Adventure

Vivi Conway and the Sword of Legend

Vivi Conway and the Sword of Legend

DaddyWorm

Lizzie Huxley Jones

Knights Of (ISBN 9781913311421)
Vivi cover was illustrated by Harry Woodgate

When you read Vivi Conway (and let’s make this clear from the beginning – you must read Vivi Conway, it is stupendous) there are several things that may strike you. It could be the fact that Vivi and her gang have the most incredible heart-racing adventures. It might be that the writing is so lively and engaging that it pulls you in completely and makes you feel instantly a part of Vivi’s world. It may be that this is undoubtedly one of the most inclusive books you have ever read. It would probably be that you fall in love with Gelert the protective ghost hound who speaks in a Welsh dialect that would make Lesley Parr proud, mun.

I was particularly enamoured by a couple of things: firstly, the constant inspiration of Welsh mythology cannot be underplayed here. I mean we’re single-mindedly here for authentic welsh contexts and it feels like Lizzie has pulled out all the stops to do the Wales Tourist Board proud. The book is completely teeming with legends, folk-tales, Arthurian and mabinogion-inspired references. It is excellently done – I love the part where Gelert describes his own demise whilst standing next to his own grave (macabre but extremely moving!); or where Nimuë the Lady of the Lake recounts the story of Pwyll and Rhiannon. Elsewhere, the inspiration is more subtle and the tales have been twisted, diluted or reshaped (just as they have been over centuries).

Secondly, there is great humour here. Real laugh-out loud stuff. Observational comedy and warm-hearted funnies that made me beam as I read. These kids are going through some wild episodes but their sense of humour is maintained throughout. My supposition is that there is a bit of author Lizzie Huxley-Jones in Vivi and that they had a ball writing the story; their warm personality certainly shines through the writing. By the end of the book, not only are you desperate for more, but you feel like you actually want to be in the company of these misfits, and by association, get to know Lizzie Huxley-Jones better. (We promise to try and get them to do a Q and A soon!)

However Vivi Conway floats your boat, one thing is sure; it is a completely joyous book that I will happily recommend to everyone for the rest of my life. The Sword of Legend is full of the most excellent fun.

At the start of the story, Vivi Conway is moving to London. But the night before she leaves, she hears a voice calling her to the lake. It is here that she is given Excalibur and a quest to contain Arawn, the King of the Underworld. She can’t do this alone, and finding her tribe is a central theme to the story – both for real-world Vivi as she settles into her new school in London, and for fantasy-world Vivi as she seeks out the other ‘calonnau’ who are charged with defending the mortal world.

What follows is a story full of magic, myth and monsters that will (mildly) terrify and thrill readers of all ages. There are missing children, seized by the horrifying spider-like Coraniaid who seem to have taken the job of the Tylwyth Teg in kidnapping youngsters and holding them captive in the Unlands (that space between our world and Annwn). As Vivi and her friends Dara, Stevie and Chia learn to tame and hone their magical powers ‘on the job’ the adventure to rescue the missing children takes in the Science Museum, the British Library and the Crystal Palace dinosaurs. It really is an education!

For a fantasy story full of the supernatural it’s also intensely real. Autistic Vivi was bullied in her previous school and is extremely wary of other kids – particularly as she’s now in a new city and feels she cannot give herself up to friendship due to previous experiences. Readers will enjoy following Vivi as she works these things out, opens up, conquers fear and becomes more content with her place in the world. She is battling supernatural demons by day but also inside her head. The parallel nature of Vivi in the human world and Vivi in the Unlands works phenomenally well.

An authentically Welsh, fun fantasy, expertly written with joy woven through every page. A story that encourages everyone to be themselves and to assure growing youngsters that they will find their place. Vivi Conway and the Sword of Legend is essential for every home, library and school; this is a special one I’m going to be recommending to a lot of people. Thanks Lizzie Huxley-Jones for writing.

Blog Tour Content

https://twitter.com/littlehux/status/1661746825328742402

Lizzie Huxley- Jones recently tweeted about their research in the British Library. We thought it may be fun to pull out some of the myths and legends that have inspired Vivi Conway and the Sword of Legend and highlight some retellings for children. Hope you enjoy…

Gelert

Gelert is a ghost dog in Vivi’s adventure and a faithful guardian to the children. This is the wiry hound Gelert of legend, and in one very moving scene he transports Vivi to Beddgelert and recounts his story right next to his grave. Try holding the tears in when you get to that part. A really lovely retelling of Gelert for children is the Cerys Matthews version but it also appears in the ‘Tales from Wales’ collection.

Ceridwen

Vivi meets Dara at the lake – like Vivi, Dara has been gifted a magical power associated with a figure from mythology. Ceridwen is that mythical legend – a sorceress who had a magical cauldron. The story of how she brewed a potion to give her own hideous son great wisdom, but instead the potion inadvertently spilled on a servant boy, is told brilliantly by Jenny Nimmo in ‘Gwion and the Witch’, illustrated by Jac Jones.

The Lady of the Lake / Excalibur

Also known as Nimuë (or Viviane in some tales), the Lady of the Lake is the Arthurian story of the enchantress who, amongst other things, gives Arthur the Excalibur sword. Vivi and Nimuë are partnered souls and the discovery of Excalibur in Llyn Arian is the start of Vivi’s adventure. This is a story told many times in many ways. I’ve chosen three books which were all nominated for the Tir na nOg Award in their day.

Afanc

The Afanc is a lake monster from Welsh mythology – an enormous supernatural beast sometimes described as resembling a crocodile, and often a scaly beaver – take your pick! Chapter 1 of Vivi gets us off to an uber-exciting start as Vivi has to wrestle with the Afanc in the lake. There is an afanc pool near Betws-y-Coed and the Showell Styles book provides a guided walk. The Claire Fayers collection recounts the legend of how the afanc was removed to a more remote lake away from the town, and the Dark is Rising sequence features the afanc in the final book.

Coraniaid

The Coraniaid feature in the Mabinogion tale of Lludd and Llefelys. They are one of three plagues that descended on Britain during the reign of King Lludd – an undefined creature or people who were characterised by a remarkable sense of hearing – which meant that the land fell silent because no-one could take any action against them. In Vivi’s story the creatures take on an arachnid form and they learn about the Coraniaid plague from a pamphlet in the British Library. ‘The Three Plagues of Britain’ is recounted in Gwyn Jones’ Stories from Wales, while Zillah Bethell retells the story (wherein “even the fool daren’t tell his jokes”) in The Mab. In ‘Island of the Mighty’ Haydn Middleton’s version features tiny folk called the Corannies who were water-tamers (there’s another link to Vivi there, but I think we’ve given away enough spoilers!)

Rhiannon

The third calon to be discovered in the story of Vivi Conway is that of Rhiannon – a character from the Mabinogion (though probably better known through the Fleetwood Mac song). Rhiannon is the intelligent, beautiful horse goddess. She features in the first branch of the Mabinogi, but also the third. Aside from The Mab, mentioned above, here are two other versions of the Mabinogion.

Thanks very much to Lizzie, Knights Of and Team ED for inviting us to be part of the blog tour and for sharing an early proof copy of Vivi.

Vivi Conway and the Sword of Legend by Lizzie Huxley-Jones is out 1 June 2023. Grab a copy from your local independent bookshop, or buy direct from Round Table. Follow Lizzie on Twitter, find out more about them here, and check out all the posts on the Vivi Conway blog tour…

The Ghosts of Craig Glas Castle

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A Cover Reveal of Michelle Briscombe’s new novel with Candy Jar

The Ghosts of Craig Glas Castle, a spooky yet warm-hearted sequel to The House on March Lane, is due to be published on World Book Day, March 2nd 2023.

It had been ten months since the ghosts had started talking to Flora and her best friend Archie at her dad’s reclamation and antiques warehouse. So, when the two friends are offered a trip to Wales, and a break from the ghosts, to pick up some antiques from Craig Glas Castle, they can’t wait to go. But not everything at Craig Glas Castle is what it seems! Another unearthly mystery awaits to be unravelled by the intrepid duo.

The cover, shown below, was created by artist Martin Baines.

Michelle told us, “I’ve always wanted to write a story about my own Basque heritage. One of the main adult characters in the book is an opera singer from Bilboa who owns a castle in Wales in the late 1800s. She is so famous that she’s invited to sing at the Eisteddfod. She is based on the opera singer Adelina Patti, the Spanish opera singer who made her home in Swansea. I really love the cover and feel it ties in with the cover of The House on March Lane.

Michelle Briscombe was born in Cardiff but now lives in Barry, South Wales, with her husband and two children. She has been a Primary School teacher for over 18 years, enjoys walking and often takes walking holidays with her family who all have a keen interest in the natural world. She has been a Literature Wales Bursary recipient and placed second in the Wells Festival of Literature short story competition. Michelle has also been shortlisted for a short story competition by Royal Society of Literature.

Artist Martin Baines is a professional storyboard and concept artist. He has worked extensively in the field of storyboards for advertising agencies. As an illustrator of book jackets and comic strips he has worked with Match of the Day Weekly, the Wallace & Gromit comic, the Beano and People’s Friend. He is a regular illustrator for Candy Jar and has done several covers for the Doctor Who spin-off, Lethbride-Stewart.

Huge thanks to Michelle for inviting us to host this reveal. Follow Michelle and Candy Jar on Twitter.

To preorder The Ghosts of Craig Glas Castle by Michelle Briscombe, please ask at your local independent bookshop, or find out more at the Candy Jar website.

The Boy in The Post by Holly Rivers

The Boy in The Post by Holly Rivers

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What’s the strangest thing to be sent through the post? Well, after a few hours down several internet rabbit holes, I can tell you that there are no limits to the things that people have attempted to send through our beloved Royal Mail. Pets, children, suffragettes, bricks, shepherd’s pie (warm), game (just a label around the neck will do) and a severed ear have all been wrapped and sent in the history of the international postal service. “Mail artists” have sought to push the envelope (thank you very much) and write addresses on unwrapped items such as leaves, apples, potatoes and a piece of toast.

It appears Holly Rivers was inspired by these tales to write The Boy in The Post (charming and funny with a golden heart), her second novel with Chicken House. The book features children mailing themselves to New York in order to solve their problem. You see, the Shalloo siblings have taken on a job for the summer holidays. Their mum is too wrapped up in her second-hand car business to give them her attention and so they answer the call of Grandy Brock to help him establish a new kind of postal service. The kind of postal service that has animals delivering the mail. Animails. Yes that’s right – Grandy Brock has a menagerie of feathers and furs (as well as a rather impressive number of his own children) and is trying to get his new business venture off the ground.

Taber, the youngest of the Shalloo siblings, is responsible for training Geronimo, a pelican, to find it’s way home. Using inbuilt navigation systems, this all goes rather swimmingly (soaringly?) and the bird becomes the best homing pelican you can imagine. However, following an international flight, the bird fails to return home and Taber holds himself responsible. The young boy takes off in the middle of the night, posting himself with a shipment to New York. Taber’s brother and sister become very concerned for him and crate themselves off in a similar manner, embarking on the adventure of a lifetime.

The book has a very classic, vintage feel. The characters are brilliant – written with so much joy you can’t fail to fall in love with them. Grandy Brock is a favourite. He’s eccentric and peculiar but has “a mischievous twinkle in his eyes that hinted at adventure and excitement and fun.” He’s warm and generous and shows kindness that the Shalloo siblings have rarely seen. The book is also laden with some of the best postal-related puns you are ever likely to feast on (it’s all in the delivery!) Now that’s definitely something to write home about.

We’re delighted to be able to share this Q and A with Holly Rivers which delves a bit further into the inspiration behind the book:

Tell us a little about your new novel, The Boy in the Post

The Boy in the Post is a postal-themed adventure story set across land, sea and sky! It follows the Shalloo siblings — adventurous twelve year old Orinthia; nature-loving five year old Taber; and sensible middle child Séafra.

During the summer holidays the three siblings accept a summer job from an eccentric old man called Grandy Brock who lives in a tumbledown windmill. He and his five adopted children are opening a very special postal service called The Mailbox Menagerie, which is to be staffed entirely by animals and birds! The Shalloo siblings become especially fond of Geronimo, a homing pelican. But when the big bird fails to return from a delivery to New York, the Shalloo siblings have no choice but to post themselves across the Atlantic to find her…

What inspired the story?

The story was inspired by a fascinating article published by The Smithsonian Institute, about children who were sent through the mail in the 1900s.  Yes, back then it was legal to send your kids through the post! The first child delivered by the U.S. parcel post service was a boy in Ohio, in 1913 — his parents paid 15 cents for the stamps and insured their son for $50, who was then delivered to his Grandmother’s house a few miles away. Even though these children weren’t technically stuffed into mailbags (and instead travelled in the mail vans of trusted postmen) I couldn’t help but start imagining prospective characters being wrapped in brown paper and stamps being stuck to their foreheads; and the idea for The Boy in the Post was born!

What was your favourite piece of information that you uncovered in your research?

I loved reading about loads of other weird and wonderful things that have been sent through the post and intercepted over the years — a turnip with the recipient’s address carved into its flesh; a hive of live bees; false teeth; jars of scorpions; prosthetic limbs; a pair of underpants with an address scrawled across the crotch; a first edition copy of Ulysses deemed ‘obscene’; a brace of game birds; a tree trunk; a building’s worth of bricks; and two suffragettes hoping to get to Herbert Asquith! The bizarre and eccentric side of humanity never fails to inspire and entertain me!

Who were your favourite characters to write?

I had a hoot (excuse the pun) coming up with ideas for my animails — the animals and birds that work at The Mailbox Menagerie. I really let my imagination run wild and ended up penning a homing pelican who gets paid in sardines; a fruit bat who will only work the night shift; a pair of Sphynx cats in charge of licking stamps; an octopus who can deliver 8 parcels at a time; and snakes who cane spell out postcodes with their bodies. All the while I had my own pet chihuahua, Silver snuggled up on my lap — whose snores and farts and woofs made the experience all the richer! She even turns up in the last chapter of the book…..

What do you think the key message is to take away from the book?

I hope that the story inspires readers to embrace more old-school ways of communicating in their post-pandemic lives. During lockdown — a time dominated by zoom calls and emails — sending and receiving  letters from family and friends during brought me so much joy; and there was nothing lovelier than hearing the postman coming up the garden path. I hope the book inspires children to switch off their screens, go buy some stamps and put pen to paper. I’m always open to receiving letters from new pen-pals!

You wrote the book during lockdown, how was that as an experience compared to writing your first novel Demelza and the Spectre Detectors?

When I was working on Demelza I was able to take my laptop to so many different locations to write — libraries, cosy pubs, cafes, parks, the northbound Piccadilly line, number 91 bus! But because of lockdown and the fact that all of our worlds had suddenly become a lot smaller, the entirety of The Boy in The Post was written at an antique desk gifted to me by Grandma. I was surprisingly focused and motivated during lockdown and managed to write the first draft of the book fairly quickly. Penning an epic transatlantic adventure also meant that I could travel the world and go on a journey even though I wasn’t allowed to leave the house — it felt like a real tonic!

You work as a children’s workshop facilitator, does this help to inform your writing?

As you can see from the acknowledgments sections of both Demelza and The Boy In The Post, the children I work with are a huge inspiration to me and my writing. They buoy me with their ideas, energy, humour, warmth and imagination, and I’m  always jotting down the unusual and funny things they come out with! Being around children so much reminds me to remain playful, and they stop me from turning into too much of a grumpy old grown-up!

Thank you to Holly and Laura for the Q and A and for allowing us to host today’s post on the Blog Tour. The Boy in The Post is available now to buy in your local independent bookshop, published by Chicken House. You can follow Holly on Twitter.

The Song That Sings Us: Cover Reveal

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The Song That Sings Us is an exhilarating new novel from Nicola Davies to be published in October by Firefly Press. We feel hugely privileged to be asked to reveal the cover which features stunning artwork by Jackie Morris.

The Song That Sings Us is the story of twins Ash and Xeno, and their older sister Harlon, who has been raised to protect her younger siblings because they have siardw: a power to communicate with animals that is outlawed by the state. But when the ruling sinister Automators attack their mountain home, they are forced to flee for their lives. It is an immediately gripping edge-of-the-seat first chapter, which sees the siblings escape on snowboards down a dangerous gully.

The thrilling and dangerous adventure continues as each must journey alone through the ice fields, forests and oceans of Rumyc to try to rescue the others and fulfil a mysterious promise about a lost island made to their mother.

Nicola told us: “The Song that Sings Us is rooted in all that I really know about animals; their ability to think, to feel and to communicate. But it is not set in the real world; it is a fantasy adventure with chases and escapes, fights and mysteries, death and miraculous life. It contains magic, but that part of the story is real – the real magic of nature with which every human has deep need to connect.

“I hope that, in travelling to this fantasy world, readers will see the truth of ours.”

“I want to inspire a beautiful rebellion of invention and creativity against the darkness that threatens to engulf the glorious brightness of the natural world.”

Nicola Davies

The book has a touching dedication to Jackie Morris, Cathy Fisher and Molly Howell, and whilst Jackie Morris and Nicola Davies have been friends for years, this is the first time they have worked together. As well as the cover illustration, Jackie has created beautiful artwork for the chapter headings.

Jackie Morris said, “When you love a book so much it is the hardest thing to work on the cover. I try to give everything to every piece of work I do, but in this case there was the long friendship I have with Nicola Davies, a person I both love and admire, AND the fact that the story is amazing.

“Trying to do the words justice is always the problem. For this cover I worked on clapboard, a medium new to me, but one that made the colours of the starling really sing. They are such beautiful birds. And it was so important that the image sings, in every way possible. Finding the image for the book, that’s another problem, but somehow that little starling, so full of its own power, she is what sang out from the text.

“I heard this book first. Nicola and I often would call each other when we’d done the first drafts of a work, and read to each other. Restrictions had eased and Nicola, Cathy Fisher and I were a bubble, and Nicola would come around every week with the next ‘instalment’. How utterly amazing. It made images dance in my mind’s eye. It was an honour and a privilege to work on this cover. For now it’s the best it can be, and my hope is it’s the beginning of a series. I cannot wait for the next one.”

Special proof copies of The Song That Sings Us are landing on doormats this week. A limited edition deluxe gift hardback, is available to pre-order now and will be published on 14th October 2021. Visit the Firefly Press website to place your order.

Follow Nicola and Jackie and Firefly on Twitter for more updates. You can listen to Nicola read the first chapter of The Song That Sings Us below.

My Name is River

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We are delighted to reveal the cover to a new novel from Emma Rea to be published by Firefly Press in June 2020.

My Name is River is an exciting new adventure story with evocative locations and a powerful ecological theme.

Emma Rea lives in London. She lived in mid-Wales for many years and considers it home. Her father was a naval officer so she grew up all over the place but was inspired by a holiday to Wales and brought her children up in Powys. Emma has worked as a tractor driver and grain-lorry driver, a magazine editor, a journalist, a trader in Russian newsprint and cardboard and a festival organiser before she started writing.

Her new story takes Dylan, the protagonist from her first book, Top Dog (Gomer), and projects him into an audacious and intrepid adventure in the heart of South America.

Book Synopsis

Dylan’s mum thinks he’s with his friends on a residential geography trip.
His geography teacher thinks he’s at home with flu.
In fact, Dylan is 33,000 feet above the ocean on his way to Brazil...

When Dylan overhears his dad say that their farm has been sold to a global pharmaceutical company, he decides he has to make them change their minds. In Brazil, things don’t go at all to plan. Only when Lucia – a street child armed with a puppy and a thesaurus – saves his life, do they start to uncover the shocking truth about what the company is up to, and Dylan’s home problems suddenly seem dangerously far away.

We are completely thrilled to exclusively reveal the cover below. The image has been illustrated and designed by Brittany E Lakin.

Shortlisted for the Templar Illustration Prize, Brittany E. Lakin is an illustrator who draws inspiration from folk tales, and elements of nature. Emma told us,

“I love the excitement and danger Brittany has captured, using perspective and light brilliantly to draw the reader in to the Amazonian rainforest. My writing is accessible but the story has depth, and I think Brittany’s design, with the broad appeal of Dylan and Lucia looking out at the reader, and the rich colours and complexity of the background, reflects both these aspects of My Name is River.”

To mark this very special unveiling, we were given the opportunity to ask Emma a few questions. We started by asking her what she was reading right now.

I’m reading Cornelia Funke’s The Thief Lord to make sure my next book, set in Venice, doesn’t overlap with anything she’s written. And for the enormous pleasure of it.

Where and when do you write? 
I don’t have to look as though I’m working, so I can write on the sofa with my legs up. This means my arms don’t ache – endless typing at a desk wrecked one of them for a while. The sofa position, punctuated by quick walks round the park, seems to suit both arms and legs. I write all morning and part of the afternoon, but put writing second to my family, friends, jobs, dog etc, who provide me with plenty of welcome distraction.

Who or what inspires you?
When I’m in the zone, in the middle of editing a story, everything is inspiration. It’s as if the whole world is reflecting bits of my story back to me. When I’m not in the zone, it’s odd remarks, chance meetings, moments when someone says something surprising. Anecdotes from family history.

What are your favourite books for children? 
At the moment I prefer reality to fantasy – I find the real world difficult enough to navigate and I lose my footing in imagined worlds. I love Tom Sawyer and Huckleberry Finn, all of Eva Ibbotson’s books for their intricate plotting, but especially Journey to the River Sea, all of Geraldine McCaughrean’s books, The Airman by Eoin Colfer, Aubrey and the Terrible Yoot by Horatio Clare. When I was younger I loved E Nesbitt’s The Wouldbegoods (though I’ve never found anyone else who’s read it) and Five Children and It. 

Your new book, My Name is River, features a pharmaceutical company, a Machynlleth farm and a Brazilian street child. What more can you tell us? 
It features two rivers – a tributary of the Dovey River in Wales and the Amazon River in Brazil. These two rivers are tenuously,  mysteriously and indefinably connected by the world’s water cycle. Similarly, Dylan and Tochi, the indigenous boy he meets in the rainforest, are connected, by their love of treehouses and spending their time outdoors, independent of adults. Dylan sees himself in Tochi – though this is not overtly stated. Dylan has an epiphany while gazing out over the Amazon, which changes his world view entirely. 

My Name is River has the same character as your previous book, Top Dog. Is this part of a series? 
At present I don’t have plans to write another Dylan book, but if an idea surfaces I’ll go with it. I love Dylan and felt I’d only got him started in Top Dog. I wanted to explore whether his difficulties, and eventual peace, with Floyd at the end of Top Dog turned into a real friendship in My Name is River. If I wrote another Dylan book, I think I’d want Lucia to be in it too.

In the book, Lucia is “armed with a thesaurus”. Is a thesaurus an important part of your arsenal? 
In fact it’s not! Much as I love words generally, I prefer to use simple words. In My Name is River, Dylan and Lucia play a ‘word off’ game, in which he wins the battle because he knows slang. But she is open-minded to slang, so she wins the war in the end, as she learns both ends of the spectrum. 

Which of your own characters is most like you? 
Dylan is how I would have liked to be as a child – living with masses of freedom, often outside with a bunch of friends, getting muddy, building bike tracks and treehouses. I moved home every two years because of my dad’s work, so I’m curious about children who live in the same place for their entire childhood. But I admire Lucia’s drive and vision.

Dylan very much takes things into his own hands in the book and is passionate about affecting a change. Does he get this from you? What do you feel strongly about? 
I feel strongly that there is always a way forwards, and I wanted the book to offer this idea to children. It might not be easy and it might not be exactly the way forwards you expected, but like the river, Dylan doesn’t give up when he comes to an obstacle – he finds a way around, over or under it. I feel strongly that plans can change but that it’s important always to have a plan of some sort.

Can you tell us about your Welsh connections? 
My grandmother grew up in Mumbles in south Wales and this gave me a fondness for Wales. When our children were about to start primary school we moved near Machynlleth. I loved the community spirit as illustrated by the lantern procession, and the Centre for Alternative Technology nearby and the space and beauty of the whole area.  

Machynlleth Lantern Parade

Can you tell us something about your next book/idea/future plans? 
I’ve got three other children’s books in mind – two already written to first draft and one just scribbled notes. The one I’m working on is about a boy called Aled from Aberdovey who accidentally goes on an art trip to Venice during the Carnival and becomes embroiled in a family of wicked Venetians, obsessed with their own status. The next one is very different – a historical story about two girls in Portugal in the ‘50s, whose friendship is pulled apart by their families and political developments.

If you weren’t an author what would you do? 
I’d be a tractor driver. I worked on a farm for two summers as a tractor driver, and loved the physical exhaustion after a day’s work, living in rough clothes and being outside all day (it was an old tractor with no doors and no radio and one idle thought would keep me going for hours). These days I teach creative writing to children and I work as a proofreader – in order to be an author I’ve burnt all my bridges to a proper career, which at times has felt insane. It’s taken me all my life to get here – it’s always been this or nothing. 

Thank you so much to Emma for answering our questions, and thank you to Firefly Press for asking us to host this cover reveal. Do click on the hyperlinks to follow them on Twitter.

My Name is River is out on 25 June 2020, and you will be able to pre-order your copy from the Firefly Press website soon. We can’t wait to get our hands on a copy!

Ant Clancy Cover Reveal

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Today we have the pleasure of revealing the cover to the fantastic new novel from Ruth Morgan. Published with Firefly Press, Ant Clancy Games Detective promises to be a compelling MG adventure story suitable for ages 8+. This Virtual Reality thriller is a lead title for Firefly this summer and will be published on July 11.

Drum roll please… here’s the cover…

Illustrated by Sernur Işık, the cover features Ant with Pradahl, a VR dragon of his own creation. The cover designer is Izzy Ashford.

Ray-Chay is the new virtual reality game that everyone’s playing, except Ant, who can’t get into it. He prefers his old game, where he’s created his extraordinary dragon Pradahl, even when he’s mocked for his old headset. So when something strange starts happening to the people playing Ray-Chay, Ant is the first person to notice. What’s going on? Can Ant and his friends work out who is playing a deadly game behind the game?

Ruth is an experienced author, writing for radio, television and a wide range of books for children of all ages in English and Welsh. She told us, “Ant Clancy is the perfect summer read if you love gaming and real-life mystery. Sernur’s amazing cover captures the special relationship between Ant and his ace fighting dragon, Pradahl.”

Ruth’s previous book for Firefly, Alien Rain, was a sophisticated, well-crafted, YA thriller, so we’re naturally looking forward to Ruth bringing the action to this new MG story. Watch this space for the first review!

Huge thanks to Ruth Morgan and Firefly Press for inviting us to reveal the cover to Ant Clancy Games Detective.

On Twitter you can follow Ruth Morgan, Firefly Press, and illustrator Sernur Işık. Go on – we promise it’s worth it.

For a chance to win a signed copy of Ant Clancy on publication, see our Twitter feed.