It’s a totally bonkers feeling that we get to celebrate the publication day of Thimble and the Girl from Mars with you. An honour and a pleasure to be kicking off this blog tour.
We first met Thimble, the anarchic Monkey Superstar, around 4 years ago. The debut was a fresh and funny madcap adventure full of hilarious slapstick episodes. Plenty of toilet humour and unbelievable escapades, with the parents (particularly Douglas, the dad) ending up as the ‘butt’ of the joke. Our children have laughed out loud with Thimble and Jams and have grown up loving this favourite series.
That first book was rightly nominated for the Lollies Laugh Out Loud Award, at which point Jon Blake wrote us a rather wonderful blog introducing Thimble to the nation. Do check it out.
Subsequent books, Holiday Havoc and Wonga Bonkers, continued to thrill new generations of the Bookworms family and even inspired one to commit an outrageous act in a branch of IKEA.
All this brings us to Thimble and the Girl from Mars, the newly published installment featuring an extremely unlikeable girl who wants to claim Thimble as her own. This feisty and intelligent foster child, with fantastic football skills, is a mean match for Jams as she manipulates his family and charms his primate pal. Jams needs to use all his wits to keep Thimble on his side. Just like the rest of the series, this is great fun, fast-paced, light-hearted and ever so slightly unhinged!
Jon Blake has written over 60 books for children (and many more radio scripts and books for adults). He is well used to questions, having regularly carried out school visits. Indeed he answered our Q and A back in 2017. But “What are the best questions that children have asked Jon Blake?” we hear you call through the Internet. Here is some exclusive Blog Tour content:
We are very grateful to Jon for sharing this video with us and look forward to finishing Thimble and the Girl from Mars as our current bedtime read. The book is out now and you can buy signed copies from Jon here.Follow Jon and illustrator Martin on Twitter, and check out Jon’s website because there is plenty to explore!
The Queen on our Corner is a very special picture book written by Lucy Christopher and illustrated by Nia Tudor. Both Lucy and Nia were born in Wales so we are delighted to take part in this book tour (and even without the Welsh connection, we’d jump at the chance to celebrate such a lovely book!).
The Queen in question is a homeless lady who lives on the corner of the street with her pet dog. She is ignored by most, feared by some and often seen as a nuisance. But as Lucy Christopher writes, “She is just tired from all the battles she has fought and won, and the ones she has fought and lost too.” The adult reader may see real-world problems in this statement, but the child narrator imagines the fascinating adventures that the Queen may have had combatting dragons and journeying to the far reaches of the globe. It is clear that illustrator Nia Tudor enjoyed these flights of fancy too and these imaginings form the basis for the wonderful endpapers.
Later in the book, the Queen is responsible for an act of extreme braveness and kindness which averts a certain disaster in the street. Suddenly, attitudes change and the residents want to give their thanks and support to the lady who they now acknowledge. But what can they do to show their gratitude? The child narrator has a wonderfully generous and heart-warming thought, but you’ll need to read or listen to the book yourself to find out!
Lucy Christopher was inspired to write this story by the compassion and charity of her friends. She urges all readers to look for the queens in their lives and to reach out. Don’t you think we should treat everyone like a queen? You never know the adventures they have had in their lives.
We absolutely adore Nia’s illustrations in The Queen On Our Corner, her first published picture book. The autumnal palette is just gorgeous and we love the characterisation of the people in the street and have enjoyed spotting the nods to adventure through hidden items in the wonderful spreads. Nia was very kind and answered a few questions from bookworms Kit and Nina to mark the occasion.
What was your first reaction to Lucy Christopher’s words? I thought it was a beautiful story with an important message, and I instantly started imagining the possibilities for the illustrations.
What is your favourite illustration in the book? The picture that shows the whole street. I loved how much detail I was able to put into it.
How do you illustrate? I illustrate digitally using my iPad Pro and Apple Pencil in Procreate.
What is your reaction to seeing the book in the shops? It’s very surreal! I’m just really flattered that there are people out there who are enjoying the book.
We love the dragons and mountains that you included in the book. Are you inspired by Wales? Yes, it was great to include a little homage to my heritage through the dragon!
THE QUEEN ON OUR CORNER is now available in all good bookshops! OR, buy your copy from Lantana’s online shop and donate a book to children who need books the most with your purchase.
Thank you to Katrina and Lantana for inviting us to participate in the book tour. You can follow Lucy, Nia and Lantana on Twitter, and find out more about the author and illustrator at their websites.
We are very happy to be part of the blog tour for His Royal Hopeless, the debut novel from Chloë Perrin, published by Chicken House. We heard that Chloë had been brought up in North Wales so were keen to support them and find out more.
His Royal Hopeless is funny, tender and wise, centering on Robbie – the heir to the Sinistevils – the most wicked dynasty in the world. He can’t wait to pledge his heart to the menacing power of the family Sceptre and embark on his bloodthirsty future. The thing is, Robbie is … well … nice. And when he discovers his heart has been swapped for clockwork, he’s incapable of believing Mother had dark intentions. Instead, he embarks on a quest to retrieve his heart, claim his wicked destiny, and secure Mother’s pride at last. But Mother has other ideas …
Billed as ‘Despicable Me’ meets ‘The Descendants’, this is a fun and absorbing fairy tale from a new voice in middle-grade fiction.
What are you reading at the moment?
I’m reading The Peculiar Tale of the Tentacle Boy by Richard Pickard at the moment – it’s an offbeat adventure about a girl and a mysterious boy with tentacles for hair and crab claws for hands. It’s really heartfelt, funny and wonderfully twisted (all my favourite things in a book).
What are your favourite books?
I absolutely LOVE Terry Pratchett and the Discworld
series, his “fantasy-gone-wrong” tone really influenced me as a writer! I also
love Diana Wynne Jones’ Howl’s Moving Castle, for the wonderful and
hilarious characters but also for the complete Welsh-ness of it all.
Where and when do you write? Do you have a routine?
My writing routine is woefully non-existent!! I tend
to end up writing in any spare moment I have, usually late at night fuelled by
dangerous amounts of coffee and toast (would not recommend).
What was your journey to publication?
My journey to publication was quite a fun one. I
entered His Royal Hopeless in the Times Chicken House competition
in 2019 and was longlisted, which was amazing! However, when I didn’t make the
shortlist I assumed HRH’s journey was over for the time being- until I got a
phone call from Chicken House saying that while HRH wasn’t right for the
competition they still wanted to have a chat about it. A coffee-shop meeting
and several panicked emails to my university lecturers with the subject header
“what do I do what do I do???” later, and HRH was on its way to publication!
You are a “North Walian writer who currently lives in London”. Tell us about your Welsh upbringing.
I grew up in the tourist town of Llandudno and lived there for most of my life. Llandudno isn’t such a rural area but there’s still mountains whichever way you look, castle ruins down the road and wild goats wandering the streets completely nonplussed by the people. And, of course, there’s Snowdon, Yr Wyddfa, less than an hour away. I love the history you see walking around London, but nothing will beat the wildness of North Wales for me.
Does Wales or coming from Wales, have any influence on your writing?
I think all the things I mentioned about North Wales
in the previous question pretty much set me up to write fantasy-adventure
stories. The fact that Robbie and Layla need to traverse through deep forests
and treacherous mountains is a very Welsh influence on HRH. I also used to work
as a storyteller, which involved reciting Welsh folklore by heart, and the
constant practice of retelling exciting and often frightening stories about
castles and magic and devious villains really moulded what I’d eventually end
up writing down.
In His Royal Hopeless, there is an optimistic message for readers about forging your own path and accepting yourself for who you are. How deliberate and planned was this?
Without giving anything away, I always wanted HRH to
be a book about understanding yourself in spite of what the world around you is
telling you to be, so it was very deliberate. The optimism, I went back and
forth on- I appreciate children’s books that give layers of reality to the
lessons they teach, and I definitely didn’t want to completely sugar coat the
ending of HRH. Hopefully I struck the right balance, but we’ll see what people
What are your hopes for His Royal Hopeless?
I hope that HRH will give perspective to people who
may be in Robbie’s situation without realising it. It’s SO easy for us to get
stuck trying to be something that’s actually harming us, and no one is immune
to Robbie’s level of obliviousness. But honestly, I’ll just be happy if the
readers laugh at the jokes!
What’s the best piece of writing advice you have received?
Have projects ready. They don’t need to be polished,
but when competitions start calling for submissions you don’t want to be stuck
with only a third of a first draft to hand.
The book is brilliantly illustrated by George Ermos, including some internal illustrations. What were your thoughts when you first saw them?
I ADORED them!! My biggest anxiety around HRH wasn’t
“what if people don’t like it?”, but “what if it has a bad cover?” The moment I
was told George Ermos was designing it, however, I never had that worry again.
I was honestly stunned by the final design. George Ermos has done an absolutely
amazing job. And Robbie’s crown! I very much want that crown.
Could you recommend any other books for those who enjoy His Royal Hopeless?
The books I mentioned before – any of Pratchett’s middle grade work or Diana Wynne Jones’ Howl’s Moving Castle. I wouldn’t dare put myself on their level but we do share a “this is fantasy but not quite how you remember it” tone I know children will love. Also, they’re hilarious.
Do you have any other projects on the horizon?
A few little things, but I’ll also be starting my
Creative Writing MA at Brunel University London this year so I’m going to be
busy either way!
What question have we forgotten to ask you?
What my favourite sweet is, and it’s
Terry’s Chocolate Oranges. And yes, if you see me in the street you should definitely hand me one and I will graciously
HIS ROYAL HOPELESS by Chloë Perrin is out now in paperback (£6.99, Chicken House), available from all good bookshops including your local independent store.
Thank you to Chloë for answering our questions. Follow Chloë on Instagram @chloeperrin_author and Twitter @ChloePerrinUK
We are absolutely thrilled to be taking part in this Blog Tour for Swansea-based author and illustrator, Helen and Thomas Docherty. They really are the perfect picturebook pairing and have just published yet another playful, engaging and colourful story that will entertain by the bucketload.
The Snaffle has arrived in the city and she just wants to play – but everyone is distracted by phones, tablets and devices. They don’t seem to have time for each other. So the Snaffle becomes The Screen Thief and embarks on a mission to change the city into a more playful and more caring place. Ultimately, eating screens doesn’t do this for her, and leaves her feeling lonely, but a wonderful friend called Max is kind and caring and together they put things right.
Clearly ‘screen time’ is a huge issue for parents and teachers and striking a balance is important in all our lives, so this book will appeal to everyone looking to provide more than a subtle dose of encouragement to adopt healthier habits.
Helen’s joyous rhyming text is funny and great fun to read aloud. Thomas’ illustrations are so vibrant and full of detail – we’ve been poring over them over several bedtimes, reading the emotions of the characters and looking how they change through the story.
It’s totally apt therefore that Thomas joins us on this blog tour to give an insight into the illustration process.
Creating the Snaffle: Thomas Docherty on illustrating THE SCREEN THIEF
Throughout the story, the Snaffle
goes through a whole range of emotions, so above all she had to be expressive. At
the same time she gets up to plenty of mischief, so she needed to be dynamic. I
also had to make sure that she was loveable. After all, she acts with the
innocent impulses of a small child and that vulnerability comes through at the
end of the story.
As always, she went through many
versions before we decided on the final design. From the start, her general
body shape remained more or less the same. The hard part was solving the
question of how to resolve her face and head.
In the end I found that the long ears helped to make her very expressive
and the trunk was fun and surprising. It was also good for sniffing and tasting
It mentions in the text that the
Snaffle is small and blue. I was going to be painting the illustrations by hand
and I wanted the Snaffle to stand out. I found a bottle of blue ink that I
particularly liked, renamed it SNAFFLE BLUE and used it only for painting the
I had a lot of fun hiding the Snaffle
in the library, the cinema and the TV shop and I hope children will enjoy
looking for her in the illustrations. My favourite moment where she eats a
screen is when she is walking away with the ice cream sign from outside the
When I’m creating a book, lots of the
ideas never get included. If there was one set of pictures I would have liked
to keep, it was of the Snaffle reacting to the different tastes and textures of
the screens. In the end there just wasn’t room for everything.
One early idea that I’m glad was
taken out was a moment where the Snaffle is arrested by the police for eating
everyone’s screens. It’s just too sad!
The city is full of so many other
characters. Originally I imagined these as made up creatures but in the end we
went for animals, which made the Snaffle stand out more.
I had so much fun drawing them all
glued to their screens, oblivious to everything around them.
Of course the Snaffle wants to join
Creating The City
One of the fun things about
illustrating The Screen Thief was
that it is set in a city. I hadn’t drawn a city before in a picture book and I
was excited about all the visual opportunities that this presented. It also
meant a huge amount of work as I had to plan the city from scratch.
At the beginning, I tried a slightly
futuristic city with rounded buildings and bubble cars. However, in the end we
decided that it would be more relatable to children if it was set in the
The most complicated image to compose
was the first page when the Snaffle arrives in the city. I tried lots of
options including a train station and coming out of a subway. In the end I
wanted to show all the main locations in the story on this page, so I went for
a roof top view of a square. You can see Max’s house, the Library, the cinema
and the park.
I even drew myself a map to make sure
I knew where all the other places the Snaffle visits made sense.
The city is full of shops selling all
sorts of things (I actually walked past a cactus shop just like this recently!).
Of course the Snaffle is only interested in the TV shop…
As always, some of my rough ideas
didn’t make it into the book. I did some sketches of inside the animal’s homes
and some other locations which would have been fun to include.
Although cities are full of life, the
Snaffle soon discovers that they can be lonely places too. There is a moment in
the story where despite all the screens the Snaffle has gobbled, she still
feels empty inside. What’s missing? Nothing that a screen can give her, what
the Snaffle needs is a friend. Setting this scene in a deserted ally seemed to
fit the Snaffle’s mood.
The park is not mentioned in the text,
but it seemed the perfect place to develop the key message of the story. At the
beginning, the Snaffle comes across children in the playground. They are so
absorbed in their screens that they are not even playing. However, by the end
of the story the park has been transformed into a magical space full of activity.
Max and the Snaffle have managed to bring everyone together.
Huge thanks to Thomas Docherty for preparing this blog and sharing his insight and these amazing images.
Zillah Bethell’s stunning new novel is finally here and we are thrilled and delighted to be able to post a special blog on publication day.
We have a review of the book, plus some special musical content to mark the occasion.
Inspired by Bethell’s childhood, The Shark Caller is set against the backdrop of the islands of the South Pacific, and their traditional practice of shark-calling. Zillah was born in the shadow of the volcano Mount Lamington in Papua New Guinea. It’s a jaw-dropping story of friendship, forgiveness and bravery which is harvesting some remarkable reviews.
Reviews, as they say, have been ‘rave’. And before we get to ours, just take a look at what others are saying…
“Magnificent and beautiful.” Sophie Anderson @sophieinspace
“A master storyteller with an adventure that will catapult children into wildness & wonder.” Abi Elphinstone @moontrug
“Outstanding storytelling that is at once moving, heart-stirring and life-affirming.” Alison, Booksfortopics
“Beautiful and lyrical storytelling.” Shapes @shapes4schools
“Stunning and powerful. One of the best books I’ve ever read!” Mary Rees @marysimms72
“A beautifully written book” Emily Weston @primaryteachew
“Feels like it should be a classic.” Andrew Rough @teacher_mr_r
“An elegiac and very beautiful book.An absolute winner!” Ben Harris @onetoread
The Shark Caller really is a remarkable book that will leave you completely stunned and totally in awe of the wonderful storytelling.
Blue Wing lives with her guardian Siringen, a shark-caller, on the outskirts of her village. She’s desperate to become a shark-caller herself to avenge the death of her parents, who were killed by notorious shark, Xok. But it’s against tradition for a girl to become one, and Siringen believes Blue Wing still harbours too much anger in her heart.
When two Americans arrive on the island – Professor Atlas Hamelin and his daughter Maple – Blue Wing is charged with looking after the prickly and infuriating Maple. But, slowly, Blue Wing finds that Maple might be the one person who can understand what she’s going through, having recently lost her own mother. And when they discover that Professor Hamelin is secretly searching for an ancient treasure, they find themselves on a journey to the depths of the ocean, where Xok lies waiting…
The Shark Caller is really something! My first impression after reading the book was to sit in stunned silence. The book touches the heart, and speaks to the soul.
Let me lay my cards on the table. I am a big Zillah Bethell fan. The Extraordinary Colours of Auden Dare, her last book, is one of my absolute favourite novels of all time. I am a sucker for good storytelling, the best of which, for my money comes from Katherine Rundell, Gill Lewis, Kiran Millwood-Hargrave, Catherine Johnson, SF Said and Sophie Anderson. I’d put Zillah in this list. These are authors who have a magical ability to craft their stories, weaving the universal human condition with their enchanting threads.
The story is set in New Ireland, Papua New Guinea where Blue Wing and her guardian Siringen are charged with caring for a visiting professor and his daughter. The girls take an instant dislike to each other, but slowly realise they have things in common and a voyage of both self-discovery and learning the ways of friendship begins.
The landscape is beautifully portrayed and we are given a real sense of the geography of the country. A vista of small towns and mines is painted alongside the mountains, forests and shimmering Pacific seas. The flora and fauna of the island is an integral part of the book, not least the sharks, whales and dolphins that swim alongside Blue Wing and The Shark Caller.
The novel is a technicolour, cinematic delight. There are highly vivid, intense scenes; wide-screen viewing in 4D could not be more impactful. Yet this is the joy of reading and particularly the joy of Zillah’s writing – she somehow makes us feel the expansiveness of the landscapes alongside the intimate thoughts and deep emotions of the characters close-up.
There is a juxtaposition between the traditional island ways and the Westernisation of the culture. The ‘Bigman’ (village chief) is a symbol of this: swigging Coca Cola, disowning his heritage and admonishing those who take the remedies of the village witch doctor. His incompatibility and ineptitude with the old ways is often depicted with humour particularly in the awkwardness with which he wears his ceremonial dress.
Bethell’s narration inhabits the character Blue Wing, bringing life and love to her thoughts, actions and talk. Throughout, there is huge wisdom. I particularly like this:
People are like rocks on the shore. The sea will slam into the rocks day after day after day. Hour after hour after hour. Oltaim. But the rocks still look like rocks, they do not become something else. There might be a few scars and parts of the rock might crumble like dust into the sea.But they are still almost the way they were when they were created by Moroa.
The same is with people. There is nothing that can happen on this world that will stop a person being who they are. We are all born a certain way, and we all die a certain way.
This is an astonishing book. An exceptional story from an incredibly talented writer. Read it open-mouthed in wonder at the storytelling, revel in the wisdom, the sage and salient thoughts of Blue Wing, the remarkable sensitivity and deftness of touch on essential human themes of life, death, love, family and friendship. More than anything, just read it.
Usborne have produced a great video in which Zillah talks about The Shark Caller – we thought it worth posting here.
In the review, we mention that the book is a vivid cinematic delight, told in technicolour and with Dolby Surround Sound. Quite often when I’m reading I hear a soundtrack in my head – accompanying music to suit the mood or reflect the emotions of the book. This was particularly true for The Shark Caller so I spoke to Zillah about her love of music and her Shark Caller Playlist.
“When I’m writing, I work in my head, so I need silence for that. Otherwise, especially when driving, I like music. Schubert’s Impromtu in G Flat No. 3 played by Horowitz and Beethoven’s Piano Concerto No. 5, 2nd movement played by Zimmerman are my favourite classical pieces but I love all genres – particularly club and disco for dancing.
“My favourite song is Thieves Like Us by New Order, and I love Neil Young, Paul Simon, Morrisey and Marr, Kirsty MacColl, New Order, Manic Street Preachers, Neil Finn, Bill Withers, Blondie, John Legend, Kate Bush, Sia, Taylor Swift, I could go on…”
Below is The Shark Caller playlist as suggested by Zillah, featuring some of her favourite artists. We love the opening Bowie track and will be test-driving the whole playlist in car journeys.
As the final credits roll on The Shark Caller blog post, we need some accompanying music, so here is a new piece entitled ‘Blue Wing’. This is for Zillah and I hope she likes it! I hope she hears it full of contradictions and feels it as a physical and emotive reaction to the book.
The Shark Caller is available to buy now from your local bookshop. Thank you to Usborne, Zillah Bethell and Fritha Lindqvist for everything! Follow Zillah and Usborne on Twitter and seek out Saara Katariina Söderlund, the cover artist, on instagram. Also – go and check out the other blog posts in the tour – there are some brilliant pieces of new writing from Zillah to be found. Our review was originally published last year when we were sent a proof copy by Usborne.
My Name is River, the new novel from Emma Rea is published on Thursday 6th August by Firefly Press. Earlier this year, we hosted the cover reveal and Q and A with Emma – you can see that post by clicking here.
For the blog tour, we thought we’d ask Emma Rea for her favourite journey books seeing as main character Dylan journeys from Machynlleth to Brazil in this brilliant adventure. But first of all, let’s take a look at the story…
In My Name is River, 11 year old Dylan takes matters into his own hands when a pharmaceutical company plans to buy the family farm in Machynlleth. Dylan senses unfairness, injustice and there is more than a whiff of foul play so he sets off to the company headquarters in Brazil intent on uncovering the scandal.
This is a true adventure, probably unlike anything else you’re likely to read this year – My Name Is River is a dynamic ecological thriller with thought-provoking real world messaging. That may sound earnest – I promise it’s not – there’s plenty of action and adventure bursting through its pages, from speed boat chases to kidnappings and piles of peril in the Amazonian rainforest. This is James Bond with a conscience for 10 year olds.
What really makes the story though is the characters. Emma Rea kept Dylan from a previous book (Top Dog, published by Gwasg Gomer) and he’s likeable, determined and principled. However, it’s fair to say that the Brazilian characters steal the show. Lucia is a street child; a bold, resourceful and gutsy girl who has fought and found her own way. She is written with great warmth and humour by Emma who clearly has a soft spot for her. The relationship with Dylan is honest, caring, respectful and loyal – readers will love this demonstration of friendship.
If you’re looking for exciting and compelling entertainment it’s here in spades in this accomplished and thrilling novel.
Emma’s Favourite Journey Books
In My Name Is River, Dylan embarks on an incredible journey. We asked Emma to tell us about her choice of books that all contain journeys…
absolutely love Kensuke’s Kingdom
by Michael Morpurgo, not only for the family voyage across the world’s seas,
nor just for Michael’s long stop on an island before he can continue his
journey home, but for the way Michael and Kensuke make friends very slowly,
fall out badly, and manage to restore their faith in each other. I defy anyone
to finish this book without needing six handkerchiefs.
I Am David by Anne Holm is unbeatable. Twelve-year-old David escapes from a concentration camp and travels alone across Europe, armed with nothing but a compass and a bar of soap. Crackling with tension and dotted with small kindnesses, this is a book with an emotional punch you never forget. More handkerchiefs needed.
Holes by Louis Sachar is full of eventful journeys: from Latvia to the US, all over Texas, across the desert and up to the top of a mountain that resembles ‘God’s Thumb’. The plot reaches back four generations, encompasses powerful themes, and is leavened with mystery, humour and several endearing nicknames: Armpit, Zero, Squid and Barf Bag to name a few.
What are your favourite journey books? Get involved and let us know in the conversation on Twitter.
Thank you to Fireflies Leonie and Megan for supporting us with materials and a proof copy of My Name Is River, given in exchange for the review. Lastly, thanks to Emma for her engagement and for writing such a brilliant book!
Sharon Marie Jones, author of Grace-Ella: Spells for Beginners and Grace Ella: Witch Camp has kindly answered our questions as part of the Witch Camp Blog Tour. She grew up in North Wales and now lives near Aberystwyth with her family, close to the sea and countryside. Having worked as a Primary School Teacher for 13 years, Sharon is now a full time author.
What are you reading at the moment? I’m currently reading ‘The Girl who Speaks Bear’ by Sophie Anderson. I loved her first book, ‘The House with Chicken Legs’, so I couldn’t wait to start this one and it definitely doesn’t disappoint! It’s a magical mix of folklore and adventure, friendship and being true to yourself; utterly enchanting.
Could you tell us how you got into writing? It has always been my dream to become an author, from a very young age. I loved writing stories and spent much of my early childhood living in my imagination! In Secondary School, I won the school’s R S Thomas prize for creative writing.
But once I decided on a career as a teacher, my job and life in general took over and writing was pushed to the back of my mind – but it was always there, lingering, never completely gone.
I was on my second maternity leave when I decided that I would chase that dream of being a writer. I sat down determined to write. I wrote a short story, which was placed second in a competition and published in Writers’ Forum magazine. This was a huge boost to my confidence. I then had a further seven short stories make the shortlist.
I was enjoying writing short stories but knew that my real passion was to write a book for children. I had just returned to my teaching job by then, and as was driving to work one morning, when the name Grace-Ella popped into my head. I pulled into a lay-by and started to scribble frantically in my notebook.
The following morning I set my alarm for 4.30am and I started to write my first Grace-Ella story. I continued like this, writing for a couple of hours every morning, before real life had to take over. It took me a year, by the end of which I was exhausted, but I had finished writing my first ever book. I sent it to Firefly Press with no expectation at all of hearing back from them … but after three months an email pinged into my inbox and my journey with Grace-Ella truly began.
Why writing for children? I think you just know if you want to write for children. It’s something intrinsic. I wanted to dive back into that imaginary world that I would escape to as a child. I wanted to let my imagination take over again and lead me on a magical journey.
Because children’s books are just that – they’re magical. I loved reading aloud to my class when I was a teacher; looking at the children mesmerised by the words, and loving the, ‘Oh, please just one more chapter’ chorus at the end of a reading session.
I knew once I started to write that my heart lay with children’s fiction. Seeing a child engrossed in a book is so wonderful and to think that a child could pick up a book that I have written and become lost between its pages is an amazing feeling.
Where and when do you write? I write at home, in my office. I’ve decorated the room so that it feels relaxing and peaceful, a room that I enjoy being in. I can only concentrate fully on my writing when the house is empty and silent, so my writing time happens when my boys are at school.
Now that I write full time, I don’t set my alarm for 4.30am! But my writing is at its best in the mornings, so I aim to be at my desk by 10am, after dropping my boys off at school and doing a quick tidy up of the house. I can usually ‘write’ for 3-4 hours – I say ‘write’ because I don’t necessarily mean I’m typing away continuously for 3-4 hours. There’s a lot of staring out of the window, allowing ideas to brew and scribbling notes in a notebook. It’s all part of the process of ‘writing’.
On days where the words are hiding from me and I know I won’t add anything to a story I’m working on, I’ll settle down to read a book and allow another author’s words to carry me away. Some days I need this break and find that I’m ready to get going again with my own story, the following day.
Who are your favourite authors for children? As a child, my favourite author was Enid Blyton. I devoured her books. My favourite being ‘The Enchanted Wood’ and ‘The Faraway Tree’, which I read over and over.
Now … there are so many! There is such a wealth of children’s authors writing today, which is wonderful. I strongly believe that there is a book out there for every young reader. I have far too many authors I currently love, so I’ll choose the ones who I know for definite that I’ll always rush out to buy their next book:
Eloise Williams – her writing is so beautifully atmospheric, I feel like I’m in the story with her characters
Sophie Anderson – I love folktales and her books bring a new twist to old folktales and are utterly charming
Lisa Thompson – she’s a master at tackling difficult issues, weaving them into a sparkling plot that always keep me gripped till the end
Onjali Q Rauf – again, she tackles real-life issues perfectly, with wonderfully believable and relatable characters.
Grace-Ella is a witch in training. What drew you to her story? I think it’s because it’s the kind of story I would have loved as a child. I was entranced by Enid Blyton’s magic, and discovered that I had my very own fairy door on the trunk of the crab apple tree at the bottom of our garden. If I closed my eyes and tapped on the tiny door three times, I would be transported to the kingdom of the Crabble Fairies. I was always mixing up my own ‘potions’ in the garden – mixing wildflowers and berries with water in empty jam jars. I would line them up on the outside kitchen windowsill.
So once the name Grace-Ella popped into my head, I knew that she was going to be a magical character. Her story began to flow once I started to write the words. I didn’t plot the story, I let the story take me where it wanted to go. Grace-Ella is the girl I would have loved to have had as a friend when I was 9 years old.
Did you ever go to camp as a child? No, I never went to a Camp as such. I was a painfully shy child and had low self-esteem and confidence. I loved school and was happy playing with my friends, but away from that security, I always stayed close to home.
I was a Brownie, and they went to Camp every year, but I was always too nervous to go. I do remember us going to Brown Owl’s home one evening where we toasted marshmallows on an open-fire. I remember it feeling magical – being wrapped up warm in the dusky darkness, the smell of smoke floating in the air and the sweet taste of the sticky marshmallows.
I spent a lot of time outdoors as a child. I loved pressing wildflowers after going for a walk in the woods with my dad. These memories came flooding back as I wrote ‘Witch Camp’.
Will there be more Grace-Ella? I hope so! I still have plenty of adventures for her to go on, so fingers crossed…
How does Wales inspire you? The first thing I loved about Firefly Press was that they were looking for stories for children aged 7-9 years, specifically based in Wales. Wales is rich in stories. As a child, I listened in wide-eyed wonderment to folktales about giants and the tylwyth teg.
The landscape is a constant source of inspiration. There are so many wonderfully wild places to walk, where stories whisper in the rustle of leaves. The setting for ‘Witch Camp’ is very much based on places I have visited. The map of ‘Witch Camp’ at the start of the book shows ‘The Old Stone Archway’, which is based on ‘The Arch’ at Devil’s Bridge, just outside Aberystwyth.
I often read about authors travelling the world on magnificent adventures, which then feed into their writing. For me, Wales is such a beautiful country and is full of inspiration for stories, I don’t feel the need to stray far. T Llew Jones, Wales’ most famous Welsh children’s writer, wrote stories based in Wales for over half a century!
I feel strongly that stories based in Wales should reach young audiences far and wide. Every child should experience the magic and wonder of this beautiful country, and one way for them to do that, is by reading stories from Wales.
One of your own mottos, as signalled on your website is “be proud of your achievements”. This comes across in Grace-Ella: Witch Camp. Was it a conscious decision to allow these messages to filter through your writing and Grace-Ella’s character? I hadn’t even thought about that so no, it hasn’t been a conscious decision. I’m a perfectionist and my own worst critic in everything I do. As a child, I never felt quite good enough, even though I was often ‘top of the class’ in terms of my work. I’ve also taught children who found it difficult to feel a sense of achievement, often comparing themselves to others and in their minds, finding themselves lacking.
With Grace-Ella, I wanted her to be able to shine at something. She struggles a little with schoolwork and worries that she won’t be able to do her work well, so I wanted to give her something new that she would be good at.
I’ll always remember a young girl I taught, who felt her schoolwork wasn’t good enough and would get herself into a worried mess when having to do tests. She would compare herself to her sister and friends and feel that she wasn’t as good as them. I wanted to help her find that something that she sparkled at. It came when the class were put into groups to work on creating a stall for the school’s Summer Fair. One of the items her group decided to make was bunting. Once this girl started sewing, there was no stopping her! The other three members of the group worked on other items whilst she developed her sewing talent and made all the bunting herself. On her last day of school, she gave me a handmade cushion which was perfect in every way.
We all have the ability to shine at something, it’s just a matter of finding what that is.
What else should we ask you? Can I do magic? Yes! I can make a coin disappear…
What comes next for Sharon Marie Jones? Lots of published books I hope! I have stories other than ‘Grace-Ella’ that I want to write, and it would be wonderful for some of them to become published books.
But right now, what comes next for me is a cup of coffee and diving back into writing Grace-Ella Book 3…
Thanks again to Sharon for answering our questions! You can follow her on Twitter and should visit her website.
To read a full review of Grace-Ella: Witch Camp, click here.
We are delighted, enthralled and completely enraptured to be taking part in The Comet and the Thief Blog Tour. We are pleased because The Comet and the Thief was written by Ruth Morgan, one of our favourite authors. We are pleased because today is launch day for The Comet and the Thief. And we are pleased because the book is really rather good.
So before we get to the blog tour extras, let’s tell you about the book. I, Daddy Worm, was given an early digital copy of the book by publishers Gomer and I absolutely loved it.
The story centres on Kit, the eponymous Georgian thief, who finds a mysterious and magical medieval book which connects him to the inhabitants of a cursed village 300 years in the past. Evil Lord Colwich is also after the book, having initially hired Kit to steal it for him, and a tense chase ensues.
It’s an intriguing and engrossing adventure as Kit flees London and affiliates with Saroni, a travelling puppeteer in Bath; which proves to be a decent hiding place if only for a short amount of time. It gives Kit some breathing space to be able to explore the book and the villagers who each have their own page. Kit strikes a bond with Zannah and ultimately works out a way to go through the book and into the village. Colwich is no quitter though and he is determined to find the book. Will Kit work out how to save the villagers or will Colwich catch him before he can?
If you are familiar with Ruth Morgan’s other recent release, Ant Clancy Games Detective (Firefly Press) then you will know that it is a brilliantly fun and immediate fantasy adventure – perfect for 9-12 year olds. The Comet and the Thief is quite different; aimed at a slightly older audience (11 to YA?), it’s sophisticated storytelling and intricately weaved plot lines exploring trust, friendship and witchcraft are an absolute joy, forcing the reader to surrender to the thrill of Ruth’s virtuosity.
What the two books have in common is that they are both extremely well crafted, with inventive worldbuilding and insightful commentaries on their subjects. This book surely cements Ruth’s reputation as a writer of real quality and ambition, who should be revered as one of the best in Wales right now.
The Comet and the Thief is a vividly imagined, pullman-esque page turner. It is a totally compelling and brilliantly written novel, perfect for fans of Julie Pike, Frances Hardinge and Kiran Millwood-Hargrave.
And now to the blog tour extras… Ruth Morgan has very kindly written this exclusive content about her writing routine…
Ruth Morgan: “My Writer’s Routine”
A couple of years ago, I visited an exhibition about ‘Queen of Crime’ Agatha Christie at the National Museum of Wales in Cardiff and one exhibit in particular grabbed my attention: her well-travelled typewriter. Agatha wrote many of her detective novels whilst accompanying her archaeologist husband Max on his expeditions to the Middle East and I found it touching and reassuring to discover that she got on with the task of writing wherever she went and whatever the conditions. I must admit, I still occasionally dream of my perfect writer’s retreat: an uncluttered desk, a view of the sea and uninterrupted hours during which the words flow effortlessly onto my laptop screen. It will always remain a dream but that shouldn’t really matter. The fact is, if setting up her modest typewriter on whatever she could balance it on that day was good enough for Agatha, it’s good enough for me!
I have got my own routine when I write, and it has evolved to fit into a busy life with the everyday demands of family and also my much-loved work as a part-time teacher in a local primary school. I have been teaching for thirty years and writing for children seriously for about twenty but that’s covered everything from picture books, poetry and non-fiction to scripts for animation and radio. I am one of those writers who does as little planning as possible because I love the adventure of not knowing where the story’s going to take me. There are real thrills to be had along the way, as more and more of the story reveals itself. That’s why I only ever begin a longer novel with the vaguest idea of a plot, although I have to keep feeling an excitement and belief in the ideas at the heart of the story, in order to know it’s worth carrying on. In the day-to-day business of writing, I tend to think in scenes and particularly love writing dialogue.
Here it is then: the innermost secrets of my writer’s routine. In the evening I’ll unwind by listening to music or some light reading, basically the aim is to feel happy and relaxed at bedtime. Then, when I’m in bed, I think around and about the scene I intend writing the next day, for example what the characters are going to say to one another or what’s going on in my hero’s mind, which will often be reflected in their surroundings. Crucially, I consider how that scene is going to drive the story on, but not in a stressy way: these pleasant thoughts simply drift around in my head as I drop off to sleep. I will get up early the next day – a non-teaching day – and start by editing what I wrote the day before. Then I’ll carry on writing the next scene and a lot of the groundwork will have been done already, although I still won’t know exactly what’s going to happen: that will emerge as I write. If it’s a good day, I’ll complete at least half a chapter, 1,500 words or more before I have to go and do the shopping or organise some other family stuff to keep our home lives running smoothly. On a not-so-productive day, I’ll only get as far as editing the last bit. On a hopeless day, something else will happen and I’ll have to shelve my plans altogether. Most of the time, I manage to get something onto my screen. I am definitely a morning person when it comes to work, and if I can produce something I’m happy with by 9 a.m., the rest of the day’s looking good.
Not very exciting sounding, is it? No-one sees the thrills: those go on inside, but you have to work hard for them. However, there’s something else. When you are really into a story and have got to know your characters well (which is vital, your number one job as a writer, really), it’s like having an alternative life you can dive into and daydream about at any boring moment. In The Comet an the Thief, I especially enjoyed writing the theatrical scenes, where my hero Kit is learning his craft as a performer from his master, the puppeteer Saroni. Several times in the queue at the supermarket I floated off into a wonderful daydream and witnessed one of their marionette shows playing in some wayside tavern:
Kit would peep from behind the stage and was amused to see the audience enthralled by his master’s performance, their expressions altering as he played with their feelings almost as though they were puppets too. In some of the coaching inns, the crowds were squeezed in rows several deep along the balconies as well as down in the yard.
I realise all I’ve talked about here is me, me, me. When I write, I am thinking about my young readers too, I promise! I hope that if I get excited about and engrossed in a story, that’s going to communicate itself to my readers. It also adds another dimension to my life and that’s a wonderful feeling, one I would lose were I stressing about when to find time to write or beating myself up over not having written enough that day. I think if you are like me and have lots of tasks to juggle, you have to find some routine of your own and accept that conditions and never going to be perfect. Anyway, when there’s a lot going on in real life, there’s plenty of inspiration to draw on. What would I write about at that uncluttered desk staring at the sea for hours on end? My mind would be a blank!
THANK YOU SO MUCH RUTH FOR YOUR TIME AND COMMITMENT TO THIS BLOG!
Ruth has been writing for children and young adults for more than 20 years, everything from picture books to novels, plus many scripts for animation and radio series. She is also a part-time teacher at a local primary school – a constant source of inspiration. In the small amount of time that’s left, she loves to dance, play ukulele and stargaze. You can follow Ruth on Twitter @alienruth and Instagram ruth.morgan.ant.clancy
We are delighted that Julie Pike has written this wonderful guest blog for us. Her debut book, The Last Spell Breather, came out in July and is a brilliant and magical fantasy adventure. Here, she tells us how the book was inspired by the land in which she was born and grew up.
When I set out to write The Last Spell Breather, I knew I wanted to create a spell-binding adventure. To bring the fantasy to life, I decided to set the story in a magical faraway land. But after I’d finished writing it, I realised the story was actually set in the place I grew up in Wales; a place where I’d had many adventures as a child, a place where – when it came to stories – anything seemed possible.
I grew up on a council estate called Longford, on the outskirts of Neath. It’s a wonderful spot, nestled between a stream, a hill, woodland, a river and a mountain. In my story, the hero, Rayne, grows up in a remote village. When I came to think up a name for her village, I wanted the place to feel like home. I grew up on a street called Heol Penderyn. So, it seemed natural to name her village Penderyn (which I later changed to Penderin, to make it sound more magical).
In the story, Penderin is nestled under a mountain, just like Longford is nestled under Drumau Mountain. It was up there that my friends and I had many adventures growing up. I cooked bacon and eggs on an open fire on its slopes as a Guide. At the very top, there was a rundown farmhouse, with its roof caved in. The house was completely empty, save for a mysterious pile of old medicine bottles made of thick glass, which wouldn’t smash even when I foolishly threw them against a wall. Those glass bottles came home with me and stayed on my shelf and in my imagination. Later they wormed their way into my story.
Neath has a fine Victorian Library. Its many books are one of the reasons I grew up to be a keen bookworm. As a child, Mam would take me there every week, regular as clockwork – both of us heading home on the bus with a pile of books each. In my story, Rayne’s mother goes missing. It didn’t take me long to work out where Rayne might find her. Yes, you’ve guessed it – she finds her at the library. But not just any library, she finds her at the Great Library. I’ve come to learn that libraries are places of magical possibility, their words have the power to transport you on amazing adventures. And that’s exactly what happens to Rayne when she finds Mam.
Thinking about it now, my story has other similarities to my childhood too – not just the setting. I grew up in the 1980s. Back then people hardly seemed to worry about whether children playing outside unchaperoned would be safe. I remember spending long summer days outside having adventures. In the evening, Mam would stand on the street, calling me and my brother home for tea. I’m sure a small part of her worried where we were and if we were okay, but I’m also sure the bigger part was more concerned we weren’t home when we said we’d be, and the tea would spoil. Looking back, even though we were playing away from the house, Mam made it easy for us to believe the whole estate and surrounding land was a safe place. If she’d been worried, we would have been too, and we’d have stuck to the house and garden. Thinking about my story now, it’s no surprise to me that in Penderin, Rayne’s Mam creates – magically creates – a safe place for her daughter. In fact, the whole story is based on this, and what happens when she finds out that her home is no longer safe.
Perhaps I did after all set The Last Spell Breather in a magical land. Just not a faraway land. I set the story in Wales because my home (and now Rayne’s home) is, and always has been, a land of magic.
Thanks to Julie Pike for taking the time to write this exclusive blog for us. You can read our review of The Last Spell Breather here.
We are delighted to be taking part in the blog tour for Helen Lipscombe’s debut novel, Peril en Pointe. Helen grew up in Wales, studied at Exeter College of Art and Design and went on to work in agencies in London, Singapore and the Caribbean. She obtained an MA in Creative Writing for Young People from Bath Spa University and now lives in the Cotswolds with her family.
What are you reading at the moment?
I’ve got four books on the go . . . The Dragon in the Library by Louie Stowell, Dark Matter by Michelle Paver, The House of Light by Julia Green and No Ballet Shoes in Syria by Catherine Bruton. I’ve just finished Normal People by Sally Rooney, The Last Spell Breather by Julia Pike and The Middler by Kirsty Applebaum. All wonderful books. I wish I could read faster. Got a very lovely, but slightly wobbly tbr pile.
Could you tell us how you got into writing?
When I was little, I used to turn my favourite Ladybird Books into plays so I could act them out in front of anyone within a five-mile radius. Such a show-off!
We understand you trained to be a graphic designer. Did you work on any books?
The majority of my design work has been for charities like The British Red Cross and Salvation Army. Although I LOVED creating a storyboard of ideas for Peril En Pointe’s cover, the designer Helen Crawford-White did a much better job than I could have ever done.
Where and when do you work?
I’m rubbish at any kind of routine. I have a desk in a study off the kitchen, but I only tend to use it when I’m in the thick of rewriting. My ideas flow better when I’m out walking the dog or staring out of a train window. I’m not really a morning person either, so I try to get all my admin done before lunch and focus on the creative stuff later.
Why writing for children?
I think it’s because I didn’t start writing seriously until after my sons were born. Reading children’s books again sparked my imagination and I rediscovered my inner child. When I started to write, that’s who came out!
Who are your favourite writers for children?
That’s a hard one to answer – there are so many, and the list is growing as more and more brilliant new voices are published. As a child, I loved C.S. Lewis, J.R.R. Tolkein, Enid Blyton and Arthur Ransome. As a parent, I loved reading Janet and Allan Ahlberg, and Roald Dahl. As a writer, I appreciate strong voices – Louise Rennison, Sally Nicholls, Patrick Ness, Meg Rosoff; and great plotters – J.K. Rowling, Suzanne Collins and Philip Pullman. And thanks to Peril En Pointe, I’ve just discovered Noel Streatfeild.
Peril en Pointe is out now from Chicken House. Can you give us a flavour?
Absolutely. My heroine’s called Milly Kydd and more than anything, she wants to be a ballerina, just like her famous mum. The story starts as Milly’s about to dance in the biggest ballet competition of her life. It’s called the Scarlet Slipper Ballet Prize and it’s on telly like Britain’s Got Talent – only without Ant and Dec. But EVERYTHING goes wrong. Milly accidentally trips up the despicable Willow Perkins, and worse, her mum disappears into thin air. As a result, Milly’s kicked out of ballet school. Eight months later, her mum’s still missing when Milly’s invited to a mysterious ballet school. But when Millly arrives, she discovers that Swan House School of Ballet is no ordinary ballet school. It’s a school for SPIES.
Did you ever go to ballet?
Yes – when I was very young. I remember dancing in the Christmas show dressed as a little green pixie, which inspired one of the scenes in Peril En Pointe. (My lovely mum made my costume and I’ve still got it). Tragically, my ballet career was cut short when I broke my toes. I’d been watching Olga Korbut winning a gymnastic gold in the summer Olympics and thought, how hard can it be? Alas, my ‘beam’ was the side of the bath. I fell off and my toes got stuck in the plughole. They’ve never been the same since.
Is music important to you and what music inspired the book?
I’m so glad you asked me that! The answer is sort of connected with your next question. As a child, I sang in Eisteddfods and played the viola with the county youth orchestra. When I started learning the piano, my great auntie Lottie, (who I adored), gave me all of her old sheet music from the 1940’s. My favourite was ‘Jewels from the Ballet’ by Lawrence Wright. By the time I got to writing the last draft of Peril En Pointe, I needed a bit of a pick-me-up to keep me going so I made a playlist. There are pieces from Swan Lake and Romeo and Juliet, but also Slow-Moving Millie, Family of the Year, Pink Martini, the Be Good Tanyas, Katy Perry and even U2’s theme from Mission Impossible! All the tracks represent a scene or character in the story.
Are you inspired by Wales?
Yes! My family live in South Wales and my eldest son goes to uni in Cardiff. I love the South Wales coastline and have spent time writing there. My first attempt at a novel was set in the Welsh valleys in the 1970’s on the night of a terrible storm. It had everything in it, from sheep farmers to tight-rope walkers to cat burglers.
Your Twitter profile says that you love words, welsh cakes and waggy tails. But really, if you had to choose one – which would it be?
NOOO, don’t make me choose! Garghhh. It would have to be waggy tails. If I wasn’t walking my dog I wouldn’t come up with nearly as many words. Plus, I love her deeply.
What are your ambitions?
Gosh. Beyond meeting my next deadline? I always thought I’d like to write a musical one day (it’s not going to happen).
Anything else you’d like to declare?
I admit it.
It was me who ate all the Welsh cakes.
Not the dog.
What comes next for Helen Lipscombe?
The sequel to Peril En Pointe is due out next year. Beyond that, I’ve got a few more imperiled heroines up my sleeve. I’ll keep you posted!
Thank you to Helen for taking the time to answer our questions. Peril en Pointe, by Helen Lipscombe is published by Chicken House and is available to buy in your local bookshop or online.