We are absolutely delighted to be able to reveal the cover to the 3rd installment of Grace-Ella’s adventures, written by Sharon Marie-Jones with illustrations by Adriana J Puglisi.
Grace-Ella: Pixie Pandemonium promises yet more fun, adventure and magic with everyone’s favourite young spell-maker and her cat, Mr Whiskins. Publishing with Firefly Press in June 2021, Pixie Pandemonium continues the school-based series, promising naughty pixies and an environmental theme.
So here’s what you’ve been waiting for…
The cover is designed by Claire Brisley with illustration by Adriana J Puglisi. We love how the three covers in the series compliment each other so well…
Here is a summary of Pixie Pandemonium:
When Buddy the pixie smuggles himself into her backpack after Witch Camp, Grace-Ella lets him stay, even though Mr Whiskins tells her pixies are trouble. She takes him to school – but he soon escapes and causes all kinds of mischief.
It’s all fun, until searching for Buddy, Grace-Ella sees someone stealing the school’s charity fund. Will anyone believe her? With her best friends, a naughty pixie and of course Mr Whiskins by her side, can Grace-Ella save the School Fair?
We have a huge Grace-Ella fan here at Bookworms Wales HQ and she cannot wait to read this new installment. Grace-Ella: Spells for Beginners is “super-amazing and very imaginative“, whilst Witch Camp is “an awesome read!” Looking forward to adding a third picture and review here very soon…
Grace-Ella: Pixie Pandemonium is published on 17 June 2021 by Firefly Press. You can pre-order at the Firefly website (or buy the first two books at January sale prices) and follow Sharon on Twitter for more updates.
Huge thanks to Meg, Janet and Simone at Firefly for inviting us to do the reveal. They’ve got big things planned for this year, so keep an eye out on their social media channels too.
A new novel from Zillah Bethell to be published by Usborne in July 2020.
The Shark Caller is Zillah Bethell’s remarkable new book that leaves you completely stunned and totally in awe of the wonderful storytelling.
Inspired by Bethell’s childhood, The Shark Caller is set against the backdrop of the islands of the South Pacific, and their traditional practice of shark-calling. Zillah was born in the shadow of the volcano Mount Lamington in Papua New Guinea. She grew up without shoes, toys or technology, and consequently spent a lot of time swimming and canoeing in the sea. Zillah’s family returned to the UK when she was ten, she went on to study at Oxford University and now lives in South Wales, but vivid memories of Oceania stayed with her.
Such a stunning book deserves a glorious cover and we are absolutely delighted to exclusively reveal the image below. The cover has been illustrated by Saara Katariina Söderlund, and designed by Katharine Millichope.
Saara Katariina Söderlund is a freelance illustrator. She paints with gouache, sometimes mixing coloured pencil or digital tools into the process. Her own paintings often focus on her love of nature – so for a book set in Papua New Guinea, she was a perfect choice. Saara told us, “I absolutely loved working on this cover. The book has such a special mood and I think it really takes you to the island. I truly enjoyed interpreting that feeling for the cover – and painting all the colourful fish of course!” Saara has also recently illustrated The House of One Hundred Clocks by A M Howell.
Zillah says, “Saara Söderlund has given the greatest gift of allowing me to reinhabit the landscape I left when I was ten. Papua New Guinea in all its fierce, mercurial, quixotic beauty. And I am so very grateful to her.”
You can find out more about Saara’s work on her Instagram, @saarainfeathers or visit her website.
“The sea is always there,” I say. “It always has been. It always will be. People are born and people die. All the taim they are being born and dying, and all the taim in between, the sea is moving up and down, up and down. All the taim. It never ever stops. Never in all taim.”
Blue Wing lives with her guardian Siringen, a shark-caller, on the outskirts of her village. She’s desperate to become a shark-caller herself to avenge the death of her parents, who were killed by a notorious shark, Xok. But it’s against tradition for a girl to become one, and Siringen believes Blue Wing still harbours too much anger in her heart.
When two Americans arrive on the island – Professor Atlas Hamelin and his daughter Maple – Blue Wing is charged with looking after the prickly and infuriating Maple. But, slowly, Blue Wing finds that Maple might be the one person who can understand what she’s going through, having recently lost her own mother. And when they discover that Professor Hamelin is secretly searching for an ancient treasure, they find themselves on a journey to the depths of the ocean, where Xok lies waiting…
The Shark Caller is really something! My first impression after reading the book was to sit, jaw dropped in stunned silence. The book touches the heart, and speaks to the soul.
Let me lay my cards on the table. I am a big Zillah Bethell fan. The Extraordinary Colours of Auden Dare, her last book, is one of my absolute favourite novels of all time. I am a sucker for good storytelling, the best of which, for my money comes from Katherine Rundell, Gill Lewis, Kiran Millwood-Hargrave, Catherine Johnson, SF Said and Sophie Anderson. I’d put Zillah in this list. These are authors who have a magical ability to craft their stories. Before you read the review, know that I loved it and want you to love it too.
The story is set in New Ireland, Papua New Guinea where Blue Wing and her guardian Siringen are charged with caring for a visiting professor and his daughter. The girls take an instant dislike to each other, but slowly realise they have things in common and a voyage of both self-discovery and learning the ways of friendship begins.
The landscape is beautifully portrayed and we are given a real sense of the geography of the country. A vista of small towns and mines is painted alongside the mountains, forests and shimmering Pacific seas. The flora and fauna of the island is an integral part of the book, not least the sharks, whales and dolphins that swim alongside Blue Wing and The Shark Caller.
The novel is a technicolour, cinematic delight. There are highly vivid, intense scenes; wide-screen viewing in 4D could not be more impactful. Yet this is the joy of reading and particularly the joy of Zillah’s writing – she somehow makes us feel the expansiveness of the landscapes alongside the intimate thoughts and deep emotions of the characters close-up.
There is a juxtaposition between the traditional island ways and the Westernisation of the culture. The ‘Bigman’ (village chief) is a symbol of this: swigging Coca Cola, disowning his heritage and admonishing those who take the remedies of the village witch doctor. His incompatibility and ineptitude with the old ways is often depicted with humour particularly in the awkwardness with which he wears his ceremonial dress.
Bethell’s narration inhabits the character Blue Wing, bringing life and love to her thoughts, actions and talk. Throughout, there is huge wisdom. I particularly like this:
People are like rocks on the shore. The sea will slam into the rocks day after day after day. Hour after hour after hour. Oltaim. But the rocks still look like rocks, they do not become something else. There might be a few scars and parts of the rock might crumble like dust into the sea.But they are still almost the way they were when they were created by Moroa.
The same is with people. There is nothing that can happen on this world that will stop a person being who they are. We are all born a certain way, and we all die a certain way.
This is an astonishing book. An exceptional story from an incredibly talented writer. Read it open-mouthed in wonder at the storytelling, revel in the wisdom, the sage and salient thoughts of Blue Wing, the remarkable sensitivity and deftness of touch on essential human themes of life, death, love, family and friendship. More than anything, just read it.
Thank you to Usborne, Zillah Bethell and Stevie Hopwood for choosing us to reveal the cover and for gifting a proof copy of the book. Follow Zillah and Usborne on Twitter and seek out Saara Katariina Söderlund on instagram.
We are delighted, enthralled and completely enraptured to be taking part in The Comet and the Thief Blog Tour. We are pleased because The Comet and the Thief was written by Ruth Morgan, one of our favourite authors. We are pleased because today is launch day for The Comet and the Thief. And we are pleased because the book is really rather good.
So before we get to the blog tour extras, let’s tell you about the book. I, Daddy Worm, was given an early digital copy of the book by publishers Gomer and I absolutely loved it.
The story centres on Kit, the eponymous Georgian thief, who finds a mysterious and magical medieval book which connects him to the inhabitants of a cursed village 300 years in the past. Evil Lord Colwich is also after the book, having initially hired Kit to steal it for him, and a tense chase ensues.
It’s an intriguing and engrossing adventure as Kit flees London and affiliates with Saroni, a travelling puppeteer in Bath; which proves to be a decent hiding place if only for a short amount of time. It gives Kit some breathing space to be able to explore the book and the villagers who each have their own page. Kit strikes a bond with Zannah and ultimately works out a way to go through the book and into the village. Colwich is no quitter though and he is determined to find the book. Will Kit work out how to save the villagers or will Colwich catch him before he can?
If you are familiar with Ruth Morgan’s other recent release, Ant Clancy Games Detective (Firefly Press) then you will know that it is a brilliantly fun and immediate fantasy adventure – perfect for 9-12 year olds. The Comet and the Thief is quite different; aimed at a slightly older audience (11 to YA?), it’s sophisticated storytelling and intricately weaved plot lines exploring trust, friendship and witchcraft are an absolute joy, forcing the reader to surrender to the thrill of Ruth’s virtuosity.
What the two books have in common is that they are both extremely well crafted, with inventive worldbuilding and insightful commentaries on their subjects. This book surely cements Ruth’s reputation as a writer of real quality and ambition, who should be revered as one of the best in Wales right now.
The Comet and the Thief is a vividly imagined, pullman-esque page turner. It is a totally compelling and brilliantly written novel, perfect for fans of Julie Pike, Frances Hardinge and Kiran Millwood-Hargrave.
And now to the blog tour extras… Ruth Morgan has very kindly written this exclusive content about her writing routine…
Ruth Morgan: “My Writer’s Routine”
A couple of years ago, I visited an exhibition about ‘Queen of Crime’ Agatha Christie at the National Museum of Wales in Cardiff and one exhibit in particular grabbed my attention: her well-travelled typewriter. Agatha wrote many of her detective novels whilst accompanying her archaeologist husband Max on his expeditions to the Middle East and I found it touching and reassuring to discover that she got on with the task of writing wherever she went and whatever the conditions. I must admit, I still occasionally dream of my perfect writer’s retreat: an uncluttered desk, a view of the sea and uninterrupted hours during which the words flow effortlessly onto my laptop screen. It will always remain a dream but that shouldn’t really matter. The fact is, if setting up her modest typewriter on whatever she could balance it on that day was good enough for Agatha, it’s good enough for me!
I have got my own routine when I write, and it has evolved to fit into a busy life with the everyday demands of family and also my much-loved work as a part-time teacher in a local primary school. I have been teaching for thirty years and writing for children seriously for about twenty but that’s covered everything from picture books, poetry and non-fiction to scripts for animation and radio. I am one of those writers who does as little planning as possible because I love the adventure of not knowing where the story’s going to take me. There are real thrills to be had along the way, as more and more of the story reveals itself. That’s why I only ever begin a longer novel with the vaguest idea of a plot, although I have to keep feeling an excitement and belief in the ideas at the heart of the story, in order to know it’s worth carrying on. In the day-to-day business of writing, I tend to think in scenes and particularly love writing dialogue.
Here it is then: the innermost secrets of my writer’s routine. In the evening I’ll unwind by listening to music or some light reading, basically the aim is to feel happy and relaxed at bedtime. Then, when I’m in bed, I think around and about the scene I intend writing the next day, for example what the characters are going to say to one another or what’s going on in my hero’s mind, which will often be reflected in their surroundings. Crucially, I consider how that scene is going to drive the story on, but not in a stressy way: these pleasant thoughts simply drift around in my head as I drop off to sleep. I will get up early the next day – a non-teaching day – and start by editing what I wrote the day before. Then I’ll carry on writing the next scene and a lot of the groundwork will have been done already, although I still won’t know exactly what’s going to happen: that will emerge as I write. If it’s a good day, I’ll complete at least half a chapter, 1,500 words or more before I have to go and do the shopping or organise some other family stuff to keep our home lives running smoothly. On a not-so-productive day, I’ll only get as far as editing the last bit. On a hopeless day, something else will happen and I’ll have to shelve my plans altogether. Most of the time, I manage to get something onto my screen. I am definitely a morning person when it comes to work, and if I can produce something I’m happy with by 9 a.m., the rest of the day’s looking good.
Not very exciting sounding, is it? No-one sees the thrills: those go on inside, but you have to work hard for them. However, there’s something else. When you are really into a story and have got to know your characters well (which is vital, your number one job as a writer, really), it’s like having an alternative life you can dive into and daydream about at any boring moment. In The Comet an the Thief, I especially enjoyed writing the theatrical scenes, where my hero Kit is learning his craft as a performer from his master, the puppeteer Saroni. Several times in the queue at the supermarket I floated off into a wonderful daydream and witnessed one of their marionette shows playing in some wayside tavern:
Kit would peep from behind the stage and was amused to see the audience enthralled by his master’s performance, their expressions altering as he played with their feelings almost as though they were puppets too. In some of the coaching inns, the crowds were squeezed in rows several deep along the balconies as well as down in the yard.
I realise all I’ve talked about here is me, me, me. When I write, I am thinking about my young readers too, I promise! I hope that if I get excited about and engrossed in a story, that’s going to communicate itself to my readers. It also adds another dimension to my life and that’s a wonderful feeling, one I would lose were I stressing about when to find time to write or beating myself up over not having written enough that day. I think if you are like me and have lots of tasks to juggle, you have to find some routine of your own and accept that conditions and never going to be perfect. Anyway, when there’s a lot going on in real life, there’s plenty of inspiration to draw on. What would I write about at that uncluttered desk staring at the sea for hours on end? My mind would be a blank!
THANK YOU SO MUCH RUTH FOR YOUR TIME AND COMMITMENT TO THIS BLOG!
Ruth has been writing for children and young adults for more than 20 years, everything from picture books to novels, plus many scripts for animation and radio series. She is also a part-time teacher at a local primary school – a constant source of inspiration. In the small amount of time that’s left, she loves to dance, play ukulele and stargaze. You can follow Ruth on Twitter @alienruth and Instagram ruth.morgan.ant.clancy
We are delighted that Julie Pike has written this wonderful guest blog for us. Her debut book, The Last Spell Breather, came out in July and is a brilliant and magical fantasy adventure. Here, she tells us how the book was inspired by the land in which she was born and grew up.
When I set out to write The Last Spell Breather, I knew I wanted to create a spell-binding adventure. To bring the fantasy to life, I decided to set the story in a magical faraway land. But after I’d finished writing it, I realised the story was actually set in the place I grew up in Wales; a place where I’d had many adventures as a child, a place where – when it came to stories – anything seemed possible.
I grew up on a council estate called Longford, on the outskirts of Neath. It’s a wonderful spot, nestled between a stream, a hill, woodland, a river and a mountain. In my story, the hero, Rayne, grows up in a remote village. When I came to think up a name for her village, I wanted the place to feel like home. I grew up on a street called Heol Penderyn. So, it seemed natural to name her village Penderyn (which I later changed to Penderin, to make it sound more magical).
In the story, Penderin is nestled under a mountain, just like Longford is nestled under Drumau Mountain. It was up there that my friends and I had many adventures growing up. I cooked bacon and eggs on an open fire on its slopes as a Guide. At the very top, there was a rundown farmhouse, with its roof caved in. The house was completely empty, save for a mysterious pile of old medicine bottles made of thick glass, which wouldn’t smash even when I foolishly threw them against a wall. Those glass bottles came home with me and stayed on my shelf and in my imagination. Later they wormed their way into my story.
Neath has a fine Victorian Library. Its many books are one of the reasons I grew up to be a keen bookworm. As a child, Mam would take me there every week, regular as clockwork – both of us heading home on the bus with a pile of books each. In my story, Rayne’s mother goes missing. It didn’t take me long to work out where Rayne might find her. Yes, you’ve guessed it – she finds her at the library. But not just any library, she finds her at the Great Library. I’ve come to learn that libraries are places of magical possibility, their words have the power to transport you on amazing adventures. And that’s exactly what happens to Rayne when she finds Mam.
Thinking about it now, my story has other similarities to my childhood too – not just the setting. I grew up in the 1980s. Back then people hardly seemed to worry about whether children playing outside unchaperoned would be safe. I remember spending long summer days outside having adventures. In the evening, Mam would stand on the street, calling me and my brother home for tea. I’m sure a small part of her worried where we were and if we were okay, but I’m also sure the bigger part was more concerned we weren’t home when we said we’d be, and the tea would spoil. Looking back, even though we were playing away from the house, Mam made it easy for us to believe the whole estate and surrounding land was a safe place. If she’d been worried, we would have been too, and we’d have stuck to the house and garden. Thinking about my story now, it’s no surprise to me that in Penderin, Rayne’s Mam creates – magically creates – a safe place for her daughter. In fact, the whole story is based on this, and what happens when she finds out that her home is no longer safe.
Perhaps I did after all set The Last Spell Breather in a magical land. Just not a faraway land. I set the story in Wales because my home (and now Rayne’s home) is, and always has been, a land of magic.
Thanks to Julie Pike for taking the time to write this exclusive blog for us. You can read our review of The Last Spell Breather here.
“Ceri is a cat, and Deri is a dog. Ceri has stripes and Deri has spots. They live in a small town near a big hill and they do everything together. They are best friends.”
So begins each of the four Ceri and Deri books by Max Low – an opening reminiscent of the comforting familiarity of Lauren Child’s Charlie and Lola series. Across the four books, Max, a graduate of Hereford School of Art, ensures that friendship and fun is at the heart of the duo’s adventures. The latest two titles have just been published by Graffeg and they are beautifully produced.
There is an immediacy and vibrancy to Max’s illustrations that radiates so much joy and youthful energy I want to hang the pages on every wall in the house. It’s fresh and fun and I love the way Max plays with shape and line and limits his palette to shades of the same colours. He makes some bold choices too – a favourite page has to be the illustration of the sea in The Treasure Map.
The stories have an educational edge too – not that these are text books, but reading these books with young children will support their understanding of directions (Treasure Map), time (No Time for Clocks), counting, sharing and design. The emphasis, though, is most definitely on fun.
In The Treasure Map, the two friends follow directions in search of pirate treasure, helped along the way by their companions. In Build a Birdhouse, we see Max at his imaginative and creative best as Ceri and Deri design a perfect (read: wacky and wonderfully weird) house for a homeless bird. It’s in this book that Max hits on a universal truth: “No one actually uses dining rooms do they? So let’s fill it full of balloons!”
Playful, engaging and full of humour, the Ceri and Deri books are fabulous picture books made for sharing. Max Low is an extremely talented illustrator and we can’t wait to see what comes next – which is another book, ‘My Friends’ due to be published by Otter Barry in July!
Helping Hedgehog Home is the ninth book in this wonderful series of tales about the felted creatures undertaking simple acts of kindness. In this installment, Hedgehog is locked out of her home when a fence is erected. In an attempt to make a return, she builds a hot-air balloon to sail over the garden obstacle. Unfortunately, she crash lands into Grandpa Burdock’s domain who then tries to ‘help her home’.
All of Celestine’s books overflow with kindness, but this one is extra special. I think it has something to do with the character of Grandpa Burdock – he is keen, talkative, enthusiastic and ever so lovable. Hedgehog is fed (freshly baked bramble biscuits and a cup of tea!) and taken care of while Grandpa thinks of ways to overcome the fence. Karin Celestine has a wicked sense of fun and mischief – seen in the inventive drawings of Grandpa’s suggestions. Hedgehog is naturally concerned when she hears of the ‘hedgehogapult’. Thankfully, Granny Burdock returns at the right moment with a far more sensible solution for returning Hedgehog to her home.
Helping Hedgehog Home made us giggle; it made us fall in love with Grandpa Burdock; it encourages us to show warmth and kindness to neighbours; it tells us of the importance of taking time to sit and stare; and, thanks to the informative pages at the back, taught us some groovy facts about hedgehogs.
Helping Hedgehog Home was enjoyed by the whole family and we were delighted to meet Karin at a workshop as part of the Cardiff Kids Literature Festival a few weeks ago. She kindly gave us some time to ask her some questions. We began by asking about the name ‘Celestine and the Hare’:
“Celestine was my great grandmother – I come from a line of strong Swedish women – Karin is my mother and her mother was also Karin, and her mother was Celestine. I have a bust of Celestine in my studio, which I inherited from my mum, and she’s always looked over me as a matriarch – reminding me of the line of strong, adventurous and very creative women. I was looking for a name for my business so Celestine appealed and I also like hares – they are magical and I particularly love the mythology associated with women shape-shifting into hares. I’d also made a hare which sits next to Celestine and it was as simple as that – Celestine and the hare.”
Karin also uses a pen name (we’re not quite sure what her real name is!), which came about by mistake. She explains, “I had been dithering over what to call myself and I went to an event where they had mistakenly made a name badge for me saying ‘Karin Celestine’ and I thought ‘That’s quite nice!’
The Karin Celestine books came about after Karin had been making the felt animals and selling them, but as she was making the characters she gave them backstories and invented silly narratives. “I did a calendar and cards for Graffeg and they asked if I had considered writing a story. I was also encouraged by Jackie (Morris) to have a go. It was strange because I had never been encouraged in school to write – in fact I was told I couldn’t write and was the worst at crafts! So I wrote ‘Paper Boat for Panda’ and cried as I submitted it.”
Whilst the felted creatures get up to all sorts of hijinks and tomfoolery (especially in the films and photos Karin shares on social media), the books turned out with added empathy, “I have a huge thing about kindness – it is so important; kindness and mischief – that’s my strapline and the books turned out gentler. And because I’d been a teacher there are messages – I’ve slipped things in that I know children need to hear.”
Nine books on, and Karin brings us her new story about Hedgehog. She told us, “There is more humour in this one, but still with an ecological message.”
“A lot of the environmental issues in the news can be too big and too frightening for young children – as a child you can feel completely helpless to do anything about it. I remember the ‘Save the Tiger’ campaign from when I was younger, and short of buying a membership to the World Wildlife Fund there was nothing I could do – and for me, that’s not very positive. I want everybody to feel they are able to do something to help.”
In the back of all of Karin’s books there are some craft activities, many with an ecological theme – building bug houses, weaving, making suncatchers. “We should all be back garden eco warriors – the activities are something that any child can do and feel good about. They then grow up thinking they can make a difference.”
Making a difference is exactly what Karin’s books inspire through the actions of Grandpa, Grandma, Bert, Bertram, Emily, Small, Panda, King Norty, Baby Weasus and all the tribe. Kindness and mischief and making a difference.
To buy copies of Karin’s books with personalised dedications, visit her website where you can find lots of other information and activities. Huge thanks to Karin for giving her time so generously and thank you to Graffeg for the copy of Helping Hedgehog Home, given in return for an honest review.
For more Weasel Wednesday and Choklit stealing, follow Karin on Twitter or Facebook.
In Claire Fayer’s fourth novel, Storm Hound, one of the dogs from the Wild Hunt falls to earth and lands near Abergavenny. In a special blog post, marking the publication of this new fantasy adventure, Claire explores the legend of The Hunt.
I am Storm of Odin, he said, Stormhound of the Wild Hunt, follower of Odin One-Eye, also known as Arawn of the Otherworld. I run with thunder and lighting and all creatures tremble when I pass.
didn’t look very impressed.
You have gravy on your nose, the old dog said.
Imagine, if you will, that you are standing on top of a
mountain in the rain. Night is falling. (I have no idea why you’d want to climb
a mountain in the rain, especially when it’s getting dark, but I’m sure you
have a good reason.) Thunder rumbles close by, and then the sky is split with a
flash of silver lightning. In that moment, as you gaze upward, your rain-filled
eyes can just about make out shapes racing through the clouds. Horses and dogs.
The next time the wind howls, it sounds like the ring of hunting horns.
Be very careful climbing back down that mountain. To see
the Wild Hunt, according to legend, means that disaster and death is coming.
The Wild Hunt of Odin.
Peter Nicolai Arbo, National Gallery of Norway
The Wild Hunt appears in many guises across northern
European mythology. In most traditions, the Hunt represents chaos, the forces
of the supernatural world. It is a presage of disaster. At the very least, the
person who sees the Hunt is likely to die.
One of the things I like most about the legend is its
ambiguity. A glimpse of riders hurtling across the sky. No one really knows who
they are or what they are doing. The various legends can’t even agree about who
leads the Hunt. In Germanic folklore, it is Odin, in some areas of England it’s
Herne the Hunter or King Arthur. Here’s an extract from the Peterborough
Chronicles, referring to a sighting of the Wild Hunt in 1127.
Many men both saw and heard
a great number of huntsmen hunting. The huntsmen… rode on black horses, and on
black he-goats, and their hounds were jet black, with eyes like saucers and
Meanwhile, in Wales, you’ll find the Hounds of Annwn –
the hunting hounds of the magical Otherworld, ruled by King Arawn. This is how
they appear to Pwyll of Dyfed in the Mabinogi.
As he listened out for the cry of the pack he heard the
cry of another pack, with a different bark, coming to meet his own… Of all the
hunting dogs he had seen in this world, he had never seen dogs the same colour
as those. The colouring they had was a dazzling bright white and with red ears.
As bright was the dazzling whiteness as the brightness
of the red.
I could have picked just one of these legends to use in
Storm Hound, but one of the big themes of the book is that life is messy and
you can’t put everything neatly into categories. In the end, I thought it was
more fitting to use a combination of them all.
So, if you’re standing on top of Mount Skirrid in the rain, look out for the dogs. Some will be black, some will be white, all will be fierce. And if you see one a bit smaller than the others, struggling to keep up, say hello to him for me. That will be Storm.
Huge thanks to Claire for preparing this blog post for us. To mark the release of Storm Hound, the worms have made a short book trailer. Click here to see their creation.
See the banner below for more details about where you can read more from Claire during the week.
More about Storm Hound… Storm of Odin is the youngest stormhound of the Wild Hunt that haunts lightning-filled skies. He has longed for the time when he will be able to join his brothers and sisters but on his very first hunt he finds he can’t keep up and falls to earth, landing on the A40 just outside Abergavenny. Enter 12-year-old Jessica Price, who finds and adopts a cute puppy from an animal rescue centre. And suddenly, a number of strange people seem very interested in her and her new pet, Storm. People who seem to know a lot about magic . . . In Claire Fayers’ electrifying adventure Storm Hound, Jessica starts to see that there’s something different about her beloved dog and will need to work out which of her new friends she can trust.
Storm Hound is officially published on Thursday 21st February, and can be purchased from your local bookshop. Visit Claire Fayers’ website, and do follow her on Twitter.
We’ve already had a number of exciting releases to devour in 2019. The Colour of Happy by Laura Baker and Angie Rozelaar (Hodder) is a beautiful exploration of feelings for young children – allowing them to interpret and acknowledge their own emotions and develop empathy for others. The Girls (Caterpillar), by Lauren Ace & Jenny Lovlie is a celebration of individuality and friendship. It follows the journey of four girls who meet under an apple tree and they form a bond that lasts a lifetime. The girls grow and follow their individual paths but know that they always have the love and friendship to share the good times and get them through the bad. Meet The Pirates and Meet The Greeks by James Davies (Big Picture Press) are superb non-fiction hardbacks that everyone needs. Filled with hi-res humour these are perfect for any age and should be in every school library in the land.
Three MG novels of real quality are on offer this month. The Train to Impossible Places by PG Bell (Usborne) gets a paperback release. It deserves your attention as it’s one of the most inventive books we’ve read recently. Suzie is a bold heroine seeking justice as she traverses the Impossible Places on a train piloted by trolls. We’d say it’s best suited to ages 8 to 11. Buy it, you won’t regret it. The Closest Thing to Flying by Gill Lewis (OUP) manages to cover so much ground with an incredible deftness. Topics covered include refugees, votes for women and the ethical treatment of animals, making this book a feast for the mind (and a treasure-trove for teachers’ planning). It’s highly emotive, engaging and intelligently written – but then if you’ve read any of Gill’s other books, you’d be expecting that. We’ve just received our copy of Storm Hound, the new novel from Claire Fayers (Macmillan) that has already received a collection of favourable first reviews. We’re looking forward to reading this funny and fast-paced story of the mythical young bloodhound who falls to earth. Claire does magical adventure extremely well so we can’t wait to get stuck in.
The Wonder of Trees is published in March. Non-fiction expert Nicola Davies explores the extraordinary diversity of trees and forests with illustrations by Lorna Scobie (Hodder). This is the same duo who produced The Variety of Life last year, a gorgeous large-format celebration of biodiversity that we often goggle at for hours at a time. We are very excited about Lubna and Pebble, written by Wendy Meddour and illustrated by Daniel Egneus (OUP). A picture book addressing the refugee crisis, it follows the story of Lubna who’s best friend is a pebble she finds on the beach when she arrives in the night. It’s a story that celebrates the human spirit, hope and friendship. We know that Daniel Egneus is a quality illustrator – and the images promise to be both sensitive and skillful. Walker is a new story from Shoo Rayner (Firefly) about a boy who can talk to dogs. Shoo’s well-loved firefly trilogy about Dragons came to a close in 2017, and we’re excited to read this new story aimed at 8-10 year olds.
Several Welsh picture book authors seem to have found a happy home with Little Tiger – and there are two being published in April. We’re very lucky to have seen an early proof of Stefano the Squid, by Wendy Meddour and Duncan Beedie (Little Tiger). The illustrations are top-notch – bold and bright underwater scenes compliment Wendy’s funny and sensitive text about finding the heroic in the ordinary. Stefano lacks confidence in his own appearance – the other creatures seem far more interesting, colourful, amazing even. When disaster strikes, Stefano steps into the limelight. The One Stop Story Shop by Tracey Corderoy and Tony Neal (Little Tiger) is a fun frolic through the magical world of storytelling. We don’t have much more information about this one at the moment, but it’s another quality pairing with a great track record. Graffeg have a number of books scheduled for release in April – the brilliant country tales series from Nicola Davies and Cathy Fisher continues with Mountain Lamb (Graffeg); Ceri and Deri Build a Birdhouse in Max Low’s third installment of the vibrant duo’s adventures; and Helping Hedgehog Home, by Celestine and the Hare (Graffeg) is the 9th little book with a big heart featuring the Tribe. Grandpa Burdock and Granny Dandelion must help Hedgehog get home when a new fence traps her outside the garden. The Sea House (Firefly) written by newsreader Lucy Owen has an intriguing and striking premise. Grieving nine-year old Coral cries so much, she fills her house with tears and wakes to find a magical underwater world. This fantasy story has a focus on the magic of being able to swim through your own house. Rebecca Harry’s illustrations (her 40th book!) make this a fantasy story with a big heart that will appeal to children aged 5+. A Little House in a Big Place (Kids Can Press) by Alison Acheson is illustrated by French-born, Aberystwyth-based Valeriane Leblond. A nominee for last year’s Tir na-nOg Award with Tudur Dylan Jones, Valeriane’s images are compassionate, soulful and beautiful. The ‘big place’ in the title is the prairie, where a little girl stands in a window waving to the engineer on a passing train. Canadian author Alison Acheson has written a deceptively simple book which deals with growing up and what may lie beyond our own familiar surroundings.
Another exciting pairing of author and illustrator will be seen with the release of Hummingbird (Walker) by Nicola Davies and Jane Ray. This promises to be a spellbinding nature book. These tiny birds travel huge distances (from wintertime in Mexico to a spring nesting as far north as Alaska and Canada) and this book follow’s one bird’s migration. Jane Ray is a talented and distinctive illustrator, regularly shortlisted for major prizes – a worthy partner for the incredible Nicola Davies.
The hysterical Fables from the Stables get a new addition in Hayley the Hairy Horse, by Gavin Puckett and Tor Freeman (Faber & Faber). These rhyming tales are perfect for the 5 – 7 year olds who are after a chapter book of their own. We’ve loved every edition so far, and can’t wait for more.
Tracey Corderoy and Tony Neal release their second book of the year with Little Tiger entitled Sneaky Beak, a warning fable about materialism. Ant Clancy Games Detective is new from Ruth Morgan (Firefly). Her last novel Alien Rain was nominated for the Tir na-nOg and was a sophisticated, well-crafted, compelling story, so we’re naturally including this new story in our ‘ones to watch’. Race-Chase is the new virtual reality game that everyone’s playing but gamers are starting to get hurt. Could the problem identified by the game’s creators turn out to be something deadlier? Ant Clancy and his friends set out to investigate. Ariki and the Island of Wonders is the follow-up to last year’s Ariki and the Giant Shark by Nicola Davies and Nicola Kinnear (Walker). We loved this informative fiction – with descriptions of the reef, the wildlife and the geography of the pacific island featured – but it’s the feisty heroine who will get young readers hooked. It’s well-suited to 8 to 10 year olds, but the joy of nature will not be lost on any age.
And in the second half of the year…
There’s a lot more to come from the authors and illustrators of Wales in the second half of the year. News of the following publications is floating our boat at the moment:
The Last Spell Breather, Julie Pike; Every Child a Song, Nicola Davies & Marc Martin; The Princess Who Flew with Dragons, Stephanie Burgis (Bloomsbury); Max Low publishes a book with Otter Barry; a second Grace-Ella story is due from Sharon Marie-Jones (Firefly); a third (and final?) Aubrey book from Horatio Clare (Firefly); a second novel from Sophie Anderson; Peril en Pointe from Helen Lipscombe (Chicken House); there may be a new book from Wendy White, and new books from Dan Anthony and Ruth Morgan will be published with Gomer; a follow up to Through the Eyes of Me by Jon Robinson (Graffeg); Teach Your Cat Welsh and Find the Dragon from Lolfa; and a new Max the Detective book from Sarah Todd Taylor (Nosy Crow).
These two hardback non-fiction releases follow in the footsteps of Meet The Ancient Romans and Meet The Ancient Egyptians. In our house these books are beloved by 6 year old Kit and Mum and Dad too. The same should be true in the rest of the world as they have wide appeal.
Funny, engaging and stylish, their primary aim is surely to entertain and inform. But this is no fuddy-duddy school textbook – James Davies brings new life to well-worn topics, and finds quirky extras to amuse, shock and surprise (Kit’s favourite part of Ancient Egyptians is the mummification of pets!) The factual information is delivered concisely and backed up with the most amazing illustrations. So in Meet The Pirates, we learn who they were, where they came from, parts of the ship, how they navigated and so on. In Ancient Greeks, we are taken through the buildings, the myths, education, art, games and more – both volumes stretch to around 64 pages.
The illustrations (I said they were amazing), add humour and humanity to each page – so we get Homer writing an epic blog; pirates claiming “This looks nothing like the brochure”; Athens’ Got Talent; parrots squawking “Who’s a pretty boy then?” to pirates on a catwalk; Alexander the Great sticking Post-It notes all over the countries of a map claiming ‘Mine’; oh, and some cat references (follow James on Twitter for updates on his own cat, Audrey). Sometimes the humour is hysterically childish, sometimes it makes you laugh out loud, but it will always bring a smile to your face, no matter how old you are.
Within the books we particularly enjoyed the cartoon retellings of historical sagas. Here James really excels with a traditional-looking cartoon format for Pandora’s Box (Ancient Greeks) or The Strange Case of Alexander Selkirk (Pirates). We’d love to see James get the opportunity to work on a comic or graphic novel.
We should also mention the design of this series which has been very well-considered. Olivia Cook and Marty Cleary get the credit at the front of the books – James has designed his own font, and it’s clear that the whole book, from endpapers to maps, timelines, subheadings and page edges, have been thought about in great detail.
Perfect for all ages; from inquisitive 5 year olds, fact-seeking 8 year olds, eager 12 year olds, unashamed 43 year olds and older – we can’t live without these books at the moment, and don’t think you should have to either.
James Davies is from Wales, now living in Bristol. You can see more of his bold, graphic style at his website. You can also follow him on Twitter.
The Meet The… series is published by Big Picture Press and can be bought from your local independent bookshop or direct from the publisher.
Firefly Press was launched in Cardiff in 2013. Spearheaded by publisher Penny Thomas and a team of editors, writers and enthusiasts, they develop around 10 books a year. At the time of launch, Janet Thomas, editor, was quoted as saying, “We aim to publish the best in storytelling, writing and design for a Welsh, UK and world market. Our stories may be funny, scary, magical, shocking, thrilling, sad or happy, but always aim to entertain and inspire.” (The Bookseller, 21 May 2013)
Anyone who’s read a Firefly-published book in 2018 would probably concur that those aims have been met, with aplomb. For us, it’s fabulous that Firefly publish books for children only, as this allows for an intensely focussed approach on successfully selling the authors and design. We’re really pleased that the design of the books receives due attention – with Firefly, you really can judge the book by its cover – and from what we’ve seen of the 2019 releases, this is going to continue, and rightly so.
We’ll draw your attention to a number of 2018 Firefly books here – not all by Welsh authors, but all deserving of universal recognition. (Writing in italics is directly from press information.)
Thrilling Series for Mature Readers
Two compelling Firefly trilogies came to a close in 2018 – both to be appreciated by readers of middle-grade, young adult and adult fiction. The Heart of Mars is the conclusion of a sci-fi thriller centered on protagonist Lora. After trekking the Martian deserts and battling against many dangers, Lora and Peter bravely set off to find the Ancient Heart of Mars and rescue Ma and Hannah. This acclaimed, inventive book delights its readers with scares and surprises – a brilliantly written fight for survival.
The Territory: Truth also grips the attention with its dystopian plotline and powerful characterisations. The year is 2059. Noa lives in what’s left of a Britain where flooding means land is scarce. Everyone must sit an exam at 15: if you pass you can stay in the Territory, if you fail you must go to the Wetlands. Will Noa, Jack and Raf be able to defeat the wall and the authorities and finally uncover the truth?
Critically acclaimed and award-winning, Sarah Govett has succeeded in delivering an accomplished, distinctive and contemporary series.
Middle Grade Masterpieces
Eloise Williams may well be regarded as one of Wales’ heavy-hitters, in terms of literary punch. 2017’s Gaslight struck a chord with readers all over the country keen on historical fiction, and it was ideal for teachers looking for something gritty and realistic to use in their Victorian planning. Since then, Eloise has received Literature Wales support, been one of the Hay Festival Writers at Work, had a nomination for the Tir na-nOg Award and been in the Western Mail! Seaglass, therefore, was always highly anticipated and does not disappoint.
It does, however, surprise. Seaglass stands out amongst the crop of 2018’s MG crowd as it is an eerie ghost story. Chilling, atmospheric, and cleverly focussed on building mood. Totally absorbing characters and wild, windy landscapes had us wholly gripped. Lark is brilliantly realistic and relatable; a strong yet complex heroine determined to resolve a serious family drama. And that means facing the supernatural. A totally captivating and satisfying read!
The Clockwork Crow by Catherine Fisher may well be the jewel in the crown for Firefly. The nomination for the Blue Peter Award is surely the start of many shortlistings. There’s not a lot left to be said about this book, which has been met with praise from all quarters.
As an established writer from Wales, Catherine Fisher has always been held dear in the hearts of so many – even before her days as Young People’s Laureate. Her books for children have always tended to be best enjoyed by those of secondary age, but with Clockwork Crow she has reached a younger audience with a sophisticated narrative and sparkling prose. Catherine Fisher sits comfortably alongside Kiran Millwood-Hargrave and Abi Elphinstone as an essential author for 8-12 year olds.
Firefly also sees the importance of making us giggle – whether it’s the quirky humour of Dog Town or Jennifer Killick’s Alex Sparrow series, they are serious about good quality humour. Alex Sparrow and the Furry Fury is a highly entertaining read, thoroughly enjoyed by Noah last year. Alex Sparrow is a super-agent in training. He’s also a human lie detector. Can he control his unexpectedly smelly superpowers and save his friends? In this second book of the series (the third is coming soon), Alex and Jess’s turbulent friendship continues as they aim to solve a mystery centered on an animal sanctuary. Cue warmth and wisdom as well as wit in this pacey gem.
Originally published in Latvian, Dog Town is a heart-warming novel about Jacob Bird, who is fighting to save a run-down area of Riga from developers, with the help of the district’s very own gang of talking dogs. The book won The Annual Latvian Literature Prize for The Best Children’s Book 2014. Latvian National Radio has created a radio play version, and it is also currently being made into an animation film. Readers will approve of the excellent translation which retains a quirkiness and charm that delights and engages.
Like Furry Fury, Dog Town contains serious themes – friendship and community – showing that comedy is a great vehicle for encouraging thought and empathy.
You may have seen some of Firefly’s announcements about upcoming books in 2019. It continues to be an exciting time and we will be taking a look at our most anticipated reads in 2019 over the next few weeks. In the meantime, there’s plenty to enjoy from Firefly – all can be purchased directly through their website.