We are enchanted to be the final stop on Sharon Marie-Jones’ Witch Camp Blog Tour. Grace Ella has a special place in all our hearts but is loved especially by Nina who was absolutely thrilled to read an early copy of Witch Camp.
The books are aimed at young readers and are probably best suited to 7-8 year olds; although Nina is 10 and counts Witch Camp amongst her favourites (along with Malory Towers, Amelia Fang and Wendy White’s books). Short chapter books of this quality are few and far between, but Sharon has created a likeable and realistic character with depth for us all to relate to. In fact, we’re keen to read more about Grace Ella and are thrilled that book 3 is being written.
In this episode, Grace-Ella gets invited to Witch Camp and makes friends with others in her cabin. An adventure is on the cards when the friends go into the woods against the rules. But do they have any choice if they are to make amends for the broomstick incident? Friendships and making right choices are explored through this engaging and irresistible story.
The text is interspersed with Adriana Puglisi’s delightful illustrations and give the story another dimension and added interest. It’s a bewitching and beguiling story that will charm and delight. In Nina’s words, “an awesome read!”
To celebrate the Blog Tour, Sharon Marie Jones has kindly answered our Q and A which you can find here.
We are delighted, enthralled and completely enraptured to be taking part in The Comet and the Thief Blog Tour. We are pleased because The Comet and the Thief was written by Ruth Morgan, one of our favourite authors. We are pleased because today is launch day for The Comet and the Thief. And we are pleased because the book is really rather good.
So before we get to the blog tour extras, let’s tell you about the book. I, Daddy Worm, was given an early digital copy of the book by publishers Gomer and I absolutely loved it.
The story centres on Kit, the eponymous Georgian thief, who finds a mysterious and magical medieval book which connects him to the inhabitants of a cursed village 300 years in the past. Evil Lord Colwich is also after the book, having initially hired Kit to steal it for him, and a tense chase ensues.
It’s an intriguing and engrossing adventure as Kit flees London and affiliates with Saroni, a travelling puppeteer in Bath; which proves to be a decent hiding place if only for a short amount of time. It gives Kit some breathing space to be able to explore the book and the villagers who each have their own page. Kit strikes a bond with Zannah and ultimately works out a way to go through the book and into the village. Colwich is no quitter though and he is determined to find the book. Will Kit work out how to save the villagers or will Colwich catch him before he can?
If you are familiar with Ruth Morgan’s other recent release, Ant Clancy Games Detective (Firefly Press) then you will know that it is a brilliantly fun and immediate fantasy adventure – perfect for 9-12 year olds. The Comet and the Thief is quite different; aimed at a slightly older audience (11 to YA?), it’s sophisticated storytelling and intricately weaved plot lines exploring trust, friendship and witchcraft are an absolute joy, forcing the reader to surrender to the thrill of Ruth’s virtuosity.
What the two books have in common is that they are both extremely well crafted, with inventive worldbuilding and insightful commentaries on their subjects. This book surely cements Ruth’s reputation as a writer of real quality and ambition, who should be revered as one of the best in Wales right now.
The Comet and the Thief is a vividly imagined, pullman-esque page turner. It is a totally compelling and brilliantly written novel, perfect for fans of Julie Pike, Frances Hardinge and Kiran Millwood-Hargrave.
And now to the blog tour extras… Ruth Morgan has very kindly written this exclusive content about her writing routine…
Ruth Morgan: “My Writer’s Routine”
A couple of years ago, I visited an exhibition about ‘Queen of Crime’ Agatha Christie at the National Museum of Wales in Cardiff and one exhibit in particular grabbed my attention: her well-travelled typewriter. Agatha wrote many of her detective novels whilst accompanying her archaeologist husband Max on his expeditions to the Middle East and I found it touching and reassuring to discover that she got on with the task of writing wherever she went and whatever the conditions. I must admit, I still occasionally dream of my perfect writer’s retreat: an uncluttered desk, a view of the sea and uninterrupted hours during which the words flow effortlessly onto my laptop screen. It will always remain a dream but that shouldn’t really matter. The fact is, if setting up her modest typewriter on whatever she could balance it on that day was good enough for Agatha, it’s good enough for me!
I have got my own routine when I write, and it has evolved to fit into a busy life with the everyday demands of family and also my much-loved work as a part-time teacher in a local primary school. I have been teaching for thirty years and writing for children seriously for about twenty but that’s covered everything from picture books, poetry and non-fiction to scripts for animation and radio. I am one of those writers who does as little planning as possible because I love the adventure of not knowing where the story’s going to take me. There are real thrills to be had along the way, as more and more of the story reveals itself. That’s why I only ever begin a longer novel with the vaguest idea of a plot, although I have to keep feeling an excitement and belief in the ideas at the heart of the story, in order to know it’s worth carrying on. In the day-to-day business of writing, I tend to think in scenes and particularly love writing dialogue.
Here it is then: the innermost secrets of my writer’s routine. In the evening I’ll unwind by listening to music or some light reading, basically the aim is to feel happy and relaxed at bedtime. Then, when I’m in bed, I think around and about the scene I intend writing the next day, for example what the characters are going to say to one another or what’s going on in my hero’s mind, which will often be reflected in their surroundings. Crucially, I consider how that scene is going to drive the story on, but not in a stressy way: these pleasant thoughts simply drift around in my head as I drop off to sleep. I will get up early the next day – a non-teaching day – and start by editing what I wrote the day before. Then I’ll carry on writing the next scene and a lot of the groundwork will have been done already, although I still won’t know exactly what’s going to happen: that will emerge as I write. If it’s a good day, I’ll complete at least half a chapter, 1,500 words or more before I have to go and do the shopping or organise some other family stuff to keep our home lives running smoothly. On a not-so-productive day, I’ll only get as far as editing the last bit. On a hopeless day, something else will happen and I’ll have to shelve my plans altogether. Most of the time, I manage to get something onto my screen. I am definitely a morning person when it comes to work, and if I can produce something I’m happy with by 9 a.m., the rest of the day’s looking good.
Not very exciting sounding, is it? No-one sees the thrills: those go on inside, but you have to work hard for them. However, there’s something else. When you are really into a story and have got to know your characters well (which is vital, your number one job as a writer, really), it’s like having an alternative life you can dive into and daydream about at any boring moment. In The Comet an the Thief, I especially enjoyed writing the theatrical scenes, where my hero Kit is learning his craft as a performer from his master, the puppeteer Saroni. Several times in the queue at the supermarket I floated off into a wonderful daydream and witnessed one of their marionette shows playing in some wayside tavern:
Kit would peep from behind the stage and was amused to see the audience enthralled by his master’s performance, their expressions altering as he played with their feelings almost as though they were puppets too. In some of the coaching inns, the crowds were squeezed in rows several deep along the balconies as well as down in the yard.
I realise all I’ve talked about here is me, me, me. When I write, I am thinking about my young readers too, I promise! I hope that if I get excited about and engrossed in a story, that’s going to communicate itself to my readers. It also adds another dimension to my life and that’s a wonderful feeling, one I would lose were I stressing about when to find time to write or beating myself up over not having written enough that day. I think if you are like me and have lots of tasks to juggle, you have to find some routine of your own and accept that conditions and never going to be perfect. Anyway, when there’s a lot going on in real life, there’s plenty of inspiration to draw on. What would I write about at that uncluttered desk staring at the sea for hours on end? My mind would be a blank!
THANK YOU SO MUCH RUTH FOR YOUR TIME AND COMMITMENT TO THIS BLOG!
Ruth has been writing for children and young adults for more than 20 years, everything from picture books to novels, plus many scripts for animation and radio series. She is also a part-time teacher at a local primary school – a constant source of inspiration. In the small amount of time that’s left, she loves to dance, play ukulele and stargaze. You can follow Ruth on Twitter @alienruth and Instagram ruth.morgan.ant.clancy
Synopsis: Enter the unique world of the Spell Breathers! Spell Breathing does not come naturally to Rayne – she loathes the hours of practice, the stacks of scrolls, and the snapping mud grotesques that cover her mother’s precious spell book. When she holds the spell book over a fire, it is only meant as an empty threat – until she feels the grotesque’s tiny teeth biting into her finger and lets go. In one clumsy move, her mother’s spells are broken, her village is plunged into danger, and an incredible adventure begins . . .
Noah says: The Last Spell Breather is a magical book involving a brave and clumsy girl named Rayne and a daring and kind boy named Tom.
In a world where monsters exist, Rayne and her village are safe behind a magical barrier. Rayne is an apprentice spell breather, her mam insists on going to the Great Library leaving Rayne all alone. Rayne tries to learn more and when she picks up the spell book everything goes wrong. She has to find her mam to fix the mess.
I really enjoyed the book – I felt like I was inside it because the way Julie Pike described the scenes; this book is incredible! I recommend it for readers who like A Darkness of Dragons (SA Patrick), Podkin One Ear (Kieran Larwood) and The Maker of Monsters (Lorainne Gregory).
Daddy says: There is a huge amount to admire in The Last Spell Breather. The story itself is beautifully written and constructed, the characters and creatures are brilliant (even the evil ones!), and the little details succeed in building an entirely convincing fantasy world. It’s a captivating read for adults and children not least because of the unique take on how magic works via spell breathing and spell writing.
Rayne is a relatable heroine and readers are sure to will her on to a successful conclusion despite her self-doubt. Frank (the fox seen on the cover) is a curious guide and you’re never quite sure if he can be trusted. The fish-monsters (yes you read that correctly) and grotesques made me squirm and the world of the Citadel, Great Library and Scriptorium is gloriously realised.
This is fabulous stuff from Julie Pike and The Last Spell Breather is up there with the best Middle-Grade fiction published this year. Enchanting!
Peril en Pointe follows Millicent Kydd as she accepts an invitation to join the Swan House Ballet School. Six months earlier Milly messed up in the performance of her life on the same night that her mother disappeared, so the invitation comes as a bit of a surprise! It turns out however, that Swan House is no ordinary ballet school; it’s a school for spies… So alongside lessons in the perfect plié and grand jeté, there’s espionage and codebreaking too.
There’s a bitter rivalry between Millie and Willow Perkins, ‘friends’ since they were very young, but Willow is jealous, holds grudges and seems to be sabotaging Millie’s attempts to make a good impression at Swan House. Could Willow be an insider who knows more about the whereabouts of Millie’s Mum? Or maybe one of the ensemble cast of school staff, students or visiting competitors could be double-bluffing? There is certainly enough of them to provide interest and intrigue and they all do their bit to cloud the narrative and throw the reader off the scent.
Milly is a likeable and very real protagonist – she struggles to deal with the disappearance of her mother, her new surroundings and new friendships – yet she is determined, honest and ambitious. She may not be the best ballerina in the block but she is determined that she is the one to lead the mission to find her mother. It’s a heartfelt and raw tribute to the bond between mother and daughter.
Neath debut author Helen Lipscombe, has created a fresh and engaging thriller that will keep you engrossed and ‘en pointe’ up to the dramatic final curtain. The writing is confident and assured and keeps you guessing to the end. Comparisons will no doubt be made to Robin Stevens’ Murder Most Unladylike series, but the Swan House Ballet School Mystery is lighter in touch, and suited to a slightly younger audience who enjoy the boarding school antics of Malory Towers combined with a splash of James Bond gadgets. And ballet.
As Helen revealed in a recent Q and A, Swan House Ballet School Mysteries will return for another episode next year. Follow Helen on Twitter. Buy yourself a copy of Peril en Pointe by Helen Lipscombe from Hive or from your local bookshop. We received a free copy of Peril en Pointe in return for this honest review.
This gorgeous book is a collaboration between the amazing zoologist and nature-lover Nicola Davies and superb artist Jane Ray. These award-winning creatives have combined to make the most beautiful and informative picture book.
The Ruby-Throated Hummingbird is one of over 300 different kinds of hummingbird which has the most epic migration journey. They have a flight range of around 1800 miles between Mexico and Central America to the East of the USA each spring. This seems even more magnificent when you consider that the bird weighs less than an American nickel.
Nicola Davies’ familiar non-fiction fiction tells the story of the hummingbird’s journey from the viewpoint of a granny and granddaughter, and compares the journey to that of the young girl travelling on a plane to her parents in New York. Scientific facts about the hummingbirds are written alongside the story so you learn as the story progresses. Nutrition, feeding, nesting, sleeping and physical characteristics are all covered. A small section at the back gives further detail about these amazing birds.
Jane Ray’s illustrations are absolutely incredible and each spread is a riot of colour. The detail on the birds, flowers and blossom in particular is incredible, and we especially like the pieces of map built in to the mountains. The endpapers are also stunning!
This book is beautiful, informative and colourful; it’s a triumph for both author and illustrator as it feeds the eye and the mind and leaves both fully satisfied.
We bought this copy of Hummingbird ourselves. You can find out more about Nicola Davies at her website or you could follow her on Twitter. You can also visit illustrator Jane Ray’s website or follow her on Twitter too.
Here is a unique book, the first in a series, that aims to tell the story of baroque music to a new, young (8+) audience. It’s an eye-catching and engaging volume and educational too. Further books on classical, romantic and modern music styles will follow.
The books have been put together by Mark Llewelyn Evans, himself an opera star with a successful career and wealth of experience with Welsh National Opera and other UK-wide companies. Mark is the creative director of ABC of Opera; an organisation offering educational workshops around the country (more info here). Established landscape artist Karl Davies has ventured into the world of illustration and has brought the words to life with incredibly sparky artwork in this colourful and vibrant book.
Mark Llewelyn Evans says: ‘I was 14 when I saw my first opera and was blown away by the whole experience. To this day opera still captivates me, and I wanted to introduce the next generation to this incredible art form in a unique way – one that would not only engage them with the beautiful music but also with the genius composers who created this world. I wanted each composer to come alive, step out of the book and into the hearts of the children. With 97% of the children we have met through the ABC of Opera workshops asking to meet the composers, we knew it was time to open the doors to The Academy of Barmy Composers.’
With Karl Davies, Mark has created a storybook that takes us back in time to learn factual information about the baroque period and its composers. Jack and Megan find a forgotten trunk in an old music hall which takes them back to 1597. They meet the inventor of opera, Professor Peri, who introduces them to the likes of Monteverdi, Handel and Purcell. The narrative text, in many ways, makes this an accessible book to a wide audience. Little footnotes and wry nuggets of explanation adorn the pages making it great fun. There follows some extremely informative pages at the back of the book where fact-seekers will revel in learning about other baroque composers, baroque instruments, operatic voices and more!
Opera is defined as a story set to music and this thrilling history of baroque music is aptly wrapped in a story that will delight and educate in equal measure. We can’t wait to read the rest of the series!
The Secret Dragon is a wonderful story set on the South Wales coast, inspired by visits to the beaches of the Vale of Glamorgan. Ed Clarke lives in London but the story evolved as he visited his parents.
Mari Jones, inspired by her father, is a young fossil hunter and aspiring scientist. She makes a remarkable discovery on the beach one day – a tiny gwiber or wyvern hatches from the rock. Mari’s mother is tolerant of her passion for paleontology but is far from encouraging and so Mari feels unable to share her revelatory discovery. But can she keep the secret to herself? She wants to honour her father’s memory with ‘Gweeb’ and so begins to study it carefully, putting together her findings before ‘going public’. However, the secret is hard to keep, especially as the dragon is full of mischief and keeps escaping.
This is a great adventure story full of humour and heart. Mari, an isolated and quirky individual, is forced to learn the value of friendship and family. She’s a great character – resourceful, headstrong and determined – even when things are against her. Ed Clarke’s narrative is enchanting and absorbing with more than a touch of danger and there are plenty of life lessons along the way.
The Secret Dragon is recommended for readers 8+, but there is plenty to keep older readers engrossed and engaged throughout.
We received a free copy of The Secret Dragon from Puffin in exchange for this honest review. You can find out more about Ed Clarke at his website or you could follow him on Twitter.
“Ceri is a cat, and Deri is a dog. Ceri has stripes and Deri has spots. They live in a small town near a big hill and they do everything together. They are best friends.”
So begins each of the four Ceri and Deri books by Max Low – an opening reminiscent of the comforting familiarity of Lauren Child’s Charlie and Lola series. Across the four books, Max, a graduate of Hereford School of Art, ensures that friendship and fun is at the heart of the duo’s adventures. The latest two titles have just been published by Graffeg and they are beautifully produced.
There is an immediacy and vibrancy to Max’s illustrations that radiates so much joy and youthful energy I want to hang the pages on every wall in the house. It’s fresh and fun and I love the way Max plays with shape and line and limits his palette to shades of the same colours. He makes some bold choices too – a favourite page has to be the illustration of the sea in The Treasure Map.
The stories have an educational edge too – not that these are text books, but reading these books with young children will support their understanding of directions (Treasure Map), time (No Time for Clocks), counting, sharing and design. The emphasis, though, is most definitely on fun.
In The Treasure Map, the two friends follow directions in search of pirate treasure, helped along the way by their companions. In Build a Birdhouse, we see Max at his imaginative and creative best as Ceri and Deri design a perfect (read: wacky and wonderfully weird) house for a homeless bird. It’s in this book that Max hits on a universal truth: “No one actually uses dining rooms do they? So let’s fill it full of balloons!”
Playful, engaging and full of humour, the Ceri and Deri books are fabulous picture books made for sharing. Max Low is an extremely talented illustrator and we can’t wait to see what comes next – which is another book, ‘My Friends’ due to be published by Otter Barry in July!
Helping Hedgehog Home is the ninth book in this wonderful series of tales about the felted creatures undertaking simple acts of kindness. In this installment, Hedgehog is locked out of her home when a fence is erected. In an attempt to make a return, she builds a hot-air balloon to sail over the garden obstacle. Unfortunately, she crash lands into Grandpa Burdock’s domain who then tries to ‘help her home’.
All of Celestine’s books overflow with kindness, but this one is extra special. I think it has something to do with the character of Grandpa Burdock – he is keen, talkative, enthusiastic and ever so lovable. Hedgehog is fed (freshly baked bramble biscuits and a cup of tea!) and taken care of while Grandpa thinks of ways to overcome the fence. Karin Celestine has a wicked sense of fun and mischief – seen in the inventive drawings of Grandpa’s suggestions. Hedgehog is naturally concerned when she hears of the ‘hedgehogapult’. Thankfully, Granny Burdock returns at the right moment with a far more sensible solution for returning Hedgehog to her home.
Helping Hedgehog Home made us giggle; it made us fall in love with Grandpa Burdock; it encourages us to show warmth and kindness to neighbours; it tells us of the importance of taking time to sit and stare; and, thanks to the informative pages at the back, taught us some groovy facts about hedgehogs.
Helping Hedgehog Home was enjoyed by the whole family and we were delighted to meet Karin at a workshop as part of the Cardiff Kids Literature Festival a few weeks ago. She kindly gave us some time to ask her some questions. We began by asking about the name ‘Celestine and the Hare’:
“Celestine was my great grandmother – I come from a line of strong Swedish women – Karin is my mother and her mother was also Karin, and her mother was Celestine. I have a bust of Celestine in my studio, which I inherited from my mum, and she’s always looked over me as a matriarch – reminding me of the line of strong, adventurous and very creative women. I was looking for a name for my business so Celestine appealed and I also like hares – they are magical and I particularly love the mythology associated with women shape-shifting into hares. I’d also made a hare which sits next to Celestine and it was as simple as that – Celestine and the hare.”
Karin also uses a pen name (we’re not quite sure what her real name is!), which came about by mistake. She explains, “I had been dithering over what to call myself and I went to an event where they had mistakenly made a name badge for me saying ‘Karin Celestine’ and I thought ‘That’s quite nice!’
The Karin Celestine books came about after Karin had been making the felt animals and selling them, but as she was making the characters she gave them backstories and invented silly narratives. “I did a calendar and cards for Graffeg and they asked if I had considered writing a story. I was also encouraged by Jackie (Morris) to have a go. It was strange because I had never been encouraged in school to write – in fact I was told I couldn’t write and was the worst at crafts! So I wrote ‘Paper Boat for Panda’ and cried as I submitted it.”
Whilst the felted creatures get up to all sorts of hijinks and tomfoolery (especially in the films and photos Karin shares on social media), the books turned out with added empathy, “I have a huge thing about kindness – it is so important; kindness and mischief – that’s my strapline and the books turned out gentler. And because I’d been a teacher there are messages – I’ve slipped things in that I know children need to hear.”
Nine books on, and Karin brings us her new story about Hedgehog. She told us, “There is more humour in this one, but still with an ecological message.”
“A lot of the environmental issues in the news can be too big and too frightening for young children – as a child you can feel completely helpless to do anything about it. I remember the ‘Save the Tiger’ campaign from when I was younger, and short of buying a membership to the World Wildlife Fund there was nothing I could do – and for me, that’s not very positive. I want everybody to feel they are able to do something to help.”
In the back of all of Karin’s books there are some craft activities, many with an ecological theme – building bug houses, weaving, making suncatchers. “We should all be back garden eco warriors – the activities are something that any child can do and feel good about. They then grow up thinking they can make a difference.”
Making a difference is exactly what Karin’s books inspire through the actions of Grandpa, Grandma, Bert, Bertram, Emily, Small, Panda, King Norty, Baby Weasus and all the tribe. Kindness and mischief and making a difference.
To buy copies of Karin’s books with personalised dedications, visit her website where you can find lots of other information and activities. Huge thanks to Karin for giving her time so generously and thank you to Graffeg for the copy of Helping Hedgehog Home, given in return for an honest review.
For more Weasel Wednesday and Choklit stealing, follow Karin on Twitter or Facebook.
The Storm Child by Gill Lewis has been shortlisted for the Tir na nOg Award 2019. The retelling is part of the ‘Treetops Greatest Stories’ series produced by Oxford as part of its reading scheme. Aimed at Year 5 children, The Storm Child is one of 35 stories designed to extend children’s reading experiences and introduce them to some classic storytellers and the joy of fiction.
It’s fair to say then that the Tir na nOg Award will bring this book to the attention of a wider audience. And it really does deserve your attention. It focusses on the Welsh legend of Cantre’r Gwaelod, an ancient kingdom between Bardsey Island and Ramsey Island, protected from the rising tides by a sea wall. In this story, the fisher-folk are threatened by a “seven raven” gale and when the warnings of the Wall Guard go unheeded it’s up to the storm child to save the kingdom.
Gill Lewis is a glorious storyteller and The Storm Child is skillful, entertaining and fast-paced. The tale of forgotten kingdoms, forbidden love, banished princesses, betrayal and heroic escapes has a fairy-tale quality mixed in with the feel of a legend and morality tale.
This version of the story is different to the most popular versions we know – in those versions the sluice gates are neglected by either Mererid or the drunken Prince Setheillion. In Gill Lewis’ story, Mererid is the heroine; a girl of unknown parentage who, as a baby, was rescued from the seas during a torrential storm by Angelos the Wall Guard. The Storm Child senses that the kingdom’s defences are about to be breached, but will the king take heed?
Interestingly, Cantre’r Gwaelod has inspired many shortlisted titles in the Tir na n-Og Award’s history, including winners A String in the Harp by Nancy Bond (1977), The Silver Tree by Susan Cooper (1978) and Cities in the Sea by Siân Lewis and Jackie Morris (1997). Will 2019 bring another winner? Either way, The Storm Child is a great story that celebrates the rich heritage of Welsh folklore. This is a beautifully produced and skillfully crafted retelling, with illustrations by James Gifford adding real atmosphere. We’d really love to see Gill take on a host of other Welsh legends and produce a volume of tales – that would make for a fabulous book. For now, this one is a complete pleasure.