We are delighted to be today’s stop on the Strange Tales Blog Tour, and more than a little bit pleased to be featuring author and storyteller Daniel Morden in a Q and A. Strange Tales is a collection of nine short stories inspired by world myths and folklore – full of intrigue, mystery, magic and mayhem. Presented in a hardback gift edition by Firefly Press, it is a thing of beauty publishing on 28th September 2023.
Congratulations on Strange Tales. Thank you! I am proud of the book. It contains some of my favourite stories: stories that have been such fun to tell, and stories that niggle at me, like a pebble in my shoe.
What are the main differences between speaking stories and writing stories?
When you tell a story you can colour the words. Your intonation, gesture, rhythm and facial expression inform the audience’s response. If you say something in a sarcastic tone, the audience will understand it to be a joke. If you write the same words, without the sarcastic tone of voice it could become confusing or even offensive.
Your intonation, gesture etc., means it is obvious which character is speaking, so you don’t have to say, he said. On the page you have to explicitly state who is speaking, especially if there are more than two characters in the scene, which means you have to interrupt the flow of the dialogue with he saids and she saids. Often the dialogue in a spoken version of a story is quickfire and rhythmical, and this is lost because of the scaffolding.
But books are lovely! They are always beside you for you to enjoy, unlike a storyteller. And they travel to more places than I can visit in one lifetime.
How do you go about making the transition from performing a story to writing it down? What are the challenges?
First I write it exactly as I would tell it. Then I send it it to my editor, who replies with comments such as, Who is speaking here? Why does she say this? Give us some adverbs!, the scales fall from my eyes and I realise that the story needs more description and context because the reader cannot hear my voice as they read. The challenge is to try to retain the propulsive momentum of a spoken telling despite the additional contextualising.
Tell us about Daniel Crowley – where and when did you first hear his tale?
I first encountered the story as part of a play called SAVAGE JUSTICE back in the eighties. Because it was a play, they could have great fun with the ghostly party. One actor mimed peeling off his skin, and playing his ribs like a xylophone!
How have you changed the version you first came upon?
The ending felt abrupt: next morning Daniel’s apprentices found him lying amongst the chaos of his workshop. What happened to him then? did this experience change him? So I added a little coda – you will have to read the book to discover if it is an improvement!
Some of the Strange Tales have a gruesome and unnerving aspect. Do you find yourself tempering (or even amplifying) your words for an audience?
When I am performing, I can show the character’s disgusted/appalled/horrified response to what they are seeing, without having to explicitly describe the sight that provoked this extreme response. I have to spell out the horror in the written version, so inevitably it can feel more disturbing! I trusted my editor to rein me in when necessary.
The book is called STRANGE TALES and the cover is ominous. It is very clear what you are getting! My main concern is that the stories are not creepy enough to meet the expectations set up by the cover…
You are twice the winner of the Tir na nOg Award for books with a Welsh context. Does winning awards and recognition have an impact on your craft?
It helps to raise the profile of the book. A writer once said publishing a book is like throwing a rose petal down the Grand Canyon and expecting to hear it land. At this time of year there is always a deluge of new books, most of which disappear very quickly. Winning an award gives the book a second chance to reach an audience.
You often combine storytelling with music. When is this most successful?
Music is very powerful. It can make us feel emotion very quickly. Just think of the JAWS theme. The teller has to adapt their performance to allow the musicians to work their magic. Often I realise I don’t need to say whole paragraphs because in a few moments the music has evoked what I was trying to convey. I think the teller has to behave as if they are another musician contributing to an overall sound, rather than assuming they have to dominate.
Who are amongst your favourite storytellers?
Jan Blake is the real deal. Big hearted, funny, exuberant, shocking, thrilling… you never know what she is going to say next!
What other books can you recommend to readers who have enjoyed your stories?
The Red Gloves by Catherine Fisher – a wonderful collection of eerie stories that will haunt you long after you have finished the book. Clockwork by Phillip Pullman. You can read it in a single (winter’s) evening. Full of magic, mystery and suspense.
Strange Tales is published by Firefly Press on 28.09.2023. Huge thanks to Daniel Morden for answering our questions and to Lucy Mohan at Firefly Press for inviting us. Buy a copy of the book here and also check out links to Daniel’s website and Twitter.
An overview of bookish news and stories relevant to the Children’s Book Community in Wales
Award Winning Invertebrates
Invertebrates are Cool by Nicola Davies and Abbie Cameron (published by Graffeg) has won the English 4-11 Picture Book Award for non-fiction age 4-7.
The 4-11 Picture Book Awards are presented by the English Association to the best children’s picture books of the year. The winning books are chosen by the English Association and the United Kingdom Literary Association, from a shortlist selected by a panel of teachers and Primary specialists.
“A stunning book that encourages interest in the natural world and inspires children to explore their surroundings.” More details here. The book has also been shortlisted for the School Library Association’s Information Book Award.
Graffeg Announces Middle Grade from Wales Imprint
Graffeg recently announced plans for a new imprint focusing on Middle Grade books in English with uniquely Welsh content. The Cardiff-based publisher confirmed they are looking to identify high quality literary texts (both fiction and creative non-fiction) either set in Wales or involving characters from Wales, and which are preferably written by authors with strong connections to Wales.
‘Middle Grade is one of the most crowded areas of publishing’, commented Graffeg’s Publishing Director, Matthew Howard, ‘and there are already some tremendous books out there for readers in the 7-12 age group. But what we’d like to do is establish Wales as the true home of good writing and great storytelling, a place that children can see every day in the very best books they read.’
Graffeg aims to consider around 12 titles per year for publication and will begin the process of identifying suitable texts from May 2023, with the first publications planned for Spring 2024.
Firefly to Publish Exciting New Fiction from Wales
Three titles in a new series of contemporary fiction for children is forthcoming from Firefly Press. The titles include new stories set in Wales from Patience Agbabi, Zillah Bethell and Emma-Jane Smith-Barton. The books will publish from autumn 2024 onwards, and it is hoped that there will be at least another three in the series.
‘We felt there was a lack of children’s and YA stories that reflect what it is like to live in or grow up in Wales in recent times,’ said Thomas. ‘When we approached established authors about this, we were thrilled with the hugely positive reaction from writers who may never have been asked to write about this part of their experience before! We are also looking at publishing them simultaneously in Welsh, to ensure as wide a reach as possible. All this has been made possible by New Audiences Fund from Creative Wales and the Books Council of Wales, and we can’t wait to read the results!
Patience Agbabi said, ‘I’m delighted to be working on a young adult novel with Firefly. I first got into literature and popular culture at school in north Wales so I can’t wait to recreate that setting through my fictional protagonists.’
Emma-Jane Smith-Barton will be writing an illustrated story for 7-9 year olds. ‘As a Welsh-Pakistani woman I would have loved a book like this when I was growing up, to help me navigate the difficulties (and discover the beauty) of belonging to more than one culture, and I hope it will help children in a similar position to feel seen and less alone in that challenge.’
The first title will be by Zillah Bethell and centres on 17 year old Apricot Jones from Port Talbot. Zillah describes it as ‘a darkly comic tale of what it means to be alive’. Full story here.
Wales Book of the Year Shortlist Announced
Literature Wales recently revealed the books reaching the Wales Book of the Year 2023 shortlist.
The Wales Book of the Year Award is an annual prize celebrating outstanding literary talent from Wales across many genres and in both English and Welsh. There are four categories in each language – Poetry, Fiction, Creative Non-fiction, and Children & Young People, with one of the four category winners announced as the Overall Winner, and claiming the title Wales Book of the Year 2023.
The titles shortlisted in the Children & Young People category are:
The Mab, edited by Matt Brown and Eloise Williams, published by Unbound
The Last Firefox, written by Lee Newbery, illustrated by Laura Catalan, published by Puffin
When The War Came Home, written by Lesley Parr, published by Bloomsbury
There is one award decided by public vote – The People’s Choice Award 2023. You can place your vote here.
New Books Published in May
Grandads are the Greatest by Ben Faulks is illustrated by Swansea’s Nia Tudor and published by Bloomsbury. A joyous celebration of wonderful grandads and the love they have for their grandchildren – this is the perfect gift from grandparent to young grandchild.
Miracles, is the debut volume of poetry for children from Children’s Laureate Wales, Connor Allen. Published by Lucent Dreaming and illustrated by Amy Moody.
“I don’t think I’ve ever loved a cover more or been so involved with a character than with Skrimsli,” wrote author Nicola Davies recently. Skrimsli, the prequel to double-Carnegie nominated The Song That Sings Us will publish with Firefly Press in September 2023 with a cover by artist Jackie Morris. Both author and artist are hugely talented and it is a real thrill to see them continue their creative relationship with a second collaboration. Jackie and Nicola have been firm friends for many years, both have a passion for the wild and a belief in active hope. Davies calls Morris’ cover ‘glorious’ whilst Morris says Davies’ novel is ‘a triumph’.
For the first time, here is the cover…
Nicola told us, “Jackie was one of the first to love my tiger Skrimsli and her cover catches his spirit and the soul of the story. Her beautiful map makes the world in my head accessible for everyone.”
Nicola recently gave her twitter followers a sneak preview of writing from the new book:
The cover lettering is by textual artist Stephen Raw, who has exhibited widely, and is currently artist-in-residence at Manchester Cathedral. You may recognise this combination of artist and calligrapher (Morris/Raw) from the Robin Hobb books.
The synopsis from the publisher is as follows:
Skrimsli is the second fantasy adventure from author Nicola Davies set in a world where animals and humans can sometimes share their thoughts. It traces the early life of Skrimsli, the tiger sea captain who stole readers’ hearts in The Song that Sings Us.
He and his friends, Owl and Elo, must escape the clutches of the tyrannical circus owner Kobret Majak, and his twin assassin-acrobats, then stop a war and save the ancient forest, where the Tiger, and the Owl are sacred guardians. Skrimsli and his friends are helped by the Palatine, desert princess and her eagle, a chihuahua who thinks she’s a wolf, a horse with heart of gold and the crew of a very unusual ship.
This is a story full of excitement and danger, that explores themes of friendship, loyalty, identity and love, in the context of some of humanity’s toughest problems.
A recent post in Jackie’s online journal describes her approach to the stunning map that will grace Skrimsli. Follow the link to read about this fascinating process. The full cover jacket is shown below.
Skrimsli, written by Nicola Davies is scheduled to be published on 14 Sept 2023 in foiled hardback with cover, map and internal illustrations by Jackie Morris. Huge thanks to Firefly Press for inviting us to reveal the cover; it is a great honour. Preorder your copy now direct from their website.
We are so pleased to be kicking off the Honesty and Lies Blog Tour. Eloise Williams is a true hero of ours and we absolutely adore her writing. As Wales’ first Children’s Laureate she worked her socks off to encourage a love of reading and writing for pleasure across the whole of the country. She is also the most amazing encourager and supporter of artists in Wales, raising the visibility of quality children’s literature on both sides of the River Severn. When we’ve met her, she has been kind, thoughtful, optimistic, funny and always willing to chat. As an editor of The Mab (with Matt Brown), she brought together an incredible assembly of talent to produce new versions of the Mabinogion stories for the children of the 21st Century.
Honesty and Lies is a truly brilliant novel. Set in Elizabethan times, in the court of the Queen, Honesty has fled West Wales for London. A chance meeting with Alice finds her working as a maid. Whilst Honesty is keen to make a name for herself, to escape the menial tasks and get closer to the Queen, Alice has a reason to stay hidden. She keeps her head down and aims to go unnoticed. The friendship between the two is put under the spotlight by Eloise, expertly aided by a dual narrative in the first person. You really feel a part of the secrets and lies – the frustrations, the claustrophobia, the anger and desperation of the teenagers. It is a thoroughly enjoyable read with a brilliant climax. Eloise’s best yet!
Another Eloise novel means another chance to ask her some questions! Thanks for indulging us once again Eloise!
What are you reading at the moment?
I’ve just finished reading Fear Ground by Jennifer Killick which is a little bit creepy but absolutely hilarious and a definite must read. Balanced at the top of my teetering TBR pile is The Shadow Order by Rebecca F. John. I’m really looking forward to it.
Where and when do you write?
All over the place and at no specific time. It depends how busy I am with other things. Often, I’m dashing from school to school, so I only have time to write in the evening or make notes on scraps of paper throughout the day. If I’m at home, I sometimes write in my attic room which is very small and has a slanted ceiling so it’s easy to bump your head if you aren’t careful, but I can often be found writing in the garden, the kitchen, in the woods, or on the beach. Lots of my writing is done in my head before I ever put pen to paper, or fingertips to laptop keys.
What was the seed that began Honesty and Lies?
Honestly, I can’t remember what it was exactly. A mixture of things, I think. I’ve always loved London and am fascinated by its history. I recently took a trip to Greenwich and a boat back along the Thames to Southwark. I think that had a lot of influence as you get a very different perspective of London from the water. I’ve also been wanting to write something through two different points of view for a while and the contrast of rich versus poor, appearance versus reality, honesty versus lies seemed to fit perfectly into the court of Queen Elizabeth I.
This is your 6th novel. What do you know now that you wish you’d known before Elen’s Island?
That you should define what success is for you as a writer and not compare yourself with anyone else. It’s not a linear path and there are huge emotional ups and downs. I’ve been extraordinarily lucky and I’m very grateful, but I have had lots of times when writing has been hard for many different reasons. I now define my success as a writer by my dedication to telling the story in the best way I can. That’s the only thing I can control and really, it’s the most important part.
As Wales’ inaugural Children’s Laureate, you travelled the country inspiring hundreds of children to read and write. You must have learned some lessons yourself?
Absolutely. It reaffirmed my belief that stories connect generations. I also learned that young people are endlessly creative and courageous and that made me challenge myself more. They taught me to take risks and to laugh at myself when something failed. If you are failing, you are trying. They’ve also taught me about individuality and how it should be celebrated. One group of young people made me a thank you card which advised me to ‘stay weird’. It’s one of my favourite possessions.
What is your writing routine?
I laughed when I read this question. I’m not very good at routines. For a while, I tried to kid myself that I had a routine but really, I was just aspiring to be an organised writer. I’d keep reading about other writer’s routines and thinking, yes, that sounds like the right way to do it! Then I’d get up at the crack of dawn and write and think, yes, I am better at this time, until that pattern dwindled. Then I’d try writing late at night until that dwindled too. Eventually I just accepted that my writing routine is a bit haphazard, I’m afraid. I spend long periods of time thinking and then I’ll write something in bursts. It always seems like a minor miracle when I’ve managed to finish a story.
Honesty and Lies is brilliant, and totally brings into focus a relationship between two girls. Interplay between characters and particularly the development of friendships is a common theme for you. Did you enjoy writing these characters?
Thank you so much! I’m so glad you enjoyed it. I loved creating Honesty and Alice. Creating different characters is one of my favourite parts of writing. These two were particularly fun because they are both flawed in different ways. I always give my characters a really hard time and I felt really guilty to put them through so much! That’s why their friendship was so important. Together they are strong. They are so real to me, and it was very difficult to leave them behind.
What is your favourite period in history? Why?
Ooh, I’m not sure. I loved writing about the Elizabethans, but I also loved writing Gaslight which is set in Victorian Cardiff. I’m a big fan of historical fiction so am reading lots about different periods of history at the moment. This is a tricky question. Can I go for the 1980s? My niece learned about the TV adverts from the Eighties as part of her homework once and it was so strange to think of my own childhood as ‘history’. That was a good lesson for me. It made me remember that people from history were real people. I mean, I knew it, but it brings it home every time I think about it.
What do you hope young readers will get out of Honesty and Lies?
I’m really hoping they’ll enjoy the story if they love historical fiction and that it will give them a taste for it if they haven’t read any before. There is so much wonderful historical fiction out there and if this book opens the door to the past for even one young reader, then my work is done!
Which of your characters is most like you?
That’s a really difficult question – I can see elements of me in both. I think probably Alice though. She keeps a lot on the inside and gets irritated easily because she is worrying. I’m a worrier too! She also chooses to be kind at every opportunity, and I hope that I do the same. Alice has a quiet nature and that’s one of the qualities I like most about her and about myself too.
What books can you recommend for fans of Honesty and Lies?
Flight and Safe by Vanessa Harbour are great historical reads. Anything by Emma Carroll, Lucy Strange, Lesley Parr, Catherine Johnson, Phil Earle or Kiran Millwood Hargrave.
If you want a pre-order I’m really looking forward to Rhian Tracey’s forthcoming book, ‘I. Spy’.
What are you excited about right now?
I may have some exciting book news on the way, but my lips are sealed!
How would your 10 year old self react to what you do now?
I think I’d be very surprised! It took me a long time to realise that I’m at my happiest when I’m allowed to be quiet. For a long time, I thought that I had to be loud and outgoing to be interesting. I think that being loud is often confused with having something to say and with being a success. I love that I can now accept myself for being the quiet person I was always meant to be.
What is next for Eloise Williams?
I’m working on a few writing things in my own haphazard way but am mostly looking forward to spending some time with my family. Autumn is my favourite season so there’ll be lots of dog walks, warm jumpers, pumpkin soup and ghost stories involved.
If you weren’t an author what would you be?
A detective. I like to think I could be the next Miss Marple!
Huge thanks to Eloise for putting up with our questions, and to Karen for organising the blog tour. Honesty and Lies is available to buy now. Order direct from Firefly Press.
We are delighted to conclude the blog tour for Rebecca F. John’s first novel for children, The Shadow Order. The book has been hotly anticipated and most definitely does not disappoint. Beginning with a unique premise, that shadows begin to show people’s real character rather than an outline of their shape, this is a book that has many curious twists and turns. Those in power ban citizens from going out in the daytime, thus passing ‘The Shadow Order’. From the outset it is pacey and intriguing – the fantasy world is built with care and skill, and the characters are immediately believable and totally likeable. There is a threat that hangs over the characters throughout and these ingredients make for a thrilling and edgy pageturner – authored by a writer with serious talent. Whilst there are pertinent central messages about government control and confinement, the power of rebellion and the will for change, there is an overriding sense of hope. It’s a brilliant read, and we’d say that even if we weren’t in the blog tour.
As with all #TheShadowOrder blog tour posts, we have some exclusive content from Rebecca. First, in a series of posts about the world of Copperwell, we get to know one of the alleys of this fantasy world. (Do visit the other stops on the blog tour to find out more about this wonderfully realised world).
Judge Marlow’s Way Before it was renamed, Judge Marlow’s Way was called Runaway Alley. It was where all the petty criminals of Copperwell lived, stacked together in houses where nothing was safe. Men and women tricked and stole from one another, and no law-abiding citizen dared to set foot there… Except for Judge Marlow, who strode onto the alley one rainy autumn day and declared that from then on Runaway Alley would be made honest, Judge Marlow’s way. Betsy was only a tiny bit of a girl that day, but, cowering in a doorway, she had laughed at Judge Marlow’s declaration. People could not be changed so easily, she’d thought. But that was before the Shadow Order, before she met Teddy and Effie, and before she understood that people really can be changed entirely.
We are also very pleased to bring you this Q and A with author, editor and publisher, Rebecca F. John. Thanks so much to Rebecca for answering our questions with such care – a lot of work goes into organising a blog tour and we are extremely grateful to Rebecca and to Karen at Firefly Press.
What are you reading at the moment?
As usual, I’m reading more than one book. My work as an editor means that I’m always reading several as-yet-unpublished books, in various stages of the editing process. But beyond that, I tend to be partway through two or three published books simultaneously. At the moment, those books are Liz Hyder’s middle-grade novel Bearmouth (which I’m really excited about as I ADORED Liz’s adult novel, The Gifts), and a proof of a novel called The Circus Train, by Amita Parikh, which is due to publish in the UK in 2023 but which I think has been a bestseller elsewhere in the world. I’ve only just started reading both, but I’m equally entranced by the two completely different stories.
Where and when do you write?
Anywhere and everywhere. I’m busier than I ever have been: I started working as an editor for Firefly Press very recently; I set up my own publisher, Aderyn Press, last year; I have published three of my own books this year, and I’m currently working on edits for another which will publish next year; and I had a baby four months ago. So at the moment, I write in bed for about ten minutes between the time when the baby falls asleep and I do! I’ve always felt able to write just about anywhere, though, luckily: at a desk in my study preferably, yes, but also in doctors’ waiting rooms, or in car parks, or hotel rooms, or at the beach. Once I’m writing, it’s very easy to tune out from the rest of the world and exist instead within the one I’m creating.
What was the seed that began The Shadow Order?
As I wrote The Shadow Order, it became apparent that it was being shaped by a number of different ideas, memories, books and more. There was a specific moment, though, when the concept for the central idea – the shifted shadows – came to me. I was walking my dogs, Betsy, Teddy, and Effie, along the beach one early morning. It was cold, just after sunrise, and I noticed that our shadows were very clearly cast across the sand, but also that they were quite distorted: stretched long. With that observation came the inciting incident for The Shadow Order – what would happen, I wondered, if our shadows suddenly started revealing our secret feelings? – and also the characters. It was the presence of the dogs as I had this thought, I suppose, which caused them to become integral to the idea in my mind. Or versions of them, at least. I didn’t start writing the novel for another year or two, but that idea stuck with me, and the world of Copperwell started to build around it, so I knew I had to write it.
You have written for adults and this is your first book for children. Was The Shadow Order always a children’s book?
I never really thought about writing for children, though I’ve long stated that it was a children’s book that made me decide to become a writer. When I read Philip Pullman’s Northern Lights, aged roughly ten, I was so blown away by the characters, the world, (and jealous, of course, of the animal daemons), that I decided immediately that I would become a writer. For some reason, I always imagined I’d be a novelist for adult readers – and I have been and will continue to be. But when the idea for The Shadow Order came to me, I knew it was supposed to be a children’s book. I never questioned that. The concept and the characters came to me quite completely, and, as with all my best story ideas, my task was then to transcribe what was already so well realised in my mind. I ‘see’ my stories in that way: like films, almost; as though they already exist. I was fairly nervous about writing for children. I thought of them as a tougher audience – I still do. But the story existed for me by the time I finished that beach walk, and so I had to tell it.
In terms of the writing process, was writing ‘The Shadow Order’ different to your other
Not really in terms of process. I’m not a great planner and I’m not a great plotter (though I’m a better one now, having written a children’s book!). The story tends to play for me like a film – though not as neatly of course – which I desperately try to get down on paper. I think most writers will say, however, that none of it is ever as good, as vivid, as it is in your mind by the time is reaches the page… I suppose I’m quite a simple writer in that sense, though. I start at the beginning and write to the end, stopping to research when I reach a sticky point. What did feel slightly different was the editing process, which was often focussing on not holding the young reader up, through description, but also through punctuation, for instance. That was a learning curve for me.
Do you have a writing routine?
Absolutely not. I wish I did, but I genuinely don’t have the time. I snatch writing minutes or hours whenever I can. Perhaps if I were a full-time writer, I might develop a routine, but I’m not sure that would suit me particularly. I think those aspects of routine which, by necessity, I lack, are made up for with industriousness. I work incredibly hard, whenever I’m able. And I LOVE the time I spend writing, so I’m always looking forward to it. One of my favourite things to do is get up very early and write while everyone else in the house (dogs included) is still asleep… I suppose there is one aspect of my life which is routine driven, and which certainly feeds into my writing, and that’s my daily walk. I start almost every day with a dog walk and, like many writers, I find that the act of walking allows my ideas to grow and settle in ways I might never have expected. I don’t know whether it’s something to do with the rhythm of footsteps, or being out exploring and experiencing nature, but whatever it is, I don’t feel that I’d be the same writer if I wasn’t able to walk along the coast or amongst trees.
The Shadow Order has a very unique, almost sci-fi idea at its core which is to do with
space, time and horology. Is this something that interests you? (and how on earth did you
come up with it!?)
It does now! Really the idea grew from that one moment I described on the beach. As I wrote further into the novel, the world obviously needed to be more and more realised, it needed to have its own set of rules – a fantasy novel can’t work otherwise. And as the world grew, so too did these ideas around space, time, and horology. I soon realised that Betsy was a keen amateur astronomer and that added another layer to those developing ideas. I won’t pretend to know very much about any of it. I was learning along with the characters. But it certainly was fascinating to write… As for how I came up with it… Who knows? Writing is so often exploration of a question or an idea the writer wants to know more about, and probably that’s what I was doing with this novel – exploring and musing on the human relationship with the natural world and all that we cannot control.
The main characters of the book are inspired by your dogs, not just in name but in
personality too. Did this lead to any confusion for you?
It actually helped me to develop the characters. Oftentimes, characters begin as a true blank slate. But with Betsy, Teddy, and Effie, I had their funny little ways to refer to, to flesh out the characters which would, inevitably, grow apart from their canine counterparts as human concerns increasingly shaped their thoughts and actions. Still, the characters have retained the essence of Betsy, Teddy, and Effie’s personalities, I think. Betsy remains the apparent leader of the pack, but with a need to lean on her friends for support. Teddy still lacks confidence compared to the others, but is loyal and true. And Effie’s mature and more sensible nature reflects that of the real Effie-cocker-spaniel. It was a lot of fun to humanise them in that way.
The world you have created is fantastically realised. What is the key to making it so tangible?
Thank you… Practise! World building is just another facet of writing – like character development or description – and hopefully, the more we do it, the better we get at it. There are techniques, of course: writing the senses, moving your characters with attention through the space, allowing yourself to develop aspects of that world that will never belong on the page, so that you can know and feel them. But really what I’m saying is you have to believe in it. You need to be able to envisage what your characters might do off the page. Just knowing those things, even if they never leave your mind, will enable you to write more convincingly.
You are a keen walker. How important is walking to your writing process – if at all?
Ah, I touched on this earlier! I think it’s hugely important. So many writers walk, and that can’t be coincidental. There might be something to the rhythm of just putting one foot in front of the other which, I don’t know, encourages ideas to … solidify, almost. Perhaps being in nature nurtures creativity. Maybe it is simply that doing something physical, as opposed to sitting still with your thoughts, helps to shape them. I really don’t know; it’s probably all of those things. What I do know, though, is if I don’t walk, I experience the same feeling I get if I can’t write: an itchy, uncomfortable, discontent which can’t be assuaged by any other means.
What do you hope young readers will get out of The Shadow Order? Particularly, what do
you hope they might learn from Betsy, Teddy and Effie’s journey?
I hope The Shadow Order will encourage young readers to explore and adore the natural world, to challenge the systems they live within, and to nurture their true talents, whatever they might be. Those ideas are central to this novel for me. I hope, too, that they will learn to accept themselves, as Betsy, Teddy, and Effie do. That is something I came to later, after I turned thirty, and something which I think we could talk to young people about more, rather than expecting them to figure it out by themselves. Self-acceptance is not necessarily something we all just arrive at over time.
Which of your characters is most like you?
Betsy, probably. She’s the one who reveals the least of herself, and I think that’s one of my traits. I’m very self-contained. I like to be perceived as always calm, always capable, and so does Betsy. I think, though, that we are forever mining different parts of ourselves for characters. They are perhaps all variations on who the writer is or might be.
Tell us about working with Firefly Press.
Working with Firefly Press has been amazing. Penny Thomas is an incredible editor: experienced, wise, and sensitive. She’s taught me a lot about writing for children and in a completely unobtrusive way. I’ve admired Firefly’s books for a long, long time, so when I had the idea for The Shadow Order, I knew exactly where I wanted it to be published. I’m so pleased the Firefly team were willing to take a chance on me as a first-time children’s writer.
You recently set up Aderyn Press. Why did you feel there was a need and will there be
Aderyn is dedicated to adult books – specifically spooky, historical, and speculative stories. There were a lot of reasons for setting up Aderyn. I wanted to help prove that books of wonderful quality, with global appeal, can be produced in Wales. I wanted to offer a home to those stories which ought to be told, but perhaps don’t quite fit within the parameters of big-five publishing. I wanted to be a female business owner. I wanted to publish first-time authors and really support them through the process. I could go on… I decided, though, that this big project needed to have quite a narrow focus for it to work, so I came to the conclusion that I should publish the kind of books I most like to read. ‘Spooky, historical, and speculative’ best summed that up. Aderyn will publish only three titles a year, since I’m going it alone and there really is SO MUCH involved in publishing a book. I’m scheduled up to the end of 2023 with novels which are completely different which all tell compelling, intricate, and heart-breaking and/or hopeful stories.
What books can you recommend for fans of The Shadow Order?
Philip Pullman’s Northern Lights. Anything by Kiran Millwood Hargrave: The Way Past Winter is a favourite of mine. Eloise Williams’ Gaslight. Catherine Fisher’s The Clockwork Crow. October October by Katya Balen. I loved all of these books.
What are you excited about right now?
So much! The Shadow Order publishing, of course. The book I’m publishing next year being announced. The new ideas I have that I want to write. The huge stack of books I have yet to read. Winter – I LOVE the winter. And planning what comes next. I’m not much of a planner when it comes to narrative, but I love planning for life: little excursions; big ambitions. I try to make the most of every minute.
How would your 10 year old self react to what you do now?
My ten-year-old self would be seeing her dream come true! And actually, I think that’s really important to reflect on every now and then. It’s incredibly easy in this industry to always be comparing yourself to someone else and finding yourself lacking. I published a book, but why didn’t a bigger publisher want it? Or… I sold a book, but not in a big auction. Or… why didn’t my book win a major prize? I’m pretty sure everyone falls into those traps now and then, and I definitely include myself in that. But I do try to remind myself that I have fulfilled my ten-year-old self’s dream. I have published books. They exist in the world for people to pick up and read and find their own dreams or comfort or hope in. My ten-year-old self would be ecstatic about that!
Will there be more books for children?
I hope so. I would like The Shadow Order to become a trilogy, as I don’t think Betsy, Teddy, and Effie have finished with me yet, and I do have an idea for their next adventure. But we’ll see!
If you weren’t an author what would you be?
My first dream was to become a tennis player. I was a very practical child, however, and I soon realised that I really wasn’t very good at tennis. Still, I love to watch it and, in my heart of hearts, I can still quite easily envisage myself on centre court at Wimbledon. Ha! I’m a good dreamer, aren’t I? … Like many writers, there are a hundred things I’d like to be. Perhaps that’s part of the reason we’re writers. I’d like to be a historian, a psychologist, an artist. But at the top of the list is a desire to work with animals. I’d love to offer a retirement home to elderly unwanted dogs – as many of them as possible – and see them live out their days happy.
Thanks again to Rebecca for the content and to Karen for organising. The Shadow Order is available to buy now from your local bookshop or direct from Firefly Press.
The Song That Sings Us is an exhilarating new novel from Nicola Davies to be published in October by Firefly Press. We feel hugely privileged to be asked to reveal the cover which features stunning artwork by Jackie Morris.
The Song That Sings Us is the story of twins Ash and Xeno, and their older sister Harlon, who has been raised to protect her younger siblings because they have siardw: a power to communicate with animals that is outlawed by the state. But when the ruling sinister Automators attack their mountain home, they are forced to flee for their lives. It is an immediately gripping edge-of-the-seat first chapter, which sees the siblings escape on snowboards down a dangerous gully.
The thrilling and dangerous adventure continues as each must journey alone through the ice fields, forests and oceans of Rumyc to try to rescue the others and fulfil a mysterious promise about a lost island made to their mother.
Nicola told us: “The Song that Sings Us is rooted in all that I really know about animals; their ability to think, to feel and to communicate. But it is not set in the real world; it is a fantasy adventure with chases and escapes, fights and mysteries, death and miraculous life. It contains magic, but that part of the story is real – the real magic of nature with which every human has deep need to connect.
“I hope that, in travelling to this fantasy world, readers will see the truth of ours.”
The book has a touching dedication to Jackie Morris, Cathy Fisher and Molly Howell, and whilst Jackie Morris and Nicola Davies have been friends for years, this is the first time they have worked together. As well as the cover illustration, Jackie has created beautiful artwork for the chapter headings.
Jackie Morris said, “When you love a book so much it is the hardest thing to work on the cover. I try to give everything to every piece of work I do, but in this case there was the long friendship I have with Nicola Davies, a person I both love and admire, AND the fact that the story is amazing.
“Trying to do the words justice is always the problem. For this cover I worked on clapboard, a medium new to me, but one that made the colours of the starling really sing. They are such beautiful birds. And it was so important that the image sings, in every way possible. Finding the image for the book, that’s another problem, but somehow that little starling, so full of its own power, she is what sang out from the text.
“I heard this book first. Nicola and I often would call each other when we’d done the first drafts of a work, and read to each other. Restrictions had eased and Nicola, Cathy Fisher and I were a bubble, and Nicola would come around every week with the next ‘instalment’. How utterly amazing. It made images dance in my mind’s eye. It was an honour and a privilege to work on this cover. For now it’s the best it can be, and my hope is it’s the beginning of a series. I cannot wait for the next one.”
Special proof copies of The Song That Sings Us are landing on doormats this week. A limited edition deluxe gift hardback, is available to pre-order now and will be published on 14th October 2021. Visit the Firefly Press website to place your order.
Follow Nicola and Jackie and Firefly on Twitter for more updates. You can listen to Nicola read the first chapter of The Song That Sings Us below.
We are absolutely delighted to be able to reveal the cover to the 3rd installment of Grace-Ella’s adventures, written by Sharon Marie-Jones with illustrations by Adriana J Puglisi.
Grace-Ella: Pixie Pandemonium promises yet more fun, adventure and magic with everyone’s favourite young spell-maker and her cat, Mr Whiskins. Publishing with Firefly Press in June 2021, Pixie Pandemonium continues the school-based series, promising naughty pixies and an environmental theme.
So here’s what you’ve been waiting for…
The cover is designed by Claire Brisley with illustration by Adriana J Puglisi. We love how the three covers in the series compliment each other so well…
Here is a summary of Pixie Pandemonium:
When Buddy the pixie smuggles himself into her backpack after Witch Camp, Grace-Ella lets him stay, even though Mr Whiskins tells her pixies are trouble. She takes him to school – but he soon escapes and causes all kinds of mischief.
It’s all fun, until searching for Buddy, Grace-Ella sees someone stealing the school’s charity fund. Will anyone believe her? With her best friends, a naughty pixie and of course Mr Whiskins by her side, can Grace-Ella save the School Fair?
We have a huge Grace-Ella fan here at Bookworms Wales HQ and she cannot wait to read this new installment. Grace-Ella: Spells for Beginners is “super-amazing and very imaginative“, whilst Witch Camp is “an awesome read!” Looking forward to adding a third picture and review here very soon…
Grace-Ella: Pixie Pandemonium is published on 17 June 2021 by Firefly Press. You can pre-order at the Firefly website (or buy the first two books at January sale prices) and follow Sharon on Twitter for more updates.
Huge thanks to Meg, Janet and Simone at Firefly for inviting us to do the reveal. They’ve got big things planned for this year, so keep an eye out on their social media channels too.
My Name is River, the new novel from Emma Rea is published on Thursday 6th August by Firefly Press. Earlier this year, we hosted the cover reveal and Q and A with Emma – you can see that post by clicking here.
For the blog tour, we thought we’d ask Emma Rea for her favourite journey books seeing as main character Dylan journeys from Machynlleth to Brazil in this brilliant adventure. But first of all, let’s take a look at the story…
In My Name is River, 11 year old Dylan takes matters into his own hands when a pharmaceutical company plans to buy the family farm in Machynlleth. Dylan senses unfairness, injustice and there is more than a whiff of foul play so he sets off to the company headquarters in Brazil intent on uncovering the scandal.
This is a true adventure, probably unlike anything else you’re likely to read this year – My Name Is River is a dynamic ecological thriller with thought-provoking real world messaging. That may sound earnest – I promise it’s not – there’s plenty of action and adventure bursting through its pages, from speed boat chases to kidnappings and piles of peril in the Amazonian rainforest. This is James Bond with a conscience for 10 year olds.
What really makes the story though is the characters. Emma Rea kept Dylan from a previous book (Top Dog, published by Gwasg Gomer) and he’s likeable, determined and principled. However, it’s fair to say that the Brazilian characters steal the show. Lucia is a street child; a bold, resourceful and gutsy girl who has fought and found her own way. She is written with great warmth and humour by Emma who clearly has a soft spot for her. The relationship with Dylan is honest, caring, respectful and loyal – readers will love this demonstration of friendship.
If you’re looking for exciting and compelling entertainment it’s here in spades in this accomplished and thrilling novel.
Emma’s Favourite Journey Books
In My Name Is River, Dylan embarks on an incredible journey. We asked Emma to tell us about her choice of books that all contain journeys…
absolutely love Kensuke’s Kingdom
by Michael Morpurgo, not only for the family voyage across the world’s seas,
nor just for Michael’s long stop on an island before he can continue his
journey home, but for the way Michael and Kensuke make friends very slowly,
fall out badly, and manage to restore their faith in each other. I defy anyone
to finish this book without needing six handkerchiefs.
I Am David by Anne Holm is unbeatable. Twelve-year-old David escapes from a concentration camp and travels alone across Europe, armed with nothing but a compass and a bar of soap. Crackling with tension and dotted with small kindnesses, this is a book with an emotional punch you never forget. More handkerchiefs needed.
Holes by Louis Sachar is full of eventful journeys: from Latvia to the US, all over Texas, across the desert and up to the top of a mountain that resembles ‘God’s Thumb’. The plot reaches back four generations, encompasses powerful themes, and is leavened with mystery, humour and several endearing nicknames: Armpit, Zero, Squid and Barf Bag to name a few.
What are your favourite journey books? Get involved and let us know in the conversation on Twitter.
Thank you to Fireflies Leonie and Megan for supporting us with materials and a proof copy of My Name Is River, given in exchange for the review. Lastly, thanks to Emma for her engagement and for writing such a brilliant book!
Our Children’s Laureate Wales publishes a new book today. And what a book. Wilde is a brilliant story full of excitement, anguish, humour, fantasy and weirdness. Wilde moves in with her Aunt Mae, but struggles to fit in. Odd things keep happening – the birds are following her, she wakes up in strange places, other children keep their distance. Does Wilde have a connection to the legend of The Witch Called Winter? It’s a completely engrossing tale of belonging and acceptance that would appeal to readers age 9+. It’s written by one of our most favourite authors so we thought we’d give you 5 Reasons why we’re Wilde about Eloise Williams:
1 Eloise is a fantastic writer. From the dramatic and tempestuous opening chapters of Elen’s Island, her first book published in 2015, to the poignant and tender close of her latest Wilde, Eloise gets under the skin. She gets under the skin of the reader, compelling them to drop everything and devour every word. Descriptions of landscapes are a real draw; whether it’s the wild and windswept coastline of Pembrokeshire in Seaglass, the grimy Victorian backstreets of Cardiff in Gaslight, or the waterfalls of the Brecon Beacons in Wilde.
What’s impressive though is how she gets under the skin of her characters, producing very real depictions of isolation, loneliness, the frustrations and fears of teenage years, and the joys too. Elen is plucky. Nansi is feisty. Lark is confused. Wilde is lonely. Eloise writes with real empathy for her female protagonists and portrays real understanding for her readers.
2 Eloise works non-stop. Even before she was appointed Children’s Laureate for Wales, Eloise Williams spent a lot of time in schools, libraries and book festivals. She delivers courses like those at Ty Newydd, and is invited to attend courses like the Writers At Work scheme at Hay Festival. And despite claiming to be a procrastinator, on top of all this travelling, publishing four books in 5 years is quite an achievement. Hard work deserves to be recognised and rewarded. Even in lockdown, she is producing weekly challenges to motivate and engage young people…
3 Eloise passionately promotes reading and writing for pleasure. Now, as Children’s Laureate for Wales, Eloise is a strong voice for the children of Wales. She travels the length and breadth of the country (and that takes some time!) enthusing about reading and writing. She talks fervently about the writing process and nurtures strong relationships with the children in her workshops. She is an inspiration to watch in these situations and has a lasting impact on those she meets.
4 Eloise is a tireless advocate for Welsh writers and writing from Wales. As Children’s Laureate for Wales, Eloise encourages and supports other writers for children, sharing her passion for the wealth of talent in Wales. Good stories and excellent writing has no borders, and Eloise pushes the view that books from Wales are books for everyone, raising the visibility of children’s literature in Wales and beyond.
5 Wilde is her best book yet. It’s creating a stir amongst readers and we’d strongly recommend you order a copy this weekend (direct from Firefly Press or from your local independent bookshop). Don’t take our word for it, just look at these quotes…
‘A spookily good adventure that will hold children spellbound. Bewitching.’ Zoe Williams, South Wales Evening Post
‘I loved this contemporary adventure of witches, curses, identity and belonging, from Wales’ children’s laureate.’ Fiona Noble, The Bookseller
‘An inspirational book. She just keeps getting better.’ Claire Fayers
‘Packed with chills and thrills, but is also full of heart. I loved it!’ Kat Ellis
‘A TRULY BRAVE AND BEAUTIFUL BOOK! … Utterly beguiling.’ Zillah Bethel
‘Thrilling throughout … her best yet.’ Scott Evans, the Reader Teacher
Being different can be dangerous. Wilde is afraid strange things are happening around her. Are the birds following her? Is she flying in her sleep? Moving to live with her aunt seems to make it all worse. Wilde is desperate to fit in at her new school, but things keep getting stranger. In a fierce heatwave, in rehearsals for a school play telling the old, local legend of a witch called Winter, ‘The Witch’ starts leaving pupils frightening letters cursing them. Can Wilde find out what’s happening before everyone blames her? Or will she always be the outcast?
We are delighted to reveal the cover to a new novel from Emma Rea to be published by Firefly Press in June 2020.
My Name is River is an exciting new adventure story with evocative locations and a powerful ecological theme.
Emma Rea lives in London. She lived in mid-Wales for many years and considers it home. Her father was a naval officer so she grew up all over the place but was inspired by a holiday to Wales and brought her children up in Powys. Emma has worked as a tractor driver and grain-lorry driver, a magazine editor, a journalist, a trader in Russian newsprint and cardboard and a festival organiser before she started writing.
Her new story takes Dylan, the protagonist from her first book, Top Dog (Gomer), and projects him into an audacious and intrepid adventure in the heart of South America.
Dylan’s mum thinks he’s with his friends on a residential geography trip. His geography teacher thinks he’s at home with flu. In fact, Dylan is 33,000 feet above the ocean on his way to Brazil...
When Dylan overhears his dad say that their farm has been sold to a global pharmaceutical company, he decides he has to make them change their minds. In Brazil, things don’t go at all to plan. Only when Lucia – a street child armed with a puppy and a thesaurus – saves his life, do they start to uncover the shocking truth about what the company is up to, and Dylan’s home problems suddenly seem dangerously far away.
We are completely thrilled to exclusively reveal the cover below. The image has been illustrated and designed by Brittany E Lakin.
Shortlisted for the Templar Illustration Prize, Brittany E. Lakin is an illustrator who draws inspiration from folk tales, and elements of nature. Emma told us,
“I love the excitement and danger Brittany has captured, using perspective and light brilliantly to draw the reader in to the Amazonian rainforest. My writing is accessible but the story has depth, and I think Brittany’s design, with the broad appeal of Dylan and Lucia looking out at the reader, and the rich colours and complexity of the background, reflects both these aspects of My Name is River.”
To mark this very special unveiling, we were given the opportunity to ask Emma a few questions. We started by asking her what she was reading right now.
I’m reading Cornelia Funke’s The Thief Lord to make sure my next book, set in Venice, doesn’t overlap with anything she’s written. And for the enormous pleasure of it.
Where and when do you write? I don’t have to look as though I’m working, so I can write on the sofa with my legs up. This means my arms don’t ache – endless typing at a desk wrecked one of them for a while. The sofa position, punctuated by quick walks round the park, seems to suit both arms and legs. I write all morning and part of the afternoon, but put writing second to my family, friends, jobs, dog etc, who provide me with plenty of welcome distraction.
Who or what inspires you? When I’m in the zone, in the middle of editing a story, everything is inspiration. It’s as if the whole world is reflecting bits of my story back to me. When I’m not in the zone, it’s odd remarks, chance meetings, moments when someone says something surprising. Anecdotes from family history.
What are your favourite books for children? At the moment I prefer reality to fantasy – I find the real world difficult enough to navigate and I lose my footing in imagined worlds. I love Tom Sawyer and Huckleberry Finn, all of Eva Ibbotson’s books for their intricate plotting, but especially Journey to the River Sea, all of Geraldine McCaughrean’s books, The Airman by Eoin Colfer, Aubrey and the Terrible Yoot by Horatio Clare. When I was younger I loved E Nesbitt’s The Wouldbegoods (though I’ve never found anyone else who’s read it) and Five Children and It.
Your new book, My Name is River, features a pharmaceutical company, a Machynlleth farm and a Brazilian street child. What more can you tell us? It features two rivers – a tributary of the Dovey River in Wales and the Amazon River in Brazil. These two rivers are tenuously, mysteriously and indefinably connected by the world’s water cycle. Similarly, Dylan and Tochi, the indigenous boy he meets in the rainforest, are connected, by their love of treehouses and spending their time outdoors, independent of adults. Dylan sees himself in Tochi – though this is not overtly stated. Dylan has an epiphany while gazing out over the Amazon, which changes his world view entirely.
My Name is River has the same character as your previous book, Top Dog. Is this part of a series? At present I don’t have plans to write another Dylan book, but if an idea surfaces I’ll go with it. I love Dylan and felt I’d only got him started in Top Dog. I wanted to explore whether his difficulties, and eventual peace, with Floyd at the end of Top Dog turned into a real friendship in My Name is River. If I wrote another Dylan book, I think I’d want Lucia to be in it too.
In the book, Lucia is “armed with a thesaurus”. Is a thesaurus an important part of your arsenal? In fact it’s not! Much as I love words generally, I prefer to use simple words. In My Name is River, Dylan and Lucia play a ‘word off’ game, in which he wins the battle because he knows slang. But she is open-minded to slang, so she wins the war in the end, as she learns both ends of the spectrum.
Which of your own characters is most like you? Dylan is how I would have liked to be as a child – living with masses of freedom, often outside with a bunch of friends, getting muddy, building bike tracks and treehouses. I moved home every two years because of my dad’s work, so I’m curious about children who live in the same place for their entire childhood. But I admire Lucia’s drive and vision.
Dylan very much takes things into his own hands in the book and is passionate about affecting a change. Does he get this from you? What do you feel strongly about? I feel strongly that there is always a way forwards, and I wanted the book to offer this idea to children. It might not be easy and it might not be exactly the way forwards you expected, but like the river, Dylan doesn’t give up when he comes to an obstacle – he finds a way around, over or under it. I feel strongly that plans can change but that it’s important always to have a plan of some sort.
Can you tell us about your Welsh connections? My grandmother grew up in Mumbles in south Wales and this gave me a fondness for Wales. When our children were about to start primary school we moved near Machynlleth. I loved the community spirit as illustrated by the lantern procession, and the Centre for Alternative Technology nearby and the space and beauty of the whole area.
Can you tell us something about your next book/idea/future plans? I’ve got three other children’s books in mind – two already written to first draft and one just scribbled notes. The one I’m working on is about a boy called Aled from Aberdovey who accidentally goes on an art trip to Venice during the Carnival and becomes embroiled in a family of wicked Venetians, obsessed with their own status. The next one is very different – a historical story about two girls in Portugal in the ‘50s, whose friendship is pulled apart by their families and political developments.
If you weren’t an author what would you do? I’d be a tractor driver. I worked on a farm for two summers as a tractor driver, and loved the physical exhaustion after a day’s work, living in rough clothes and being outside all day (it was an old tractor with no doors and no radio and one idle thought would keep me going for hours). These days I teach creative writing to children and I work as a proofreader – in order to be an author I’ve burnt all my bridges to a proper career, which at times has felt insane. It’s taken me all my life to get here – it’s always been this or nothing.
Thank you so much to Emma for answering our questions, and thank you to Firefly Press for asking us to host this cover reveal. Do click on the hyperlinks to follow them on Twitter.
My Name is River is out on 25 June 2020, and you will be able to pre-order your copy from the Firefly Press website soon. We can’t wait to get our hands on a copy!