The Tir na nOg Award winner for 2020 will be announced on Friday 3rd July. The award is given to the best children’s book with an authentic Welsh setting. Winners since the inaugural award in 1976 include The Snow Spider by Jenny Nimmo, The Grey King by Susan Cooper, Arthur The Seeing Stone by Kevin Crossley-Holland and The Clockwork Crow by Catherine Fisher.
We decided to look into the statistics behind the award to see if there is any indication of who is most likely to win…
It seems that if you want to win the Tir na nOg Award, your best bet is to be a female author named Jenny Lewis published by Pont/Gomer. The title of your book should be ‘The Tale of the Welsh King of the Sea’. And if you want the best shot at the trophy, then you’d need to go back to 1981 when there were 17 books shortlisted.
So what does this all mean for this year’s nominees? Er, probably not very much. However – we have to say that the shortlist is very strong and any of these would be worthy winners. We look forward to celebrating the 2020 winner very soon…
Our Children’s Laureate Wales publishes a new book today. And what a book. Wilde is a brilliant story full of excitement, anguish, humour, fantasy and weirdness. Wilde moves in with her Aunt Mae, but struggles to fit in. Odd things keep happening – the birds are following her, she wakes up in strange places, other children keep their distance. Does Wilde have a connection to the legend of The Witch Called Winter? It’s a completely engrossing tale of belonging and acceptance that would appeal to readers age 9+. It’s written by one of our most favourite authors so we thought we’d give you 5 Reasons why we’re Wilde about Eloise Williams:
1 Eloise is a fantastic writer. From the dramatic and tempestuous opening chapters of Elen’s Island, her first book published in 2015, to the poignant and tender close of her latest Wilde, Eloise gets under the skin. She gets under the skin of the reader, compelling them to drop everything and devour every word. Descriptions of landscapes are a real draw; whether it’s the wild and windswept coastline of Pembrokeshire in Seaglass, the grimy Victorian backstreets of Cardiff in Gaslight, or the waterfalls of the Brecon Beacons in Wilde.
What’s impressive though is how she gets under the skin of her characters, producing very real depictions of isolation, loneliness, the frustrations and fears of teenage years, and the joys too. Elen is plucky. Nansi is feisty. Lark is confused. Wilde is lonely. Eloise writes with real empathy for her female protagonists and portrays real understanding for her readers.
2 Eloise works non-stop. Even before she was appointed Children’s Laureate for Wales, Eloise Williams spent a lot of time in schools, libraries and book festivals. She delivers courses like those at Ty Newydd, and is invited to attend courses like the Writers At Work scheme at Hay Festival. And despite claiming to be a procrastinator, on top of all this travelling, publishing four books in 5 years is quite an achievement. Hard work deserves to be recognised and rewarded. Even in lockdown, she is producing weekly challenges to motivate and engage young people…
3 Eloise passionately promotes reading and writing for pleasure. Now, as Children’s Laureate for Wales, Eloise is a strong voice for the children of Wales. She travels the length and breadth of the country (and that takes some time!) enthusing about reading and writing. She talks fervently about the writing process and nurtures strong relationships with the children in her workshops. She is an inspiration to watch in these situations and has a lasting impact on those she meets.
4 Eloise is a tireless advocate for Welsh writers and writing from Wales. As Children’s Laureate for Wales, Eloise encourages and supports other writers for children, sharing her passion for the wealth of talent in Wales. Good stories and excellent writing has no borders, and Eloise pushes the view that books from Wales are books for everyone, raising the visibility of children’s literature in Wales and beyond.
5 Wilde is her best book yet. It’s creating a stir amongst readers and we’d strongly recommend you order a copy this weekend (direct from Firefly Press or from your local independent bookshop). Don’t take our word for it, just look at these quotes…
‘A spookily good adventure that will hold children spellbound. Bewitching.’ Zoe Williams, South Wales Evening Post
‘I loved this contemporary adventure of witches, curses, identity and belonging, from Wales’ children’s laureate.’ Fiona Noble, The Bookseller
‘An inspirational book. She just keeps getting better.’ Claire Fayers
‘Packed with chills and thrills, but is also full of heart. I loved it!’ Kat Ellis
‘A TRULY BRAVE AND BEAUTIFUL BOOK! … Utterly beguiling.’ Zillah Bethel
‘Thrilling throughout … her best yet.’ Scott Evans, the Reader Teacher
Being different can be dangerous. Wilde is afraid strange things are happening around her. Are the birds following her? Is she flying in her sleep? Moving to live with her aunt seems to make it all worse. Wilde is desperate to fit in at her new school, but things keep getting stranger. In a fierce heatwave, in rehearsals for a school play telling the old, local legend of a witch called Winter, ‘The Witch’ starts leaving pupils frightening letters cursing them. Can Wilde find out what’s happening before everyone blames her? Or will she always be the outcast?
The shortlists for the Tir na nOg Award 2020 have been released. Organised by the Books Council of Wales and sponsored by CILIP Cymru, the awards celebrate the work of authors and illustrators published in 2019.
There are three categories – Welsh language books for primary age children, Welsh language books for secondary age children and English language books for all ages. The English language award celebrates books with an authentic Welsh background.
Chief Executive for the Books Council of Wales, Helgard Krause said, “The Tir na n-Og Awards are an opportunity for us to celebrate the talents of our writers and illustrators who are creating world-class content for our children and young people.”
We have to agree that the English language shortlist is very strong – there are books here that would win easily in a different year, and the decision of the judges will be difficult.
Last year’s winning author, Catherine Fisher, tweeted her congratulations to the shortlistees:
The 2020 Shortlist for the English Language Category is as follows:
The Secret Dragon, Ed Clarke (Puffin)
Set on the coastline of the Vale of Glamorgan, The Secret Dragon is a gorgeous story full of fun and fantasy. It’s great for those around aged 8 and above and has a real focus on science and discovery. Fossil hunter Mari Jones makes a remarkable discovery on the beach, and decides to keep it to herself. There’s an interesting and sensitive sub-plot about family breakups that makes this an absorbing tale for all.
Max Kowalski Didn’t Mean It, Susie Day (Puffin)
Max and his sisters escape Southend to the mountains of Snowdonia – 6 miles from Llanberis; without their dad, without any adult, without telling anyone. Max Kowalski is a fantastically original and heartfelt tale about growing up, dealing with siblings and inner dragons. This witty and emotional book takes on toxic masculinity and shows middle grade readers that empathy and stories make for a better world.
Storm Hound, Claire Fayers (Macmillan)
Storm (a hound from Odin’s Hunt) finds himself fallen to earth on the A40 a few miles from Abergavenny. This fast-paced and highly satisfying mash-up of Norse mythology and Welsh legend is firmly rooted in the Welsh landscape. Jess adopts the puppy but his magic is much sought-after by suspicious characters. It’s an accomplished, funny fantasy with a very human story at its heart.
Where Magic Hides, Cat Weatherill (Gomer)
Where Magic Hides is a collection of short stories anchored in the four corners of Wales. Ancient kings, trolls and unicorns bound through the pages but the real message is for the contemporary world: magic can be found if you know where to look.
Creating these short summaries has highlighted the many connections between the shortlisted books. Clearly, the Welsh landscape is a unifying factor but there is also the magic and fantasy element. See also: dragons and creatures of mythology; children battling inner demons; the humour and wit of the author. As we say above, all fully deserving of the shortlisting and all worthy of your time. There are some classics here and we look forward to the winner being announced in late May.
Chair of the judging panel, Eleri Twynog Davies said, “All four books on the shortlist are of very high quality. It is so important that the children of Wales can see themselves reflected in Welsh literature, and that children outside Wales have a window on another culture.”
The sequel to The Secret Dragon by Ed Clarke is released in April.
When The Secret Dragon was launched last year, it garnered a lot of praise for its joyous and enchanting story of keen fossil hunter and aspiring scientist, Mari Jones. We called it a “great adventure full of humour and heart”. We loved the setting of the heritage coast, making it eligible for this year’s Tir na n-Og Award shortlist, to be announced in the next few weeks.
Imagine our delight then to be tasked with the cover reveal for Summer of the Dragons, the follow-up coming to all good bookshops on 16 April 2020. And this is really special because it is, once again, illustrated by Ben Mantle. Ben is quickly gathering a reputation for some amazing MG and older fiction covers – see recent examples for stories by Jenny McLachlan, Fleur Hitchcock, Piers Torday and Carlie Sorosiak.
Ben Mantle comes up trumps again with this stunning sunshine design:
“I just love Ben’s artwork and feel so lucky to have him as the cover illustrator,” Ed told us. “On Summer of the Dragons he really captures that seaside holiday feeling too. Who wouldn’t want to have a summer holiday on the Welsh coast? Especially when there’s tiny dragons around…”
Ben was born in Leamington Spa in 1980, and developed a very early interest in things artistic. He studied animation at Surrey Institute of Art & Design, then gained valuable experience working on Tim Burton’s “Corpse Bride” before moving to Brighton to work as Head of Animation in a media company.
He was part of the animation team creating the BAFTA winning ‘Big and Small’ CBeebies website and since 2008, has been working as a children’s book illustrator from his shared studio in Brighton. His picture book collaborations with Lucy Rowland, amongst many others, are well-loved and we look forward to the rest of 2020 when he will illustrate the follow up to The Land of Roar and publish a new picture book with Catherine Emmett, entitled King of the Swamp.
Set against the stunning seaside backdrop of the Welsh coast, Summer of the Dragons picks up the story of budding scientist Mari Jones and her pocket-sized dragon Gweeb. A year after she discovered Gweeb on the beach, life is getting back to normal for them both, when two unexpected events turn it upside down again. First comes the news that Mari’s mum Rhian is expecting a baby, meaning that her boyfriend Gareth and Mari’s best friend Dylan will be moving in with them on the farm. Even more incredibly, Gweeb’s family have returned to lay their eggs in the same cave where Mari first found her secret dragon.
With tourists flocking to the beach for the summer, Mari has her work cut out to keep the dragons hidden and safe, especially when disgraced scientist Dr Griff Griffiths turns up on the hunt for a story. And when Griff manages to find and steal Gweeb’s precious egg, Mari must stage a daring rescue mission before it’s too late . . .
Gweeb’s snout emerged once more from Mari’s hoodie, took a sniff of the sea air and nosed out into the open. A second later, the little dragon had sprung forth and rocketed off into the distance. Gweeb loved the beach almost as much as Mari did. With its slatted layers of rolling, undulating rock, it provided the perfect terrain for exhilarating , low-flying aerobatics, and the dark caves cut into the cliffs provided the perfect hiding places, should anyone appear unexpectedly.
When Ed Clarke isn’t writing for kids, he is a film and television executive and producer, working with writers to make drama for grown ups. He lives in North London with his wife and two young daughters, who would both desperately like a pet. He realises they may be disappointed now if they get a rabbit rather than a dragon.
Thank you so much to Puffin for asking us to host this cover reveal. You can find links to pre-order Summer of the Dragons at their website. It is out on 16th April 2020. Please also take the time to follow Ed and Ben and Puffinon Twitter.
On this page, we list published authors and illustrators from Wales. These brilliant folk are either born in Wales, raised in Wales or established in Wales. If there’s anyone missing, please let us know.
Daddy Worm thought that an A to Z of Welsh authors would be a great way to develop knowledge of children’s writers – particularly as he is a teacher and is now better informed in those all-important discussions at Book Club.
Research by the Open University has shown that a teacher’s knowledge of children’s literature is highly significant in developing children as readers who can and DO choose to read. You can read more at this link.
A Huw Aaron Lauren Ace Sophie Anderson Dan Anthony
B Laura Baker P.G. Bell Zillah Bethell Jon Blake Karla Brading Stephanie Burgis
C Anne Cakebread Elen Caldecott Phil Carradice Karin Celestine Lucy Christopher Horatio Clare Nathan Collins Tracey Corderoy
D Huw Davies James Davies Karl Davies Nicola Davies Helen Docherty Thomas Docherty Diane Doona Jonny Duddle Heather Dyer
E Fran Evans John Evans Mark Llewelyn Evans
F Claire Fayers Catherine Fisher Helen Flook
G G.R. Gemin Maria Grace Robert Graves
H Maggie Harcourt Rebecca Harry Sam Hay Eric Heyman Graham Howells
I Rhian Ivory
J Gilly John Catherine Johnson Cynan Jones Jac Jones Tudur Dylan Jones
K Sarah Kilbride
L Valériane Leblond Emma Levey Caryl Lewis Gill Lewis Rob Lewis Siân Lewis Helen Liscombe T Llew Jones Jenny Løvlie Max Low
M Paul Manship Sharon Marie-Jones Wendy Meddour Elin Meek Daniel Morden Ruth Morgan Jackie Morris
Last weekend saw the start of this year’s Cardiff Children’s Literature Festival and we were delighted to make the journey south to see a few events. The programme for the book-fest is brilliant, with a mix of new and established authors and illustrators appealing to a range of ages. It’s fantastic that the festival, now in its seventh year, celebrates Welsh authors and illustrators so strongly – and yet it has nationwide appeal. Taking place in a number of the city’s iconic buildings, this young festival is well-supported and feels prestigious.
Over the course of the weekend we saw four of Wales’ finest – starting with the wonderful Catherine Fisher who spoke at length to a keen audience of avid readers. Her latest book, The Clockwork Crow (Firefly Press) was shortlisted for the Blue Peter Book Award and has recently been nominated for the Tir-na-nOg Award, for books with an authentic Welsh background. In the plush surroundings of Cardiff Central Library, Catherine spoke with passion about her love of fantasy; memories of her father reading Alice in Wonderland aloud; and her discovery of Tolkien.
She also told the enraptured gathering not to ask her about plotting or where she gets her ideas, or even why she writes for children! She writes what she writes, and what comes out are children’s books. Her ideas “just appear”, and she has “no idea” what is going to happen in the story when she sits down to write it. She doesn’t plan – but feels the thrill of the reader as the story forms on the page. Later, we asked Catherine if this meant that there was more focus on editing her books, and she told us that she does this as she writes. She tends to go through the book twice more, “fine-tuning the language” and making details crisp.
After reading from The Clockwork Crow, Catherine Fisher revealed that it would now be the start of a trilogy. The Velvet Fox is currently being written and will hopefully be published around October 2019. In that book, the crow will not be returned to his normal form and so a third book will be required to make that happen.
The Clockwork Crow has already been a big success and both author and publisher are hopeful that there is more to come. Thank you to Catherine for granting a private audience for a short time to ask a few questions, the final one of which was “If you could have any super-power, what would it be?” This led to much discussion and a book recommendation for Noah to read HG Wells’ ‘The Invisible Man’. In the end, Catherine decided that, provided she could avoid the difficulties that The Invisible Man had (not being able to hide his clothes, or disguise his drink from descending his food pipe) she would like to have that magical quality.
Next up was Gavin Puckett and his wonderful “Fables from the Stables” session at Cardiff City Hall. Gavin spoke about how having a child gave him the impetus to write. Several years ago, whilst driving, Gavin had heard a radio show posing the question, “Which sports are carried out backwards?” Puzzling this over, Gavin had driven past a lone horse in a field and thought to himself, “What could make a horse walk backwards?” Fables from the Stables was born!
Gavin’s session was fun and interactive, geared towards his 5-9 audience. The children and adults enjoyed the quizzes and were treated to a reading from Gavin’s latest book, Hayley, The Hairy Horse. Having been educated on the varied uses of horse hair, we were left on the proverbial cliff with the reading ending enigmatically: “Would the lovely, hairy Hayley lose her whole tail?!”
Mummy found herself volunteered (thanks to Nina and Kit) to represent a rock star in the Hendrix the Rocking Horse music round. Standing in front of a room full of children and adults, holding an inflatable guitar, with stripy socks on her wrists and red knickers on her head, was not how we had imagined our weekend to run. By the 5th tune Mummy became more accustomed to her role and rocked out with a reasonable amount of energy to “Peppa Pig” and “Old McDonald”.
Thanks to Gavin for a really fun and engaging session. The books have all been hits for the younger bookworms and the grown-ups found plenty to chortle at too!
Saturday afternoon was given over to The Girls by Lauren Ace and Jenny Løvlie. This session had a distinctively chilled out flavour with the audience encouraged to snuggle up with the fabulously enticing pile of cushions covering the front of the room. Girls made chairs, beds, cars and lounged comfortably whilst Lauren and Jenny spoke of their inspirations and ideas behind the illustrated story.
The importance of friendship was at the core of the session. The illustrations are beautiful, complimenting and enhancing the impact of the deceptively simple text. One of the great joys of The Girls is its ability to engage readers, regardless of age. Certainly the Mums in our session had as much to talk about as their daughters. Both Lauren and Jenny spoke of their own friendships and how growing up – either in a busy world of family and friends, or in a remote Nordic village (being the first child born in 12 years, amongst a population of 30!) – is shaped by the people we surround ourselves with. We were all delighted with the prospect of a follow-up, The Boys.
Nina and I enjoyed drawing our own best friends and the whole group were delighted to share names and descriptions of friends, who were then turned into perfect little drawings before our eyes. Løvlie’s talent is in her ability to translate human spirit into art and her humble “I’m an illustrator, it’s what I do,” understates her great talent. Løvlie delights in her work, describing how her soul lifts as she enters her workplace, where she is surrounded by what sounds like a remarkable hub of creatives. Lauren has started writing more recently and finds the outdoors to be the best location for harvesting her ideas.
The two women have an obvious bond, derived from this first collaboration. We were lucky enough to have a chance to speak with them both after the session and their warmth and enthusiasm for life in general was pretty intoxicating.
Following a well deserved rest (and a visit to a few Cardiff cafes, bookstores and record shops), and a good sleep, we returned the next day to meet Karin Celestine and her tribe of felted creatures. It was a real pleasure to meet Karin and spend some time with her afterwards, but none of us (Daddy worm especially) could contain our joy at meeting Bert, Bertram, Granny Dandelion, Grandpa Burdock and the gang. There was so much adoration in the room for these creatures, who under Karin’s leadership bring kindness, compassion, love and understanding in a world often blighted by worry, intolerance and cruelty.
Karin read from Bert’s Garden (Graffeg), a simply wonderful tale about the über-kind Bert who loves having a sit in the garden, with tea and biscuits, and welcoming visitors with beautiful produce. He is caring towards all creatures in his garden, including the slugs and snails and the bugs that wake him in the night. In the story, he provides a new home for some beetles who are enormously grateful for somewhere cosy and dry to live. The assembled group of 4-7 year olds were then encouraged to get stuck in to making bug houses, and were all delighted to take them home with a sticker and a packet of seeds.
The ninth book from Celestine and the Hare, Helping Hedgehog Home, is due for publication later this month and completes the Tribe ennealogy (yes, we looked that up – it’s an art work in nine parts). We had a wonderful chat with Karin* after the event and asked her a bit more about Hedgehog. She told us, “There is more humour in this one, but still with an ecological message.”
“A lot of the environmental issues can be too big and too frightening for young children – as a child you can feel completely helpless to do anything about it. I remember the ‘Save the Tiger’ campaign from when I was younger, and short of buying a membership to the WWF there was nothing I could do – and for me, that’s not very positive. I want anybody to be able to do something to help. Similar to today’s event – anyone can make a bug house and make a difference and that’s what we did.”
*We’ll publish a full interview with Karin later this month to coincide with Helping Hedgehog Home.
In the back of each of Karin’s books there are some suggested craft activities that readers can engage with – such as making a bug house. In the new book, as the Hedgehog tries to find her way home by making a hot air balloon, readers can try their hand at making one from papier mâché. Do not worry too much about Hedgehog’s escapades, because as Karin revealed to us, “Granny saves the day in a very simple and sensible way.”
It’s fair to say that we had a brilliant weekend in Cardiff thanks to the Cardiff Children’s Literature Festival. A truly fabulous festival with a wide variety of events for all ages. The second weekend continues to feature amazing authors and we’re sad that we can’t get there ourselves. If you get the opportunity, do take a look at their website, even just to keep yourself in the loop for next year.
We received complimentary tickets to the above events thanks to Cardiff Children’s Literature Festival. They also helped us to arrange conversations with the authors.
The Storm Child by Gill Lewis has been shortlisted for the Tir na nOg Award 2019. The retelling is part of the ‘Treetops Greatest Stories’ series produced by Oxford as part of its reading scheme. Aimed at Year 5 children, The Storm Child is one of 35 stories designed to extend children’s reading experiences and introduce them to some classic storytellers and the joy of fiction.
It’s fair to say then that the Tir na nOg Award will bring this book to the attention of a wider audience. And it really does deserve your attention. It focusses on the Welsh legend of Cantre’r Gwaelod, an ancient kingdom between Bardsey Island and Ramsey Island, protected from the rising tides by a sea wall. In this story, the fisher-folk are threatened by a “seven raven” gale and when the warnings of the Wall Guard go unheeded it’s up to the storm child to save the kingdom.
Gill Lewis is a glorious storyteller and The Storm Child is skillful, entertaining and fast-paced. The tale of forgotten kingdoms, forbidden love, banished princesses, betrayal and heroic escapes has a fairy-tale quality mixed in with the feel of a legend and morality tale.
This version of the story is different to the most popular versions we know – in those versions the sluice gates are neglected by either Mererid or the drunken Prince Setheillion. In Gill Lewis’ story, Mererid is the heroine; a girl of unknown parentage who, as a baby, was rescued from the seas during a torrential storm by Angelos the Wall Guard. The Storm Child senses that the kingdom’s defences are about to be breached, but will the king take heed?
Interestingly, Cantre’r Gwaelod has inspired many shortlisted titles in the Tir na n-Og Award’s history, including winners A String in the Harp by Nancy Bond (1977), The Silver Tree by Susan Cooper (1978) and Cities in the Sea by Siân Lewis and Jackie Morris (1997). Will 2019 bring another winner? Either way, The Storm Child is a great story that celebrates the rich heritage of Welsh folklore. This is a beautifully produced and skillfully crafted retelling, with illustrations by James Gifford adding real atmosphere. We’d really love to see Gill take on a host of other Welsh legends and produce a volume of tales – that would make for a fabulous book. For now, this one is a complete pleasure.
Graham Howells is an author and illustrator raised in Pembroke Dock and now living in Llanelli. He works in book illustration, television, film and board games. His book Merlin’s Magical Creatures won the Tir-na-nOg Award in 2009 and he was previously shortlisted with Jenny Sullivan for Two Left Feet. His illustrations for The Story of King Arthur (Rily, 2017) by Sian Lewis are fabulously shown off in a square hardback. He is clearly drawn to themes of fantasy and magic, as seen in his latest work The Lonely Bwback (Gomer, 2018).
The Lonely Bwbach is the story of a magical house-goblin who lives in a run-down cottage in North Wales. Every Bwbach needs two things – a house to take care of and a family to look after. So what’s a poor Bwbach to do when his home is literally dismantled around him? Go after it, of course! On the way, he will meet friendly foxes, helpful hawks, and a variety of mythical beasts, the most puzzling of which: human children. Will the poor Bwbach ever find his cottage again?
We wanted to find out more about the Bwbach, so sat down with his creator, Graham Howells, to learn all about this enchanting character.
How would you describe the Lonely Bwbach?
Nothing is more important to the lonely Bwbach than carrying out his duties, and his duties involve being the most loyal, caring friend you could ever have.
You have written and illustrated the book – which came first, the images or the words?
I think the pictures came at the same time as the words. For example, the part where the Bwbach visits the school came to me as if I was watching the characters act it out in my imagination. I knew then how to describe it in words, but I could also ‘freeze-frame’ a scene from my mind, and that would become a picture in the book.
When creating illustrations, how do you start the process? Were there many versions of the Bwbach before he looked just as you wanted?
There were a few versions of the Bwbach. Before he showed me what he looked like the Bwbach showed me what a few other Bwbachs looked like first. One of the most fun parts for me is to sit quietly and see what pops into my head, waiting to be surprised.
You have written and illustrated many books featuring folklore and legends. How did your interest in this begin and what keeps you fascinated?
I have written a few books featuring folklore and legends, and I’ve illustrated even more that were written by other people.
My interest began when I was growing up in Pembrokeshire and walking in the lovely countryside. After reading The Lord Of The Rings I then found out that Wales was full of stories about wizards, heroes and magical creatures.
What keeps me fascinated is the feeling that comes when walking on the coast, or on a high hill, that the strange, magical things are still so close.
St Fagan’s National Museum of History is a central part of this magical story, did you visit when writing the book?
I’ve visited St Fagan’s many times, and it was on one particular visit that the story of the Bwbach came to me.
In one of the cottages I got talking to an attendant who said he had lived in North Wales, and he told me that when he was young boy in school one of his teachers had lived in the actual cottage we were standing in.
I can’t remember now whether he mentioned a Bwbach living in the house also, or did the Bwbach whisper it to me later?
Is there a particular house at the Museum on which the Bwbach’s home is based?
The cottage where I met the attendant was Llainfadyn cottage, so that cottage became the Bwbach’s house.
You clearly enjoy the landscape and wilderness of Wales, which is your favourite area and why?
I do have a particular attachment to Pembrokeshire, as it’s where I grew up and where I started feeling the magic that was in the countryside.
In Pembrokeshire there are standing stones, cromlechs, castles and ancient forests. There are stories everywhere of miraculous saints, dragons, knights on quests, and Fairy Folk. The land is so magical that thousands of years ago they dragged large Pembrokeshire stones hundreds of miles across Britain to build Stonehenge.
Do you find it easy to see the magical and the mythical in the everyday world? Do you think that the presence of televisions, computers and phones have meant that we have actually lost a bit of magic in life?
I think I do find it easy to see the magical and mystical in the everyday world. It just takes a little bit of imagination.
That’s why I wouldn’t blame modern technology for taking the magic away. The problem comes when we get lazy and allow the gadgets to do all the imagining for us.
Use the technology, but also go for a walk, look at the faces in tree trunks and stones, and read books that allow you to feel the magic.
Do you have a Bwbach living in your house?
Yes, I do have a Bwbach living in the house. He puts stories and magical pictures in my head and lets me think I came up with them myself.
I wish he’d do the dishes sometimes, but he doesn’t, so I think he might be a bit lazy.
Thank you to Graham Howells for answering these questions and for sharing some of his early sketches of The Lonely Bwbach. Thanks also to Gomer for organising the q and a.
The Lonely Bwbach is available now on-line and in bookshops across Wales for £5.99.
Mae fersiwn Cymraeg, Y Bwbach Bach Unig, hefyd ar gael ar-lein ac mewn siopau llyfrau ar draws Cymru am £5.99.
In this post, we take a look at our pick of essential Christmas books, all by authors of Wales.
The Newborn Child (Otter-Barry Books) tells the story of a child born to change the world. A special child; a baby born of a first-time mother. Jackie Morris’ detailed, thoughtful and glorious artwork accompanies her own tender poetry. The focus on the innocence and fragility of a newborn and the pure love and adoration of a mother, make this a book for life, not just for Christmas.
The Dog That Saved Christmas (Barrington Stoke) is Nicola Davies’ newly published book telling the story of someone who dislikes the festive season. There are plenty who feel uncomfortable, anxious or lonely at Christmas and this dyslexia-friendly tale shines a light and will help to develop empathy amongst its readers. Brilliantly illustrated by Mike Byrne, the titular dog comes to the rescue, making Christmas a more bearable, even loving time. (See our full reviews of this book).
There are more dogs in Sam Hay and Loretta Schauer’s A Very Corgi Christmas picture book (Simon & Schuster). And what gorgeous corgis they are! Belle keeps getting under everyone’s feet at Buckingham Palace so she sneaks out to explore the bright lights of the city. She’s given a fabulous guided tour by Pip, experiencing the various highs of London life. A simply wonderful story with irresistible illustrations make this an absolute delight (with a super cute ending).
A Child’s Christmas in Wales is one of the best read-alouds ever – Daddy Worm loves channelling Richard Burton and getting his tongue around the sing-song phrases and Thomasisms. Full of humour, dry and profound as the narrator reminisces on Christmases past, this classic short vignette is evergreen. Our own version (Puffin Books) contains the evocative illustrations of Edward Ardizzone which we cannot do without.
Santa’s Greatest Gift (Gwasg Gomer), was nominated for this year’s Tir na-nOg Award and is an excellent picture book about Gwydion who ends up helping Santa to deliver presents. However, Santa has forgotten Gwydion’s present so has to think on the spot! This is a real favourite in our house particularly due to the beautiful illustrations of Valériane Leblond. Tudur Dylan Jones rhyming verse is engaging and fast moving.
The Christmas Extravaganza Hotel (Little Tiger) is a new offering from Tracey Corderoy and Tony Neal. It’s a big, bold and bright picture book with real heart. Frog arrives at Bear’s house thinking he’s in for the time of his life at the amazing Christmas Extravaganza Hotel – but he’s not the best map reader and has taken more than a few wrong turns. Bear, being a kind and compassionate soul, doesn’t want Frog to be disappointed at Christmas time so tries to equal the promises of the glossy brochure. Here’s a book that shows there is awe and wonder in simple pleasures and that spending time together can bring fulfilment and joy.
The Clockwork Crow (Firefly Press) is destined to win yet more awards for Catherine Fisher and is a highly satisfying read by an extremely talented writer. A victorian Christmas in Wales promises to be everything Seren dreamed of, but there’s more to Plas-y-Fran than meets the eye. The Mid-Wales manor house has a gateway to the underworld which Seren must explore (with the flying, talking Clockwork Crow) if she is to solve the mystery of the missing Tomos. Enchanting, riveting, accomplished and highly enjoyable middle grade fiction.