Eyes of Me

Through The Eyes of Me

Jon Roberts

Illustrations: Hannah Rounding

Graffeg

Through The Eyes of Me is an adorable, heartwarming celebration of a child with autism. Written by Jon Roberts and inspired by his daughter, we learn of the everyday pleasures and quirks of four year old Kya. Broader than this, it is a celebration of the individual and what makes us who we are.

The picture book is brimming with delightfully playful illustrations by Hannah Rounding who expertly conveys Kya’s world with charm and love. Author Jon Roberts talks more about the book in this video:

I shared the book with Nina (age 8) who empathised greatly with Kya and recognised the characteristics of autism before it was made clear. She has friends in school who are diagnosed with autism and knows individuals who share some of Kya’s dislikes – particularly loud noises and strangely textured food. She also recognised that she was like Kya in some ways and we were able to have a conversation about similarities and differences between individuals.

The book warrants endorsement by an autism charity – Jon Roberts’ text encourages empathy and understanding and the book should be available everywhere it might educate, inform and help as broad an audience as possible.

Goodly and Grave

Goodly and Grave in a Deadly Case of Murder

Justine Windsor

Harper Collins

In the first Goodly and Grave, we are introduced to the characters and learn how Lucy Goodly and Lord Grave become the unlikeliest of crime-cracking partners. It’s a fast-paced, madcap adventure full of warmth and humour (as well as plenty of weird and wonderful plot twists and more than a splash of mayhem). Oh and they have magical powers. I guess the books would appeal to children around the age of 7 to 10; and as a teacher I couldn’t wait to share this book with my Year 4 class, who lapped it up, laughed out loud and were eager to learn of a sequel.

So for the second book, we follow Lucy’s adventures as she joins Magicians Against the Abuse of Magic (MAAM), hosted by Lord Grave. Soil is being stolen from freshly-dug burial grounds and it’s up to Lucy, Bertie (Lord Grave’s son), Smell the cat and the rest of the cast of Grave Hall to piece together the mystery.

As you may suspect from the title, this second book has a darker and more sinister tone; episodes in graveyards at midnight, a disreputable inn, and the creation of powerful creatures that can be used to carry out your will. Not to mention the murders. This is all great news for the plot which zips along with plenty of momentum and a number of surprising turns. The whodunnit element will be guessed early on by the mature reader, but that doesn’t detract from the entertaining chase.

Throughout, Justine Windsor continues to add detail to the magical world she has created. Lucy is constantly learning of new powers and magical phenomenon as the book (and the series) develops. Windsor’s writing is full of verve and seems effortless; I really admire the vocabulary choices which will challenge and inspire the young reader.

 

Illustrations by Becka Moor really support the identity of the book – hilarious depictions of zombie giraffes are one of the highlights and there are plenty of other comedic episodes. Becka has done a great job in anchoring a victorian ambience to the book, particularly through the Penny Dreadfuls, picture frames, character costumes and endpapers.

This all adds up to a very amusing, slightly eccentric and thoroughly entertaining read. Recommended.

Journey to Dragon Island

The Accidental Pirates: Journey to Dragon Island

Claire Fayers

Macmillan

This book is a romp! A raucous and rapturous, riotous romp. It is full of mirth, brimming with humour and has more adventure than you thought possible!

Following on from the successful first instalment, ‘The Voyage to Magical North’, Brine Seaborne and her accidental pirate crew set off on The Onion in search of dragons and to discover her true home. The crew is quite a large one, and if you haven’t read the first book, you may want to start there to ensure you’re familiar with everyone. Amongst them, you’ll meet anxious Peter, who can do magic, a special almost spiritual kind of magic, but is nervous that it will all go wrong (because it has done in the past); and you’ll meet Tom, a librarian with many wise words.

The plot moves quickly and is full of twists and turns; sometimes coming in quick succession, and always keeping you on your toes. There is a ghost; there are dragons, dinosaurs, volcanos, and at one point they fall off the end of the world. This really is life or death stuff, but it’s imbued throughout with a great deal of fun and Claire Fayers stays in total control as she steers us through quicksand, flesh-eating vines and that terrifying volcano.

The characters are extremely likeable and despite the fantastical situations, their emotions and relationships are very real. At the heart of the book there are life-affirming messages of resilience, self-belief and friendship, as the crew work together to discover Brine’s true heritage.

A brilliant comic-mystery-adventure that leaves us yearning for the final book in the trilogy.

Aubrey and the Terrible Ladybirds

Aubrey and the Terrible Ladybirds

Horatio Clare / Illustrated by Jane Matthews

Firefly Press

I love sharing books with Noah. We read together at bedtime, snuggled on beanbags in his bedroom. Last year, we read Aubrey and the Terrible Yoot, Horatio Clare’s first foray into children’s stories; a deeply affecting and skillfully crafted novel with touches of fantasy and lots of heart. It instantly became a favourite book for both of us and we have been anticipating the arrival of these ladybirds for a while, and there was absolutely no way I was going to let him read it without me.

Aubrey can talk to animals, but that’s a moot point. At the start of his Easter holidays, he is shrunken to the size of a ten pence coin and is visited by a spider asking him to save the world. You see, a family of ladybirds has arrived from overseas – they are not like the domestic ladybirds and are not welcomed. What starts as a small argument between ladybirds (“They’re not from round here. They’re big and weird. Go back to where you came from!”) develops into an extremely unattractive fracas involving all the animals of Rushing Wood.

There are big themes at work here, with issues of tolerance and respect at the core. I can’t help but revel in the irony that Clare uses animals to teach lessons about humanity. Aubrey discovers that insects on the continent are being poisoned by farming methods, which in turn affects the food chain – “If you don’t help us the insects will vanish. The plants won’t grow and the animals won’t eat. And humans are animals too.” This is termed ‘The Great Hunger’ and is the reason the spider asks Aubrey to save the world.

You may be thinking that this all sounds very hardgoing, but Clare handles it all with a lightness of touch and great humour: From hapless spy Mr Ferraby the neighbour who reports back to his incredulous wife, to the inspired footnotes dotted throughout the book which support our understanding but also take the reader down surreal cul-de-sac*. The plethora of insects, birds and mammals who make up the cast of this novel are also great fun with their stereotype personas.

There is brilliant storytelling too – from the heart-stopping descriptions of Aubrey clinging to the back of Hirundo the swallow as he tries to outsmart the high speed aerial manoeuvres (and talons) of a Hobby, to the impassioned speech of French human child Pascale.

Aubrey and the Terrible Ladybirds is a fantastic book. Nine year old Noah “absolutely loved it” because it was full of awesome adventure and has slotted it next to Terrible Yoot in his Top Ten books. Undoubtedly, The Ladybirds will have a wider appeal than Yoot, bringing it to the attention of a bigger audience. That audience will understand that Aubrey and the Terrible Ladybirds is a book about the universal truths of love, compassion and kindness – to each other, to the environment and to the animals.

Aubrey and the Terrible Yoot can be purchased from your local independent bookshop, or online.

We are grateful to Firefly Press who provided a copy of this book in exchange for an honest review.

FOOTNOTE

*This is the correct plural of cul-de-sac, coming from the French, literally meaning “bottom of the bag”. Some dictionaries allow cul-de-sacs but this is madness. In this case, it is used metaphorically to express an action that is an impasse**.

**Impasse describes a situation in which progress is impossible.

Sweet Pizza

Sweet Pizza

G.R. Gemin

Nosy Crow

Sweet Pizza is Giancarlo Gemin’s second book. His first, the highly praised Cowgirl, won the Tir Na n-Og Award in 2015 and was nominated for many others. Giancarlo was born in Cardiff to Italian parents.

Sweet Pizza is about a South Wales valley café under threat; Joe’s mam is stuck in a rut – she’s down in the dumps, jaded by the daily grind and is beginning to accept that the café’s days are numbered. Her son Joe, however, has an entrepreneurial spirit like his immigrant ancestors; he is unwilling to accept that the café is a lost cause and has ideas to breathe new life into it and make it the centre of the community once more.

Maybe Joe’s mum is so weary because her dad (Joe’s Nonno) is so unwell – or maybe she’s tired of seeing the jobs, investment and soul being ripped from the valley. Joe is proud of his heritage, proud of his ancestors, and proud of the valley in which he lives.

Throughout the book, we learn more and more of how Joe’s family, like many other Italians in South Wales, came to settle in the area. Joe is getting his Nonno to record the family’s history before the inevitable happens.

The novel reads like a soap opera – a good soap opera, where you get a real insight into the family’s life, getting to grips with their relationships, their fears, their motivations, their triggers, their highs and lows. The characters are very real and you feel their frustrations as well as their joys.

There’s a lot of wit and humour in the book and I adored the depictions of the generous and charismatic people of the valley. The dialogue is full of verve and oomph – the valleys lilt and Italian-Wenglish dialects add to the appeal. More than anything, this book is a warm celebration of that diverse community, coming together to celebrate fellowship, identity and heritage.

Akin to home-cooked Italian food, the narrative is charming, comforting and made with love. But there is also great skill at work here – for something to appear so life affirming and tasty.