Daniel Morden Q & A

We are delighted to be today’s stop on the Strange Tales Blog Tour, and more than a little bit pleased to be featuring author and storyteller Daniel Morden in a Q and A. Strange Tales is a collection of nine short stories inspired by world myths and folklore – full of intrigue, mystery, magic and mayhem. Presented in a hardback gift edition by Firefly Press, it is a thing of beauty publishing on 28th September 2023.

Congratulations on Strange Tales.
Thank you! I am proud of the book. It contains some of my favourite stories: stories that have been such fun to tell, and stories that niggle at me, like a pebble in my shoe.

What are the main differences between speaking stories and writing stories?

When you tell a story you can colour the words. Your intonation, gesture, rhythm and facial expression inform the audience’s response. If you say something in a sarcastic tone, the audience will understand it to be a joke. If you write the same words, without the sarcastic tone of voice it could become confusing or even offensive.

Your intonation, gesture etc., means it is obvious which character is speaking, so you don’t have to say, he said. On the page you have to explicitly state who is speaking, especially if there are more than two characters in the scene, which means you have to interrupt the flow of the dialogue with he saids and she saids. Often the dialogue in a spoken version of a story is quickfire and rhythmical, and this is lost because of the scaffolding.

But books are lovely! They are always beside you for you to enjoy, unlike a storyteller. And they travel to more places than I can visit in one lifetime.

How do you go about making the transition from performing a story to writing it down? What are the challenges?

First I write it exactly as I would tell it. Then I send it it to my editor, who replies with comments such as, Who is speaking here? Why does she say this? Give us some adverbs!, the scales fall from my eyes and I realise that the story needs more description and context because the reader cannot hear my voice as they read. The challenge is to try to retain the propulsive momentum of a spoken telling despite the additional contextualising.

Tell us about Daniel Crowley – where and when did you first hear his tale?

I first encountered the story as part of a play called SAVAGE JUSTICE back in the eighties. Because it was a play, they could have great fun with the ghostly party. One actor mimed peeling off his skin, and playing his ribs like a xylophone!

How have you changed the version you first came upon?

The ending felt abrupt: next morning Daniel’s apprentices found him lying amongst the chaos of his workshop. What happened to him then? did this experience change him? So I added a little coda – you will have to read the book to discover if it is an improvement!

Some of the Strange Tales have a gruesome and unnerving aspect. Do you find yourself tempering (or even amplifying) your words for an audience?

When I am performing, I can show the character’s disgusted/appalled/horrified response to what they are seeing, without having to explicitly describe the sight that provoked this extreme response. I have to spell out the horror in the written version, so inevitably it can feel more disturbing! I trusted my editor to rein me in when necessary. 

The book is called STRANGE TALES and the cover is ominous. It is very clear what you are getting! My main concern is that the stories are not creepy enough to meet the expectations set up by the cover…

You are twice the winner of the Tir na nOg Award for books with a Welsh context. Does winning awards and recognition have an impact on your craft?

It helps to raise the profile of the book. A writer once said publishing a book is like throwing a rose petal down the Grand Canyon and expecting to hear it land. At this time of year there is always a deluge of new books, most of which disappear very quickly. Winning an award gives the book a second chance to reach an audience.

You often combine storytelling with music. When is this most successful?

Music is very powerful. It can make us feel emotion very quickly. Just think of the JAWS theme. The teller has to adapt their performance to allow the musicians to work their magic. Often I realise I don’t need to say whole paragraphs because in a few moments the music has evoked what I was trying to convey. I think the teller has to behave as if they are another musician contributing to an overall sound, rather than assuming they have to dominate.

Who are amongst your favourite storytellers?

Jan Blake is the real deal. Big hearted, funny, exuberant, shocking, thrilling… you never know what she is going to say next!

What other books can you recommend to readers who have enjoyed your stories?

The Red Gloves by Catherine Fisher – a wonderful collection of eerie stories that will haunt you long after you have finished the book.
Clockwork by Phillip Pullman. You can read it in a single (winter’s) evening. Full of magic, mystery and suspense.

Strange Tales is published by Firefly Press on 28.09.2023. Huge thanks to Daniel Morden for answering our questions and to Lucy Mohan at Firefly Press for inviting us. Buy a copy of the book here and also check out links to Daniel’s website and Twitter.

Skrimsli: Cover Reveal

Skrimsli: Cover Reveal

“I don’t think I’ve ever loved a cover more or been so involved with a character than with Skrimsli,” wrote author Nicola Davies recently. Skrimsli, the prequel to double-Carnegie nominated The Song That Sings Us will publish with Firefly Press in September 2023 with a cover by artist Jackie Morris. Both author and artist are hugely talented and it is a real thrill to see them continue their creative relationship with a second collaboration. Jackie and Nicola have been firm friends for many years, both have a passion for the wild and a belief in active hope. Davies calls Morris’ cover ‘glorious’ whilst Morris says Davies’ novel is ‘a triumph’.

For the first time, here is the cover…

Nicola told us, “Jackie was one of the first to love my tiger Skrimsli and her cover catches his spirit and the soul of the story. Her beautiful map makes the world in my head accessible for everyone.”

Nicola recently gave her twitter followers a sneak preview of writing from the new book:

The cover lettering is by textual artist Stephen Raw, who has exhibited widely, and is currently artist-in-residence at Manchester Cathedral. You may recognise this combination of artist and calligrapher (Morris/Raw) from the Robin Hobb books.

The synopsis from the publisher is as follows:

Skrimsli is the second fantasy adventure from author Nicola Davies set in a world where animals and humans can sometimes share their thoughts. It traces the early life of Skrimsli, the tiger sea captain who stole readers’ hearts in The Song that Sings Us.

He and his friends, Owl and Elo, must escape the clutches of the tyrannical circus owner Kobret Majak, and his twin assassin-acrobats, then stop a war and save the ancient forest, where the Tiger, and the Owl are sacred guardians. Skrimsli and his friends are helped by the Palatine, desert princess and her eagle, a chihuahua who thinks she’s a wolf, a horse with heart of gold and the crew of a very unusual ship.

This is a story full of excitement and danger, that explores themes of friendship, loyalty, identity and love, in the context of some of humanity’s toughest problems.

A recent post in Jackie’s online journal describes her approach to the stunning map that will grace Skrimsli. Follow the link to read about this fascinating process. The full cover jacket is shown below.

Skrimsli, written by Nicola Davies is scheduled to be published on 14 Sept 2023 in foiled hardback with cover, map and internal illustrations by Jackie Morris. Huge thanks to Firefly Press for inviting us to reveal the cover; it is a great honour. Preorder your copy now direct from their website.

Links

Visit Nicola’s website and follow her on twitter

Visit Jackie Morris’ website and twitter

Visit Stephen Raw‘s website and twitter

Honesty and Lies by Eloise Williams

We are so pleased to be kicking off the Honesty and Lies Blog Tour. Eloise Williams is a true hero of ours and we absolutely adore her writing. As Wales’ first Children’s Laureate she worked her socks off to encourage a love of reading and writing for pleasure across the whole of the country. She is also the most amazing encourager and supporter of artists in Wales, raising the visibility of quality children’s literature on both sides of the River Severn. When we’ve met her, she has been kind, thoughtful, optimistic, funny and always willing to chat. As an editor of The Mab (with Matt Brown), she brought together an incredible assembly of talent to produce new versions of the Mabinogion stories for the children of the 21st Century.

Honesty and Lies is a truly brilliant novel. Set in Elizabethan times, in the court of the Queen, Honesty has fled West Wales for London. A chance meeting with Alice finds her working as a maid. Whilst Honesty is keen to make a name for herself, to escape the menial tasks and get closer to the Queen, Alice has a reason to stay hidden. She keeps her head down and aims to go unnoticed. The friendship between the two is put under the spotlight by Eloise, expertly aided by a dual narrative in the first person. You really feel a part of the secrets and lies – the frustrations, the claustrophobia, the anger and desperation of the teenagers. It is a thoroughly enjoyable read with a brilliant climax. Eloise’s best yet!

Another Eloise novel means another chance to ask her some questions! Thanks for indulging us once again Eloise!

What are you reading at the moment?

I’ve just finished reading Fear Ground by Jennifer Killick which is a little bit creepy but absolutely hilarious and a definite must read. Balanced at the top of my teetering TBR pile is The Shadow Order by Rebecca F. John. I’m really looking forward to it.   

Where and when do you write?

All over the place and at no specific time. It depends how busy I am with other things. Often, I’m dashing from school to school, so I only have time to write in the evening or make notes on scraps of paper throughout the day. If I’m at home, I sometimes write in my attic room which is very small and has a slanted ceiling so it’s easy to bump your head if you aren’t careful, but I can often be found writing in the garden, the kitchen, in the woods, or on the beach. Lots of my writing is done in my head before I ever put pen to paper, or fingertips to laptop keys.  

What was the seed that began Honesty and Lies?

Honestly, I can’t remember what it was exactly. A mixture of things, I think. I’ve always loved London and am fascinated by its history. I recently took a trip to Greenwich and a boat back along the Thames to Southwark. I think that had a lot of influence as you get a very different perspective of London from the water. I’ve also been wanting to write something through two different points of view for a while and the contrast of rich versus poor, appearance versus reality, honesty versus lies seemed to fit perfectly into the court of Queen Elizabeth I.  

This is your 6th novel. What do you know now that you wish you’d known before Elen’s Island?

That you should define what success is for you as a writer and not compare yourself with anyone else. It’s not a linear path and there are huge emotional ups and downs. I’ve been extraordinarily lucky and I’m very grateful, but I have had lots of times when writing has been hard for many different reasons. I now define my success as a writer by my dedication to telling the story in the best way I can. That’s the only thing I can control and really, it’s the most important part.   

As Wales’ inaugural Children’s Laureate, you travelled the country inspiring hundreds of children to read and write. You must have learned some lessons yourself?

Absolutely. It reaffirmed my belief that stories connect generations. I also learned that young people are endlessly creative and courageous and that made me challenge myself more. They taught me to take risks and to laugh at myself when something failed. If you are failing, you are trying. They’ve also taught me about individuality and how it should be celebrated. One group of young people made me a thank you card which advised me to ‘stay weird’. It’s one of my favourite possessions.

What is your writing routine?

I laughed when I read this question. I’m not very good at routines. For a while, I tried to kid myself that I had a routine but really, I was just aspiring to be an organised writer. I’d keep reading about other writer’s routines and thinking, yes, that sounds like the right way to do it! Then I’d get up at the crack of dawn and write and think, yes, I am better at this time, until that pattern dwindled. Then I’d try writing late at night until that dwindled too. Eventually I just accepted that my writing routine is a bit haphazard, I’m afraid. I spend long periods of time thinking and then I’ll write something in bursts. It always seems like a minor miracle when I’ve managed to finish a story.

Honesty and Lies is brilliant, and totally brings into focus a relationship between two girls. Interplay between characters and particularly the development of friendships is a common theme for you. Did you enjoy writing these characters?

Thank you so much! I’m so glad you enjoyed it. I loved creating Honesty and Alice. Creating different characters is one of my favourite parts of writing. These two were particularly fun because they are both flawed in different ways. I always give my characters a really hard time and I felt really guilty to put them through so much! That’s why their friendship was so important. Together they are strong.  They are so real to me, and it was very difficult to leave them behind.

What is your favourite period in history? Why?

Ooh, I’m not sure. I loved writing about the Elizabethans, but I also loved writing Gaslight which is set in Victorian Cardiff. I’m a big fan of historical fiction so am reading lots about different periods of history at the moment. This is a tricky question. Can I go for the 1980s? My niece learned about the TV adverts from the Eighties as part of her homework once and it was so strange to think of my own childhood as ‘history’. That was a good lesson for me. It made me remember that people from history were real people. I mean, I knew it, but it brings it home every time I think about it.

What do you hope young readers will get out of Honesty and Lies?

I’m really hoping they’ll enjoy the story if they love historical fiction and that it will give them a taste for it if they haven’t read any before. There is so much wonderful historical fiction out there and if this book opens the door to the past for even one young reader, then my work is done!

Which of your characters is most like you?

That’s a really difficult question – I can see elements of me in both. I think probably Alice though. She keeps a lot on the inside and gets irritated easily because she is worrying. I’m a worrier too! She also chooses to be kind at every opportunity, and I hope that I do the same. Alice has a quiet nature and that’s one of the qualities I like most about her and about myself too.  

What books can you recommend for fans of Honesty and Lies?

Flight and Safe by Vanessa Harbour are great historical reads. Anything by Emma Carroll, Lucy Strange, Lesley Parr, Catherine Johnson, Phil Earle or Kiran Millwood Hargrave.  

If you want a pre-order I’m really looking forward to Rhian Tracey’s forthcoming book, ‘I. Spy’.

What are you excited about right now?

I may have some exciting book news on the way, but my lips are sealed!

How would your 10 year old self react to what you do now?

I think I’d be very surprised! It took me a long time to realise that I’m at my happiest when I’m allowed to be quiet. For a long time, I thought that I had to be loud and outgoing to be interesting. I think that being loud is often confused with having something to say and with being a success. I love that I can now accept myself for being the quiet person I was always meant to be.

What is next for Eloise Williams?

I’m working on a few writing things in my own haphazard way but am mostly looking forward to spending some time with my family. Autumn is my favourite season so there’ll be lots of dog walks, warm jumpers, pumpkin soup and ghost stories involved.  

If you weren’t an author what would you be?

A detective. I like to think I could be the next Miss Marple!

Huge thanks to Eloise for putting up with our questions, and to Karen for organising the blog tour. Honesty and Lies is available to buy now. Order direct from Firefly Press.

Grace-Ella 3 Cover Reveal

Grace-Ella 3 Cover Reveal

We are absolutely delighted to be able to reveal the cover to the 3rd installment of Grace-Ella’s adventures, written by Sharon Marie-Jones with illustrations by Adriana J Puglisi.

Grace-Ella: Pixie Pandemonium promises yet more fun, adventure and magic with everyone’s favourite young spell-maker and her cat, Mr Whiskins. Publishing with Firefly Press in June 2021, Pixie Pandemonium continues the school-based series, promising naughty pixies and an environmental theme.

So here’s what you’ve been waiting for…

The cover is designed by Claire Brisley with illustration by Adriana J Puglisi. We love how the three covers in the series compliment each other so well…

Here is a summary of Pixie Pandemonium:

When Buddy the pixie smuggles himself into her backpack after Witch Camp, Grace-Ella lets him stay, even though Mr Whiskins tells her pixies are trouble. She takes him to school – but he soon escapes and causes all kinds of mischief.

It’s all fun, until searching for Buddy, Grace-Ella sees someone stealing the school’s charity fund. Will anyone believe her? With her best friends, a naughty pixie and of course Mr Whiskins by her side, can Grace-Ella save the School Fair?

We have a huge Grace-Ella fan here at Bookworms Wales HQ and she cannot wait to read this new installment. Grace-Ella: Spells for Beginners is “super-amazing and very imaginative“, whilst Witch Camp is “an awesome read!” Looking forward to adding a third picture and review here very soon…

Grace-Ella: Pixie Pandemonium is published on 17 June 2021 by Firefly Press. You can pre-order at the Firefly website (or buy the first two books at January sale prices) and follow Sharon on Twitter for more updates.

Huge thanks to Meg, Janet and Simone at Firefly for inviting us to do the reveal. They’ve got big things planned for this year, so keep an eye out on their social media channels too.

My Name is River

We are delighted to reveal the cover to a new novel from Emma Rea to be published by Firefly Press in June 2020.

My Name is River is an exciting new adventure story with evocative locations and a powerful ecological theme.

Emma Rea lives in London. She lived in mid-Wales for many years and considers it home. Her father was a naval officer so she grew up all over the place but was inspired by a holiday to Wales and brought her children up in Powys. Emma has worked as a tractor driver and grain-lorry driver, a magazine editor, a journalist, a trader in Russian newsprint and cardboard and a festival organiser before she started writing.

Her new story takes Dylan, the protagonist from her first book, Top Dog (Gomer), and projects him into an audacious and intrepid adventure in the heart of South America.


Book Synopsis

Dylan’s mum thinks he’s with his friends on a residential geography trip.
His geography teacher thinks he’s at home with flu.
In fact, Dylan is 33,000 feet above the ocean on his way to Brazil...

When Dylan overhears his dad say that their farm has been sold to a global pharmaceutical company, he decides he has to make them change their minds. In Brazil, things don’t go at all to plan. Only when Lucia – a street child armed with a puppy and a thesaurus – saves his life, do they start to uncover the shocking truth about what the company is up to, and Dylan’s home problems suddenly seem dangerously far away.


We are completely thrilled to exclusively reveal the cover below. The image has been illustrated and designed by Brittany E Lakin.

Shortlisted for the Templar Illustration Prize, Brittany E. Lakin is an illustrator who draws inspiration from folk tales, and elements of nature. Emma told us,

“I love the excitement and danger Brittany has captured, using perspective and light brilliantly to draw the reader in to the Amazonian rainforest. My writing is accessible but the story has depth, and I think Brittany’s design, with the broad appeal of Dylan and Lucia looking out at the reader, and the rich colours and complexity of the background, reflects both these aspects of My Name is River.”


To mark this very special unveiling, we were given the opportunity to ask Emma a few questions. We started by asking her what she was reading right now.

I’m reading Cornelia Funke’s The Thief Lord to make sure my next book, set in Venice, doesn’t overlap with anything she’s written. And for the enormous pleasure of it.

Where and when do you write? 
I don’t have to look as though I’m working, so I can write on the sofa with my legs up. This means my arms don’t ache – endless typing at a desk wrecked one of them for a while. The sofa position, punctuated by quick walks round the park, seems to suit both arms and legs. I write all morning and part of the afternoon, but put writing second to my family, friends, jobs, dog etc, who provide me with plenty of welcome distraction.

Who or what inspires you?
When I’m in the zone, in the middle of editing a story, everything is inspiration. It’s as if the whole world is reflecting bits of my story back to me. When I’m not in the zone, it’s odd remarks, chance meetings, moments when someone says something surprising. Anecdotes from family history.

What are your favourite books for children? 
At the moment I prefer reality to fantasy – I find the real world difficult enough to navigate and I lose my footing in imagined worlds. I love Tom Sawyer and Huckleberry Finn, all of Eva Ibbotson’s books for their intricate plotting, but especially Journey to the River Sea, all of Geraldine McCaughrean’s books, The Airman by Eoin Colfer, Aubrey and the Terrible Yoot by Horatio Clare. When I was younger I loved E Nesbitt’s The Wouldbegoods (though I’ve never found anyone else who’s read it) and Five Children and It. 

Your new book, My Name is River, features a pharmaceutical company, a Machynlleth farm and a Brazilian street child. What more can you tell us? 
It features two rivers – a tributary of the Dovey River in Wales and the Amazon River in Brazil. These two rivers are tenuously,  mysteriously and indefinably connected by the world’s water cycle. Similarly, Dylan and Tochi, the indigenous boy he meets in the rainforest, are connected, by their love of treehouses and spending their time outdoors, independent of adults. Dylan sees himself in Tochi – though this is not overtly stated. Dylan has an epiphany while gazing out over the Amazon, which changes his world view entirely. 

My Name is River has the same character as your previous book, Top Dog. Is this part of a series? 
At present I don’t have plans to write another Dylan book, but if an idea surfaces I’ll go with it. I love Dylan and felt I’d only got him started in Top Dog. I wanted to explore whether his difficulties, and eventual peace, with Floyd at the end of Top Dog turned into a real friendship in My Name is River. If I wrote another Dylan book, I think I’d want Lucia to be in it too.

In the book, Lucia is “armed with a thesaurus”. Is a thesaurus an important part of your arsenal? 
In fact it’s not! Much as I love words generally, I prefer to use simple words. In My Name is River, Dylan and Lucia play a ‘word off’ game, in which he wins the battle because he knows slang. But she is open-minded to slang, so she wins the war in the end, as she learns both ends of the spectrum. 

Which of your own characters is most like you? 
Dylan is how I would have liked to be as a child – living with masses of freedom, often outside with a bunch of friends, getting muddy, building bike tracks and treehouses. I moved home every two years because of my dad’s work, so I’m curious about children who live in the same place for their entire childhood. But I admire Lucia’s drive and vision.

Dylan very much takes things into his own hands in the book and is passionate about affecting a change. Does he get this from you? What do you feel strongly about? 
I feel strongly that there is always a way forwards, and I wanted the book to offer this idea to children. It might not be easy and it might not be exactly the way forwards you expected, but like the river, Dylan doesn’t give up when he comes to an obstacle – he finds a way around, over or under it. I feel strongly that plans can change but that it’s important always to have a plan of some sort.

Can you tell us about your Welsh connections? 
My grandmother grew up in Mumbles in south Wales and this gave me a fondness for Wales. When our children were about to start primary school we moved near Machynlleth. I loved the community spirit as illustrated by the lantern procession, and the Centre for Alternative Technology nearby and the space and beauty of the whole area.  

Machynlleth Lantern Parade

Can you tell us something about your next book/idea/future plans? 
I’ve got three other children’s books in mind – two already written to first draft and one just scribbled notes. The one I’m working on is about a boy called Aled from Aberdovey who accidentally goes on an art trip to Venice during the Carnival and becomes embroiled in a family of wicked Venetians, obsessed with their own status. The next one is very different – a historical story about two girls in Portugal in the ‘50s, whose friendship is pulled apart by their families and political developments.

If you weren’t an author what would you do? 
I’d be a tractor driver. I worked on a farm for two summers as a tractor driver, and loved the physical exhaustion after a day’s work, living in rough clothes and being outside all day (it was an old tractor with no doors and no radio and one idle thought would keep me going for hours). These days I teach creative writing to children and I work as a proofreader – in order to be an author I’ve burnt all my bridges to a proper career, which at times has felt insane. It’s taken me all my life to get here – it’s always been this or nothing. 

Thank you so much to Emma for answering our questions, and thank you to Firefly Press for asking us to host this cover reveal. Do click on the hyperlinks to follow them on Twitter.

My Name is River is out on 25 June 2020, and you will be able to pre-order your copy from the Firefly Press website soon. We can’t wait to get our hands on a copy!

Q and A: Sharon Marie Jones

Sharon Marie Jones, author of Grace-Ella: Spells for Beginners and Grace Ella: Witch Camp has kindly answered our questions as part of the Witch Camp Blog Tour. She grew up in North Wales and now lives near Aberystwyth with her family, close to the sea and countryside. Having worked as a Primary School Teacher for 13 years, Sharon is now a full time author.

What are you reading at the moment?
I’m currently reading ‘The Girl who Speaks Bear’ by Sophie Anderson. I loved her first book, ‘The House with Chicken Legs’, so I couldn’t wait to start this one and it definitely doesn’t disappoint! It’s a magical mix of folklore and adventure, friendship and being true to yourself; utterly enchanting.

Could you tell us how you got into writing?
It has always been my dream to become an author, from a very young age. I loved writing stories and spent much of my early childhood living in my imagination! In Secondary School, I won the school’s R S Thomas prize for creative writing.

But once I decided on a career as a teacher, my job and life in general took over and writing was pushed to the back of my mind – but it was always there, lingering, never completely gone.

I was on my second maternity leave when I decided that I would chase that dream of being a writer. I sat down determined to write. I wrote a short story, which was placed second in a competition and published in Writers’ Forum magazine. This was a huge boost to my confidence. I then had a further seven short stories make the shortlist.

I was enjoying writing short stories but knew that my real passion was to write a book for children. I had just returned to my teaching job by then, and as was driving to work one morning, when the name Grace-Ella popped into my head. I pulled into a lay-by and started to scribble frantically in my notebook.

The following morning I set my alarm for 4.30am and I started to write my first Grace-Ella story. I continued like this, writing for a couple of hours every morning, before real life had to take over. It took me a year, by the end of which I was exhausted, but I had finished writing my first ever book. I sent it to Firefly Press with no expectation at all of hearing back from them … but after three months an email pinged into my inbox and my journey with Grace-Ella truly began.

Why writing for children?
I think you just know if you want to write for children. It’s something intrinsic. I wanted to dive back into that imaginary world that I would escape to as a child. I wanted to let my imagination take over again and lead me on a magical journey.

Because children’s books are just that – they’re magical. I loved reading aloud to my class when I was a teacher; looking at the children mesmerised by the words, and loving the, ‘Oh, please just one more chapter’ chorus at the end of a reading session.

I knew once I started to write that my heart lay with children’s fiction. Seeing a child engrossed in a book is so wonderful and to think that a child could pick up a book that I have written and become lost between its pages is an amazing feeling.

Where and when do you write?
I write at home, in my office. I’ve decorated the room so that it feels relaxing and peaceful, a room that I enjoy being in. I can only concentrate fully on my writing when the house is empty and silent, so my writing time happens when my boys are at school.

Sharon’s Office

Now that I write full time, I don’t set my alarm for 4.30am! But my writing is at its best in the mornings, so I aim to be at my desk by 10am, after dropping my boys off at school and doing a quick tidy up of the house. I can usually ‘write’ for 3-4 hours – I say ‘write’ because I don’t necessarily mean I’m typing away continuously for 3-4 hours. There’s a lot of staring out of the window, allowing ideas to brew and scribbling notes in a notebook. It’s all part of the process of ‘writing’.

On days where the words are hiding from me and I know I won’t add anything to a story I’m working on, I’ll settle down to read a book and allow another author’s words to carry me away. Some days I need this break and find that I’m ready to get going again with my own story, the following day.

Who are your favourite authors for children?
As a child, my favourite author was Enid Blyton. I devoured her books. My favourite being ‘The Enchanted Wood’ and ‘The Faraway Tree’, which I read over and over.

Now … there are so many! There is such a wealth of children’s authors writing today, which is wonderful. I strongly believe that there is a book out there for every young reader. I have far too many authors I currently love, so I’ll choose the ones who I know for definite that I’ll always rush out to buy their next book:

  • Eloise Williams – her writing is so beautifully atmospheric, I feel like I’m in the story with her characters
  • Sophie Anderson – I love folktales and her books bring a new twist to old folktales and are utterly charming
  • Lisa Thompson – she’s a master at tackling difficult issues, weaving them into a sparkling plot that always keep me gripped till the end
  • Onjali Q Rauf – again, she tackles real-life issues perfectly, with wonderfully believable and relatable characters.

Grace-Ella is a witch in training. What drew you to her story?
I think it’s because it’s the kind of story I would have loved as a child. I was entranced by Enid Blyton’s magic, and discovered that I had my very own fairy door on the trunk of the crab apple tree at the bottom of our garden. If I closed my eyes and tapped on the tiny door three times, I would be transported to the kingdom of the Crabble Fairies.
I was always mixing up my own ‘potions’ in the garden – mixing wildflowers and berries with water in empty jam jars. I would line them up on the outside kitchen windowsill.

So once the name Grace-Ella popped into my head, I knew that she was going to be a magical character. Her story began to flow once I started to write the words. I didn’t plot the story, I let the story take me where it wanted to go. Grace-Ella is the girl I would have loved to have had as a friend when I was 9 years old.

Did you ever go to camp as a child?
No, I never went to a Camp as such. I was a painfully shy child and had low self-esteem and confidence. I loved school and was happy playing with my friends, but away from that security, I always stayed close to home.

I was a Brownie, and they went to Camp every year, but I was always too nervous to go. I do remember us going to Brown Owl’s home one evening where we toasted marshmallows on an open-fire. I remember it feeling magical – being wrapped up warm in the dusky darkness, the smell of smoke floating in the air and the sweet taste of the sticky marshmallows.

I spent a lot of time outdoors as a child. I loved pressing wildflowers after going for a walk in the woods with my dad. These memories came flooding back as I wrote ‘Witch Camp’.

Will there be more Grace-Ella?
I hope so! I still have plenty of adventures for her to go on, so fingers crossed…

How does Wales inspire you?
The first thing I loved about Firefly Press was that they were looking for stories for children aged 7-9 years, specifically based in Wales. Wales is rich in stories. As a child, I listened in wide-eyed wonderment to folktales about giants and the tylwyth teg.

The Arch at Devil’s Bridge

The landscape is a constant source of inspiration. There are so many wonderfully wild places to walk, where stories whisper in the rustle of leaves. The setting for ‘Witch Camp’ is very much based on places I have visited. The map of ‘Witch Camp’ at the start of the book shows ‘The Old Stone Archway’, which is based on ‘The Arch’ at Devil’s Bridge, just outside Aberystwyth.

I often read about authors travelling the world on magnificent adventures, which then feed into their writing. For me, Wales is such a beautiful country and is full of inspiration for stories, I don’t feel the need to stray far. T Llew Jones, Wales’ most famous Welsh children’s writer, wrote stories based in Wales for over half a century!

I feel strongly that stories based in Wales should reach young audiences far and wide. Every child should experience the magic and wonder of this beautiful country, and one way for them to do that, is by reading stories from Wales.

One of your own mottos, as signalled on your website is “be proud of your achievements”. This comes across in Grace-Ella: Witch Camp. Was it a conscious decision to allow these messages to filter through your writing and Grace-Ella’s character?
I hadn’t even thought about that so no, it hasn’t been a conscious decision. I’m a perfectionist and my own worst critic in everything I do. As a child, I never felt quite good enough, even though I was often ‘top of the class’ in terms of my work. I’ve also taught children who found it difficult to feel a sense of achievement, often comparing themselves to others and in their minds, finding themselves lacking.

With Grace-Ella, I wanted her to be able to shine at something. She struggles a little with schoolwork and worries that she won’t be able to do her work well, so I wanted to give her something new that she would be good at.

I’ll always remember a young girl I taught, who felt her schoolwork wasn’t good enough and would get herself into a worried mess when having to do tests. She would compare herself to her sister and friends and feel that she wasn’t as good as them. I wanted to help her find that something that she sparkled at. It came when the class were put into groups to work on creating a stall for the school’s Summer Fair. One of the items her group decided to make was bunting. Once this girl started sewing, there was no stopping her! The other three members of the group worked on other items whilst she developed her sewing talent and made all the bunting herself. On her last day of school, she gave me a handmade cushion which was perfect in every way.

We all have the ability to shine at something, it’s just a matter of finding what that is.

What else should we ask you?
Can I do magic? Yes! I can make a coin disappear…

What comes next for Sharon Marie Jones?
Lots of published books I hope! I have stories other than ‘Grace-Ella’ that I want to write, and it would be wonderful for some of them to become published books.

But right now, what comes next for me is a cup of coffee and diving back into writing Grace-Ella Book 3…

Thanks again to Sharon for answering our questions! You can follow her on Twitter and should visit her website.

To read a full review of Grace-Ella: Witch Camp, click here.

Tir na n-Og Award Shortlist 2019

Every day this week we’ll be publishing a video for each of the shortlisted titles in this year’s English language Tir na n-Og Award.

Seaglass by Eloise Williams

The Clockwork Crow by Catherine Fisher

The Storm Child by Gill Lewis

Wales on the Map
by Elin Meek and Valériane Leblond