We are delighted that Julie Pike has written this wonderful guest blog for us. Her debut book, The Last Spell Breather, came out in July and is a brilliant and magical fantasy adventure. Here, she tells us how the book was inspired by the land in which she was born and grew up.
When I set out to write The Last Spell Breather, I knew I wanted to create a spell-binding adventure. To bring the fantasy to life, I decided to set the story in a magical faraway land. But after I’d finished writing it, I realised the story was actually set in the place I grew up in Wales; a place where I’d had many adventures as a child, a place where – when it came to stories – anything seemed possible.
I grew up on a council estate called Longford, on the outskirts of Neath. It’s a wonderful spot, nestled between a stream, a hill, woodland, a river and a mountain. In my story, the hero, Rayne, grows up in a remote village. When I came to think up a name for her village, I wanted the place to feel like home. I grew up on a street called Heol Penderyn. So, it seemed natural to name her village Penderyn (which I later changed to Penderin, to make it sound more magical).
In the story, Penderin is nestled under a mountain, just like Longford is nestled under Drumau Mountain. It was up there that my friends and I had many adventures growing up. I cooked bacon and eggs on an open fire on its slopes as a Guide. At the very top, there was a rundown farmhouse, with its roof caved in. The house was completely empty, save for a mysterious pile of old medicine bottles made of thick glass, which wouldn’t smash even when I foolishly threw them against a wall. Those glass bottles came home with me and stayed on my shelf and in my imagination. Later they wormed their way into my story.
Neath has a fine Victorian Library. Its many books are one of the reasons I grew up to be a keen bookworm. As a child, Mam would take me there every week, regular as clockwork – both of us heading home on the bus with a pile of books each. In my story, Rayne’s mother goes missing. It didn’t take me long to work out where Rayne might find her. Yes, you’ve guessed it – she finds her at the library. But not just any library, she finds her at the Great Library. I’ve come to learn that libraries are places of magical possibility, their words have the power to transport you on amazing adventures. And that’s exactly what happens to Rayne when she finds Mam.
Thinking about it now, my story has other similarities to my childhood too – not just the setting. I grew up in the 1980s. Back then people hardly seemed to worry about whether children playing outside unchaperoned would be safe. I remember spending long summer days outside having adventures. In the evening, Mam would stand on the street, calling me and my brother home for tea. I’m sure a small part of her worried where we were and if we were okay, but I’m also sure the bigger part was more concerned we weren’t home when we said we’d be, and the tea would spoil. Looking back, even though we were playing away from the house, Mam made it easy for us to believe the whole estate and surrounding land was a safe place. If she’d been worried, we would have been too, and we’d have stuck to the house and garden. Thinking about my story now, it’s no surprise to me that in Penderin, Rayne’s Mam creates – magically creates – a safe place for her daughter. In fact, the whole story is based on this, and what happens when she finds out that her home is no longer safe.
Perhaps I did after all set The Last Spell Breather in a magical land. Just not a faraway land. I set the story in Wales because my home (and now Rayne’s home) is, and always has been, a land of magic.
Thanks to Julie Pike for taking the time to write this exclusive blog for us. You can read our review of The Last Spell Breather here.
Synopsis: Enter the unique world of the Spell Breathers! Spell Breathing does not come naturally to Rayne – she loathes the hours of practice, the stacks of scrolls, and the snapping mud grotesques that cover her mother’s precious spell book. When she holds the spell book over a fire, it is only meant as an empty threat – until she feels the grotesque’s tiny teeth biting into her finger and lets go. In one clumsy move, her mother’s spells are broken, her village is plunged into danger, and an incredible adventure begins . . .
Noah says: The Last Spell Breather is a magical book involving a brave and clumsy girl named Rayne and a daring and kind boy named Tom.
In a world where monsters exist, Rayne and her village are safe behind a magical barrier. Rayne is an apprentice spell breather, her mam insists on going to the Great Library leaving Rayne all alone. Rayne tries to learn more and when she picks up the spell book everything goes wrong. She has to find her mam to fix the mess.
I really enjoyed the book – I felt like I was inside it because the way Julie Pike described the scenes; this book is incredible! I recommend it for readers who like A Darkness of Dragons (SA Patrick), Podkin One Ear (Kieran Larwood) and The Maker of Monsters (Lorainne Gregory).
Daddy says: There is a huge amount to admire in The Last Spell Breather. The story itself is beautifully written and constructed, the characters and creatures are brilliant (even the evil ones!), and the little details succeed in building an entirely convincing fantasy world. It’s a captivating read for adults and children not least because of the unique take on how magic works via spell breathing and spell writing.
Rayne is a relatable heroine and readers are sure to will her on to a successful conclusion despite her self-doubt. Frank (the fox seen on the cover) is a curious guide and you’re never quite sure if he can be trusted. The fish-monsters (yes you read that correctly) and grotesques made me squirm and the world of the Citadel, Great Library and Scriptorium is gloriously realised.
This is fabulous stuff from Julie Pike and The Last Spell Breather is up there with the best Middle-Grade fiction published this year. Enchanting!
We are delighted to be taking part in the blog tour for Helen Lipscombe’s debut novel, Peril en Pointe. Helen grew up in Wales, studied at Exeter College of Art and Design and went on to work in agencies in London, Singapore and the Caribbean. She obtained an MA in Creative Writing for Young People from Bath Spa University and now lives in the Cotswolds with her family.
What are you reading at the moment?
I’ve got four books on the go . . . The Dragon in the Library by Louie Stowell, Dark Matter by Michelle Paver, The House of Light by Julia Green and No Ballet Shoes in Syria by Catherine Bruton. I’ve just finished Normal People by Sally Rooney, The Last Spell Breather by Julia Pike and The Middler by Kirsty Applebaum. All wonderful books. I wish I could read faster. Got a very lovely, but slightly wobbly tbr pile.
Could you tell us how you got into writing?
When I was little, I used to turn my favourite Ladybird Books into plays so I could act them out in front of anyone within a five-mile radius. Such a show-off!
We understand you trained to be a graphic designer. Did you work on any books?
The majority of my design work has been for charities like The British Red Cross and Salvation Army. Although I LOVED creating a storyboard of ideas for Peril En Pointe’s cover, the designer Helen Crawford-White did a much better job than I could have ever done.
Where and when do you work?
I’m rubbish at any kind of routine. I have a desk in a study off the kitchen, but I only tend to use it when I’m in the thick of rewriting. My ideas flow better when I’m out walking the dog or staring out of a train window. I’m not really a morning person either, so I try to get all my admin done before lunch and focus on the creative stuff later.
Why writing for children?
I think it’s because I didn’t start writing seriously until after my sons were born. Reading children’s books again sparked my imagination and I rediscovered my inner child. When I started to write, that’s who came out!
Who are your favourite writers for children?
That’s a hard one to answer – there are so many, and the list is growing as more and more brilliant new voices are published. As a child, I loved C.S. Lewis, J.R.R. Tolkein, Enid Blyton and Arthur Ransome. As a parent, I loved reading Janet and Allan Ahlberg, and Roald Dahl. As a writer, I appreciate strong voices – Louise Rennison, Sally Nicholls, Patrick Ness, Meg Rosoff; and great plotters – J.K. Rowling, Suzanne Collins and Philip Pullman. And thanks to Peril En Pointe, I’ve just discovered Noel Streatfeild.
Peril en Pointe is out now from Chicken House. Can you give us a flavour?
Absolutely. My heroine’s called Milly Kydd and more than anything, she wants to be a ballerina, just like her famous mum. The story starts as Milly’s about to dance in the biggest ballet competition of her life. It’s called the Scarlet Slipper Ballet Prize and it’s on telly like Britain’s Got Talent – only without Ant and Dec. But EVERYTHING goes wrong. Milly accidentally trips up the despicable Willow Perkins, and worse, her mum disappears into thin air. As a result, Milly’s kicked out of ballet school. Eight months later, her mum’s still missing when Milly’s invited to a mysterious ballet school. But when Millly arrives, she discovers that Swan House School of Ballet is no ordinary ballet school. It’s a school for SPIES.
Did you ever go to ballet?
Yes – when I was very young. I remember dancing in the Christmas show dressed as a little green pixie, which inspired one of the scenes in Peril En Pointe. (My lovely mum made my costume and I’ve still got it). Tragically, my ballet career was cut short when I broke my toes. I’d been watching Olga Korbut winning a gymnastic gold in the summer Olympics and thought, how hard can it be? Alas, my ‘beam’ was the side of the bath. I fell off and my toes got stuck in the plughole. They’ve never been the same since.
Is music important to you and what music inspired the book?
I’m so glad you asked me that! The answer is sort of connected with your next question. As a child, I sang in Eisteddfods and played the viola with the county youth orchestra. When I started learning the piano, my great auntie Lottie, (who I adored), gave me all of her old sheet music from the 1940’s. My favourite was ‘Jewels from the Ballet’ by Lawrence Wright. By the time I got to writing the last draft of Peril En Pointe, I needed a bit of a pick-me-up to keep me going so I made a playlist. There are pieces from Swan Lake and Romeo and Juliet, but also Slow-Moving Millie, Family of the Year, Pink Martini, the Be Good Tanyas, Katy Perry and even U2’s theme from Mission Impossible! All the tracks represent a scene or character in the story.
Are you inspired by Wales?
Yes! My family live in South Wales and my eldest son goes to uni in Cardiff. I love the South Wales coastline and have spent time writing there. My first attempt at a novel was set in the Welsh valleys in the 1970’s on the night of a terrible storm. It had everything in it, from sheep farmers to tight-rope walkers to cat burglers.
Your Twitter profile says that you love words, welsh cakes and waggy tails. But really, if you had to choose one – which would it be?
NOOO, don’t make me choose! Garghhh. It would have to be waggy tails. If I wasn’t walking my dog I wouldn’t come up with nearly as many words. Plus, I love her deeply.
What are your ambitions?
Gosh. Beyond meeting my next deadline? I always thought I’d like to write a musical one day (it’s not going to happen).
Anything else you’d like to declare?
I admit it.
It was me who ate all the Welsh cakes.
Not the dog.
What comes next for Helen Lipscombe?
The sequel to Peril En Pointe is due out next year. Beyond that, I’ve got a few more imperiled heroines up my sleeve. I’ll keep you posted!
Thank you to Helen for taking the time to answer our questions. Peril en Pointe, by Helen Lipscombe is published by Chicken House and is available to buy in your local bookshop or online.
This gorgeous book is a collaboration between the amazing zoologist and nature-lover Nicola Davies and superb artist Jane Ray. These award-winning creatives have combined to make the most beautiful and informative picture book.
The Ruby-Throated Hummingbird is one of over 300 different kinds of hummingbird which has the most epic migration journey. They have a flight range of around 1800 miles between Mexico and Central America to the East of the USA each spring. This seems even more magnificent when you consider that the bird weighs less than an American nickel.
Nicola Davies’ familiar non-fiction fiction tells the story of the hummingbird’s journey from the viewpoint of a granny and granddaughter, and compares the journey to that of the young girl travelling on a plane to her parents in New York. Scientific facts about the hummingbirds are written alongside the story so you learn as the story progresses. Nutrition, feeding, nesting, sleeping and physical characteristics are all covered. A small section at the back gives further detail about these amazing birds.
Jane Ray’s illustrations are absolutely incredible and each spread is a riot of colour. The detail on the birds, flowers and blossom in particular is incredible, and we especially like the pieces of map built in to the mountains. The endpapers are also stunning!
This book is beautiful, informative and colourful; it’s a triumph for both author and illustrator as it feeds the eye and the mind and leaves both fully satisfied.
We bought this copy of Hummingbird ourselves. You can find out more about Nicola Davies at her website or you could follow her on Twitter. You can also visit illustrator Jane Ray’s website or follow her on Twitter too.
Here is a unique book, the first in a series, that aims to tell the story of baroque music to a new, young (8+) audience. It’s an eye-catching and engaging volume and educational too. Further books on classical, romantic and modern music styles will follow.
The books have been put together by Mark Llewelyn Evans, himself an opera star with a successful career and wealth of experience with Welsh National Opera and other UK-wide companies. Mark is the creative director of ABC of Opera; an organisation offering educational workshops around the country (more info here). Established landscape artist Karl Davies has ventured into the world of illustration and has brought the words to life with incredibly sparky artwork in this colourful and vibrant book.
Mark Llewelyn Evans says: ‘I was 14 when I saw my first opera and was blown away by the whole experience. To this day opera still captivates me, and I wanted to introduce the next generation to this incredible art form in a unique way – one that would not only engage them with the beautiful music but also with the genius composers who created this world. I wanted each composer to come alive, step out of the book and into the hearts of the children. With 97% of the children we have met through the ABC of Opera workshops asking to meet the composers, we knew it was time to open the doors to The Academy of Barmy Composers.’
With Karl Davies, Mark has created a storybook that takes us back in time to learn factual information about the baroque period and its composers. Jack and Megan find a forgotten trunk in an old music hall which takes them back to 1597. They meet the inventor of opera, Professor Peri, who introduces them to the likes of Monteverdi, Handel and Purcell. The narrative text, in many ways, makes this an accessible book to a wide audience. Little footnotes and wry nuggets of explanation adorn the pages making it great fun. There follows some extremely informative pages at the back of the book where fact-seekers will revel in learning about other baroque composers, baroque instruments, operatic voices and more!
Opera is defined as a story set to music and this thrilling history of baroque music is aptly wrapped in a story that will delight and educate in equal measure. We can’t wait to read the rest of the series!
The Secret Dragon is a wonderful story set on the South Wales coast, inspired by visits to the beaches of the Vale of Glamorgan. Ed Clarke lives in London but the story evolved as he visited his parents.
Mari Jones, inspired by her father, is a young fossil hunter and aspiring scientist. She makes a remarkable discovery on the beach one day – a tiny gwiber or wyvern hatches from the rock. Mari’s mother is tolerant of her passion for paleontology but is far from encouraging and so Mari feels unable to share her revelatory discovery. But can she keep the secret to herself? She wants to honour her father’s memory with ‘Gweeb’ and so begins to study it carefully, putting together her findings before ‘going public’. However, the secret is hard to keep, especially as the dragon is full of mischief and keeps escaping.
This is a great adventure story full of humour and heart. Mari, an isolated and quirky individual, is forced to learn the value of friendship and family. She’s a great character – resourceful, headstrong and determined – even when things are against her. Ed Clarke’s narrative is enchanting and absorbing with more than a touch of danger and there are plenty of life lessons along the way.
The Secret Dragon is recommended for readers 8+, but there is plenty to keep older readers engrossed and engaged throughout.
We received a free copy of The Secret Dragon from Puffin in exchange for this honest review. You can find out more about Ed Clarke at his website or you could follow him on Twitter.
Today we have the pleasure of revealing the cover to the fantastic new novel from Ruth Morgan. Published with Firefly Press, Ant Clancy Games Detective promises to be a compelling MG adventure story suitable for ages 8+. This Virtual Reality thriller is a lead title for Firefly this summer and will be published on July 11.
Drum roll please… here’s the cover…
Illustrated by Sernur Işık, the cover features Ant with Pradahl, a VR dragon of his own creation. The cover designer is Izzy Ashford.
Ray-Chay is the new virtual reality game that everyone’s playing, except Ant, who can’t get into it. He prefers his old game, where he’s created his extraordinary dragon Pradahl, even when he’s mocked for his old headset. So when something strange starts happening to the people playing Ray-Chay, Ant is the first person to notice. What’s going on? Can Ant and his friends work out who is playing a deadly game behind the game?
Ruth is an experienced author, writing for radio, television and a wide range of books for children of all ages in English and Welsh. She told us, “Ant Clancy is the perfect summer read if you love gaming and real-life mystery. Sernur’s amazing cover captures the special relationship between Ant and his ace fighting dragon, Pradahl.”
Ruth’s previous book for Firefly, Alien Rain, was a sophisticated, well-crafted, YA thriller, so we’re naturally looking forward to Ruth bringing the action to this new MG story. Watch this space for the first review!
On this page, we list published authors and illustrators from Wales. These brilliant folk are either born in Wales, raised in Wales or established in Wales. If there’s anyone missing, please let us know.
Daddy Worm thought that an A to Z of Welsh authors would be a great way to develop knowledge of children’s writers – particularly as he is a teacher and is now better informed in those all-important discussions at Book Club.
Research by the Open University has shown that a teacher’s knowledge of children’s literature is highly significant in developing children as readers who can and DO choose to read. You can read more at this link.
A Huw Aaron Lauren Ace Sophie Anderson Dan Anthony
B Laura Baker P.G. Bell Zillah Bethell Jon Blake Karla Brading Stephanie Burgis
C Anne Cakebread Elen Caldecott Phil Carradice Karin Celestine Lucy Christopher Horatio Clare Nathan Collins Tracey Corderoy
D Huw Davies James Davies Karl Davies Nicola Davies Helen Docherty Thomas Docherty Diane Doona Jonny Duddle Heather Dyer
E Fran Evans John Evans Mark Llewelyn Evans
F Claire Fayers Catherine Fisher Helen Flook
G G.R. Gemin Maria Grace Robert Graves
H Maggie Harcourt Rebecca Harry Sam Hay Eric Heyman Graham Howells
I Rhian Ivory
J Gilly John Catherine Johnson Cynan Jones Jac Jones Tudur Dylan Jones
K Sarah Kilbride
L Valériane Leblond Emma Levey Caryl Lewis Gill Lewis Rob Lewis Siân Lewis Helen Liscombe T Llew Jones Jenny Løvlie Max Low
M Paul Manship Sharon Marie-Jones Wendy Meddour Elin Meek Daniel Morden Ruth Morgan Jackie Morris
“Ceri is a cat, and Deri is a dog. Ceri has stripes and Deri has spots. They live in a small town near a big hill and they do everything together. They are best friends.”
So begins each of the four Ceri and Deri books by Max Low – an opening reminiscent of the comforting familiarity of Lauren Child’s Charlie and Lola series. Across the four books, Max, a graduate of Hereford School of Art, ensures that friendship and fun is at the heart of the duo’s adventures. The latest two titles have just been published by Graffeg and they are beautifully produced.
There is an immediacy and vibrancy to Max’s illustrations that radiates so much joy and youthful energy I want to hang the pages on every wall in the house. It’s fresh and fun and I love the way Max plays with shape and line and limits his palette to shades of the same colours. He makes some bold choices too – a favourite page has to be the illustration of the sea in The Treasure Map.
The stories have an educational edge too – not that these are text books, but reading these books with young children will support their understanding of directions (Treasure Map), time (No Time for Clocks), counting, sharing and design. The emphasis, though, is most definitely on fun.
In The Treasure Map, the two friends follow directions in search of pirate treasure, helped along the way by their companions. In Build a Birdhouse, we see Max at his imaginative and creative best as Ceri and Deri design a perfect (read: wacky and wonderfully weird) house for a homeless bird. It’s in this book that Max hits on a universal truth: “No one actually uses dining rooms do they? So let’s fill it full of balloons!”
Playful, engaging and full of humour, the Ceri and Deri books are fabulous picture books made for sharing. Max Low is an extremely talented illustrator and we can’t wait to see what comes next – which is another book, ‘My Friends’ due to be published by Otter Barry in July!
Last weekend saw the start of this year’s Cardiff Children’s Literature Festival and we were delighted to make the journey south to see a few events. The programme for the book-fest is brilliant, with a mix of new and established authors and illustrators appealing to a range of ages. It’s fantastic that the festival, now in its seventh year, celebrates Welsh authors and illustrators so strongly – and yet it has nationwide appeal. Taking place in a number of the city’s iconic buildings, this young festival is well-supported and feels prestigious.
Over the course of the weekend we saw four of Wales’ finest – starting with the wonderful Catherine Fisher who spoke at length to a keen audience of avid readers. Her latest book, The Clockwork Crow (Firefly Press) was shortlisted for the Blue Peter Book Award and has recently been nominated for the Tir-na-nOg Award, for books with an authentic Welsh background. In the plush surroundings of Cardiff Central Library, Catherine spoke with passion about her love of fantasy; memories of her father reading Alice in Wonderland aloud; and her discovery of Tolkien.
She also told the enraptured gathering not to ask her about plotting or where she gets her ideas, or even why she writes for children! She writes what she writes, and what comes out are children’s books. Her ideas “just appear”, and she has “no idea” what is going to happen in the story when she sits down to write it. She doesn’t plan – but feels the thrill of the reader as the story forms on the page. Later, we asked Catherine if this meant that there was more focus on editing her books, and she told us that she does this as she writes. She tends to go through the book twice more, “fine-tuning the language” and making details crisp.
After reading from The Clockwork Crow, Catherine Fisher revealed that it would now be the start of a trilogy. The Velvet Fox is currently being written and will hopefully be published around October 2019. In that book, the crow will not be returned to his normal form and so a third book will be required to make that happen.
The Clockwork Crow has already been a big success and both author and publisher are hopeful that there is more to come. Thank you to Catherine for granting a private audience for a short time to ask a few questions, the final one of which was “If you could have any super-power, what would it be?” This led to much discussion and a book recommendation for Noah to read HG Wells’ ‘The Invisible Man’. In the end, Catherine decided that, provided she could avoid the difficulties that The Invisible Man had (not being able to hide his clothes, or disguise his drink from descending his food pipe) she would like to have that magical quality.
Next up was Gavin Puckett and his wonderful “Fables from the Stables” session at Cardiff City Hall. Gavin spoke about how having a child gave him the impetus to write. Several years ago, whilst driving, Gavin had heard a radio show posing the question, “Which sports are carried out backwards?” Puzzling this over, Gavin had driven past a lone horse in a field and thought to himself, “What could make a horse walk backwards?” Fables from the Stables was born!
Gavin’s session was fun and interactive, geared towards his 5-9 audience. The children and adults enjoyed the quizzes and were treated to a reading from Gavin’s latest book, Hayley, The Hairy Horse. Having been educated on the varied uses of horse hair, we were left on the proverbial cliff with the reading ending enigmatically: “Would the lovely, hairy Hayley lose her whole tail?!”
Mummy found herself volunteered (thanks to Nina and Kit) to represent a rock star in the Hendrix the Rocking Horse music round. Standing in front of a room full of children and adults, holding an inflatable guitar, with stripy socks on her wrists and red knickers on her head, was not how we had imagined our weekend to run. By the 5th tune Mummy became more accustomed to her role and rocked out with a reasonable amount of energy to “Peppa Pig” and “Old McDonald”.
Thanks to Gavin for a really fun and engaging session. The books have all been hits for the younger bookworms and the grown-ups found plenty to chortle at too!
Saturday afternoon was given over to The Girls by Lauren Ace and Jenny Løvlie. This session had a distinctively chilled out flavour with the audience encouraged to snuggle up with the fabulously enticing pile of cushions covering the front of the room. Girls made chairs, beds, cars and lounged comfortably whilst Lauren and Jenny spoke of their inspirations and ideas behind the illustrated story.
The importance of friendship was at the core of the session. The illustrations are beautiful, complimenting and enhancing the impact of the deceptively simple text. One of the great joys of The Girls is its ability to engage readers, regardless of age. Certainly the Mums in our session had as much to talk about as their daughters. Both Lauren and Jenny spoke of their own friendships and how growing up – either in a busy world of family and friends, or in a remote Nordic village (being the first child born in 12 years, amongst a population of 30!) – is shaped by the people we surround ourselves with. We were all delighted with the prospect of a follow-up, The Boys.
Nina and I enjoyed drawing our own best friends and the whole group were delighted to share names and descriptions of friends, who were then turned into perfect little drawings before our eyes. Løvlie’s talent is in her ability to translate human spirit into art and her humble “I’m an illustrator, it’s what I do,” understates her great talent. Løvlie delights in her work, describing how her soul lifts as she enters her workplace, where she is surrounded by what sounds like a remarkable hub of creatives. Lauren has started writing more recently and finds the outdoors to be the best location for harvesting her ideas.
The two women have an obvious bond, derived from this first collaboration. We were lucky enough to have a chance to speak with them both after the session and their warmth and enthusiasm for life in general was pretty intoxicating.
Following a well deserved rest (and a visit to a few Cardiff cafes, bookstores and record shops), and a good sleep, we returned the next day to meet Karin Celestine and her tribe of felted creatures. It was a real pleasure to meet Karin and spend some time with her afterwards, but none of us (Daddy worm especially) could contain our joy at meeting Bert, Bertram, Granny Dandelion, Grandpa Burdock and the gang. There was so much adoration in the room for these creatures, who under Karin’s leadership bring kindness, compassion, love and understanding in a world often blighted by worry, intolerance and cruelty.
Karin read from Bert’s Garden (Graffeg), a simply wonderful tale about the über-kind Bert who loves having a sit in the garden, with tea and biscuits, and welcoming visitors with beautiful produce. He is caring towards all creatures in his garden, including the slugs and snails and the bugs that wake him in the night. In the story, he provides a new home for some beetles who are enormously grateful for somewhere cosy and dry to live. The assembled group of 4-7 year olds were then encouraged to get stuck in to making bug houses, and were all delighted to take them home with a sticker and a packet of seeds.
The ninth book from Celestine and the Hare, Helping Hedgehog Home, is due for publication later this month and completes the Tribe ennealogy (yes, we looked that up – it’s an art work in nine parts). We had a wonderful chat with Karin* after the event and asked her a bit more about Hedgehog. She told us, “There is more humour in this one, but still with an ecological message.”
“A lot of the environmental issues can be too big and too frightening for young children – as a child you can feel completely helpless to do anything about it. I remember the ‘Save the Tiger’ campaign from when I was younger, and short of buying a membership to the WWF there was nothing I could do – and for me, that’s not very positive. I want anybody to be able to do something to help. Similar to today’s event – anyone can make a bug house and make a difference and that’s what we did.”
*We’ll publish a full interview with Karin later this month to coincide with Helping Hedgehog Home.
In the back of each of Karin’s books there are some suggested craft activities that readers can engage with – such as making a bug house. In the new book, as the Hedgehog tries to find her way home by making a hot air balloon, readers can try their hand at making one from papier mâché. Do not worry too much about Hedgehog’s escapades, because as Karin revealed to us, “Granny saves the day in a very simple and sensible way.”
It’s fair to say that we had a brilliant weekend in Cardiff thanks to the Cardiff Children’s Literature Festival. A truly fabulous festival with a wide variety of events for all ages. The second weekend continues to feature amazing authors and we’re sad that we can’t get there ourselves. If you get the opportunity, do take a look at their website, even just to keep yourself in the loop for next year.
We received complimentary tickets to the above events thanks to Cardiff Children’s Literature Festival. They also helped us to arrange conversations with the authors.