The Song That Sings Us is an exhilarating new novel from Nicola Davies to be published in October by Firefly Press. We feel hugely privileged to be asked to reveal the cover which features stunning artwork by Jackie Morris.
The Song That Sings Us is the story of twins Ash and Xeno, and their older sister Harlon, who has been raised to protect her younger siblings because they have siardw: a power to communicate with animals that is outlawed by the state. But when the ruling sinister Automators attack their mountain home, they are forced to flee for their lives. It is an immediately gripping edge-of-the-seat first chapter, which sees the siblings escape on snowboards down a dangerous gully.
The thrilling and dangerous adventure continues as each must journey alone through the ice fields, forests and oceans of Rumyc to try to rescue the others and fulfil a mysterious promise about a lost island made to their mother.
Nicola told us: “The Song that Sings Us is rooted in all that I really know about animals; their ability to think, to feel and to communicate. But it is not set in the real world; it is a fantasy adventure with chases and escapes, fights and mysteries, death and miraculous life. It contains magic, but that part of the story is real – the real magic of nature with which every human has deep need to connect.
“I hope that, in travelling to this fantasy world, readers will see the truth of ours.”
The book has a touching dedication to Jackie Morris, Cathy Fisher and Molly Howell, and whilst Jackie Morris and Nicola Davies have been friends for years, this is the first time they have worked together. As well as the cover illustration, Jackie has created beautiful artwork for the chapter headings.
Jackie Morris said, “When you love a book so much it is the hardest thing to work on the cover. I try to give everything to every piece of work I do, but in this case there was the long friendship I have with Nicola Davies, a person I both love and admire, AND the fact that the story is amazing.
“Trying to do the words justice is always the problem. For this cover I worked on clapboard, a medium new to me, but one that made the colours of the starling really sing. They are such beautiful birds. And it was so important that the image sings, in every way possible. Finding the image for the book, that’s another problem, but somehow that little starling, so full of its own power, she is what sang out from the text.
“I heard this book first. Nicola and I often would call each other when we’d done the first drafts of a work, and read to each other. Restrictions had eased and Nicola, Cathy Fisher and I were a bubble, and Nicola would come around every week with the next ‘instalment’. How utterly amazing. It made images dance in my mind’s eye. It was an honour and a privilege to work on this cover. For now it’s the best it can be, and my hope is it’s the beginning of a series. I cannot wait for the next one.”
Special proof copies of The Song That Sings Us are landing on doormats this week. A limited edition deluxe gift hardback, is available to pre-order now and will be published on 14th October 2021. Visit the Firefly Press website to place your order.
Follow Nicola and Jackie and Firefly on Twitter for more updates. You can listen to Nicola read the first chapter of The Song That Sings Us below.
Golden Flowers for Little Dragon is the latest book by Dr Ffion Jones, a Swansea-based author whose books deal with challenging and difficult topics. The illustrations are by Gareth Jones. This book fills a need for child-friendly literature to support the thousands of families that are forced to deal with the devastating news that their child has a life-limiting disease.
Ffion’s previous books have dealt with bullying, inclusivity, social issues and the Nurse Ted series which is used to explain serious illnesses, such as cancer, to children.
Ffion told us, “Families supported by charities such as ‘Together for Short Lives’ said that their children had very few books with which they could identify. As one parent said, books can help you realise that your feelings after a bereavement are normal and that things can get better.
“Golden Flowers for Little Dragon focuses on the siblings’ feelings and looks at how they cope at different stages of bereavement. My hope is that children reading the book will identify with the characters, and that caregivers can use the book as a gentle way to open a dialogue about loss and grief.”
We are delighted to be asked to reveal the cover, and so without further ado, here is Gareth Jones’ artwork:
Golden Flowers for Little Dragon follows a dragon family’s journey through loss and grief following the death of the youngest sibling, Little Dragon. Covering life before Little Dragon dies, his death, and then the period of time after his death, the book supports children preparing for or coping with the death of a sibling, including those with rare or undiagnosed conditions. By focusing on how Little Dragon’s brother and sister, Tan and Dewi, are affected by his illness and death, the book normalises confusing emotions such as anger, guilt and sadness that may seem overwhelming to a child faced with these circumstances. The book also includes an information section, written by a paediatric palliative care nurse, incorporating questions for children to work through with adults.
Illustrator Gareth Jones, said, “It’s been a privilege to work with Ffion on Golden Flowers for Little Dragon. I felt it was important that the characters in the book were believable, expressive and reflected the story accurately. Living in Swansea it seemed fitting to champion Wales’ unique and magical landscapes such as Three Cliffs and Paviland Cave that are fit for dragons to roam.”
The book has already received high praise from professionals and healthcare organisations.
This beautifully written story gently explores the most difficult of topics; the death of a sibling. I look forward to recommending to families in the future and only wish it had been around for many families in the past.
Dr Jo Griffiths, Consultant in Paediatric Palliative Medicine
A key strength of the story is the overriding message that everyone responds to the loss of a loved one differently, but that all emotions are equally valid.
Ffion Jones is a children’s author and illustrator, focusing on books that deal with challenging subjects. She has a PhD in English Literature from the University of Wales, Bangor. She writes and illustrates the Nurse Ted series (www.nurseted.com), which is used worldwide to help parents explain serious illness such as cancer to children. More recently, she founded a social enterprise called Fly Me Stories (www.flymestories.com) which sends personalised stories to seriously unwell children all around the UK. Her other books include Emily is Being Bullied: What Can She Do? co-authored with Professor Helen Cowie and Dr Harriet Tenenbaum (Jessica Kingsley Publisher, 2018), A School for Everyone: Stories & Lesson Plans to Teach Inclusivity & Social Issues (Jones, Cowie, Tenenbaum, Jessica Kingsley Publisher, September 2021) and To the Moon and Back (Ventorros Press, November 2021). Ffion lives in Swansea.
We are absolutely delighted to be able to reveal the cover to the 3rd installment of Grace-Ella’s adventures, written by Sharon Marie-Jones with illustrations by Adriana J Puglisi.
Grace-Ella: Pixie Pandemonium promises yet more fun, adventure and magic with everyone’s favourite young spell-maker and her cat, Mr Whiskins. Publishing with Firefly Press in June 2021, Pixie Pandemonium continues the school-based series, promising naughty pixies and an environmental theme.
So here’s what you’ve been waiting for…
The cover is designed by Claire Brisley with illustration by Adriana J Puglisi. We love how the three covers in the series compliment each other so well…
Here is a summary of Pixie Pandemonium:
When Buddy the pixie smuggles himself into her backpack after Witch Camp, Grace-Ella lets him stay, even though Mr Whiskins tells her pixies are trouble. She takes him to school – but he soon escapes and causes all kinds of mischief.
It’s all fun, until searching for Buddy, Grace-Ella sees someone stealing the school’s charity fund. Will anyone believe her? With her best friends, a naughty pixie and of course Mr Whiskins by her side, can Grace-Ella save the School Fair?
We have a huge Grace-Ella fan here at Bookworms Wales HQ and she cannot wait to read this new installment. Grace-Ella: Spells for Beginners is “super-amazing and very imaginative“, whilst Witch Camp is “an awesome read!” Looking forward to adding a third picture and review here very soon…
Grace-Ella: Pixie Pandemonium is published on 17 June 2021 by Firefly Press. You can pre-order at the Firefly website (or buy the first two books at January sale prices) and follow Sharon on Twitter for more updates.
Huge thanks to Meg, Janet and Simone at Firefly for inviting us to do the reveal. They’ve got big things planned for this year, so keep an eye out on their social media channels too.
The sequel to The Secret Dragon by Ed Clarke is released in April.
When The Secret Dragon was launched last year, it garnered a lot of praise for its joyous and enchanting story of keen fossil hunter and aspiring scientist, Mari Jones. We called it a “great adventure full of humour and heart”. We loved the setting of the heritage coast, making it eligible for this year’s Tir na n-Og Award shortlist, to be announced in the next few weeks.
Imagine our delight then to be tasked with the cover reveal for Summer of the Dragons, the follow-up coming to all good bookshops on 16 April 2020. And this is really special because it is, once again, illustrated by Ben Mantle. Ben is quickly gathering a reputation for some amazing MG and older fiction covers – see recent examples for stories by Jenny McLachlan, Fleur Hitchcock, Piers Torday and Carlie Sorosiak.
Ben Mantle comes up trumps again with this stunning sunshine design:
“I just love Ben’s artwork and feel so lucky to have him as the cover illustrator,” Ed told us. “On Summer of the Dragons he really captures that seaside holiday feeling too. Who wouldn’t want to have a summer holiday on the Welsh coast? Especially when there’s tiny dragons around…”
Ben was born in Leamington Spa in 1980, and developed a very early interest in things artistic. He studied animation at Surrey Institute of Art & Design, then gained valuable experience working on Tim Burton’s “Corpse Bride” before moving to Brighton to work as Head of Animation in a media company.
He was part of the animation team creating the BAFTA winning ‘Big and Small’ CBeebies website and since 2008, has been working as a children’s book illustrator from his shared studio in Brighton. His picture book collaborations with Lucy Rowland, amongst many others, are well-loved and we look forward to the rest of 2020 when he will illustrate the follow up to The Land of Roar and publish a new picture book with Catherine Emmett, entitled King of the Swamp.
Set against the stunning seaside backdrop of the Welsh coast, Summer of the Dragons picks up the story of budding scientist Mari Jones and her pocket-sized dragon Gweeb. A year after she discovered Gweeb on the beach, life is getting back to normal for them both, when two unexpected events turn it upside down again. First comes the news that Mari’s mum Rhian is expecting a baby, meaning that her boyfriend Gareth and Mari’s best friend Dylan will be moving in with them on the farm. Even more incredibly, Gweeb’s family have returned to lay their eggs in the same cave where Mari first found her secret dragon.
With tourists flocking to the beach for the summer, Mari has her work cut out to keep the dragons hidden and safe, especially when disgraced scientist Dr Griff Griffiths turns up on the hunt for a story. And when Griff manages to find and steal Gweeb’s precious egg, Mari must stage a daring rescue mission before it’s too late . . .
Gweeb’s snout emerged once more from Mari’s hoodie, took a sniff of the sea air and nosed out into the open. A second later, the little dragon had sprung forth and rocketed off into the distance. Gweeb loved the beach almost as much as Mari did. With its slatted layers of rolling, undulating rock, it provided the perfect terrain for exhilarating , low-flying aerobatics, and the dark caves cut into the cliffs provided the perfect hiding places, should anyone appear unexpectedly.
When Ed Clarke isn’t writing for kids, he is a film and television executive and producer, working with writers to make drama for grown ups. He lives in North London with his wife and two young daughters, who would both desperately like a pet. He realises they may be disappointed now if they get a rabbit rather than a dragon.
Thank you so much to Puffin for asking us to host this cover reveal. You can find links to pre-order Summer of the Dragons at their website. It is out on 16th April 2020. Please also take the time to follow Ed and Ben and Puffinon Twitter.
A new novel from Elen Caldecott publishing with Andersen Press in July 2020.
The Short Knife is a totally absorbing, powerful story of belonging and identity set in the 5th century as the Saxons invade Britain.
We are lucky to have received a proof copy of the book and it is an absolute triumph – not least in the poetic richness of Elen’s writing, this is a treat for all readers. David Almond calls it a “distinctive and engrossing tale”; Tanya Landman describes it as “grim and gritty but ultimately uplifting – a beautiful tribute to the courage and ingenuity of sisters”; Hilary McKay says it is as “bright and real as the midsummer sunshine”.
We are in total agreement and thought it an awesome achievement. An awesome book deserves an awesome cover – so, with illustration by Miko Maciaszek here it is…
Miko Maciaszek is a graduate of illustration at Sheridan College in Oakville, Canada. He is currently based in Warsaw and has illustrated for The Washington Post, medium and Sports Illustrated. Miko told us, “It was an exciting challenge to capture the essence of this grand adventure. The great art direction from the team and the abundance of beautiful material I was given to work with inspired the illustration.”
The cover perfectly evokes the atmosphere of the novel and the forthright power of Mai. Elen reacted with glee at the cover, “I’ve loved seeing the different roughs. They’ve been bold, full of adventure and the final version is just so blinking gorgeous!” she told us. “Huge thanks to all the team, especially Miko.” You can find out more about Miko’s work on his Instagram, Twitter or visit his website.
Young Mai and her sister, Haf, are suspicious of the Saxon soldiers arriving in their village. Proved rightly so by a brutal attack on their family home, the sisters must seek a new place to belong, encountering betrayal, love, and everything in between in the process. A celebration of difference and finding your own way, when even speaking your mother tongue can be dangerous.
“They crossed the yard, coming closer. I had my back to the hall door. Behind the hall was the storage barn. To my right, the old byre, long since empty of cows, though still standing, built as it was with sweat and good Roman nails reused. I stood alone to guard it all, with only the useless short knife at my waist; it was meant for eating, cutting cheese and bread, no more.“
Dr. Elen Caldecott graduated with an MA in Writing for Young People from Bath Spa University and was highly commended in the PFD Prize for Most Promising Writer for Young People. Before becoming a writer, she was an archaeologist, a nurse, a theatre usher and a museum security guard. Elen’s debut novel, How Kirsty Jenkins Stole the Elephant, was shortlisted for the Waterstone’s Children’s Prize and longlisted for the 2010 Carnegie Award.
Thank you so much to Andersen Press for asking us to host this cover reveal. You can find links to pre-order The Short Knife at their website. Please also take the time to follow Elen and Miko and Andersen Press on Twitter.
We are delighted to reveal the cover to a new novel from Emma Rea to be published by Firefly Press in June 2020.
My Name is River is an exciting new adventure story with evocative locations and a powerful ecological theme.
Emma Rea lives in London. She lived in mid-Wales for many years and considers it home. Her father was a naval officer so she grew up all over the place but was inspired by a holiday to Wales and brought her children up in Powys. Emma has worked as a tractor driver and grain-lorry driver, a magazine editor, a journalist, a trader in Russian newsprint and cardboard and a festival organiser before she started writing.
Her new story takes Dylan, the protagonist from her first book, Top Dog (Gomer), and projects him into an audacious and intrepid adventure in the heart of South America.
Dylan’s mum thinks he’s with his friends on a residential geography trip. His geography teacher thinks he’s at home with flu. In fact, Dylan is 33,000 feet above the ocean on his way to Brazil...
When Dylan overhears his dad say that their farm has been sold to a global pharmaceutical company, he decides he has to make them change their minds. In Brazil, things don’t go at all to plan. Only when Lucia – a street child armed with a puppy and a thesaurus – saves his life, do they start to uncover the shocking truth about what the company is up to, and Dylan’s home problems suddenly seem dangerously far away.
We are completely thrilled to exclusively reveal the cover below. The image has been illustrated and designed by Brittany E Lakin.
Shortlisted for the Templar Illustration Prize, Brittany E. Lakin is an illustrator who draws inspiration from folk tales, and elements of nature. Emma told us,
“I love the excitement and danger Brittany has captured, using perspective and light brilliantly to draw the reader in to the Amazonian rainforest. My writing is accessible but the story has depth, and I think Brittany’s design, with the broad appeal of Dylan and Lucia looking out at the reader, and the rich colours and complexity of the background, reflects both these aspects of My Name is River.”
To mark this very special unveiling, we were given the opportunity to ask Emma a few questions. We started by asking her what she was reading right now.
I’m reading Cornelia Funke’s The Thief Lord to make sure my next book, set in Venice, doesn’t overlap with anything she’s written. And for the enormous pleasure of it.
Where and when do you write? I don’t have to look as though I’m working, so I can write on the sofa with my legs up. This means my arms don’t ache – endless typing at a desk wrecked one of them for a while. The sofa position, punctuated by quick walks round the park, seems to suit both arms and legs. I write all morning and part of the afternoon, but put writing second to my family, friends, jobs, dog etc, who provide me with plenty of welcome distraction.
Who or what inspires you? When I’m in the zone, in the middle of editing a story, everything is inspiration. It’s as if the whole world is reflecting bits of my story back to me. When I’m not in the zone, it’s odd remarks, chance meetings, moments when someone says something surprising. Anecdotes from family history.
What are your favourite books for children? At the moment I prefer reality to fantasy – I find the real world difficult enough to navigate and I lose my footing in imagined worlds. I love Tom Sawyer and Huckleberry Finn, all of Eva Ibbotson’s books for their intricate plotting, but especially Journey to the River Sea, all of Geraldine McCaughrean’s books, The Airman by Eoin Colfer, Aubrey and the Terrible Yoot by Horatio Clare. When I was younger I loved E Nesbitt’s The Wouldbegoods (though I’ve never found anyone else who’s read it) and Five Children and It.
Your new book, My Name is River, features a pharmaceutical company, a Machynlleth farm and a Brazilian street child. What more can you tell us? It features two rivers – a tributary of the Dovey River in Wales and the Amazon River in Brazil. These two rivers are tenuously, mysteriously and indefinably connected by the world’s water cycle. Similarly, Dylan and Tochi, the indigenous boy he meets in the rainforest, are connected, by their love of treehouses and spending their time outdoors, independent of adults. Dylan sees himself in Tochi – though this is not overtly stated. Dylan has an epiphany while gazing out over the Amazon, which changes his world view entirely.
My Name is River has the same character as your previous book, Top Dog. Is this part of a series? At present I don’t have plans to write another Dylan book, but if an idea surfaces I’ll go with it. I love Dylan and felt I’d only got him started in Top Dog. I wanted to explore whether his difficulties, and eventual peace, with Floyd at the end of Top Dog turned into a real friendship in My Name is River. If I wrote another Dylan book, I think I’d want Lucia to be in it too.
In the book, Lucia is “armed with a thesaurus”. Is a thesaurus an important part of your arsenal? In fact it’s not! Much as I love words generally, I prefer to use simple words. In My Name is River, Dylan and Lucia play a ‘word off’ game, in which he wins the battle because he knows slang. But she is open-minded to slang, so she wins the war in the end, as she learns both ends of the spectrum.
Which of your own characters is most like you? Dylan is how I would have liked to be as a child – living with masses of freedom, often outside with a bunch of friends, getting muddy, building bike tracks and treehouses. I moved home every two years because of my dad’s work, so I’m curious about children who live in the same place for their entire childhood. But I admire Lucia’s drive and vision.
Dylan very much takes things into his own hands in the book and is passionate about affecting a change. Does he get this from you? What do you feel strongly about? I feel strongly that there is always a way forwards, and I wanted the book to offer this idea to children. It might not be easy and it might not be exactly the way forwards you expected, but like the river, Dylan doesn’t give up when he comes to an obstacle – he finds a way around, over or under it. I feel strongly that plans can change but that it’s important always to have a plan of some sort.
Can you tell us about your Welsh connections? My grandmother grew up in Mumbles in south Wales and this gave me a fondness for Wales. When our children were about to start primary school we moved near Machynlleth. I loved the community spirit as illustrated by the lantern procession, and the Centre for Alternative Technology nearby and the space and beauty of the whole area.
Can you tell us something about your next book/idea/future plans? I’ve got three other children’s books in mind – two already written to first draft and one just scribbled notes. The one I’m working on is about a boy called Aled from Aberdovey who accidentally goes on an art trip to Venice during the Carnival and becomes embroiled in a family of wicked Venetians, obsessed with their own status. The next one is very different – a historical story about two girls in Portugal in the ‘50s, whose friendship is pulled apart by their families and political developments.
If you weren’t an author what would you do? I’d be a tractor driver. I worked on a farm for two summers as a tractor driver, and loved the physical exhaustion after a day’s work, living in rough clothes and being outside all day (it was an old tractor with no doors and no radio and one idle thought would keep me going for hours). These days I teach creative writing to children and I work as a proofreader – in order to be an author I’ve burnt all my bridges to a proper career, which at times has felt insane. It’s taken me all my life to get here – it’s always been this or nothing.
Thank you so much to Emma for answering our questions, and thank you to Firefly Press for asking us to host this cover reveal. Do click on the hyperlinks to follow them on Twitter.
My Name is River is out on 25 June 2020, and you will be able to pre-order your copy from the Firefly Press website soon. We can’t wait to get our hands on a copy!
A new novel from Zillah Bethell to be published by Usborne in July 2020.
The Shark Caller is Zillah Bethell’s remarkable new book that leaves you completely stunned and totally in awe of the wonderful storytelling.
Inspired by Bethell’s childhood, The Shark Caller is set against the backdrop of the islands of the South Pacific, and their traditional practice of shark-calling. Zillah was born in the shadow of the volcano Mount Lamington in Papua New Guinea. She grew up without shoes, toys or technology, and consequently spent a lot of time swimming and canoeing in the sea. Zillah’s family returned to the UK when she was ten, she went on to study at Oxford University and now lives in South Wales, but vivid memories of Oceania stayed with her.
Such a stunning book deserves a glorious cover and we are absolutely delighted to exclusively reveal the image below. The cover has been illustrated by Saara Katariina Söderlund, and designed by Katharine Millichope.
Saara Katariina Söderlund is a freelance illustrator. She paints with gouache, sometimes mixing coloured pencil or digital tools into the process. Her own paintings often focus on her love of nature – so for a book set in Papua New Guinea, she was a perfect choice. Saara told us, “I absolutely loved working on this cover. The book has such a special mood and I think it really takes you to the island. I truly enjoyed interpreting that feeling for the cover – and painting all the colourful fish of course!” Saara has also recently illustrated The House of One Hundred Clocks by A M Howell.
Zillah says, “Saara Söderlund has given the greatest gift of allowing me to reinhabit the landscape I left when I was ten. Papua New Guinea in all its fierce, mercurial, quixotic beauty. And I am so very grateful to her.”
You can find out more about Saara’s work on her Instagram, @saarainfeathers or visit her website.
“The sea is always there,” I say. “It always has been. It always will be. People are born and people die. All the taim they are being born and dying, and all the taim in between, the sea is moving up and down, up and down. All the taim. It never ever stops. Never in all taim.”
Blue Wing lives with her guardian Siringen, a shark-caller, on the outskirts of her village. She’s desperate to become a shark-caller herself to avenge the death of her parents, who were killed by a notorious shark, Xok. But it’s against tradition for a girl to become one, and Siringen believes Blue Wing still harbours too much anger in her heart.
When two Americans arrive on the island – Professor Atlas Hamelin and his daughter Maple – Blue Wing is charged with looking after the prickly and infuriating Maple. But, slowly, Blue Wing finds that Maple might be the one person who can understand what she’s going through, having recently lost her own mother. And when they discover that Professor Hamelin is secretly searching for an ancient treasure, they find themselves on a journey to the depths of the ocean, where Xok lies waiting…
The Shark Caller is really something! My first impression after reading the book was to sit, jaw dropped in stunned silence. The book touches the heart, and speaks to the soul.
Let me lay my cards on the table. I am a big Zillah Bethell fan. The Extraordinary Colours of Auden Dare, her last book, is one of my absolute favourite novels of all time. I am a sucker for good storytelling, the best of which, for my money comes from Katherine Rundell, Gill Lewis, Kiran Millwood-Hargrave, Catherine Johnson, SF Said and Sophie Anderson. I’d put Zillah in this list. These are authors who have a magical ability to craft their stories. Before you read the review, know that I loved it and want you to love it too.
The story is set in New Ireland, Papua New Guinea where Blue Wing and her guardian Siringen are charged with caring for a visiting professor and his daughter. The girls take an instant dislike to each other, but slowly realise they have things in common and a voyage of both self-discovery and learning the ways of friendship begins.
The landscape is beautifully portrayed and we are given a real sense of the geography of the country. A vista of small towns and mines is painted alongside the mountains, forests and shimmering Pacific seas. The flora and fauna of the island is an integral part of the book, not least the sharks, whales and dolphins that swim alongside Blue Wing and The Shark Caller.
The novel is a technicolour, cinematic delight. There are highly vivid, intense scenes; wide-screen viewing in 4D could not be more impactful. Yet this is the joy of reading and particularly the joy of Zillah’s writing – she somehow makes us feel the expansiveness of the landscapes alongside the intimate thoughts and deep emotions of the characters close-up.
There is a juxtaposition between the traditional island ways and the Westernisation of the culture. The ‘Bigman’ (village chief) is a symbol of this: swigging Coca Cola, disowning his heritage and admonishing those who take the remedies of the village witch doctor. His incompatibility and ineptitude with the old ways is often depicted with humour particularly in the awkwardness with which he wears his ceremonial dress.
Bethell’s narration inhabits the character Blue Wing, bringing life and love to her thoughts, actions and talk. Throughout, there is huge wisdom. I particularly like this:
People are like rocks on the shore. The sea will slam into the rocks day after day after day. Hour after hour after hour. Oltaim. But the rocks still look like rocks, they do not become something else. There might be a few scars and parts of the rock might crumble like dust into the sea.But they are still almost the way they were when they were created by Moroa.
The same is with people. There is nothing that can happen on this world that will stop a person being who they are. We are all born a certain way, and we all die a certain way.
This is an astonishing book. An exceptional story from an incredibly talented writer. Read it open-mouthed in wonder at the storytelling, revel in the wisdom, the sage and salient thoughts of Blue Wing, the remarkable sensitivity and deftness of touch on essential human themes of life, death, love, family and friendship. More than anything, just read it.
Thank you to Usborne, Zillah Bethell and Stevie Hopwood for choosing us to reveal the cover and for gifting a proof copy of the book. Follow Zillah and Usborne on Twitter and seek out Saara Katariina Söderlund on instagram.
Today we have the pleasure of revealing the cover to the fantastic new novel from Ruth Morgan. Published with Firefly Press, Ant Clancy Games Detective promises to be a compelling MG adventure story suitable for ages 8+. This Virtual Reality thriller is a lead title for Firefly this summer and will be published on July 11.
Drum roll please… here’s the cover…
Illustrated by Sernur Işık, the cover features Ant with Pradahl, a VR dragon of his own creation. The cover designer is Izzy Ashford.
Ray-Chay is the new virtual reality game that everyone’s playing, except Ant, who can’t get into it. He prefers his old game, where he’s created his extraordinary dragon Pradahl, even when he’s mocked for his old headset. So when something strange starts happening to the people playing Ray-Chay, Ant is the first person to notice. What’s going on? Can Ant and his friends work out who is playing a deadly game behind the game?
Ruth is an experienced author, writing for radio, television and a wide range of books for children of all ages in English and Welsh. She told us, “Ant Clancy is the perfect summer read if you love gaming and real-life mystery. Sernur’s amazing cover captures the special relationship between Ant and his ace fighting dragon, Pradahl.”
Ruth’s previous book for Firefly, Alien Rain, was a sophisticated, well-crafted, YA thriller, so we’re naturally looking forward to Ruth bringing the action to this new MG story. Watch this space for the first review!
We are absolutely delighted to reveal the cover of Catherine Fisher’s new MG novel, The Clockwork Crow: a magical story of snow and stars. Published by Cardiff-based Firefly Press, and due out in October, this beautifully produced book will make a perfect Christmas gift.
The stunning cover, designed by Anne Glenn, is shown here in its full glory.
Catherine Fisher, author of the bestselling Snow-Walker trilogy, Incarceron and The Obsidian Mirror series, was the first Wales Young People’s Laureate and we were absolutely thrilled when we heard that Catherine and Firefly were working together – such an enchanting partnership. Catherine told us, “I’m very proud and pleased to be publishing a new story with Firefly. One of the best independent children’s publishers in the UK. And Welsh!”
When Seren Rhys is given a newspaper parcel by a stranger late at night in an empty train station, she has no idea what trouble it contains. She is on her way to a new life at the remote house of Plas-y-Fran in Wales, but when she gets there the happy family Christmas she had hoped for turns out to be an illusion. Because their son Tomos has been missing for a year and a day, and if the strange and dangerous Family have really taken him, who would be mad enough to try and get him back?
Armed with a talking bird who might not be telling the truth, a magical snow-globe and her own indomitable courage, Seren sets off on a journey into a midnight world of snow and stars, to an ice palace unlocked only by a Door of Blood and Tears.
We also have an exclusive extract of the book, featuring Seren, the irresistible, headstrong protagonist.
The Clockwork Crow was lying on its side. One of its small bright eyes was looking straight at her. She snatched up the key, pushed it into the hole in the side of the bird and wound it up. The machinery grated, stiff and rusty. It was hard to get the key round more than a few turns. There was a loud whirr and clatter, and quite suddenly the Crow’s head moved. It creaked sideways. Its wings opened. It took one wobbly step.
Then it looked at her with its shiny eye and opened its twisted beak. “Oil” it croaked. “I need oil.”
The Clockwork Crow is a gripping Christmas tale of enchantment and belonging, set in a frost-bound mansion in snowy mid-Wales. It is due for publication on 4 October 2018, and will be available for pre-order on Firefly’s website or from your local independent bookshop.
We’d like to thank Firefly for inviting us to host this cover reveal for a very special and much-anticipated book from a master storyteller.