#Lollies2018 Blog Tour: Joe Berger

Lollies 2018 Blog Tour: Joe Berger

The Pudding Problem by Joe Berger is nominated for the #Lollies2018 in the age 6-8 category. Kit (6), Nina (9) and Noah (11) have all read this hilarious graphic novel and enjoyed it very very much! They got caught up in the misadventures of Sam Lyttle, a boy who keeps getting into trouble though it has nothing to do with lying (honest)! The eponymous ‘Pudding’ is Sam’s cat – and the ingenious story of how Pudding came to be the family pet and get her name is worth the entry fee alone. Noah picked up on the subtle humour in the illustrations – sometimes it’s unmitigated ‘out there’ humour, which had Kit and Nina in fits of giggles and outbursts of belly-laughs, and sometimes it’s just in a ‘look’ or more understated reference in the brilliant drawings. There’s something in this book for everyone, adults included, so the age 6-8 tag is a bit misleading. Either way, all five worms loved The Pudding Problem and its follow-up The Stinky Truth. Here’s the book trailer from Joe’s website:

Joe Berger lives in Bristol with his wife, three daughters, cat and dog. He regularly collaborates with Pascal Wyse, as Berger & Wyse on a weekly cartoon published in the Guardian’s Weekend magazine. He says “telling jokes in cartoon form remains one of my favourite things ever”. He has written two Lyttle Lies books and illustrated many more. We were delighted that he agreed to answer the Worms’ questions, so here are his answers…

What are you reading at the moment?

At the moment I’m reading Karl Ove Knausgaard, My Struggle vol 1 – it’s a grown-up book but I’d recommend it once you’re older. Also reading some comics, including Greatest Ever Marlys by Lynda Barry, which is brilliant.

Could you tell us how you got into writing and drawing?

When I was little my mum used to read fashion magazines like Vogue, and she would sometimes show me an illustration she liked and ask me to make her a version of it. So I learned a huge amount from copying other people’s drawings and techniques – it’s a brilliant way to learn, to unpick how drawings and paintings are made. From a young age I was also obsessed with comics, and always wanted to do my own comic strip. In 2002 my friend and I landed a job of doing a 4 panel comic in the Guardian newspaper – and co-writing that each week gave me the confidence to write children’s books, which was a long-held ambition. Although the 4 panel strip stopped in 2009, we continue to do a single panel cartoon in the Guardian every week – so far that’s nearly 900 cartoons!

Where and when do you work?

I work in my studio, which is a 20 minute walk from home, in the centre of Bristol. It’s a lovely room with lots of natural light, and room to play the VERY OCCASIONAL board game, which is my big hobby when I’m not making books and cartoons. I usually work 9-5 Monday to Friday, as I find keeping regular hours helps me organise my time. Many mornings I’ll spend an hour or so dreaming up cartoon ideas, and then switch to writing or book illustration later in the day.

Can you tell us about your methods?

All my work starts with drawing on paper. I usually do rough drawings in pencil, and then final drawing in brush pen and ink on a clean sheet of paper  which is just thin enough to see a bit of the rough drawing underneath. But for cartoons I like to draw straight in ink, and see where the drawing goes. It’s harder to be that spontaneous with drawing for children’s books because there are often a lot of changes to make.

What advice would you give to budding young illustrators?

Copy the stuff you love! I don’t mean trace it, that wouldn’t teach you much – but copying really makes you focus on how the artist/illustrator was able to achieve what they did. It’s an invaluable way to learn – and of course, your own style will start to seep in to those drawings, and you’ll naturally start to create your own work.

Is it difficult to do funny some days?

Yes it is! It can be very frustrating if you don’t feel like you’re in the right mood. See next answer . . .

Is being funny a serious business?

It is serious and silly in equal amounts. It’s serious in that you have to be able to be funny on demand, even if you don’t feel like it. For this reason, I carry a small notebook wherever I go, to note down any funny ideas. So then when I need to be funny but don’t feel like it, can look in my notebooks for inspiration. These are not really sketchbooks, though I have those too. I have a collection of about 40 old notebooks which I am always looking in for thoughts and ideas I might not have used yet. But I have to keep writing in new ones too!

How do you choose names for your characters?

Hmmm, that’s a good question – names for characters are so important. Sam in the Lyttle Lies books was originally called Joe, because the stories are loosely based on my misadventures as a boy. But I wanted to distance the character from me because other bits are totally made up. I have a friend called Sam, and Sam seems like a similar name to Joe – one syllable, 3 letters etc. So that’s how Sam was named. Pudding is called Pudding because of what happens in the story – I wish I could remember how or when I came up with that idea. But I can’t.

Which books, authors and illustrators inspire you?

I love Just William stories, and Petit Nicolas stories too, which are kind of a French version of Just William, with drawings by one of my favourite artists, Sempé. I find other cartoonists very inspiring too – Charles Shultz who made Peanuts (Snoopy and Charlie Brown) every day for 50 years – as well as other single panel cartoonists like Charles Addams and Edward Steed.

Ever been to Wales?

Yes, I love WALES! I live in Bristol, so not far from South Wales, and we go at least once a year. We often stay in a place called Capel y Fin in the black mountains, which is an area I love, near Abergavenny. There’s a hill there called The Tumper which we love to climb.

You’ve illustrated work for others – what’s been your favourite of these projects to work on?

Hmmm, it’s hard to pick favourites. One that stands out is the recent Chitty Chitty Bang Bang series I worked on with Frank Cottrell Boyce – I grew up watching the film in the 1970s, so it was a real thrill to get to work on the three new books. I was worried about it because I’m not good at drawing cars, but it helped me get better I think.

Are you an animal person?

Yes I am. We have a cat called Spooky (she’s white like a ghost) and a dog called Sybil. Sybil is a Cairn terrier, and she’s quite naughty – she loves to race out into the garden and bark at birds (and hot air balloons), which gets us in trouble with the neighbours.

What’s the weirdest doodle in your doodle book?

There are so many to choose from. I’m going to open a notebook at random and see what I find, ready? Here goes . . .

Hmmm,  a roll-mop herring driving a car? That’s pretty weird.

Let me try again . . . ok, a robot punching a sandwich, saying “I love you, sandwich”. There’s two weird ones right there.

What’s the biggest lie you’ve ever told?

The worst lie is too long to put here, but it might end up in a book one day :-/ But I stopped lying when I was about 12, so nothing too bad since. It’s a habit I learned to break, because it takes a lot of energy to stick to your story in the face of mounting evidence to the contrary, and anyway you always end up getting in trouble twice – once for the thing you covered up by lying, and once for lying about it. It takes less energy, but more bravery, to tell the truth. In my case it also took a large box of Smarties, offered to me as an incentive to own up.

What’s next for Joe Berger?

I don’t know If I’ll get to write more Lyttle Lies books, but I want to tell more stories with cartoons, so I’m working on a couple of ideas. At the same time I’m still drawing my cartoons, and hope to find more places that are willing to publish them.

 

 

Thank you to Joe for answering the worms’ questions. We’re really grateful for the time he gave us and are thrilled with his answers. You can vote for the Pudding Problem in the #Lollies2018 here. You can follow Joe on Twitter or visit his website. Thanks to the #Lollies2018 team for inviting us to be part of the Blog Tour again. Check out the other posts:

The Clockwork Crow

The Clockwork Crow

Catherine Fisher

Firefly Press

Catherine Fisher is an author of great talent who’s skillful writing draws praise for its ability to entrance the reader with its atmospheric prose. Often mysterious, sometimes dark, continually gripping, the publication of a new Catherine Fisher novel is always something to look forward to. Since hearing of the book deal last year, and revealing the cover to The Clockwork Crow in May, we have been guessing what lay beyond the gorgeous colours of the jacket.

We’re pleased to say it doesn’t disappoint! Whilst The Clockwork Crow is lighter than Catherine’s other books – it’s aimed at the blossoming 9-12 MG market – it is no less thrilling. It’s actually a perfect introduction to our national treasure for this age group. Noah (aged 11) loved the book and is already seeking out other books to devour. He calls it a “banger” – borrowed from the description of a fresh new song, unbelievably awesome and destined to become a popular, well-loved hit.

The story follows Seren, an orphan girl dreaming of a beautiful home and a loving, happy family. As she waits in the train station a nervous stranger asks her to guard a mysterious package. He doesn’t return and Seren feels compelled to take the package with her to Plas y Fran, the large manor house belonging to her new guardians, Captain Jones and Lady Mair. However, when she arrives, the grand house is shrouded in mystery – all furniture covered, minimal (and seemingly unfriendly) staff, and no sign of the loving family she was hoping for. A cold, bare residence brings her back down to earth with a bump and her dreams are shattered. The young boy she had wanted to befriend and play with has gone, and in time Seren learns that Tomos has been missing for a year and a day and the house is in mourning.

With the aid of the eponymous talking, walking, humorously irritable Clockwork Crow (who very nearly steals the show), Seren sets out to solve the mystery and put things right. In doing so, we learn that she is a determined and gutsy heroine, not afraid to stand up to the grown-ups, nor afraid to put her own security and future happiness at risk.

The world described by Catherine is beautifully wintry – filled with snow and stars, it sparkles like an ice-capped marvel. Featuring a cast of endearing characters, it reminded me of a wonderfully warm and entertaining Christmas period drama for all the family. Drawing on Welsh folklore, the story is magical and fantastic and such a great read. It’s got to be one of THE books of 2018.

Whilst reading and digesting, one constantly feels that this is a book that entertains and inspires in bucketloads.

We’re delighted that Catherine Fisher has revealed there will be a follow-up to The Clockwork Crow. We’re also thrilled that she recently answered the Worms’ questions in a Q and A.

 

Thank you to Firefly Press for the copy of Clockwork Crow, given in exchange for this review. Note that the cover has been designed by Anne Glenn. If you’d like to visit Catherine Fisher’s website, click here. If you want to follow her on Twitter, click here. If you want to buy The Clockwork Crow from Firefly, click here. That’s enough clicking.

 

The Girl With The Dragon Heart

The Girl with the Dragon Heart

Stephanie Burgis

Bloomsbury

Review by Nina

Wow! This is a wonderful, magical, thrilling adventure – a compelling sequel to The Dragon with a Chocolate Heart. In that first book, we were introduced to Aventurine, a dragon cruelly cursed by magical hot chocolate. Silke, the street girl who guides Aventurine plays second fiddle in the ‘Chocolate Heart’ but in this book she is determined to tread her own path and tell her own story. And what a story! It all centres on an awful secret that Silke and her brother Dieter have hidden for years. Silke’s secret is her motivation for getting into the Royal Palace and solving a great mystery. At the heart of this secret is the fairy kingdom of Elfenwald and its evil king and queen. As baddies, these two are wicked, scary, horrid and terrible – Stephanie’s characterisations are brilliant!

What I love about both these books is diving in and feeling a part of the world. It’s a magical city with a medieval flavour – the narrow backstreets of numerous districts, the market stalls, castle walls and riverbank camps – Stephanie Burgis builds the world using all the senses, enveloping the reader with the sights, sounds and smells (mostly chocolatey!) so that you really feel in the midst of the action. Add in fairies, goblins and dragons and this is a fantasy you will not want to miss. I highly recommend this book for age 8 and up.

From the Press Release…

Once upon a time, in a beautiful city famous for chocolate and protected by dragons, there was a girl so fearless that she dared to try to tell the greatest story of all: the truth.

Silke has always been good at spinning the truth and storytelling. So good that since arriving as a penniless orphan, she has found her way up to working for the most splendid chocolate makers in the city (oh, and becoming best friends with a dragon). Now her gift for weaving words has caught the eye of the royal family, who want to use her as a spy when the mysterious and dangerous fairy royal family announces it will visit the city. But Silke has her own dark, secret reasons for not trusting fairies…

Can Silke find out the truth about the fairies while keeping her own secrets hidden?

From the author of the magical The Dragon with a Chocolate Heart comes a second magical adventure perfect for fans of Cressida Cowell and Cornelia Funke.

About Stephanie

Stephanie Burgis is a dual citizen of the US and the UK and lives in South Wales with her husband and their children. The Girl with the Dragon Heart is Stephanie’s second novel for Bloomsbury. Follow Stephanie on Twitter or visit her website.

The Girl with the Dragon Heart is published on 9 August in paperback. Big thanks to Bloomsbury for our review copy – buy yours at your local independent bookshop or Hive.

Mirror Magic Blog Tour

We were delighted to be given the opportunity to travel to Cardiff to meet with Claire Fayers and talk with her about her enchanting new novel, Mirror Magic. Noah takes the lead in this video, with the rest of the worms joining in with a ‘Would You Rather?’ section near the end. Thank you very very much to Claire for being such a great sport and taking the time to film with us.

Why not check out Noah’s written review of Mirror Magic here.

Run Wild

Run Wild

Gill Lewis

Barrington Stoke

Review by Nina and Daddy

Nina and I read this fabulous story from Gill Lewis over 4 nights. On finishing the book, I was met with a barrage of questions: What’s a cormorant?; Are there still wolves in the UK?; Where did you play when you were younger?; How many types of beetle are there?

In response, we checked out some YouTube videos, visited a local heronry, and I reminisced about the patch of common land outside my parents’ house where I would climb trees, build dens and concoct stories.

We also bought the book The Ways of the Wolf by Smriti Prasadam-Halls and Jonathan Woodward (published by Wren & Rook, an imprint of Hachette) which is a brilliant and beautiful complimentary non-fiction title endorsed by the UK Wolf Conservation Trust.

If Gill Lewis’ aim is to encourage future generations to engage with themes of conservation; to connect with (and be inquisitive about) nature; to think about the wild spaces in their communities, then Nina is proof that she has succeeded.

The story of Run Wild centres on the pairing of brave and adventurous school friends Izzy and Asha. Banished from the local skate park by the Skull Brothers, they are forced to find their own place to play and practice their tricks. This new place is a rundown and off-limits gasworks. It is in this brownfield space that the young girls learn to take risks, to explore, discover new things and connect with the wild. It is in this space that they meet an injured wolf.

The characters then face a dilemma – do they try to help the wolf themselves or do they seek help for the wolf and reveal their secret and special hideout? This quandary brings them closer to the Skull Brothers and they work the problem out together. There is an especially compelling chapter where the children face-up to their headteacher and as Izzy is pleading with Mrs Stone you can hear every child in the land urging adults everywhere to “remember what it feels like to be running wild”. The book is a passionate argument not just for the rewilding of nature but for connecting children to the wild too. See this manifesto from The Wild Network, set up to remove the barriers to #wildtime:

Whilst the rewilding of children is a part of the story, the rewilding of nature is at it’s core. According to the charity Rewilding Britain, it is all about “bringing nature back to life and restoring living systems”. The charity signs up to several principles acknowledging that “people, communities and livelihoods are key”. Rewilding is a choice of land management – it relies on people deciding to explore an alternative future for the land and people. Thus the brownfield site of the old gasworks is at the centre of a bitter battle.

Barrington Stoke promise a series of special school events on the publication of Run Wild and finished copies will be in Barrington Stoke’s super readable typeset on off-white pages. This is a brilliant partnership that has got us really excited.

Run Wild is engaging, compelling and brilliantly written; as a storyteller, Gill Lewis should be cherished and revered. The message of ‘Run Wild’ is important, nay, essential and should be filed next to The Lost Words (Jackie Morris and Rob Macfarlane) and The Promise (Nicola Davies) as enchanting books with significant and important themes.

 

Thanks to Barrington Stoke for sending us a copy of Run Wild. It is published on July 15. You can buy it from Hive or better still, from your local bookshop.

You can follow Gill Lewis on Twitter, or visit her website. The book is endorsed by the charity, Rewilding Britain (who have a website and a twitter account). You should also check out The Wild Network.

Ariki and the Giant Shark

Ariki and the Giant Shark

Nicola Davies (illustrated by Nicola Kinnear)

Walker Books

Review by Daddy and Nina

Any book that starts with a map gets a thumbs up from us. You know you’re in for a fantastic adventure, and Nina heartily approves.

In this new short chapter book (142pp) from Nicola Davies we are introduced to the feisty and compassionate Ariki; a heroine of the Pacific Ocean, more at home diving through coral and swimming with the fish than playing on land with other children.

This is a wonderful story that educates as it entertains. As we have come to expect from the zoologist storyteller, Davies’ narrative is informative with descriptions of the reef, the wildlife and geography of the island rooting the story in fact. Helpful analogies allow us to picture the exotic creatures – Nina particularly enjoyed the one about each shark’s tooth being as big as a man’s hand.

And so we learn about malu, nihui and the giant shark of the title, Wahine (a Hawaiian and Mãori word for woman); but we are never distracted from the absorbing tale of how Ariki strives to protect and shelter the creature that the majority of the island fears.

It is through this human story that we are given hope. Because when the adults are running scared, reaching for their spears and gathering armies of men, the children of the island are the ones who demonstrate true humanity and compassion.

Illustrations by Nicola Kinnear adorn the pages inside and out adding real character to the host of island inhabitants, lovingly framing the text and adding to the drama.

This is the first in a series for Ariki and we can’t wait to dive in to the next one!

 

Thanks to Nicola Davies for sending a copy of Ariki and the Giant Shark. You can buy it from Hive or better still, from your local bookshop.

You can follow Nicola Davies on Twitter, as well as the illustrator Nicola Kinnear.

Tir na n-Og Award 2018 Shortlist

Below you can watch a video review of the entire #tirnanogaward 2018 shortlist. The Tir na n-Og Award is given annually to an English language children’s book with an authentic Welsh background. This year’s winner will be announced on Wednesday 9th May at the National Library of Wales.

Gaslight, Eloise Williams (Firefly)

The Nearest Faraway Place, Hayley Long (HotKey Books)

King of the Sky, Nicola Davies and Laura Carlin (Walker)

Santa’s Greatest Gift, Tudur Dylan Jones and Valeriane Leblond (Gomer)

The Jewelled Jaguar, Sharon Tregenza (Firefly)

St David’s Day is Cancelled, Wendy White (Gomer)

Author Q & A: Christopher Edge

We are absolutely thrilled to be part of this astronomical blog tour and are delighted that Christopher Edge has answered some questions set by the young worms. You can read our review of The Infinite Lives of Maisie Day now or later.

What are you reading at the moment?

I’ve just finished reading Daemon Voices, a wonderful collection of essays from Philip Pullman on the art of storytelling. I always read in bed at night before I go to sleep, so for the past few weeks I feel as though I’ve been having some rather intense late-night discussions with Philip Pullman!   

Could you tell us how you got into writing?

I’ve been writing stories since I first learned how to write, although publication came much later. Following a short-lived career in teaching, I made the move into educational publishing and there had a role reading some of the best contemporary children’s literature being published with a view to discovering novels that teachers might want to use in the classroom. Reading books by authors such as Frank Cottrell Boyce, Sonya Hartnett and Philip Reeve showed me the brilliance and ambition of the stories being told in children’s fiction and made me want to write my own, which I then started doing on the commute to and from work. After a couple of unpublishable novels that are still locked away in a drawer somewhere, I wrote the story that found me my agent, and then a publisher and so finally realized my dream. 

Do you miss teaching?

As you might have guessed from my description of my short-lived teaching career, the answer is no! I was waylaid into teaching by the film Dead Poets Society and misled into believing that all you needed to do to be a great teacher was inspire students to stand on desks declaiming poetry.

Where and when do you write?

In the best tradition of Roald Dahl and Charles Dickens I have an office at the bottom of my garden that I retreat to. When I’m writing the first draft of a story I like to immerse myself in this writing full-time, but other times I’ll be travelling to events with a notebook handy so I can keep scribbling away on the move. I actually think I do some of my best writing on trains, so would quite like to be hired as the writer-in-residence on Great Western Railways.

You have written several books for budding authors. What is the most important piece of advice you have on this?

Every writer is a reader and every reader can be a writer too. Fill yourself with stories and I believe your own will start tumbling out. 

Which books and authors inspire you?

Too many to mention! Every book I’ve ever read feeds the roots of the tree my stories grow from. Many years ago, bunking off school to get my comics signed my Neil Gaiman inspired me to dream that one day I could be a writer and I’ve blogged about this here. 

How do you choose names for your characters?

For me, every story starts with a character and they seem to come to me with a name attached. For The Infinite Lives of Maisie Day I had an image of a girl opening her front door to find an infinite blackness outside and the moment this image came into my mind, I knew this girl’s name was Maisie. 

Do you have any connection with Wales?

I’ve walked the whistling sands on the Llyn Peninsula, visited Conwy Castle as a child, but think my strongest connection to Wales is my love of the Super Furry Animals! 

You’re clearly interested in Science. Where did this interest come from?

I didn’t enjoy science at school, but as I’ve got older my interest in science has grown. Watching documentaries made by scientists such as Carl Sagan and Professor Brian Cox make me marvel at the sheer wonder of the Universe, and I now find myself picking up books by popular science writers such as Brian Clegg and Carlo Rovelli to read for pleasure! 

Your most recent books have been full of scientific ideas but there is often an emotional human story at the heart. Is this a fair assessment, and do you see either as more important?

I think both science and stories approach the same questions from different angles. Why are we here? What makes us human? How do we know we really exist? Both science and fiction help us to make sense of the world, with all its wonder and possibilities as well as its inevitable pain. In my books I hope to use scientific ideas to explore the human condition and tell stories about love, loss and family. Without heart, the story would be a lifeless thing.  

You have a Spotify playlist for Jamie Drake. Are you planning one for Maisy Day? If so, what would be your top choices?

Yes, there is a soundtrack for The Infinite Lives of Maisie Day – actually there’re two! As well as my own chapter-by-chapter soundtrack for the book, there’s also a soundtrack that’s been curated by BBC Radio DJ Chris Hawkins of the songs the story reminded him of. And the one song that made it onto both soundtracks is the mesmerizing ‘Birthday’ by The Sugarcubes, whose queasy beauty sets the scene in my mind for the opening chapter of the story. (For more on this visit the Nosy Crow blog). 

We love the covers by Matt Saunders. How much involvement do you have with this and how important is it for you that the cover somehow reflects your writing?

I love Matt’s cover art too and the brilliant design that Nosy Crow create for my books. I’m very lucky in the fact that I’m allowed to comment on the cover concepts and designs as these are developed, and feel incredibly proud that the first contact a reader might have with my books comes via Matt’s cover art as I love the way my stories are represented by his artwork. 

Can you reveal anything about what you’re working on at the moment?

I’m writing a new novel at the moment which should hopefully be published in Spring 2019. I can’t say too much about it at the moment, but it’s about friendship and what it means to be alive. 

What question do you wish we’d asked?

I’m just glad you didn’t ask me to explain infinity!

Thank you so much to Christopher Edge for indulging us. Did you know he came with us to Scotland? Read our review now.

Mamgu’s Camper Van

Mamgu’s Camper Van and the Knights in Shining Armour

Wendy White

Gomer Press

A charming short story from the writer of St David’s Day is Cancelled

Review by Nina (Age 8)

St David’s Day is Cancelled is my favourite book. Ever. So I was really happy when I heard that Wendy White had written a new book. Mamgu’s Camper Van is lots of fun; it’s short and I read it in an hour.

Mamgu and Betsi Wyn get the camper van out of hibernation but it doesn’t seem to be working properly! They finally get it going and take it out for a spin to a castle. It’s a heartwarming adventure story that children in Year 2 and Year 3 will love. I think Mum should read it to Kit (my little brother), because he would love it too.

I really liked all the Welsh words that Wendy White used – castell, diolch, da iawn, Ych a fi! – it gave the book a definite Welsh feel! I also loved the pictures: Helen Flook’s illustrations made the story come to life – the colourful front cover is especially good.

I would recommend this book for children up to 8 years old and am looking forward to reading more by Wendy White soon.

 

Thanks to Gwasg Gomer for sending us a copy of Mamgu’s Camper Van. You can buy it direct from Gomer or, from your local bookshop.

You can follow Wendy White on Twitter, as well as the illustrator Helen Flook.

Wales Children’s Books of the Year

Family Bookworms is proud to present our Children’s Books of the Year. Throughout December we will be announcing the shortlists for different categories as chosen by the ‘worms. The categories broadly follow the ages of Noah, Nina and Kit and we will also have a popular vote on Twitter. The categories are as follows:

  • Wales Picture Book of the Year
  • Wales Children’s Book of the Year (Age 7-9)
  • Wales Middle Grade Book of the Year (Age 9-12)
  • Wales Illustrator of the Year
  • Wales Children’s Book of the Year – People’s Choice
  • Family Bookworms Children’s Book of the Year (International Category)

Eligibility for the awards depends on the following criteria:

  1. The book must be written by a writer who was born in Wales; or is of Welsh parentage; or is a current resident in Wales.* (In the case of Wales Illustrator of the Year, these conditions apply to the illustrator only).
  2. The book must have been published during 2017.

*Criteria number 1 does not apply to the International Category!

These awards are just another way of us highlighting the brilliant books we have enjoyed this year and promoting some of the wonderful things happening within the Welsh publishing world. It is also recognition that whilst there is a Wales Book of the Year for adults, and an award for a children’s novel set in Wales (Tir na n-Og), there is no set of awards acknowledging the quality of children’s fiction in Wales. Above all else though, this is a bit of fun so please don’t get worked up about it. Let us know your recommendations though – we’re very keen to keep learning and are bound to leave out someone’s favourite.

This page will be updated below as we announce our shortlists.

Picture Book of the Year 2017

King of the Sky, Nicola Davies (author) Laura Carlin (illustrator) WALKER
The Pond, Nicola Davies (author) Cathy Fisher (illustrator) GRAFFEG
You Can Never Run Out of Love, Helen Docherty (author) Ali Pye (illustrator) SIMON & SCHUSTER
The Great Dinosaur Hunt, Helen Look (author and illustrator) GWASG GOMER
The Glump and the Peeble, Wendy Meddour (author) Rebecca Ashdown (illustrator) FRANCES LINCOLN
Mrs Noah’s Pockets, Jackie Morris (author) James Mayhew (illustrator) OTTER-BARRY BOOKS

Children’s Book of the Year 2017 (age 7-9)

Thimble Holiday Havoc, Jon Blake (author) Martin Chatterton (illustrator) FIREFLY PRESS
The Dragon with a Chocolate Heart, Stephanie Burgis BLOOMSBURY
The Marsh Road Mysteries: Dogs and Doctors, Elen Caldecott BLOOMSBURY
The White Fox, Jackie Morris BARRINGTON STOKE
The Story of King Arthur, Sian Lewis (author) Graham Howells (illustrator) RILY
Planet Adventures: The Lost Moon, Pat Roper (author) Huw Aaron (illustrator) BURST
St. David’s Day is Cancelled, Wendy White (author) Huw Aaron (illustrator) GWASG GOMER

MG (Middle Grade) Book of the Year 2017

The Bus Stop at The End of the World, Dan Anthony GWASG GOMER
The Extraordinary Colours of Auden Dare, Zillah Bethell PICADILLY PRESS
Aubrey and the Terrible Ladybirds, Horatio Clare FIREFLY PRESS
Accidental Pirates Journey to Dragon Island, Claire Fayers MACMILLAN
Sky Dancer, Gill Lewis OXFORD UNIVERSITY PRESS
Gaslight, Eloise Williams FIREFLY PRESS
Goodly and Grave in a Deadly Case of Murder, Justine Windsor HARPER COLLINS

International Book of the Year 2017

Moonlocket, Peter Bunzl USBORNE
The Starman and Me, Sharon Cohen QUERCUS
Who Let The Dogs Out, Maz Evans CHICKEN HOUSE
The Song From Somewhere Else, AF Harold (author) Levi Pinfold (Illustrator) BLOOMSBURY
Alex Sparrow and the Really Big Stink, Jennifer Killick FIREFLY PRESS
The Five Realms: The Legend of Podkin One-Ear, Kieran Larwood FABER AND FABER
Beetle Queen, MG Leonard CHICKEN HOUSE
Where The World Ends, Geraldine McCaughrean USBORNE
Radio Boy, Christian O’Connell HARPER COLLINS
The Explorer, Katherine Rundell BLOOMSBURY
Dragon’s Green, Scarlett Thomas CANONGATE