Sophie Anderson Wins Wales Book of The Year

Sophie with her Wales Book of the Year trophy and the winning book

On Friday July 31st, live on BBC Radio, Sophie Anderson was announced winner of the Children and Young People’s category for Wales Book of the Year 2020. Her book, The Girl Who Speaks Bear (Usborne) is a wildly imaginative and lyrical folk tale about finding yourself. Full of magic and hope, it is a skilfully written and rather brilliant adventure.

The Children & Young People category was added for 2020, designed to enthuse a new generation of readers, raise the profile of Wales’ talented authors, and establish that literature for children is on a par with that which is intended for adults. Readers of this blog will not need convincing that children’s books are full of hope, bravery, wit, empathy and love. Recognition of this is growing and quality examples from Wales are becoming far more widespread as demonstrated by the shortlist.

Children’s Laureate for Wales, Eloise Williams, says that the introduction of this category confirms children’s literature as an important artistic form. “I am so delighted to see Literature Wales recognising and celebrating children’s literature like this; we’ve got a wealth of children’s writers who are producing superb books – the quality is so high, engaging readers of all ages.”

In addition to the category win, The Girl Who Speaks Bear also won the People’s Choice Award decided by a public vote. Sophie sees this as a validation of the new category, “I am over the moon,” she told BBC Radio Wales, “Children’s books are books for everyone; they wrap up the big things we all feel, helping children to navigate the world.” Echoing the rather brilliant essay by Katherine Rundell, ‘Why you should read children’s books, even though you are so old and wise’, Sophie recently said, “I honestly believe some of the most important, most philosophical, and most enjoyable books are labelled for children.”

It’s important to note that the other two children’s books on the shortlist are worthwhile additions to any home. Butterflies for Grandpa Joe by Nicola Davies (Barrington Stoke) is about Ben’s attempt to engage and comfort his grieving grandfather. The story moved WBOTY judge Ken Wilson Max to proclaim it “a powerful, deeply sensitive story, beautifully told.” On Susie Day’s Max Kowalski Didn’t Mean It, which was also nominated for this year’s Tir na n-Og Award for children’s books set in Wales, Eloise Williams said, “This is a humorous, touching, beautiful story about the metaphoric mountains that some young people have to climb.” Both books come highly recommended by Family Bookworms.

We’re really grateful to Sophie Anderson for agreeing to answer a few questions following her award, and we’re really pleased that Sophie has recommended some high-quality children’s books towards the bottom of the page.

What was your reaction on learning that you had won the Wales Book of the Year category?

Complete and utter disbelief! The news came via an e-mail from my publisher, Usborne, and I e-mailed back with the response: ‘Am I reading this right? Has BEAR won in the Children’s category?!’

Once the news was confirmed and had sunk in a little, I was over the moon of course, and ran outside to tell my husband and children, who are always so happy to celebrate with whoops of joy and plenty of hugs!

Is being Welsh important to you?

Absolutely. All the Welsh people I know, myself included, are proud of their Welshness and consider it an important part of their identity.

Since I moved away from Wales (when I was eighteen) my Welshness has only become more important to me. I still think of Wales as my home, and I believe I always will. It is where my family live, and some of my oldest and dearest friends. But it is much more than that too …

I feel Welshness as something in my soul. It’s difficult to define, but it relates to the landscapes, the cultures, and the people of Wales. I’d describe it almost as a lyricalness, a deep emotional connection, and I think if you’re Welsh (or have spent some of your life in Wales) then you understand this!

Does being Welsh have any influence on your writing?

Definitely. With my Welshness being part of my soul and identity, it is bound to come out in my writing. I think many Welsh creatives are deeply inspired by beautiful landscapes, ancient heritage, and poetic language, because these things are so important in Wales.

When I look at my own work, and the work of other Welsh authors, I often feel these strong connections to the land and to the tales of old, and also sense a deep passion and almost symphonious way of expressing thoughts, experiences and emotions.

You also won the public vote. How does that make you feel?
I desperately wanted one of the children’s books to win the public vote, so I was absolutely thrilled with this news. It feels like the most wonderful of celebrations for the new Children and Young People’s category of the award.

Knowing that so many adult readers took a children’s book into their hearts and took the time to vote for it really is such a wonderful thing, a brilliant reminder that children’s books are not just for children – they are exceptionally well-crafted stories that can deeply move readers of all ages.

You are no stranger to awards. Is this one any different?

This one feels like a celebration of both my Welshness and my writing, so it does feel very special – like a big warm hug from my motherland!

Different awards are judged in different ways; some recognise commercial success, others look at the technical quality of writing, and some look at popularity with readers (which you could argue is often a function of marketing and publicity!).

Wales Book of the Year is judged by a panel of talented and erudite judges. Knowing the quality and range of books they will have considered makes me feel honoured they chose BEAR. But it must be such an impossible decision – like picking one jewel in a treasure chest bursting with equally beautiful jewels!

Whilst it is wonderful to see BEAR with a crown of sorts, I think the really brilliant thing about awards like this is in the celebration of the longlists and the shortlists, because they present an opportunity to promote a wide selection of fantastic books to readers who might not have heard of them.

Seeing children’s books part of Wales Book of the Year for the first time has been a wonderful experience for this reason, and I truly hope it marks a jump forwards in celebrating and increasing the visibility of this beautiful sector of literature.

The quality of the shortlist was very high. Have you read the other nominees?

I read Max Kowalski when it was first published and adored it. I hadn’t heard of Butterflies for Grandpa Joe until the shortlisting, even though I am a huge fan of Nicola’s work, so this really highlights how important awards can be in terms of raising awareness of new titles. I’ve read Grandpa Joe now of course, and think it is a really beautiful, special book.

You will hopefully be contributing to The Mab – a collection of Britain’s oldest stories – with 10 other Welsh writers. Does it feel like you’re part of a Welsh writers’ club?

It really feels like I’m part of a family! Welsh children’s writers are so friendly and supportive of one another. I think because we all have some shared experiences, and also share this undefinable, lyrical Welshness, it does make us feel close to one another.

All of us work together to promote children’s literature in all its forms, celebrate each other’s books and recommend a wide range of titles. There is no competition between us, because we feel like we are on the same team – if we can create readers, then all of our books will be successful!

What other quality Welsh fiction can you recommend?

Now this is the hardest question because there is so much Welsh fiction that I adore, and so many Welsh authors who I deeply admire – Catherine Johnson, Zillah Bethell, Stephanie Burgis, Claire Fayers, P G Bell, and Jackie Morris just to name a few!

But onward to choosing a few titles …

The Quilt, written and illustrated by Valeriane Leblond is a breathtakingly beautiful picture book that stole my heart recently. It holds a moving story of migration, explores themes of home and hiraeth, has a gorgeous message of hope, and I loved the symbolism of the quilt.

Nest of Vipers by Catherine Johnson (around 9+) is a thrilling historical adventure with the most wonderful group of characters who I still miss long after reading! I would recommend any of Catherine’s books in a heartbeat, she is a huge talent and her books are massively important as they are some of the few books seeking to write lost and erased stories – such as the story of Matthew Henson, in her book Race to the Frozen North.

The Snow Spider trilogy by Jenny Nimmo is my third choice. Such beautiful stories, they really capture some of the Welshness I’ve talked about in this interview: the love of landscape, the nods to ancestry and heritage and the tales of old, and the stories have a dreamlike, magical quality that I always associate with Wales.

And one more shout-out! Even though you asked for fiction I’d like to highlight a non-fiction book: What is Masculinity? by Darren Chetty and Jeffrey Boakye is outstanding and deserves a place in every school and library (and if I had my way every home too!).

If you asked me about the future of Wales Book of the Year I would talk about my hopes for even more categories under a Children and Young People’s umbrella. Wouldn’t it be wonderful to have a children’s non-fiction award, and a children’s poetry award, like there is for the adult books? And also, an award that celebrates illustrators and illustrated books, as they are such a massively important part of children’s literature too!

Huge thanks to Sophie Anderson for indulging us with this blog post, and massive congratulations on your double win. If you haven’t yet read the prizewinning book, you can order it now from your local independent bookshop. Sophie’s next book, The Castle of Tangled Magic is due out in October, published by Usborne.

#TheMab

Earlier this week, a crowdfunding campaign was launched to finance a new version of The Mabinogion for young people. These are the earliest prose stories of Britain and have been hugely influential on storytelling across Europe. With contributions from 11 acclaimed Welsh writers for children, the new book promises to be an epic retelling for a new generation. Each tale will be written in English then translated into Welsh by Bethan Gwanas and will feature glorious illustrations from the incredible Max Low.

The book is being put together and edited by Children’s Laureate Wales, Eloise Williams and Matt Brown who will also contribute a story each. Matt posted this video to explain more about The Mab.

The book, which is not yet a reality, is seeking publication through Unbound, a crowdfunding publisher. Readers choose a reward – everything from a signed copy of the book to author virtual visits – pledge their money, and wait for the project to be 100% funded.

At Family Bookworms we are giving this project our full support and backing and would encourage you all to visit the unbound website to donate if you can. As one of our worms says:

“The Mabinogion is part of our cultural heritage and to have these amazing contemporary authors, representative of the very best in children’s writing from Wales, is a real coup. It promises to be an essential and important volume for a new generation.” 

Simon Fisher, Family Bookworms

Eloise Williams, Children’s Laureate Wales and author of 4 novels set in Wales, told us, “As far as we know, there isn’t another collection like it! We have so many amazing people working on the project and we are so excited to bring the stories to everyone.”

So let’s take a look at the amazing cast of contributors and hear directly about their involvement, their excitement and their motivations…

I am overjoyed to be collaborating on this magical project with a group of writers that are inspirational, artful and delicate in their gathering of words. As a poet, this opportunity opens up the page and offers me space to dreaming, space to unravel, unfold and stretch my ideas – and I’ll be listening to the whispers, to the mutterings of the old tales.

Alex wharton

I am delighted to have been invited to contribute to this project, especially as I have moved to Pembrokeshire where so much of the action of the Mabinogion takes place. The stories are so strange, like something translated with a slightly dodgy Rosetta stone; but what I love about them is the echos they carry of a long lost world where wolves howled on the Welsh hills and the landscape was populated not with humans but with wild species in abundance. Immersing myself in that world with its priorities so very different from our own, is going to be a deep pleasure.

nicola davies

I remember my primary school teacher reading the Mabinogion to us in class. The Owl Service (inspired by the story of Gronw and Blodeuwedd) was one of my favourite books growing up. I rediscovered my love for these tireless tales in adulthood, so much so I gifted my son with the middle name Lleu. I am honoured and excited to work on this project and weave myself even more closely to the legacy of these fascinating stories.

Hanan issa

We dream in myths and they in us. They are a society’s safety valve. All our taboos, our deepest fears and desires are played out through the symbolic language of myth and thereby rendered to some extent harmless.

zillah bethell

I’m relishing the opportunity to work on these historic stories with such a fantastic group of writers. Eloise has been doing wonderful things as Children’s Laureate Wales – so I was delighted when she asked me to be part of this.

darren chetty

My mother used to tell my brothers and I all kinds of stories when we were young, but the stories from the Mabinogion always felt extra special, because we knew they were stories from Wales, our home. To be invited to be part of this wonderful project is honestly a dream come true. I believe it is hugely important to preserve the stories from the past, because they are full of wisdom and magic and adventures that speak to our souls. But to preserve these tales, we need to keep retelling them in ways that ignite the interest of readers today. The talent and passion of the creatives working on this project is going to make this a very special book that I know will be treasured by generations of readers to come.

sophie anderson

I didn’t discover the stories from the Mabinogion until embarrassingly late in life, despite having grown up a stone’s throw from Caerleon, where Arthur holds court in many of the tales. For whatever reason, the Mabinogion just didn’t seem to feature in my cultural landscape at the time. That’s why I’m so happy to be part of this fantastic group of artists that Eloise and Matt have assembled. I can’t wait to help share all the magic and strangeness, the adventure and humour with a new generation of readers across Wales and beyond.

P g bell

This is my copy of The Mab from around 1976, maybe earlier. It’s got Olwen on the cover and it’s so floppy and old (although not as much as me) it’s losing pages. I loved it: Welshness was an important part of my identity growing up in London and this book with its weird weighty words is hardwired into my heart. I always always wanted to write something that used the bones of these stories and this is a brilliant brilliant opportunity.

catherine johnson

I’ve spent the past year immersed in Welsh folklore for my own books, so I’m tremendously excited to be a part of this project. What I love most about these ancient tales are the gaps – events that are never properly explained, threads of stories that are left dangling. It’s like seeing a landscape through mist, and it gives tremendous scope to interpret and reimagine. The stories of the Mabinogi explore everything that’s human, from family and friendship to cruelty and murder. Best of all is the sense that the Otherworld of magic is never far away. I’m looking forward to seeing these stories brought to life in a new way for today’s readers.

claire fayers

These stories are part of our heritage and should be in every classroom and every home. By crowdfunding the book we’re making it part of everyone who helps get it made.

matt brown

The Mab is an amazing new book retelling all 11 stories for young people. They are the oldest British stories and #TheMab will help new generations of children fall in love with them. But we need your help – please visit the Unbound page to pledge your support.

eloise williams

The Mab will feature illustrations by Max Low.

I’m really chuffed to be illustrating this wicked update to the legendary Welsh tales from The Mabinogion.

max low

It’s been a real pleasure to be involved in #TheMab launch. Please head over to Unbound to donate if you can. We’ll be keeping a close eye on the funding target over the coming months.

Thanks to all the authors and illustrator for giving us some exclusive content. While we wait for The Mab, and if you have any money left after donating on Unbound, you can head over to your local bookshop and buy a book by one of the contributors. Here’s our recommendations*:

*Firefly Press will publish Daydreams and Jellybeans by Alex Wharton in Spring 2021.

**Images on this page (the author profiles) were made by EW Graphic Designs and are not to be reproduced without permission.

Wales Book of the Year 2020

Which of the three shortlisted books for children gets your vote? We ask 3 bloggers to fight their corner.

We invited Anne Thompson (A Library Lady), Caroline Fielding (Teen Librarian) and Lilyfae (Lily and the Fae) to have their say.

Wales Book of the Year is Wales’ national book prize from Literature Wales, celebrating “outstanding literary talent from Wales across various genres in both English and Welsh.” For the first time, books for children and young people are celebrated amongst the shortlisted titles which features additional categories for Poetry, Fiction and Creative Non-fiction for adults. 

The shortlisted books in the children’s category are:

  • Butterflies for Grandpa Joe by Nicola Davies (Barrington Stoke)
  • The Girl Who Speaks Bear by Sophie Anderson (Usborne)
  • Max Kowalski Didn’t Mean It by Susie Day (Puffin)

The winners of each category, chosen by a judging panel, will be announced on 31 July and there will also be an overall winner. At the same time, a public vote is taking place to choose a popular favourite.

But who should you vote for? Well, our answer would be “all of them”, so we decided to enlist the help of three excellent bloggers as a supporter for each book.

Butterflies for Grandpa Joe by Nicola Davies

Butterflies for Grandpa Joe, written by Nicola Davies and illustrated by Mike Byrne was published by Barrington Stoke in October 2019.


Synopsis


Grandpa Joe has always loved butterflies. There used to be nothing he enjoyed more than heading off to search for the flutter of brightly coloured wings and snap some photos for his collection.
But since Ben’s granny passed away, Grandpa Joe has changed. He doesn’t want to go outside, and nothing Ben says or does makes him smile. It feels like Grandpa Joe is slipping away too. So there’s only one thing left to try – if Grandpa Joe won’t come searching for butterflies, Ben will bring the butterflies to him …

Nicola Davies lives in Pembrokeshire, having recently moved from the Powys hills. She is the author of over 60 books published mostly by Walker, Hachette and Welsh publisher Graffeg – most of which draw on Nicola’s zoological knowledge. In September she publishes the first book to feature her own illustrations – Last, with Tiny Owl.

Championing Butterflies for Grandpa Joe is experienced school and public librarian and all-round children’s book enthusiast, Anne Thompson (@Alibrarylady).

“Sometimes children’s fiction can do more than entertain; it can comfort, enlighten and educate. Butterflies for Grandpa Joe does all of these things and in an accessible format. A lovely children’s book that well deserves this recognition.”

Anne Thompson, @Alibrarylady

In her blog, alibrarylady.blog, Anne sings the praises of this gentle story, which “conveys how love across the generations and the healing power of nature can soothe the heartache of grief and give hope for the future.” She goes on to say that “this lovely book deserves a place in every primary school library and classroom.” To read Anne’s full review follow this link.

Familybookworms say: Butterflies for Grandpa Joe is a gorgeous story that will pull at your heartstrings. Nicola is a master of empathy and this book had us in tears. A really special book.

Watch Nicola speak about the book in her official shortlisting video for Lit Wales here.

The Girl who Speaks Bear by Sophie Anderson

The Girl who Speaks Bear by Sophie Anderson with illustrations by Kathrin Honesta was published by Usborne in September 2019.


Synopsis


Found abandoned in a bear cave as a baby, Yanka has always wondered about where she is from. She tries to ignore the strange whispers and looks from the villagers, wishing she was as strong on the inside as she is on the outside. But, when she has to flee her house, looking for answers about who she really is, a journey far beyond one that she ever imagined begins: from icy rivers to smouldering mountains meeting an ever-growing herd of extraordinary friends along the way.

Sophie Anderson was born and raised in Swansea. Her first novel, The House with Chicken Legs, won several awards and was shortlisted for the CILIP Carnegie Medal, the Blue Peter Book Award and the Waterstones Children’s Book Prize amongst others. This autumn she publishes her 3rd adventure, The Castle of Tangled Magic.

Championing The Girl Who Speaks Bear is Lilyfae, blogger at lilyandthefae.wordpress.com who blogs on Children’s books and reading for pleasure with her two girls and tweets from @faeryartemis.

“Sophie’s writing is a rich tapestry, weaving family, folklore, history and mythology with her own vivid imagination. The Girl Who Speaks Bear is a powerful exploration of finding oneself, embracing your differences and finding your pride. It’s a thrilling adventure exquisitely told. Sophie is a modern day bard.”

Lilyfae, @faeryartemis

In her blog, lilyandthefae.wordpress.com, Lily says, “This is a wonderful book full of hope, strength and warmth that will appeal across the ages and generations. I’ve been reading this aloud with my daughters, and this style of narrative interspersed with short folk tales has been a real experience. The bitesize folkish interjections give both relief and colour to the story and their ancient rhythms and themes reach a timeless place within the reader, and speaks truths that even the youngest can understand.” To read Lily’s full review follow this link.

Familybookworms say: The Girl Who Speaks Bear is a brilliant and beautiful adventure by one of our favourite writers. It’s a thrilling and spellbinding tale that has brought us a lot of joy.

Watch Sophie talk about the book in her official shortlisting video for Lit Wales here:

Max Kowalski Didn’t Mean It by Susie Day

Max Kowalski Didn’t Mean It was published by Puffin in September 2019.


Synopsis


Max wants to be just like his dad – fun, loud and strong.
Instead, he always seems to be accidentally getting into fights and breaking things.
But when his dad starts bringing home mysterious boxes, even more mysterious wads of cash starts turning up.
Then Dad disappears. And it’s up to Max to look after his sisters until he comes home.
When they run away to a remote village in Wales, he’s convinced that no one will find them.
He’s Max Kowalski. Of course he can look after three kids with no grownups around!
Although, he can’t stop thinking about where Dad really went. And the whispers of a golden dragon, asleep under the Welsh mountains…

Susie Day was born and raised in Penarth. She is responsible for the Pea series and the Secrets series as well as recently contributing a short story to a Doctor Who anthology. Max Kowalski was also on the shortlist for the recent Tir na-nOg Award.

Championing Max Kowalski Didn’t Mean It is Caroline Fielding, past judge for the Carnegie Kate Greenaway and a chartered school librarian. She blogs at teenlibrarian.co.uk and tweets @CazApr1.

“Max Kowalski Didn’t Mean It deserves all the prizes for tackling toxic masculinity with such a light touch. It is full of warmth, humour and wonderful descriptions of the Welsh mountains.”

Caroline Fielding, @CazApr1

In the blog, teenlibrarian.co.uk, Caroline speaks of seeing Louie Stowell’s ingenious review, “If Jacqueline Wilson ganged up with Alan Garner and remixed A Monster Calls, with dragons. Powerful and deep.” She goes on to say that Max Kowalski Didn’t Mean It is everything it promises to be – brilliant, warm and funny featuring “fabulous characters in pretty dire but totally believable circumstances.” Caroline features an interview with Susie Day on the teen librarian website.

Familybookworms say: Max Kowalski is a fantastically original and heartfelt tale about growing up, dealing with siblings and inner dragons. This witty and emotional book shows middle grade readers that empathy and stories make for a better world.

Watch Susie talk about her shortlisting in this official video from Literature Wales:

Huge thanks to Anne, Caroline and Lily for allowing us to quote and link to their reviews. Follow them on Twitter and subscribe to their blogs! Do head over to the public vote too, run by Wales Arts Review to place your vote for one of these brilliant books. And if you’re concerned about not having read one of them, you can put that right this summer…

Wilde About Eloise

Our Children’s Laureate Wales publishes a new book today. And what a book. Wilde is a brilliant story full of excitement, anguish, humour, fantasy and weirdness. Wilde moves in with her Aunt Mae, but struggles to fit in. Odd things keep happening – the birds are following her, she wakes up in strange places, other children keep their distance. Does Wilde have a connection to the legend of The Witch Called Winter? It’s a completely engrossing tale of belonging and acceptance that would appeal to readers age 9+. It’s written by one of our most favourite authors so we thought we’d give you 5 Reasons why we’re Wilde about Eloise Williams:

1 Eloise is a fantastic writer. From the dramatic and tempestuous opening chapters of Elen’s Island, her first book published in 2015, to the poignant and tender close of her latest Wilde, Eloise gets under the skin. She gets under the skin of the reader, compelling them to drop everything and devour every word. Descriptions of landscapes are a real draw; whether it’s the wild and windswept coastline of Pembrokeshire in Seaglass, the grimy Victorian backstreets of Cardiff in Gaslight, or the waterfalls of the Brecon Beacons in Wilde.

What’s impressive though is how she gets under the skin of her characters, producing very real depictions of isolation, loneliness, the frustrations and fears of teenage years, and the joys too. Elen is plucky. Nansi is feisty. Lark is confused. Wilde is lonely. Eloise writes with real empathy for her female protagonists and portrays real understanding for her readers.

2 Eloise works non-stop. Even before she was appointed Children’s Laureate for Wales, Eloise Williams spent a lot of time in schools, libraries and book festivals. She delivers courses like those at Ty Newydd, and is invited to attend courses like the Writers At Work scheme at Hay Festival. And despite claiming to be a procrastinator, on top of all this travelling, publishing four books in 5 years is quite an achievement. Hard work deserves to be recognised and rewarded. Even in lockdown, she is producing weekly challenges to motivate and engage young people…

https://twitter.com/Laureate_Wales/status/1254695958757195776?s=20

3 Eloise passionately promotes reading and writing for pleasure. Now, as Children’s Laureate for Wales, Eloise is a strong voice for the children of Wales. She travels the length and breadth of the country (and that takes some time!) enthusing about reading and writing. She talks fervently about the writing process and nurtures strong relationships with the children in her workshops. She is an inspiration to watch in these situations and has a lasting impact on those she meets.

4 Eloise is a tireless advocate for Welsh writers and writing from Wales. As Children’s Laureate for Wales, Eloise encourages and supports other writers for children, sharing her passion for the wealth of talent in Wales. Good stories and excellent writing has no borders, and Eloise pushes the view that books from Wales are books for everyone, raising the visibility of children’s literature in Wales and beyond.

5 Wilde is her best book yet. It’s creating a stir amongst readers and we’d strongly recommend you order a copy this weekend (direct from Firefly Press or from your local independent bookshop). Don’t take our word for it, just look at these quotes…

  • ‘A spookily good adventure that will hold children spellbound. Bewitching.’ Zoe Williams, South Wales Evening Post 
  • ‘I loved this contemporary adventure of witches, curses, identity and belonging, from Wales’ children’s laureate.’ Fiona Noble, The Bookseller 
  • ‘An inspirational book. She just keeps getting better.’ Claire Fayers
  • ‘Packed with chills and thrills, but is also full of heart. I loved it!’ Kat Ellis
  • ‘A TRULY BRAVE AND BEAUTIFUL BOOK! … Utterly beguiling.’ Zillah Bethel
  • ‘Thrilling throughout … her best yet.’ Scott Evans, the Reader Teacher

Synopsis

Being different can be dangerous. Wilde is afraid strange things are happening around her. Are the birds following her? Is she flying in her sleep? Moving to live with her aunt seems to make it all worse. Wilde is desperate to fit in at her new school, but things keep getting stranger. In a fierce heatwave, in rehearsals for a school play telling the old, local legend of a witch called Winter, ‘The Witch’ starts leaving pupils frightening letters cursing them. Can Wilde find out what’s happening before everyone blames her? Or will she always be the outcast?

Follow Eloise on Twitter, she also has a Children’s Laureate Wales account. Why not visit her website too?

Tir na nOg Award Shortlist 2020

Tir na nOg Award Shortlist 2020

The shortlists for the Tir na nOg Award 2020 have been released. Organised by the Books Council of Wales and sponsored by CILIP Cymru, the awards celebrate the work of authors and illustrators published in 2019.

There are three categories – Welsh language books for primary age children, Welsh language books for secondary age children and English language books for all ages. The English language award celebrates books with an authentic Welsh background.

Chief Executive for the Books Council of Wales, Helgard Krause said, “The Tir na n-Og Awards are an opportunity for us to celebrate the talents of our writers and illustrators who are creating world-class content for our children and young people.”

We have to agree that the English language shortlist is very strong – there are books here that would win easily in a different year, and the decision of the judges will be difficult.

Last year’s winning author, Catherine Fisher, tweeted her congratulations to the shortlistees:

The 2020 Shortlist for the English Language Category is as follows:

The Secret Dragon, Ed Clarke (Puffin)

Set on the coastline of the Vale of Glamorgan, The Secret Dragon is a gorgeous story full of fun and fantasy. It’s great for those around aged 8 and above and has a real focus on science and discovery. Fossil hunter Mari Jones makes a remarkable discovery on the beach, and decides to keep it to herself. There’s an interesting and sensitive sub-plot about family breakups that makes this an absorbing tale for all.

Max Kowalski Didn’t Mean It, Susie Day (Puffin)

Max and his sisters escape Southend to the mountains of Snowdonia – 6 miles from Llanberis; without their dad, without any adult, without telling anyone. Max Kowalski is a fantastically original and heartfelt tale about growing up, dealing with siblings and inner dragons. This witty and emotional book takes on toxic masculinity and shows middle grade readers that empathy and stories make for a better world.

Storm Hound, Claire Fayers (Macmillan)

Storm (a hound from Odin’s Hunt) finds himself fallen to earth on the A40 a few miles from Abergavenny. This fast-paced and highly satisfying mash-up of Norse mythology and Welsh legend is firmly rooted in the Welsh landscape. Jess adopts the puppy but his magic is much sought-after by suspicious characters. It’s an accomplished, funny fantasy with a very human story at its heart.

Where Magic Hides, Cat Weatherill (Gomer)

Where Magic Hides is a collection of short stories anchored in the four corners of Wales. Ancient kings, trolls and unicorns bound through the pages but the real message is for the contemporary world: magic can be found if you know where to look.


Creating these short summaries has highlighted the many connections between the shortlisted books. Clearly, the Welsh landscape is a unifying factor but there is also the magic and fantasy element. See also: dragons and creatures of mythology; children battling inner demons; the humour and wit of the author. As we say above, all fully deserving of the shortlisting and all worthy of your time. There are some classics here and we look forward to the winner being announced in late May.

Chair of the judging panel, Eleri Twynog Davies said, “All four books on the shortlist are of very high quality. It is so important that the children of Wales can see themselves reflected in Welsh literature, and that children outside Wales have a window on another culture.”

An A to Z of Welsh Authors and Illustrators

On this page, we list published authors and illustrators from Wales. These brilliant folk are either born in Wales, raised in Wales or established in Wales. If there’s anyone missing, please let us know.

Daddy Worm thought that an A to Z of Welsh authors would be a great way to develop knowledge of children’s writers – particularly as he is a teacher and is now better informed in those all-important discussions at Book Club.

Research by the Open University has shown that a teacher’s knowledge of children’s literature is highly significant in developing children as readers who can and DO choose to read. You can read more at this link.

A Huw Aaron
Lauren Ace
Sophie Anderson
Dan Anthony

B Laura Baker
P.G. Bell
Zillah Bethell
Jon Blake
Karla Brading
Stephanie Burgis

C Anne Cakebread
Elen Caldecott
Phil Carradice
Karin Celestine
Lucy Christopher
Horatio Clare
Nathan Collins
Tracey Corderoy

D Huw Davies
James Davies
Karl Davies
Nicola Davies
Helen Docherty
Thomas Docherty
Diane Doona
Jonny Duddle
Heather Dyer

E Fran Evans
John Evans
Mark Llewelyn Evans

F Claire Fayers
Catherine Fisher
Helen Flook

G G.R. Gemin
Maria Grace
Robert Graves

H Maggie Harcourt
Rebecca Harry
Sam Hay
Eric Heyman
Graham Howells

I Rhian Ivory

J Gilly John
Catherine Johnson
Cynan Jones
Jac Jones
Tudur Dylan Jones

K Sarah Kilbride

L Valériane Leblond
Emma Levey
Caryl Lewis
Gill Lewis
Rob Lewis
Siân Lewis
Helen Liscombe
T Llew Jones
Jenny Løvlie
Max Low

M Paul Manship
Sharon Marie-Jones
Wendy Meddour
Elin Meek
Daniel Morden
Ruth Morgan
Jackie Morris

N Jenny Nimmo

O Lucy Owens

P Julie Pike
Gavin Puckett

R Shoo Rayner
Emma Rea

S Laura Sheldon
Jenny Sullivan

T Frances Thomas
Sarah Todd Taylor

V William Vaughan

W Wendy White
Eloise Williams
Justine Windsor

Anticipated Reads of 2019

January

We’ve already had a number of exciting releases to devour in 2019. The Colour of Happy by Laura Baker and Angie Rozelaar (Hodder) is a beautiful exploration of feelings for young children – allowing them to interpret and acknowledge their own emotions and develop empathy for others.
The Girls (Caterpillar), by Lauren Ace & Jenny Lovlie is a celebration of individuality and friendship. It follows the journey of four girls who meet under an apple tree and they form a bond that lasts a lifetime. The girls grow and follow their individual paths but know that they always have the love and friendship to share the good times and get them through the bad.
Meet The Pirates and Meet The Greeks by James Davies (Big Picture Press) are superb non-fiction hardbacks that everyone needs. Filled with hi-res humour these are perfect for any age and should be in every school library in the land.

February

Three MG novels of real quality are on offer this month. The Train to Impossible Places by PG Bell (Usborne) gets a paperback release. It deserves your attention as it’s one of the most inventive books we’ve read recently. Suzie is a bold heroine seeking justice as she traverses the Impossible Places on a train piloted by trolls. We’d say it’s best suited to ages 8 to 11. Buy it, you won’t regret it.
The Closest Thing to Flying by Gill Lewis (OUP) manages to cover so much ground with an incredible deftness. Topics covered include refugees, votes for women and the ethical treatment of animals, making this book a feast for the mind (and a treasure-trove for teachers’ planning). It’s highly emotive, engaging and intelligently written – but then if you’ve read any of Gill’s other books, you’d be expecting that.
We’ve just received our copy of Storm Hound, the new novel from Claire Fayers (Macmillan) that has already received a collection of favourable first reviews. We’re looking forward to reading this funny and fast-paced story of the mythical young bloodhound who falls to earth. Claire does magical adventure extremely well so we can’t wait to get stuck in.

March

The Wonder of Trees is published in March. Non-fiction expert Nicola Davies explores the extraordinary diversity of trees and forests with illustrations by Lorna Scobie (Hodder). This is the same duo who produced The Variety of Life last year, a gorgeous large-format celebration of biodiversity that we often goggle at for hours at a time.
We are very excited about Lubna and Pebble, written by Wendy Meddour and illustrated by Daniel Egneus (OUP). A picture book addressing the refugee crisis, it follows the story of Lubna who’s best friend is a pebble she finds on the beach when she arrives in the night. It’s a story that celebrates the human spirit, hope and friendship. We know that Daniel Egneus is a quality illustrator – and the images promise to be both sensitive and skillful.
Walker is a new story from Shoo Rayner (Firefly) about a boy who can talk to dogs. Shoo’s well-loved firefly trilogy about Dragons came to a close in 2017, and we’re excited to read this new story aimed at 8-10 year olds.

April

Several Welsh picture book authors seem to have found a happy home with Little Tiger – and there are two being published in April.
We’re very lucky to have seen an early proof of Stefano the Squid, by Wendy Meddour and Duncan Beedie (Little Tiger). The illustrations are top-notch – bold and bright underwater scenes compliment Wendy’s funny and sensitive text about finding the heroic in the ordinary. Stefano lacks confidence in his own appearance – the other creatures seem far more interesting, colourful, amazing even. When disaster strikes, Stefano steps into the limelight.
The One Stop Story Shop by Tracey Corderoy and Tony Neal (Little Tiger) is a fun frolic through the magical world of storytelling. We don’t have much more information about this one at the moment, but it’s another quality pairing with a great track record.
Graffeg have a number of books scheduled for release in April – the brilliant country tales series from Nicola Davies and Cathy Fisher continues with Mountain Lamb (Graffeg); Ceri and Deri Build a Birdhouse in Max Low’s third installment of the vibrant duo’s adventures; and Helping Hedgehog Home, by Celestine and the Hare (Graffeg) is the 9th little book with a big heart featuring the Tribe. Grandpa Burdock and Granny Dandelion must help Hedgehog get home when a new fence traps her outside the garden.
The Sea House (Firefly) written by newsreader Lucy Owen has an intriguing and striking premise. Grieving nine-year old Coral cries so much, she fills her house with tears and wakes to find a magical underwater world. This fantasy story has a focus on the magic of being able to swim through your own house. Rebecca Harry’s illustrations (her 40th book!) make this a fantasy story with a big heart that will appeal to children aged 5+.
A Little House in a Big Place (Kids Can Press) by Alison Acheson is illustrated by French-born, Aberystwyth-based Valeriane Leblond. A nominee for last year’s Tir na-nOg Award with Tudur Dylan Jones, Valeriane’s images are compassionate, soulful and beautiful. The ‘big place’ in the title is the prairie, where a little girl stands in a window waving to the engineer on a passing train. Canadian author Alison Acheson has written a deceptively simple book which deals with growing up and what may lie beyond our own familiar surroundings.

May

Another exciting pairing of author and illustrator will be seen with the release of Hummingbird (Walker) by Nicola Davies and Jane Ray. This promises to be a spellbinding nature book. These tiny birds travel huge distances (from wintertime in Mexico to a spring nesting as far north as Alaska and Canada) and this book follow’s one bird’s migration. Jane Ray is a talented and distinctive illustrator, regularly shortlisted for major prizes – a worthy partner for the incredible Nicola Davies.

June

The hysterical Fables from the Stables get a new addition in Hayley the Hairy Horse, by Gavin Puckett and Tor Freeman (Faber & Faber). These rhyming tales are perfect for the 5 – 7 year olds who are after a chapter book of their own. We’ve loved every edition so far, and can’t wait for more.

July

Tracey Corderoy and Tony Neal release their second book of the year with Little Tiger entitled Sneaky Beak, a warning fable about materialism.
Ant Clancy Games Detective is new from Ruth Morgan (Firefly). Her last novel Alien Rain was nominated for the Tir na-nOg and was a sophisticated, well-crafted, compelling story, so we’re naturally including this new story in our ‘ones to watch’. Race-Chase is the new virtual reality game that everyone’s playing but gamers are starting to get hurt. Could the problem identified by the game’s creators turn out to be something deadlier? Ant Clancy and his friends set out to investigate.
Ariki and the Island of Wonders is the follow-up to last year’s Ariki and the Giant Shark by Nicola Davies and Nicola Kinnear (Walker). We loved this informative fiction – with descriptions of the reef, the wildlife and the geography of the pacific island featured – but it’s the feisty heroine who will get young readers hooked. It’s well-suited to 8 to 10 year olds, but the joy of nature will not be lost on any age.

And in the second half of the year…

There’s a lot more to come from the authors and illustrators of Wales in the second half of the year. News of the following publications is floating our boat at the moment:

The Last Spell Breather, Julie Pike; Every Child a Song, Nicola Davies & Marc Martin; The Princess Who Flew with Dragons, Stephanie Burgis (Bloomsbury); Max Low publishes a book with Otter Barry; a second Grace-Ella story is due from Sharon Marie-Jones (Firefly); a third (and final?) Aubrey book from Horatio Clare (Firefly); a second novel from Sophie Anderson; Peril en Pointe from Helen Lipscombe (Chicken House); there may be a new book from Wendy White, and new books from Dan Anthony and Ruth Morgan will be published with Gomer; a follow up to Through the Eyes of Me by Jon Robinson (Graffeg); Teach Your Cat Welsh and Find the Dragon from Lolfa; and a new Max the Detective book from Sarah Todd Taylor (Nosy Crow).

Firefly Review 2018

Firefly Press was launched in Cardiff in 2013. Spearheaded by publisher Penny Thomas and a team of editors, writers and enthusiasts, they develop around 10 books a year. At the time of launch, Janet Thomas, editor, was quoted as saying, “We aim to publish the best in storytelling, writing and design for a Welsh, UK and world market. Our stories may be funny, scary, magical, shocking, thrilling, sad or happy, but always aim to entertain and inspire.” (The Bookseller, 21 May 2013)

Anyone who’s read a Firefly-published book in 2018 would probably concur that those aims have been met, with aplomb. For us, it’s fabulous that Firefly publish books for children only, as this allows for an intensely focussed approach on successfully selling the authors and design. We’re really pleased that the design of the books receives due attention – with Firefly, you really can judge the book by its cover – and from what we’ve seen of the 2019 releases, this is going to continue, and rightly so.

We’ll draw your attention to a number of 2018 Firefly books here – not all by Welsh authors, but all deserving of universal recognition. (Writing in italics is directly from press information.)

Thrilling Series for Mature Readers

Two compelling Firefly trilogies came to a close in 2018 – both to be appreciated by readers of middle-grade, young adult and adult fiction. The Heart of Mars is the conclusion of a sci-fi thriller centered on protagonist Lora. After trekking the Martian deserts and battling against many dangers, Lora and Peter bravely set off to find the Ancient Heart of Mars and rescue Ma and Hannah. This acclaimed, inventive book delights its readers with scares and surprises – a brilliantly written fight for survival.

The Territory: Truth also grips the attention with its dystopian plotline and powerful characterisations. The year is 2059. Noa lives in what’s left of a Britain where flooding means land is scarce. Everyone must sit an exam at 15: if you pass you can stay in the Territory, if you fail you must go to the Wetlands. Will Noa, Jack and Raf be able to defeat the wall and the authorities and finally uncover the truth?

Critically acclaimed and award-winning, Sarah Govett has succeeded in delivering an accomplished, distinctive and contemporary series.

Middle Grade Masterpieces

Eloise Williams may well be regarded as one of Wales’ heavy-hitters, in terms of literary punch. 2017’s Gaslight struck a chord with readers all over the country keen on historical fiction, and it was ideal for teachers looking for something gritty and realistic to use in their Victorian planning. Since then, Eloise has received Literature Wales support, been one of the Hay Festival Writers at Work, had a nomination for the Tir na-nOg Award and been in the Western Mail! Seaglass, therefore, was always highly anticipated and does not disappoint.

It does, however, surprise. Seaglass stands out amongst the crop of 2018’s MG crowd as it is an eerie ghost story. Chilling, atmospheric, and cleverly focussed on building mood. Totally absorbing characters and wild, windy landscapes had us wholly gripped. Lark is brilliantly realistic and relatable; a strong yet complex heroine determined to resolve a serious family drama. And that means facing the supernatural. A totally captivating and satisfying read!

The Clockwork Crow by Catherine Fisher may well be the jewel in the crown for Firefly. The nomination for the Blue Peter Award is surely the start of many shortlistings. There’s not a lot left to be said about this book, which has been met with praise from all quarters.

As an established writer from Wales, Catherine Fisher has always been held dear in the hearts of so many – even before her days as Young People’s Laureate. Her books for children have always tended to be best enjoyed by those of secondary age, but with Clockwork Crow she has reached a younger audience with a sophisticated narrative and sparkling prose. Catherine Fisher sits comfortably alongside Kiran Millwood-Hargrave and Abi Elphinstone as an essential author for 8-12 year olds.

For a full review of the book, click here.

Fart Gags and Funnybones

Firefly also sees the importance of making us giggle – whether it’s the quirky humour of Dog Town or Jennifer Killick’s Alex Sparrow series, they are serious about good quality humour. Alex Sparrow and the Furry Fury is a highly entertaining read, thoroughly enjoyed by Noah last year. Alex Sparrow is a super-agent in training. He’s also a human lie detector. Can he control his unexpectedly smelly superpowers and save his friends? In this second book of the series (the third is coming soon), Alex and Jess’s  turbulent friendship continues as they aim to solve a mystery centered on an animal sanctuary. Cue warmth and wisdom as well as wit in this pacey gem.

Originally published in Latvian, Dog Town is a heart-warming novel about Jacob Bird, who is fighting to save a run-down area of Riga from developers, with the help of the district’s very own gang of talking dogs. The book won The Annual Latvian Literature Prize for The Best Children’s Book 2014. Latvian National Radio has created a radio play version, and it is also currently being made into an animation film. Readers will approve of the excellent translation which retains a quirkiness and charm that delights and engages.

Like Furry Fury, Dog Town contains serious themes – friendship and community – showing that comedy is a great vehicle for encouraging thought and empathy.

You may have seen some of Firefly’s announcements about upcoming books in 2019. It continues to be an exciting time and we will be taking a look at our most anticipated reads in 2019 over the next few weeks. In the meantime, there’s plenty to enjoy from Firefly – all can be purchased directly through their website.

Gomer Review 2018

Gomer Press is the largest independent publisher in Wales and one of the oldest. Established in 1892 and still owned by the same family, it focusses on books with a distinctive Welsh identity and publishes books for adults and children in both languages.

We’ll focus on the books for children released during 2018 in English:

Three Tales by Cynan Jones (£5.99)

Award-winning and respected writer for adults, Cynan Jones turns his hand to three folk tales or fables for children.

Inspiring discussion, ideal for school assemblies or in-class debates, Malachy Doyle exclaims these are “treats of the imagination for child and adult alike.”

Mamgu’s Campervan, Wendy White; Helen Flook (£5.99)

Wendy White is a real favourite of Nina’s. Her previous volumes, Welsh Cakes and Custard and St. David’s Day is Cancelled are both adored in our house.

Mamgu’s Campervan is a short volume following the adventures of Betsi Wynn and Mamgu around a castle.

Mamgu and Betsi Wyn get the camper van out of hibernation but it doesn’t seem to be working properly! They finally get it going and take it out for a spin. This is a heartwarming adventure story that children in Year 2 and Year 3 will love.

Nina says “I really liked all the Welsh words that Wendy White used – castell, diolch, da iawn, Ych a fi! – it gave the book a definite Welsh feel! I also loved the pictures: Helen Flook’s illustrations made the story come to life – the colourful front cover is especially good.”

This book comes highly recommended and we are looking forward to more from Wendy White soon.

The Last Big One, Dan Anthony (£8.99)

The Last Big One is an emotive and gritty story for older readers from trusted and accomplished author, Dan Anthony.

It follows the story of Clint, a teenager whose life seems to go from bad to worse – a school expulsion, a mother grieving, feelings of guilt and injustice and not belonging. He runs away to Parchman Farm.

Here he has to find himself and learn who to trust. Daddy Worm thought this was a brilliant book from a talented writer.

Wil and the Welsh Black Cattle, Phil Okwedy (£5.99)

Wil and the Welsh Black Cattle weaves together six Welsh tales to tell the story of how Wil cheats death and finds true love – but not before losing his fortune twice. Interwoven is the story of Al Capone’s Welsh right-hand man, Murray the Hump. The story takes us from Wales to London and the USA, mixing the real lives of cattle drovers with fantastical fairy elements.

Bananabeeyumio by Laura Sheldon (£6.99)

Bananabeeyumio is a bit of a mouthful – and maybe that’s how it’s meant to be, as here is a story about a secret recipe for a secret sweet treat. Take a bite of bananabeeyumio and you suddenly become able to jump to Olympic standards. But here’s the rub: bananabeeyumio must remain a secret – only to be known by the residents of Cwmbach.

However, one day 11 year old Charlie is spotted by a talent scout for a sports academy and is unable to reveal the real reason for his extreme jumping abilities. The story follows Charlie as he is heralded as the “next big thing” in junior athletics. Clearly things don’t go to plan and there are lessons to be learned about being honest, trustworthy and respecting the hard work of others. Should keeping a secret get you into so much hot water?

Well, the secret is in danger of being revealed several times during the book, as there are more twists and turns in this story than there are on the roads to Cwmbach. An engaging and well-written tale.

The Inn of Waking Shadows, Karla Brading (£6.99)


Emlyn has always stood out at school, and living at the Skirrid Inn doesn’t help. Other kids live with siblings or pets – but Emlyn shares his home with ghosts! Or so they say.

Emlyn doesn’t believe the stories that his home is the most haunted inn in Wales – that is, until he rings a servant’s bell and accidentally summons Fanny Price. Fanny’s presence disturbs some of the Inn’s angrier residents – namely ‘Hanging’ Judge Jeffries, a much older and more powerful ghost who is determined to add Fanny to his collection of feeble spirits.

With flesh-and-blood bullies making his school life miserable, and a ghostly one making his home life down right dangerous, will Emlyn be strong enough to help Fanny move on? And if he does… will he have lost his only friend?

The Lonely Bwbach, Graham Howells (£5.99)

This short tale tells of a little creature from Welsh folklore – the bwbach, a little hobgoblin who would live with a family and care for the home, doing chores in return for a bowl of cream.

The bwbach in this tale has been left alone for years in the house as it was abandoned and fell into disrepair.

Ultimately the cottage was dismantled brick by brick and the bwbach is left distraught.

All is not lost however has he learns that his house has been relocated to St Ffagans and it is his duty to protect it so he sets off on a quest…

An unusual and absorbing tale with great illustrations.

Juliet Jones and the Ginger Pig, Sue Reardon-Smith (£5.99)

Aberteg is a little village in the west of Wales, tucked between the hills and the sea. If you were to go there yourself, you might see Mansel Roberts going up the mountain to look for owls. You could bump into the Bevan twins or come across Mostyn, watching a pair of otters in the river. And if you stayed by the sea, you may see Sian and Juliet playing rounders on the beach. You might even catch a glimpse of Dabby Davies.

In these stories are eight children for you to meet. All of them are different, but all of them are just a little bit like you, too. They will help you learn why friendship is special, how good it is to believe in yourself, and why you must always, always be kind.

All of these titles are available to purchase direct from Gomer online. We are extremely grateful to them for providing review copies of many of these books and would like to thank them for their continued support.

Empathy Day Blog Tour: Gill Lewis

To mark Empathy Day on June 12th, we are delighted to be participating in the Empathy Lab Blog Tour and even more delighted to be hosting one of our favourite authors, Gill Lewis. Empathy Day calls us all to READ – because reading in itself can make us more empathetic; SHARE – because sharing perspectives through books can connect us in new ways; and DO – put empathy into action and make a difference in your community.

Gill is previously on record as saying “Books are more important now than ever for us to understand other people’s lives. They allow us to hear the whole story and to walk in someone else’s shoes. Books can help us understand others and the world around us. Ultimately, they allow us to understand ourselves.” (A Day in the Life of Gill Lewis, retrieved from inkpellet.co.uk). In this blog, she explores having empathy for someone whose views you do not necessarily agree with.

Empathy… A Bridge Across the Divide

A Guest Blog by Gill Lewis

When I was researching for my book, Sky Dancer, a story about the environmental conflict surrounding driven grouse shooting in our uplands, I came across many distressing videos and images of persecuted birds of prey; poisoned eagles, shot hen harriers, bludgeoned buzzards and goshawks. The list went on and on.

I was appalled.

Why would anyone do such a thing?

We often use a rhetorical question to express our disgust and contempt. It entrenches us in our own viewpoint and alienates us from the other.

However, if we ask a genuine question: Why would anyone do such a thing? Why? Then we begin to put ourselves in a position to understand someone’s actions. Empathy is an important skill and the basis of understanding the motives of others. You don’t have to agree with someone or tolerate their views but you can attempt to understand why they have those views. Making the first step towards understanding does not mean you compromise your own beliefs, but that you are willing to listen. Listening is the first step towards dialogue, which can lead to potential resolution of a conflict or the changing of bigoted views or unjust practices.

A writer uses empathy all the time to understand each character’s viewpoint. A writer has to know, for example, why one character might hold racist beliefs. Most prejudice is born from fear; fear of losing power or control. It’s a survival mechanism to protect one’s own interests. Dialogue and understanding can reduce the fear and in doing so be pivotal in changing bigoted attitudes.

For Sky Dancer I wanted to understand why a gamekeeper might shoot a hen harrier, one of our wonderful iconic birds of prey. Why destroy something so beautiful, a part of nature? Why risk breaking the law in doing so?

Well, the answer lies in the driven grouse shooting industry. The Joint Raptor Study concluded that a driven grouse moor cannot be economically viable unless hen harriers are killed. Birds of prey are persecuted on many grouse moors to ensure the red grouse numbers are high enough for a shoot.

The gamekeepers’ job is in the name. It is to keep game in plentiful supply for a shoot. Many gamekeepers have long traditional family associations with the land and with the owner of a grouse moor. It’s a way of life. There is fierce pride in the job. Killing wildlife that preys on red grouse goes back to Victorian times. It’s a cultural norm. Many species such as crows, foxes, magpies, and weasels are now legally killed, and many, many birds of prey are illegally killed too.

If gamekeepers allow red grouse numbers to fall due to predation, they are at risk of losing their livelihood and way of life. To lose a way of life is to lose your identity and your sense of belonging in the world. No wonder it is something people would be fearful of and fight against. No wonder a gamekeeper wants to do his job well and maximize game. No wonder there is fierce resistance to those who want to ban driven grouse shooting.

Similarly, many grouse moor owners do not welcome hen harriers because their business is dependent upon high grouse numbers. Land ownership in the uplands is a complicated mix of tradition, class, wealth and politics. A landowner may fear loss of power and control, not only of the land, but also of their own status.

In Sky Dancer, I wanted to cross the bridge from my own viewpoint, one that sees persecution as abhorrent, and try to understand the stance of a gamekeeper involved in the shooting of a bird of prey. Joe, a gamekeeper’s son, narrates the story and through him we see his father’s and the wealthy landowner’s views, and we also see how Joe is challenged to think another way by a newcomer.

Aimee Nicholson, of the RSPB Hen Harrier LIFE Project with Gill Lewis on a school book tour in support of Sky Dancer last year.

By trying to understand both perspectives, I wanted to build up the arguments for driven grouse shooting and then tear them all down and show that driven grouse shooting is an outdated Victorian sport that has no place in conservation today.

Yet, in this story, I wanted to show that there is a viable alternative to driven grouse shooting that would benefit all. At the moment we, as taxpayers, pay vast subsidies to landowners to intensively manage the land via burning to produce swathes of heather for grouse. Much of our upland landscape of treeless, fire-scorched hillsides has been defined by it.  This land management is bad for the environment; it is detrimental to carbon capture, water and air quality and biodiversity. An alternative would be to re-wild our upland with mixed habitats of deciduous native woodland, blanket bog and heath. I’d prefer my taxes to pay for restoration of the natural world. Gamekeepers’ livelihoods needn’t be at risk either, as re-wilding would require wildlife rangers to protect wildlife and wild space, and not destroy it.

My opinion is that re-wilding is the viable option to break away from damaging Victorian practices. It would provide eco-tourism, mitigate flood risk and benefit carbon capture, water and air quality and achieve a biodiversity of such richness that which we can now only dream.

Empathy can build bridges and initiate dialogue.

Whether or not someone with an opposing opinion wants to meet you on that bridge is their choice. But by understanding another viewpoint, it allows you to reassess your own, clarify your own beliefs, sharpen your argument and give courage of your convictions to keep on fighting for what you believe.

 

Thank you to Gill Lewis for this thoughtful and thought-provoking blog. You can read our review of Sky Dancer here. You may also be interested in her latest book with Barrington Stoke, Run Wild, which also has a re-wilding theme.