Cardiff Kids Lit Fest

Mummy, Nina and Kit saw two events at the iconic Cardiff City Hall

Last weekend saw the start of this year’s Cardiff Children’s Literature Festival and we were delighted to make the journey south to see a few events. The programme for the book-fest is brilliant, with a mix of new and established authors and illustrators appealing to a range of ages. It’s fantastic that the festival, now in its seventh year, celebrates Welsh authors and illustrators so strongly – and yet it has nationwide appeal. Taking place in a number of the city’s iconic buildings, this young festival is well-supported and feels prestigious.

Over the course of the weekend we saw four of Wales’ finest – starting with the wonderful Catherine Fisher who spoke at length to a keen audience of avid readers. Her latest book, The Clockwork Crow (Firefly Press) was shortlisted for the Blue Peter Book Award and has recently been nominated for the Tir-na-nOg Award, for books with an authentic Welsh background. In the plush surroundings of Cardiff Central Library, Catherine spoke with passion about her love of fantasy; memories of her father reading Alice in Wonderland aloud; and her discovery of Tolkien.

She also told the enraptured gathering not to ask her about plotting or where she gets her ideas, or even why she writes for children! She writes what she writes, and what comes out are children’s books. Her ideas “just appear”, and she has “no idea” what is going to happen in the story when she sits down to write it. She doesn’t plan – but feels the thrill of the reader as the story forms on the page. Later, we asked Catherine if this meant that there was more focus on editing her books, and she told us that she does this as she writes. She tends to go through the book twice more, “fine-tuning the language” and making details crisp.

After reading from The Clockwork Crow, Catherine Fisher revealed that it would now be the start of a trilogy. The Velvet Fox is currently being written and will hopefully be published around October 2019. In that book, the crow will not be returned to his normal form and so a third book will be required to make that happen.

Noah met Catherine Fisher at the Cardiff Central Library

The Clockwork Crow has already been a big success and both author and publisher are hopeful that there is more to come. Thank you to Catherine for granting a private audience for a short time to ask a few questions, the final one of which was “If you could have any super-power, what would it be?” This led to much discussion and a book recommendation for Noah to read HG Wells’ ‘The Invisible Man’. In the end, Catherine decided that, provided she could avoid the difficulties that The Invisible Man had (not being able to hide his clothes, or disguise his drink from descending his food pipe) she would like to have that magical quality.

Next up was Gavin Puckett and his wonderful “Fables from the Stables” session at Cardiff City Hall. Gavin spoke about how having a child gave him the impetus to write. Several years ago, whilst driving, Gavin had heard a radio show posing the question, “Which sports are carried out backwards?” Puzzling this over, Gavin had driven past a lone horse in a field and thought to himself, “What could make a horse walk backwards?” Fables from the Stables was born!

Gavin’s session was fun and interactive, geared towards his 5-9 audience. The children and adults enjoyed the quizzes and were treated to a reading from Gavin’s latest book, Hayley, The Hairy Horse. Having been educated on the varied uses of horse hair, we were left on the proverbial cliff with the reading ending enigmatically: “Would the lovely, hairy Hayley lose her whole tail?!”

Mummy found herself volunteered (thanks to Nina and Kit) to represent a rock star in the Hendrix the Rocking Horse music round. Standing in front of a room full of children and adults, holding an inflatable guitar, with stripy socks on her wrists and red knickers on her head, was not how we had imagined our weekend to run. By the 5th tune Mummy became more accustomed to her role and rocked out with a reasonable amount of energy to “Peppa Pig” and “Old McDonald”. 

Kit and Nina with Gavin Puckett

Thanks to Gavin for a really fun and engaging session. The books have all been hits for the younger bookworms and the grown-ups found plenty to chortle at too!

Saturday afternoon was given over to The Girls by Lauren Ace and Jenny Løvlie. This session had a distinctively chilled out flavour with the audience encouraged to snuggle up with the fabulously enticing pile of cushions covering the front of the room. Girls made chairs, beds, cars and lounged comfortably whilst Lauren and Jenny spoke of their inspirations and ideas behind the illustrated story.

The importance of friendship was at the core of the session. The illustrations are beautiful, complimenting and enhancing the impact of the deceptively simple text. One of the great joys of The Girls is its ability to engage readers, regardless of age. Certainly the Mums in our session had as much to talk about as their daughters. Both Lauren and Jenny spoke of their own friendships and how growing up – either in a busy world of family and friends, or in a remote Nordic village (being the first child born in 12 years, amongst a population of 30!) – is shaped by the people we surround ourselves with. We were all delighted with the prospect of a follow-up, The Boys.

Nina and I enjoyed drawing our own best friends and the whole group were delighted to share names and descriptions of friends, who were then turned into perfect little drawings before our eyes. Løvlie’s talent is in her ability to translate human spirit into art and her humble “I’m an illustrator, it’s what I do,” understates her great talent. Løvlie delights in her work, describing how her soul lifts as she enters her workplace, where she is surrounded by what sounds like a remarkable hub of creatives. Lauren has started writing more recently and finds the outdoors to be the best location for harvesting her ideas.

Nina with Jenny and Lauren (in fabulous The Girls T-Shirt!)

The two women have an obvious bond, derived from this first collaboration. We were lucky enough to have a chance to speak with them both after the session and their warmth and enthusiasm for life in general was pretty intoxicating.

Following a well deserved rest (and a visit to a few Cardiff cafes, bookstores and record shops), and a good sleep, we returned the next day to meet Karin Celestine and her tribe of felted creatures. It was a real pleasure to meet Karin and spend some time with her afterwards, but none of us (Daddy worm especially) could contain our joy at meeting Bert, Bertram, Granny Dandelion, Grandpa Burdock and the gang. There was so much adoration in the room for these creatures, who under Karin’s leadership bring kindness, compassion, love and understanding in a world often blighted by worry, intolerance and cruelty.

Nina and Kit with Karin, Bert, Bertram, Granny Dandelion, Grandpa Burdock, Hedgehog…

Karin read from Bert’s Garden (Graffeg), a simply wonderful tale about the über-kind Bert who loves having a sit in the garden, with tea and biscuits, and welcoming visitors with beautiful produce. He is caring towards all creatures in his garden, including the slugs and snails and the bugs that wake him in the night. In the story, he provides a new home for some beetles who are enormously grateful for somewhere cosy and dry to live. The assembled group of 4-7 year olds were then encouraged to get stuck in to making bug houses, and were all delighted to take them home with a sticker and a packet of seeds.

The ninth book from Celestine and the Hare, Helping Hedgehog Home, is due for publication later this month and completes the Tribe ennealogy (yes, we looked that up – it’s an art work in nine parts). We had a wonderful chat with Karin* after the event and asked her a bit more about Hedgehog. She told us, “There is more humour in this one, but still with an ecological message.”

“A lot of the environmental issues can be too big and too frightening for young children – as a child you can feel completely helpless to do anything about it. I remember the ‘Save the Tiger’ campaign from when I was younger, and short of buying a membership to the WWF there was nothing I could do – and for me, that’s not very positive. I want anybody to be able to do something to help. Similar to today’s event – anyone can make a bug house and make a difference and that’s what we did.”

*We’ll publish a full interview with Karin later this month to coincide with Helping Hedgehog Home.

In the back of each of Karin’s books there are some suggested craft activities that readers can engage with – such as making a bug house. In the new book, as the Hedgehog tries to find her way home by making a hot air balloon, readers can try their hand at making one from papier mâché. Do not worry too much about Hedgehog’s escapades, because as Karin revealed to us, “Granny saves the day in a very simple and sensible way.”

It’s fair to say that we had a brilliant weekend in Cardiff thanks to the Cardiff Children’s Literature Festival. A truly fabulous festival with a wide variety of events for all ages. The second weekend continues to feature amazing authors and we’re sad that we can’t get there ourselves. If you get the opportunity, do take a look at their website, even just to keep yourself in the loop for next year.

We received complimentary tickets to the above events thanks to Cardiff Children’s Literature Festival. They also helped us to arrange conversations with the authors.

The Clockwork Crow by Catherine Fisher is published by Firefly and is out now.
Hayley The Hairy Horse by Gavin Puckett will be published by Faber and Faber in June 2019. Other Fables in the Stables books are available now.
The Girls by Lauren Ace and Jenny Løvlie is published by Caterpillar, part of the Little Tiger group and is out now.
Helping Hedgehog Home by Celestine and the Hare will be published by Graffeg in late April 2019. The 8 other books, including Bert’s Garden are available now.

The Blue Balloon:30 Years Blog Tour

30 Years after it was first published, The Blue Balloon is reissued in a special anniversary edition with bonus material. The book marked the first of many appearances by Kipper, the loveable, friendly puppy.

The Blue Balloon is a celebration of imagination, creativity and playfulness and for this blog tour, we were challenged to come up with something different to mark the occasion. The worms got to work and the result is this video on our new YouTube Channel. Please enjoy, like and subscribe. Thank you.

The Blue Balloon Blog Tour on the Family Bookworms YouTube Channel

Thanks to Hodder and Hachette for the invite to take part in the Blog Tour – we had great fun!

For more information on The Blue Balloon: 30 Years Anniversary Edition, click here.

#Lollies2018 Blog Tour: Joe Berger

Lollies 2018 Blog Tour: Joe Berger

The Pudding Problem by Joe Berger is nominated for the #Lollies2018 in the age 6-8 category. Kit (6), Nina (9) and Noah (11) have all read this hilarious graphic novel and enjoyed it very very much! They got caught up in the misadventures of Sam Lyttle, a boy who keeps getting into trouble though it has nothing to do with lying (honest)! The eponymous ‘Pudding’ is Sam’s cat – and the ingenious story of how Pudding came to be the family pet and get her name is worth the entry fee alone. Noah picked up on the subtle humour in the illustrations – sometimes it’s unmitigated ‘out there’ humour, which had Kit and Nina in fits of giggles and outbursts of belly-laughs, and sometimes it’s just in a ‘look’ or more understated reference in the brilliant drawings. There’s something in this book for everyone, adults included, so the age 6-8 tag is a bit misleading. Either way, all five worms loved The Pudding Problem and its follow-up The Stinky Truth. Here’s the book trailer from Joe’s website:

Joe Berger lives in Bristol with his wife, three daughters, cat and dog. He regularly collaborates with Pascal Wyse, as Berger & Wyse on a weekly cartoon published in the Guardian’s Weekend magazine. He says “telling jokes in cartoon form remains one of my favourite things ever”. He has written two Lyttle Lies books and illustrated many more. We were delighted that he agreed to answer the Worms’ questions, so here are his answers…

What are you reading at the moment?

At the moment I’m reading Karl Ove Knausgaard, My Struggle vol 1 – it’s a grown-up book but I’d recommend it once you’re older. Also reading some comics, including Greatest Ever Marlys by Lynda Barry, which is brilliant.

Could you tell us how you got into writing and drawing?

When I was little my mum used to read fashion magazines like Vogue, and she would sometimes show me an illustration she liked and ask me to make her a version of it. So I learned a huge amount from copying other people’s drawings and techniques – it’s a brilliant way to learn, to unpick how drawings and paintings are made. From a young age I was also obsessed with comics, and always wanted to do my own comic strip. In 2002 my friend and I landed a job of doing a 4 panel comic in the Guardian newspaper – and co-writing that each week gave me the confidence to write children’s books, which was a long-held ambition. Although the 4 panel strip stopped in 2009, we continue to do a single panel cartoon in the Guardian every week – so far that’s nearly 900 cartoons!

Where and when do you work?

I work in my studio, which is a 20 minute walk from home, in the centre of Bristol. It’s a lovely room with lots of natural light, and room to play the VERY OCCASIONAL board game, which is my big hobby when I’m not making books and cartoons. I usually work 9-5 Monday to Friday, as I find keeping regular hours helps me organise my time. Many mornings I’ll spend an hour or so dreaming up cartoon ideas, and then switch to writing or book illustration later in the day.

Can you tell us about your methods?

All my work starts with drawing on paper. I usually do rough drawings in pencil, and then final drawing in brush pen and ink on a clean sheet of paper  which is just thin enough to see a bit of the rough drawing underneath. But for cartoons I like to draw straight in ink, and see where the drawing goes. It’s harder to be that spontaneous with drawing for children’s books because there are often a lot of changes to make.

What advice would you give to budding young illustrators?

Copy the stuff you love! I don’t mean trace it, that wouldn’t teach you much – but copying really makes you focus on how the artist/illustrator was able to achieve what they did. It’s an invaluable way to learn – and of course, your own style will start to seep in to those drawings, and you’ll naturally start to create your own work.

Is it difficult to do funny some days?

Yes it is! It can be very frustrating if you don’t feel like you’re in the right mood. See next answer . . .

Is being funny a serious business?

It is serious and silly in equal amounts. It’s serious in that you have to be able to be funny on demand, even if you don’t feel like it. For this reason, I carry a small notebook wherever I go, to note down any funny ideas. So then when I need to be funny but don’t feel like it, can look in my notebooks for inspiration. These are not really sketchbooks, though I have those too. I have a collection of about 40 old notebooks which I am always looking in for thoughts and ideas I might not have used yet. But I have to keep writing in new ones too!

How do you choose names for your characters?

Hmmm, that’s a good question – names for characters are so important. Sam in the Lyttle Lies books was originally called Joe, because the stories are loosely based on my misadventures as a boy. But I wanted to distance the character from me because other bits are totally made up. I have a friend called Sam, and Sam seems like a similar name to Joe – one syllable, 3 letters etc. So that’s how Sam was named. Pudding is called Pudding because of what happens in the story – I wish I could remember how or when I came up with that idea. But I can’t.

Which books, authors and illustrators inspire you?

I love Just William stories, and Petit Nicolas stories too, which are kind of a French version of Just William, with drawings by one of my favourite artists, Sempé. I find other cartoonists very inspiring too – Charles Shultz who made Peanuts (Snoopy and Charlie Brown) every day for 50 years – as well as other single panel cartoonists like Charles Addams and Edward Steed.

Ever been to Wales?

Yes, I love WALES! I live in Bristol, so not far from South Wales, and we go at least once a year. We often stay in a place called Capel y Fin in the black mountains, which is an area I love, near Abergavenny. There’s a hill there called The Tumper which we love to climb.

You’ve illustrated work for others – what’s been your favourite of these projects to work on?

Hmmm, it’s hard to pick favourites. One that stands out is the recent Chitty Chitty Bang Bang series I worked on with Frank Cottrell Boyce – I grew up watching the film in the 1970s, so it was a real thrill to get to work on the three new books. I was worried about it because I’m not good at drawing cars, but it helped me get better I think.

Are you an animal person?

Yes I am. We have a cat called Spooky (she’s white like a ghost) and a dog called Sybil. Sybil is a Cairn terrier, and she’s quite naughty – she loves to race out into the garden and bark at birds (and hot air balloons), which gets us in trouble with the neighbours.

What’s the weirdest doodle in your doodle book?

There are so many to choose from. I’m going to open a notebook at random and see what I find, ready? Here goes . . .

Hmmm,  a roll-mop herring driving a car? That’s pretty weird.

Let me try again . . . ok, a robot punching a sandwich, saying “I love you, sandwich”. There’s two weird ones right there.

What’s the biggest lie you’ve ever told?

The worst lie is too long to put here, but it might end up in a book one day :-/ But I stopped lying when I was about 12, so nothing too bad since. It’s a habit I learned to break, because it takes a lot of energy to stick to your story in the face of mounting evidence to the contrary, and anyway you always end up getting in trouble twice – once for the thing you covered up by lying, and once for lying about it. It takes less energy, but more bravery, to tell the truth. In my case it also took a large box of Smarties, offered to me as an incentive to own up.

What’s next for Joe Berger?

I don’t know If I’ll get to write more Lyttle Lies books, but I want to tell more stories with cartoons, so I’m working on a couple of ideas. At the same time I’m still drawing my cartoons, and hope to find more places that are willing to publish them.

 

 

Thank you to Joe for answering the worms’ questions. We’re really grateful for the time he gave us and are thrilled with his answers. You can vote for the Pudding Problem in the #Lollies2018 here. You can follow Joe on Twitter or visit his website. Thanks to the #Lollies2018 team for inviting us to be part of the Blog Tour again. Check out the other posts:

The Clockwork Crow

The Clockwork Crow

Catherine Fisher

Firefly Press

Catherine Fisher is an author of great talent who’s skillful writing draws praise for its ability to entrance the reader with its atmospheric prose. Often mysterious, sometimes dark, continually gripping, the publication of a new Catherine Fisher novel is always something to look forward to. Since hearing of the book deal last year, and revealing the cover to The Clockwork Crow in May, we have been guessing what lay beyond the gorgeous colours of the jacket.

We’re pleased to say it doesn’t disappoint! Whilst The Clockwork Crow is lighter than Catherine’s other books – it’s aimed at the blossoming 9-12 MG market – it is no less thrilling. It’s actually a perfect introduction to our national treasure for this age group. Noah (aged 11) loved the book and is already seeking out other books to devour. He calls it a “banger” – borrowed from the description of a fresh new song, unbelievably awesome and destined to become a popular, well-loved hit.

The story follows Seren, an orphan girl dreaming of a beautiful home and a loving, happy family. As she waits in the train station a nervous stranger asks her to guard a mysterious package. He doesn’t return and Seren feels compelled to take the package with her to Plas y Fran, the large manor house belonging to her new guardians, Captain Jones and Lady Mair. However, when she arrives, the grand house is shrouded in mystery – all furniture covered, minimal (and seemingly unfriendly) staff, and no sign of the loving family she was hoping for. A cold, bare residence brings her back down to earth with a bump and her dreams are shattered. The young boy she had wanted to befriend and play with has gone, and in time Seren learns that Tomos has been missing for a year and a day and the house is in mourning.

With the aid of the eponymous talking, walking, humorously irritable Clockwork Crow (who very nearly steals the show), Seren sets out to solve the mystery and put things right. In doing so, we learn that she is a determined and gutsy heroine, not afraid to stand up to the grown-ups, nor afraid to put her own security and future happiness at risk.

The world described by Catherine is beautifully wintry – filled with snow and stars, it sparkles like an ice-capped marvel. Featuring a cast of endearing characters, it reminded me of a wonderfully warm and entertaining Christmas period drama for all the family. Drawing on Welsh folklore, the story is magical and fantastic and such a great read. It’s got to be one of THE books of 2018.

Whilst reading and digesting, one constantly feels that this is a book that entertains and inspires in bucketloads.

We’re delighted that Catherine Fisher has revealed there will be a follow-up to The Clockwork Crow. We’re also thrilled that she recently answered the Worms’ questions in a Q and A.

 

Thank you to Firefly Press for the copy of Clockwork Crow, given in exchange for this review. Note that the cover has been designed by Anne Glenn. If you’d like to visit Catherine Fisher’s website, click here. If you want to follow her on Twitter, click here. If you want to buy The Clockwork Crow from Firefly, click here. That’s enough clicking.

 

The Girl With The Dragon Heart

The Girl with the Dragon Heart

Stephanie Burgis

Bloomsbury

Review by Nina

Wow! This is a wonderful, magical, thrilling adventure – a compelling sequel to The Dragon with a Chocolate Heart. In that first book, we were introduced to Aventurine, a dragon cruelly cursed by magical hot chocolate. Silke, the street girl who guides Aventurine plays second fiddle in the ‘Chocolate Heart’ but in this book she is determined to tread her own path and tell her own story. And what a story! It all centres on an awful secret that Silke and her brother Dieter have hidden for years. Silke’s secret is her motivation for getting into the Royal Palace and solving a great mystery. At the heart of this secret is the fairy kingdom of Elfenwald and its evil king and queen. As baddies, these two are wicked, scary, horrid and terrible – Stephanie’s characterisations are brilliant!

What I love about both these books is diving in and feeling a part of the world. It’s a magical city with a medieval flavour – the narrow backstreets of numerous districts, the market stalls, castle walls and riverbank camps – Stephanie Burgis builds the world using all the senses, enveloping the reader with the sights, sounds and smells (mostly chocolatey!) so that you really feel in the midst of the action. Add in fairies, goblins and dragons and this is a fantasy you will not want to miss. I highly recommend this book for age 8 and up.

From the Press Release…

Once upon a time, in a beautiful city famous for chocolate and protected by dragons, there was a girl so fearless that she dared to try to tell the greatest story of all: the truth.

Silke has always been good at spinning the truth and storytelling. So good that since arriving as a penniless orphan, she has found her way up to working for the most splendid chocolate makers in the city (oh, and becoming best friends with a dragon). Now her gift for weaving words has caught the eye of the royal family, who want to use her as a spy when the mysterious and dangerous fairy royal family announces it will visit the city. But Silke has her own dark, secret reasons for not trusting fairies…

Can Silke find out the truth about the fairies while keeping her own secrets hidden?

From the author of the magical The Dragon with a Chocolate Heart comes a second magical adventure perfect for fans of Cressida Cowell and Cornelia Funke.

About Stephanie

Stephanie Burgis is a dual citizen of the US and the UK and lives in South Wales with her husband and their children. The Girl with the Dragon Heart is Stephanie’s second novel for Bloomsbury. Follow Stephanie on Twitter or visit her website.

The Girl with the Dragon Heart is published on 9 August in paperback. Big thanks to Bloomsbury for our review copy – buy yours at your local independent bookshop or Hive.

Mirror Magic Blog Tour

We were delighted to be given the opportunity to travel to Cardiff to meet with Claire Fayers and talk with her about her enchanting new novel, Mirror Magic. Noah takes the lead in this video, with the rest of the worms joining in with a ‘Would You Rather?’ section near the end. Thank you very very much to Claire for being such a great sport and taking the time to film with us.

Why not check out Noah’s written review of Mirror Magic here.

Run Wild

Run Wild

Gill Lewis

Barrington Stoke

Review by Nina and Daddy

Nina and I read this fabulous story from Gill Lewis over 4 nights. On finishing the book, I was met with a barrage of questions: What’s a cormorant?; Are there still wolves in the UK?; Where did you play when you were younger?; How many types of beetle are there?

In response, we checked out some YouTube videos, visited a local heronry, and I reminisced about the patch of common land outside my parents’ house where I would climb trees, build dens and concoct stories.

We also bought the book The Ways of the Wolf by Smriti Prasadam-Halls and Jonathan Woodward (published by Wren & Rook, an imprint of Hachette) which is a brilliant and beautiful complimentary non-fiction title endorsed by the UK Wolf Conservation Trust.

If Gill Lewis’ aim is to encourage future generations to engage with themes of conservation; to connect with (and be inquisitive about) nature; to think about the wild spaces in their communities, then Nina is proof that she has succeeded.

The story of Run Wild centres on the pairing of brave and adventurous school friends Izzy and Asha. Banished from the local skate park by the Skull Brothers, they are forced to find their own place to play and practice their tricks. This new place is a rundown and off-limits gasworks. It is in this brownfield space that the young girls learn to take risks, to explore, discover new things and connect with the wild. It is in this space that they meet an injured wolf.

The characters then face a dilemma – do they try to help the wolf themselves or do they seek help for the wolf and reveal their secret and special hideout? This quandary brings them closer to the Skull Brothers and they work the problem out together. There is an especially compelling chapter where the children face-up to their headteacher and as Izzy is pleading with Mrs Stone you can hear every child in the land urging adults everywhere to “remember what it feels like to be running wild”. The book is a passionate argument not just for the rewilding of nature but for connecting children to the wild too. See this manifesto from The Wild Network, set up to remove the barriers to #wildtime:

Whilst the rewilding of children is a part of the story, the rewilding of nature is at it’s core. According to the charity Rewilding Britain, it is all about “bringing nature back to life and restoring living systems”. The charity signs up to several principles acknowledging that “people, communities and livelihoods are key”. Rewilding is a choice of land management – it relies on people deciding to explore an alternative future for the land and people. Thus the brownfield site of the old gasworks is at the centre of a bitter battle.

Barrington Stoke promise a series of special school events on the publication of Run Wild and finished copies will be in Barrington Stoke’s super readable typeset on off-white pages. This is a brilliant partnership that has got us really excited.

Run Wild is engaging, compelling and brilliantly written; as a storyteller, Gill Lewis should be cherished and revered. The message of ‘Run Wild’ is important, nay, essential and should be filed next to The Lost Words (Jackie Morris and Rob Macfarlane) and The Promise (Nicola Davies) as enchanting books with significant and important themes.

 

Thanks to Barrington Stoke for sending us a copy of Run Wild. It is published on July 15. You can buy it from Hive or better still, from your local bookshop.

You can follow Gill Lewis on Twitter, or visit her website. The book is endorsed by the charity, Rewilding Britain (who have a website and a twitter account). You should also check out The Wild Network.

Ariki and the Giant Shark

Ariki and the Giant Shark

Nicola Davies (illustrated by Nicola Kinnear)

Walker Books

Review by Daddy and Nina

Any book that starts with a map gets a thumbs up from us. You know you’re in for a fantastic adventure, and Nina heartily approves.

In this new short chapter book (142pp) from Nicola Davies we are introduced to the feisty and compassionate Ariki; a heroine of the Pacific Ocean, more at home diving through coral and swimming with the fish than playing on land with other children.

This is a wonderful story that educates as it entertains. As we have come to expect from the zoologist storyteller, Davies’ narrative is informative with descriptions of the reef, the wildlife and geography of the island rooting the story in fact. Helpful analogies allow us to picture the exotic creatures – Nina particularly enjoyed the one about each shark’s tooth being as big as a man’s hand.

And so we learn about malu, nihui and the giant shark of the title, Wahine (a Hawaiian and Mãori word for woman); but we are never distracted from the absorbing tale of how Ariki strives to protect and shelter the creature that the majority of the island fears.

It is through this human story that we are given hope. Because when the adults are running scared, reaching for their spears and gathering armies of men, the children of the island are the ones who demonstrate true humanity and compassion.

Illustrations by Nicola Kinnear adorn the pages inside and out adding real character to the host of island inhabitants, lovingly framing the text and adding to the drama.

This is the first in a series for Ariki and we can’t wait to dive in to the next one!

 

Thanks to Nicola Davies for sending a copy of Ariki and the Giant Shark. You can buy it from Hive or better still, from your local bookshop.

You can follow Nicola Davies on Twitter, as well as the illustrator Nicola Kinnear.