An overview of bookish news and stories relevant to the Children’s Book Community in Wales
Award Winning Invertebrates
Invertebrates are Cool by Nicola Davies and Abbie Cameron (published by Graffeg) has won the English 4-11 Picture Book Award for non-fiction age 4-7.
The 4-11 Picture Book Awards are presented by the English Association to the best children’s picture books of the year. The winning books are chosen by the English Association and the United Kingdom Literary Association, from a shortlist selected by a panel of teachers and Primary specialists.
“A stunning book that encourages interest in the natural world and inspires children to explore their surroundings.” More details here. The book has also been shortlisted for the School Library Association’s Information Book Award.
Graffeg Announces Middle Grade from Wales Imprint
Graffeg recently announced plans for a new imprint focusing on Middle Grade books in English with uniquely Welsh content. The Cardiff-based publisher confirmed they are looking to identify high quality literary texts (both fiction and creative non-fiction) either set in Wales or involving characters from Wales, and which are preferably written by authors with strong connections to Wales.
‘Middle Grade is one of the most crowded areas of publishing’, commented Graffeg’s Publishing Director, Matthew Howard, ‘and there are already some tremendous books out there for readers in the 7-12 age group. But what we’d like to do is establish Wales as the true home of good writing and great storytelling, a place that children can see every day in the very best books they read.’
Graffeg aims to consider around 12 titles per year for publication and will begin the process of identifying suitable texts from May 2023, with the first publications planned for Spring 2024.
Firefly to Publish Exciting New Fiction from Wales
Three titles in a new series of contemporary fiction for children is forthcoming from Firefly Press. The titles include new stories set in Wales from Patience Agbabi, Zillah Bethell and Emma-Jane Smith-Barton. The books will publish from autumn 2024 onwards, and it is hoped that there will be at least another three in the series.
‘We felt there was a lack of children’s and YA stories that reflect what it is like to live in or grow up in Wales in recent times,’ said Thomas. ‘When we approached established authors about this, we were thrilled with the hugely positive reaction from writers who may never have been asked to write about this part of their experience before! We are also looking at publishing them simultaneously in Welsh, to ensure as wide a reach as possible. All this has been made possible by New Audiences Fund from Creative Wales and the Books Council of Wales, and we can’t wait to read the results!
Patience Agbabi said, ‘I’m delighted to be working on a young adult novel with Firefly. I first got into literature and popular culture at school in north Wales so I can’t wait to recreate that setting through my fictional protagonists.’
Emma-Jane Smith-Barton will be writing an illustrated story for 7-9 year olds. ‘As a Welsh-Pakistani woman I would have loved a book like this when I was growing up, to help me navigate the difficulties (and discover the beauty) of belonging to more than one culture, and I hope it will help children in a similar position to feel seen and less alone in that challenge.’
The first title will be by Zillah Bethell and centres on 17 year old Apricot Jones from Port Talbot. Zillah describes it as ‘a darkly comic tale of what it means to be alive’. Full story here.
Wales Book of the Year Shortlist Announced
Literature Wales recently revealed the books reaching the Wales Book of the Year 2023 shortlist.
The Wales Book of the Year Award is an annual prize celebrating outstanding literary talent from Wales across many genres and in both English and Welsh. There are four categories in each language – Poetry, Fiction, Creative Non-fiction, and Children & Young People, with one of the four category winners announced as the Overall Winner, and claiming the title Wales Book of the Year 2023.
The titles shortlisted in the Children & Young People category are:
The Mab, edited by Matt Brown and Eloise Williams, published by Unbound
The Last Firefox, written by Lee Newbery, illustrated by Laura Catalan, published by Puffin
When The War Came Home, written by Lesley Parr, published by Bloomsbury
There is one award decided by public vote – The People’s Choice Award 2023. You can place your vote here.
New Books Published in May
Grandads are the Greatest by Ben Faulks is illustrated by Swansea’s Nia Tudor and published by Bloomsbury. A joyous celebration of wonderful grandads and the love they have for their grandchildren – this is the perfect gift from grandparent to young grandchild.
Miracles, is the debut volume of poetry for children from Children’s Laureate Wales, Connor Allen. Published by Lucent Dreaming and illustrated by Amy Moody.
Cathy Fisher is the illustrator of the visually stunning collaboration with Nicola Davies, The New Girl. A tender and emotive artist, this is the third such collaboration published by Graffeg, following on from The Pond and Perfect.
Cathy has also illustrated Nicola’s Country Tales series, bringing their total output to 8 books, with more to come.
The New Girl addresses bullying, acceptance and inclusion through a simple yet powerful story of a young girl moving schools. The gorgeously sympathetic and thought-provoking compositions add to the narrative; the child who looks different is singled out, but the girl remains faceless and nameless, as do the bullies lurking in the shadows.
An act of kindness crosses a cultural divide, causes intrigue and invokes fascination and interest – the children watch and listen. Then kindness is given a face and a name. The beauty unfurls as the pages are turned – Cathy turns shadows to light, colours brighten and hard edges soften as Kiku warms cold hearts and opens closed minds; the transformation is evident through the change in palette and tones. The New Girl is a truly stunning picturebook.
You can see images from the book and hear Nicola Davies read an extract in this film made by publisher Graffeg.
We are thrilled to welcome Cathy Fisher to the bookworms’ blog today and have the opportunity to celebrate this superb book.
Hello Cathy, What are you reading at the moment?
I’ve just read When The Whales Leave, by Yuri Rytkheu,
(translated by Ilona Yazhbin,) published by Milkweed Editions – and I am half
way through This is Happiness, by Niall Williams, published by
Can you tell us a bit about how you started in illustration?
I trained in fashion and textile design (a very long time
ago) and soon after was lucky to be teaching foundation art and design, a
course to prepare students for an art degree. During this time I got my first
commission to illustrate a series of book covers for stories for teens.
I left the UK to teach in an art school in the Seychelles and 4 years later moved to Australia, where I became a busy mum, while working as an artist. It wasn’t until my kids were older and we had moved back to the UK that I started illustrating again. I worked for a graphics company, illustrating small pictures for school books and educational resources.
I have always drawn and painted, but I have never been much
good at selling my work. One day though, about 6 years ago, I met the lovely
Nicola Davies. She had seen one of my pictures on my friend’s wall and had
asked my friend for my details. The first time I met her I knew I had a
lifelong friend and collaborator… she is amazing! Nicola introduced me to
Graffeg Publishing and a year later Perfect was published – my first
proper children’s picture book! Then the next year The Pond followed and
so we continue to work together!
How do you describe your illustration process?
First I read the story over and over again and do a lot of
thinking and research. I spend as much time thinking about the pictures as I do
painting them. I try to imagine I am each of the characters, including the
wildlife, and how that feels.
I draw lots of sketches, work out the page spreads in a
roughly drawn storyboard, think about the space for the words and space for
thought. I then send roughs to publishers.
For the final illustrations I prefer large sheets of
heavyweight watercolour paper. I draw and paint with pencil, charcoal,
watercolour paints, inks and crayons. I paint in layers of tone and colour with
the different media, and sometimes make quite a mess. It is not always easy and
I often have to struggle through a pain barrier, but, if I’m lucky, a picture
will eventually start to sing. I sometimes find it difficult to know when to
You’ve had a very successful picturebook partnership with the amazing Nicola Davies – what’s it like working with her?
It is always brilliant working with Nicola. She is a genius!
She is a scientist as well as writer and artist. She knows so much! Her writing
is so skilled. She can say so much, with so few words, with such perception and
imagination. When thinking about pictures we are often on the same wave length,
which makes working with her very easy as she trusts my illustrative response
to her writing. She is a brilliant artist herself so won’t always need me, but
I hope we will continue to collaborate together for a long time. We are
currently very close to each other in Pembrokeshire, so I am very lucky to be
able to see her frequently.
How did the latest book, The New Girl, come to fruition?
Nicola read me the story of The New Girl and asked if
I’d like to illustrate it – of course I did! I was in Australia when I received
the contract from Graffeg, so I starting thinking about the story then. I came
to Pembrokeshire early this year and was staying with Jackie Morris when UK
first went into lock-down. Jackie was wonderful and very kindly gave me the
space and time to work in her home, while I worked on the New Girl every day. I
would talk to Nicola and send her photos from my phone of the pictures as I did
them. I finished the illustrations just as the first lockdown ended.
The book deals with unkindness and ostracisation at school. You become aware of this through the empathy-filled illustrations as well as the text. What techniques do you use to portray these strong emotions?
I purposely gave each double-page spread a lot of space,
exaggerating the school walls and stairs, to illustrate the isolation Kiku, the
new girl, might feel coming from another country to a strange new school. I
thought about her posture and body language. I conveyed the unkindness of the
other children with long shadows. I purposely kept the colours in the early
spreads fairly minimal, then slowly added more colour and detail, as the new
girl began to warm the hearts of the other children. I also used symbols, like
the broken vase, which on the last page has been put back together again, (in
Japanese it is called Kintsugi,) as a metaphor that something broken can be
mended and made beautiful.
Growing up with 8 brothers and sisters you must have some good tips for dealing with conflict?
I was in the middle of my siblings, as the fourth child of
nine, and learnt I could make myself almost invisible. This was sometimes a
very useful trick, as it kept me out of trouble. But now, being invisible is no
longer helpful to me, so perhaps it is not a good tip! I grew up in a fairly
chaotic, noisy environment – but we lived by fields and woods and ran wild
amongst nature. Although it could be difficult at home sometimes, there was escape
and freedom in our surroundings and always a place outside to find peace. It is
where I found my love of nature, which has always helped me when I feel
Previous picture-books The Pond and Perfect have also dealt with serious and important issues; the death of a parent and sibling disability. What is the place of picturebooks in tackling such themes?
I am quite old now with quite a lot of experience. The most
important thing we adults can do is to truly celebrate our children. To gently
nurture them with love and kindness and share a joy for life and the natural
world, teaching them all beings are equal and need looking after.
But we also have a duty to help them understand that life is
not always fun and easy. I do not believe we are protecting our children by
shielding them from the truth of serious and important issues – we need to be
honest. Reading stories, sharing with them a love of words and pictures, and
giving children the time to read, listen and talk, is one of the best gifts we
can give our children. Picture books are incredibly important as they can teach
empathy at an early age and help children understand difficult emotions. A good
picture book can help children feel something that isn’t easy to say in words.
Talking about death, grief, differences in each other, things we might feel bad
about, painful emotions, is very important and needs to be approached with
kindness and sensitivity… this is where good stories and pictures help.
There are a lot of hands in the book which are notoriously difficult to draw. Any tips?
I love children’s drawings. I love watching them draw. Hands
are so expressive, that is why I drew a lot of them! I wanted to express joy,
in the shape of a flower, with all the children’s hands in Kiku’s class. There
are stories in the hands!
The only tip I can give is not to be scared of drawing!.. and
do not care what other people think about your drawing! If I am finding
something difficult to draw I try to forget the object or subject I am drawing
and think of it more abstractly, looking at the negative shapes around it and
thinking of it as patterns and tones and colours. If you like drawing keep
drawing! I believe everyone can draw, they just think they can’t. Drawing
doesn’t always have to look like something, it can be patterns or about
Handwriting is drawing. We all learn to write and each
person’s handwriting is unique. The only difference between drawing and
handwriting is you are taking handwriting on an adventure…into other shapes and
places, all over the paper and sometimes filling it with colour…. Joy!
You’ve also worked with Nicola on the Country Tales series. Which has been your favourite to illustrate?
Hmm. That’s a hard question. I enjoyed doing all the covers. I illustrated the series while I was in Australia. There is still one more book to do. I think my favourite to illustrate was probably Pretend Cows. The cover is my friend’s daughter and she’s in a gum tree, not an apple tree… but don’t tell anyone!
You normally spend your time between Australia and the UK, but we understand you’ve been locked down in Pembrokeshire. Has this been a blessing or a curse?
I really appreciate that lockdown is an extremely difficult
time for so many people. But I count myself as one of the very lucky ones. I am
lucky to be in a beautiful place in Pembrokeshire, which is such a blessing. I
have since become a bit of a hermit and am very happy to be working in the
studio all day long and not go anywhere, except for walks. The sad thing for me
is that the pandemic has separated me from my husband, he’s on the other side
of the world in Western Australia, so we haven’t seen each other since February
but we do talk every day and will eventually be reunited! The happy thing is I
see Jackie Morris every day and Nicola Davies quite a lot.
Could you recommend any favourite picturebooks?
Oh my goodness, that is such a difficult question! There are
so many beautiful picture books. If I start listing them I am bound to miss a
favourite out! This year alone has produced some beautiful books. When I’m
painting pictures and start to feel stuck, I often look at John Burningham’s
books or Brian Wildsmith’s pictures. I love the whimsy, freedom and textures in
But my recent favourites, in no particular order are:
Dog, Shaun Tan
The Promise, Nicola Davies and Laura Carling
I Talk Like a River, Jordon Scott and Sydney Smith
The House by The Lake, Thomas Harding and Britta Teckentrp
Lost Spells, Jackie Morris and Robert Macfarlane (all of her books and collaborations with other illustrators)
Mrs Noah’s Garden, Jackie Morris and James Mayhew
Last, Nicola Davies, (all of her books and collaborations with other illustrators!)
The Best Place in the World, by Petr Horacek (all of his books)
The Girl Who became Tree, by Joseph Coelho and Kate Milner
Images from your Twitter account show pandas and cockatoos – are these clues to future books?
They are! The panda pictures are for a story called The Panda Child,
which Jackie Morris has written. It is very beautiful timeless story, but it is
a bit daunting to illustrate a book with Jackie
as she has such an amazing reputation as an author and illustrator, she
is an absolutely brilliant artist. I am very fortunate to be collaborating with
her. Her agent is currently finding the right publisher for the book.
The same goes for the pictures with a sulphur-crested cockatoo, (my best friends in Australia.) These are early illustrations for a picture book written by Nicola Davies, called Mr Horstman’s Parrot. Nicola has left a lot of space in the story for me to elaborate visually which I’m looking forward to doing. It is another of her beautiful, powerful stories.
Anything else to declare?
Hmmm?… Occasionally I have times of great doubt, and I wonder why the work of making pictures feels so important to me? Unless you are very famous, an illustrator doesn’t earn very much money. But, when I push passed my doubt and insecurity, I always come back to remembering the influence that picture books had on me in my young life. How they were a place to escape, made me feel so much part of the picture, and how much they taught me. So I feel such joy when I hear a parent, teacher or child say that a book with my pictures has opened up conversation they have never had before, or have made them feel emotions that open a new door, or simply that they just love the pictures.
The only other thing to declare is that I intend to keep
Thank you so very much to Cathy for taking the time to answer our questions with such care and attention. The New Girl is published by Graffeg and is available from your local independent bookshop.
Follow Cathy on Twitter to see beautiful examples of her work (and sneak previews of future books).
“Ceri is a cat, and Deri is a dog. Ceri has stripes and Deri has spots. They live in a small town near a big hill and they do everything together. They are best friends.”
So begins each of the four Ceri and Deri books by Max Low – an opening reminiscent of the comforting familiarity of Lauren Child’s Charlie and Lola series. Across the four books, Max, a graduate of Hereford School of Art, ensures that friendship and fun is at the heart of the duo’s adventures. The latest two titles have just been published by Graffeg and they are beautifully produced.
There is an immediacy and vibrancy to Max’s illustrations that radiates so much joy and youthful energy I want to hang the pages on every wall in the house. It’s fresh and fun and I love the way Max plays with shape and line and limits his palette to shades of the same colours. He makes some bold choices too – a favourite page has to be the illustration of the sea in The Treasure Map.
The stories have an educational edge too – not that these are text books, but reading these books with young children will support their understanding of directions (Treasure Map), time (No Time for Clocks), counting, sharing and design. The emphasis, though, is most definitely on fun.
In The Treasure Map, the two friends follow directions in search of pirate treasure, helped along the way by their companions. In Build a Birdhouse, we see Max at his imaginative and creative best as Ceri and Deri design a perfect (read: wacky and wonderfully weird) house for a homeless bird. It’s in this book that Max hits on a universal truth: “No one actually uses dining rooms do they? So let’s fill it full of balloons!”
Playful, engaging and full of humour, the Ceri and Deri books are fabulous picture books made for sharing. Max Low is an extremely talented illustrator and we can’t wait to see what comes next – which is another book, ‘My Friends’ due to be published by Otter Barry in July!
Helping Hedgehog Home is the ninth book in this wonderful series of tales about the felted creatures undertaking simple acts of kindness. In this installment, Hedgehog is locked out of her home when a fence is erected. In an attempt to make a return, she builds a hot-air balloon to sail over the garden obstacle. Unfortunately, she crash lands into Grandpa Burdock’s domain who then tries to ‘help her home’.
All of Celestine’s books overflow with kindness, but this one is extra special. I think it has something to do with the character of Grandpa Burdock – he is keen, talkative, enthusiastic and ever so lovable. Hedgehog is fed (freshly baked bramble biscuits and a cup of tea!) and taken care of while Grandpa thinks of ways to overcome the fence. Karin Celestine has a wicked sense of fun and mischief – seen in the inventive drawings of Grandpa’s suggestions. Hedgehog is naturally concerned when she hears of the ‘hedgehogapult’. Thankfully, Granny Burdock returns at the right moment with a far more sensible solution for returning Hedgehog to her home.
Helping Hedgehog Home made us giggle; it made us fall in love with Grandpa Burdock; it encourages us to show warmth and kindness to neighbours; it tells us of the importance of taking time to sit and stare; and, thanks to the informative pages at the back, taught us some groovy facts about hedgehogs.
Helping Hedgehog Home was enjoyed by the whole family and we were delighted to meet Karin at a workshop as part of the Cardiff Kids Literature Festival a few weeks ago. She kindly gave us some time to ask her some questions. We began by asking about the name ‘Celestine and the Hare’:
“Celestine was my great grandmother – I come from a line of strong Swedish women – Karin is my mother and her mother was also Karin, and her mother was Celestine. I have a bust of Celestine in my studio, which I inherited from my mum, and she’s always looked over me as a matriarch – reminding me of the line of strong, adventurous and very creative women. I was looking for a name for my business so Celestine appealed and I also like hares – they are magical and I particularly love the mythology associated with women shape-shifting into hares. I’d also made a hare which sits next to Celestine and it was as simple as that – Celestine and the hare.”
Karin also uses a pen name (we’re not quite sure what her real name is!), which came about by mistake. She explains, “I had been dithering over what to call myself and I went to an event where they had mistakenly made a name badge for me saying ‘Karin Celestine’ and I thought ‘That’s quite nice!’
The Karin Celestine books came about after Karin had been making the felt animals and selling them, but as she was making the characters she gave them backstories and invented silly narratives. “I did a calendar and cards for Graffeg and they asked if I had considered writing a story. I was also encouraged by Jackie (Morris) to have a go. It was strange because I had never been encouraged in school to write – in fact I was told I couldn’t write and was the worst at crafts! So I wrote ‘Paper Boat for Panda’ and cried as I submitted it.”
Whilst the felted creatures get up to all sorts of hijinks and tomfoolery (especially in the films and photos Karin shares on social media), the books turned out with added empathy, “I have a huge thing about kindness – it is so important; kindness and mischief – that’s my strapline and the books turned out gentler. And because I’d been a teacher there are messages – I’ve slipped things in that I know children need to hear.”
Nine books on, and Karin brings us her new story about Hedgehog. She told us, “There is more humour in this one, but still with an ecological message.”
“A lot of the environmental issues in the news can be too big and too frightening for young children – as a child you can feel completely helpless to do anything about it. I remember the ‘Save the Tiger’ campaign from when I was younger, and short of buying a membership to the World Wildlife Fund there was nothing I could do – and for me, that’s not very positive. I want everybody to feel they are able to do something to help.”
In the back of all of Karin’s books there are some craft activities, many with an ecological theme – building bug houses, weaving, making suncatchers. “We should all be back garden eco warriors – the activities are something that any child can do and feel good about. They then grow up thinking they can make a difference.”
Making a difference is exactly what Karin’s books inspire through the actions of Grandpa, Grandma, Bert, Bertram, Emily, Small, Panda, King Norty, Baby Weasus and all the tribe. Kindness and mischief and making a difference.
To buy copies of Karin’s books with personalised dedications, visit her website where you can find lots of other information and activities. Huge thanks to Karin for giving her time so generously and thank you to Graffeg for the copy of Helping Hedgehog Home, given in return for an honest review.
For more Weasel Wednesday and Choklit stealing, follow Karin on Twitter or Facebook.