the magical The Dragon with a Chocolate Heart comes a second magical adventure perfect for fans of Cressida Cowell and Cornelia Funke.

About Stephanie

Stephanie Burgis is a dual citizen of the US and the UK and lives in South Wales with her husband and their children. The Girl with the Dragon Heart is Stephanie’s second novel for Bloomsbury. Follow Stephanie on Twitter or visit her website.

The Girl with the Dragon Heart is published on 9 August in paperback. Big thanks to Bloomsbury for our review copy – buy yours at your local independent bookshop or Hive.

The Train to Impossible Places

The Train to Impossible Places: A Cursed Delivery

P.G. Bell

Usborne

Review by Noah

Mirror Magic Blog Tour

We were delighted to be given the opportunity to travel to Cardiff to meet with Claire Fayers and talk with her about her enchanting new novel, Mirror Magic. Noah takes the lead in this video, with the rest of the worms joining in with a ‘Would You Rather?’ section near the end. Thank you very very much to Claire for being such a great sport and taking the time to film with us.

Why not check out Noah’s written review of Mirror Magic here.

Mirror Magic

Mirror Magic

Claire Fayers

Cover Illustration by Becka Moor

Macmillan Children’s

Review by Noah

Mirror Magic is Claire Fayers’ third book and a departure from the Accidental Pirates series. I loved both of those books but Mirror Magic is absolutely wonderful – it will bring you close to tears and full of joy and happiness. The story, set in a kind of Victorian wonderland, will have you riveted to every page as you learn of the mysteries of disappearing enchanted items. Wyse is a border town and the last remaining place where fairy magic works. The town has a connection to the ‘unworld’ where magic reigns. This is pure escapism as Claire takes us on a fabulously imaginative adventure to worlds within worlds – full of charm, a touch of danger and a lot of mischief!

My favourite character was Mrs Footer, the source of many hilarious episodes in the book – I don’t think I’m giving too much away if I say that she is turned into a dog quite early in the story. I loved the way that Mrs Footer mimicked and mirrored the emotions of the characters.

With this third book and next year’s Stormhound (previewed at the back of Mirror Magic), Claire Fayers is cementing herself as an entertaining and absorbing author. This is her best book yet – a brilliant read and totally awesome!

 

As part of the Mirror Magic Blog Tour, we met up with Claire to make a video. You can view that post here.

Thanks to Karen and Macmillan for sending us a copy of Mirror Magic. It is in shops now! You can buy it from Hive or better still, from your local bookshop.

You can follow Claire Fayers on Twitter, or visit her website

Empathy Day Blog Tour: Gill Lewis

To mark Empathy Day on June 12th, we are delighted to be participating in the Empathy Lab Blog Tour and even more delighted to be hosting one of our favourite authors, Gill Lewis. Empathy Day calls us all to READ – because reading in itself can make us more empathetic; SHARE – because sharing perspectives through books can connect us in new ways; and DO – put empathy into action and make a difference in your community.

Gill is previously on record as saying “Books are more important now than ever for us to understand other people’s lives. They allow us to hear the whole story and to walk in someone else’s shoes. Books can help us understand others and the world around us. Ultimately, they allow us to understand ourselves.” (A Day in the Life of Gill Lewis, retrieved from inkpellet.co.uk). In this blog, she explores having empathy for someone whose views you do not necessarily agree with.

Empathy… A Bridge Across the Divide

A Guest Blog by Gill Lewis

When I was researching for my book, Sky Dancer, a story about the environmental conflict surrounding driven grouse shooting in our uplands, I came across many distressing videos and images of persecuted birds of prey; poisoned eagles, shot hen harriers, bludgeoned buzzards and goshawks. The list went on and on.

I was appalled.

Why would anyone do such a thing?

We often use a rhetorical question to express our disgust and contempt. It entrenches us in our own viewpoint and alienates us from the other.

However, if we ask a genuine question: Why would anyone do such a thing? Why? Then we begin to put ourselves in a position to understand someone’s actions. Empathy is an important skill and the basis of understanding the motives of others. You don’t have to agree with someone or tolerate their views but you can attempt to understand why they have those views. Making the first step towards understanding does not mean you compromise your own beliefs, but that you are willing to listen. Listening is the first step towards dialogue, which can lead to potential resolution of a conflict or the changing of bigoted views or unjust practices.

A writer uses empathy all the time to understand each character’s viewpoint. A writer has to know, for example, why one character might hold racist beliefs. Most prejudice is born from fear; fear of losing power or control. It’s a survival mechanism to protect one’s own interests. Dialogue and understanding can reduce the fear and in doing so be pivotal in changing bigoted attitudes.

For Sky Dancer I wanted to understand why a gamekeeper might shoot a hen harrier, one of our wonderful iconic birds of prey. Why destroy something so beautiful, a part of nature? Why risk breaking the law in doing so?

Well, the answer lies in the driven grouse shooting industry. The Joint Raptor Study concluded that a driven grouse moor cannot be economically viable unless hen harriers are killed. Birds of prey are persecuted on many grouse moors to ensure the red grouse numbers are high enough for a shoot.

The gamekeepers’ job is in the name. It is to keep game in plentiful supply for a shoot. Many gamekeepers have long traditional family associations with the land and with the owner of a grouse moor. It’s a way of life. There is fierce pride in the job. Killing wildlife that preys on red grouse goes back to Victorian times. It’s a cultural norm. Many species such as crows, foxes, magpies, and weasels are now legally killed, and many, many birds of prey are illegally killed too.

If gamekeepers allow red grouse numbers to fall due to predation, they are at risk of losing their livelihood and way of life. To lose a way of life is to lose your identity and your sense of belonging in the world. No wonder it is something people would be fearful of and fight against. No wonder a gamekeeper wants to do his job well and maximize game. No wonder there is fierce resistance to those who want to ban driven grouse shooting.

Similarly, many grouse moor owners do not welcome hen harriers because their business is dependent upon high grouse numbers. Land ownership in the uplands is a complicated mix of tradition, class, wealth and politics. A landowner may fear loss of power and control, not only of the land, but also of their own status.

In Sky Dancer, I wanted to cross the bridge from my own viewpoint, one that sees persecution as abhorrent, and try to understand the stance of a gamekeeper involved in the shooting of a bird of prey. Joe, a gamekeeper’s son, narrates the story and through him we see his father’s and the wealthy landowner’s views, and we also see how Joe is challenged to think another way by a newcomer.

Aimee Nicholson, of the RSPB Hen Harrier LIFE Project with Gill Lewis on a school book tour in support of Sky Dancer last year.

By trying to understand both perspectives, I wanted to build up the arguments for driven grouse shooting and then tear them all down and show that driven grouse shooting is an outdated Victorian sport that has no place in conservation today.

Yet, in this story, I wanted to show that there is a viable alternative to driven grouse shooting that would benefit all. At the moment we, as taxpayers, pay vast subsidies to landowners to intensively manage the land via burning to produce swathes of heather for grouse. Much of our upland landscape of treeless, fire-scorched hillsides has been defined by it.  This land management is bad for the environment; it is detrimental to carbon capture, water and air quality and biodiversity. An alternative would be to re-wild our upland with mixed habitats of deciduous native woodland, blanket bog and heath. I’d prefer my taxes to pay for restoration of the natural world. Gamekeepers’ livelihoods needn’t be at risk either, as re-wilding would require wildlife rangers to protect wildlife and wild space, and not destroy it.

My opinion is that re-wilding is the viable option to break away from damaging Victorian practices. It would provide eco-tourism, mitigate flood risk and benefit carbon capture, water and air quality and achieve a biodiversity of such richness that which we can now only dream.

Empathy can build bridges and initiate dialogue.

Whether or not someone with an opposing opinion wants to meet you on that bridge is their choice. But by understanding another viewpoint, it allows you to reassess your own, clarify your own beliefs, sharpen your argument and give courage of your convictions to keep on fighting for what you believe.

 

Thank you to Gill Lewis for this thoughtful and thought-provoking blog. You can read our review of Sky Dancer here. You may also be interested in her latest book with Barrington Stoke, Run Wild, which also has a re-wilding theme. 

Run Wild

Run Wild

Gill Lewis

Barrington Stoke

Review by Nina and Daddy

Nina and I read this fabulous story from Gill Lewis over 4 nights. On finishing the book, I was met with a barrage of questions: What’s a cormorant?; Are there still wolves in the UK?; Where did you play when you were younger?; How many types of beetle are there?

In response, we checked out some YouTube videos, visited a local heronry, and I reminisced about the patch of common land outside my parents’ house where I would climb trees, build dens and concoct stories.

We also bought the book The Ways of the Wolf by Smriti Prasadam-Halls and Jonathan Woodward (published by Wren & Rook, an imprint of Hachette) which is a brilliant and beautiful complimentary non-fiction title endorsed by the UK Wolf Conservation Trust.

If Gill Lewis’ aim is to encourage future generations to engage with themes of conservation; to connect with (and be inquisitive about) nature; to think about the wild spaces in their communities, then Nina is proof that she has succeeded.

The story of Run Wild centres on the pairing of brave and adventurous school friends Izzy and Asha. Banished from the local skate park by the Skull Brothers, they are forced to find their own place to play and practice their tricks. This new place is a rundown and off-limits gasworks. It is in this brownfield space that the young girls learn to take risks, to explore, discover new things and connect with the wild. It is in this space that they meet an injured wolf.

The characters then face a dilemma – do they try to help the wolf themselves or do they seek help for the wolf and reveal their secret and special hideout? This quandary brings them closer to the Skull Brothers and they work the problem out together. There is an especially compelling chapter where the children face-up to their headteacher and as Izzy is pleading with Mrs Stone you can hear every child in the land urging adults everywhere to “remember what it feels like to be running wild”. The book is a passionate argument not just for the rewilding of nature but for connecting children to the wild too. See this manifesto from The Wild Network, set up to remove the barriers to #wildtime:

Whilst the rewilding of children is a part of the story, the rewilding of nature is at it’s core. According to the charity Rewilding Britain, it is all about “bringing nature back to life and restoring living systems”. The charity signs up to several principles acknowledging that “people, communities and livelihoods are key”. Rewilding is a choice of land management – it relies on people deciding to explore an alternative future for the land and people. Thus the brownfield site of the old gasworks is at the centre of a bitter battle.

Barrington Stoke promise a series of special school events on the publication of Run Wild and finished copies will be in Barrington Stoke’s super readable typeset on off-white pages. This is a brilliant partnership that has got us really excited.

Run Wild is engaging, compelling and brilliantly written; as a storyteller, Gill Lewis should be cherished and revered. The message of ‘Run Wild’ is important, nay, essential and should be filed next to The Lost Words (Jackie Morris and Rob Macfarlane) and The Promise (Nicola Davies) as enchanting books with significant and important themes.

 

Thanks to Barrington Stoke for sending us a copy of Run Wild. It is published on July 15. You can buy it from Hive or better still, from your local bookshop.

You can follow Gill Lewis on Twitter, or visit her website. The book is endorsed by the charity, Rewilding Britain (who have a website and a twitter account). You should also check out The Wild Network.