We are delighted to be today’s stop on the Strange Tales Blog Tour, and more than a little bit pleased to be featuring author and storyteller Daniel Morden in a Q and A. Strange Tales is a collection of nine short stories inspired by world myths and folklore – full of intrigue, mystery, magic and mayhem. Presented in a hardback gift edition by Firefly Press, it is a thing of beauty publishing on 28th September 2023.
Congratulations on Strange Tales. Thank you! I am proud of the book. It contains some of my favourite stories: stories that have been such fun to tell, and stories that niggle at me, like a pebble in my shoe.
What are the main differences between speaking stories and writing stories?
When you tell a story you can colour the words. Your intonation, gesture, rhythm and facial expression inform the audience’s response. If you say something in a sarcastic tone, the audience will understand it to be a joke. If you write the same words, without the sarcastic tone of voice it could become confusing or even offensive.
Your intonation, gesture etc., means it is obvious which character is speaking, so you don’t have to say, he said. On the page you have to explicitly state who is speaking, especially if there are more than two characters in the scene, which means you have to interrupt the flow of the dialogue with he saids and she saids. Often the dialogue in a spoken version of a story is quickfire and rhythmical, and this is lost because of the scaffolding.
But books are lovely! They are always beside you for you to enjoy, unlike a storyteller. And they travel to more places than I can visit in one lifetime.
How do you go about making the transition from performing a story to writing it down? What are the challenges?
First I write it exactly as I would tell it. Then I send it it to my editor, who replies with comments such as, Who is speaking here? Why does she say this? Give us some adverbs!, the scales fall from my eyes and I realise that the story needs more description and context because the reader cannot hear my voice as they read. The challenge is to try to retain the propulsive momentum of a spoken telling despite the additional contextualising.
Tell us about Daniel Crowley – where and when did you first hear his tale?
I first encountered the story as part of a play called SAVAGE JUSTICE back in the eighties. Because it was a play, they could have great fun with the ghostly party. One actor mimed peeling off his skin, and playing his ribs like a xylophone!
How have you changed the version you first came upon?
The ending felt abrupt: next morning Daniel’s apprentices found him lying amongst the chaos of his workshop. What happened to him then? did this experience change him? So I added a little coda – you will have to read the book to discover if it is an improvement!
Some of the Strange Tales have a gruesome and unnerving aspect. Do you find yourself tempering (or even amplifying) your words for an audience?
When I am performing, I can show the character’s disgusted/appalled/horrified response to what they are seeing, without having to explicitly describe the sight that provoked this extreme response. I have to spell out the horror in the written version, so inevitably it can feel more disturbing! I trusted my editor to rein me in when necessary.
The book is called STRANGE TALES and the cover is ominous. It is very clear what you are getting! My main concern is that the stories are not creepy enough to meet the expectations set up by the cover…
You are twice the winner of the Tir na nOg Award for books with a Welsh context. Does winning awards and recognition have an impact on your craft?
It helps to raise the profile of the book. A writer once said publishing a book is like throwing a rose petal down the Grand Canyon and expecting to hear it land. At this time of year there is always a deluge of new books, most of which disappear very quickly. Winning an award gives the book a second chance to reach an audience.
You often combine storytelling with music. When is this most successful?
Music is very powerful. It can make us feel emotion very quickly. Just think of the JAWS theme. The teller has to adapt their performance to allow the musicians to work their magic. Often I realise I don’t need to say whole paragraphs because in a few moments the music has evoked what I was trying to convey. I think the teller has to behave as if they are another musician contributing to an overall sound, rather than assuming they have to dominate.
Who are amongst your favourite storytellers?
Jan Blake is the real deal. Big hearted, funny, exuberant, shocking, thrilling… you never know what she is going to say next!
What other books can you recommend to readers who have enjoyed your stories?
The Red Gloves by Catherine Fisher – a wonderful collection of eerie stories that will haunt you long after you have finished the book. Clockwork by Phillip Pullman. You can read it in a single (winter’s) evening. Full of magic, mystery and suspense.
Strange Tales is published by Firefly Press on 28.09.2023. Huge thanks to Daniel Morden for answering our questions and to Lucy Mohan at Firefly Press for inviting us. Buy a copy of the book here and also check out links to Daniel’s website and Twitter.
When you read Vivi Conway (and let’s make this clear from the beginning – you must read Vivi Conway, it is stupendous) there are several things that may strike you. It could be the fact that Vivi and her gang have the most incredible heart-racing adventures. It might be that the writing is so lively and engaging that it pulls you in completely and makes you feel instantly a part of Vivi’s world. It may be that this is undoubtedly one of the most inclusive books you have ever read. It would probably be that you fall in love with Gelert the protective ghost hound who speaks in a Welsh dialect that would make Lesley Parr proud, mun.
I was particularly enamoured by a couple of things: firstly, the constant inspiration of Welsh mythology cannot be underplayed here. I mean we’re single-mindedly here for authentic welsh contexts and it feels like Lizzie has pulled out all the stops to do the Wales Tourist Board proud. The book is completely teeming with legends, folk-tales, Arthurian and mabinogion-inspired references. It is excellently done – I love the part where Gelert describes his own demise whilst standing next to his own grave (macabre but extremely moving!); or where Nimuë the Lady of the Lake recounts the story of Pwyll and Rhiannon. Elsewhere, the inspiration is more subtle and the tales have been twisted, diluted or reshaped (just as they have been over centuries).
Secondly, there is great humour here. Real laugh-out loud stuff. Observational comedy and warm-hearted funnies that made me beam as I read. These kids are going through some wild episodes but their sense of humour is maintained throughout. My supposition is that there is a bit of author Lizzie Huxley-Jones in Vivi and that they had a ball writing the story; their warm personality certainly shines through the writing. By the end of the book, not only are you desperate for more, but you feel like you actually want to be in the company of these misfits, and by association, get to know Lizzie Huxley-Jones better. (We promise to try and get them to do a Q and A soon!)
However Vivi Conway floats your boat, one thing is sure; it is a completely joyous book that I will happily recommend to everyone for the rest of my life. The Sword of Legend is full of the most excellent fun.
At the start of the story, Vivi Conway is moving to London. But the night before she leaves, she hears a voice calling her to the lake. It is here that she is given Excalibur and a quest to contain Arawn, the King of the Underworld. She can’t do this alone, and finding her tribe is a central theme to the story – both for real-world Vivi as she settles into her new school in London, and for fantasy-world Vivi as she seeks out the other ‘calonnau’ who are charged with defending the mortal world.
What follows is a story full of magic, myth and monsters that will (mildly) terrify and thrill readers of all ages. There are missing children, seized by the horrifying spider-like Coraniaid who seem to have taken the job of the Tylwyth Teg in kidnapping youngsters and holding them captive in the Unlands (that space between our world and Annwn). As Vivi and her friends Dara, Stevie and Chia learn to tame and hone their magical powers ‘on the job’ the adventure to rescue the missing children takes in the Science Museum, the British Library and the Crystal Palace dinosaurs. It really is an education!
For a fantasy story full of the supernatural it’s also intensely real. Autistic Vivi was bullied in her previous school and is extremely wary of other kids – particularly as she’s now in a new city and feels she cannot give herself up to friendship due to previous experiences. Readers will enjoy following Vivi as she works these things out, opens up, conquers fear and becomes more content with her place in the world. She is battling supernatural demons by day but also inside her head. The parallel nature of Vivi in the human world and Vivi in the Unlands works phenomenally well.
An authentically Welsh, fun fantasy, expertly written with joy woven through every page. A story that encourages everyone to be themselves and to assure growing youngsters that they will find their place. Vivi Conway and the Sword of Legend is essential for every home, library and school; this is a special one I’m going to be recommending to a lot of people. Thanks Lizzie Huxley-Jones for writing.
Blog Tour Content
Lizzie Huxley- Jones recently tweeted about their research in the British Library. We thought it may be fun to pull out some of the myths and legends that have inspired Vivi Conway and the Sword of Legend and highlight some retellings for children. Hope you enjoy…
Gelert is a ghost dog in Vivi’s adventure and a faithful guardian to the children. This is the wiry hound Gelert of legend, and in one very moving scene he transports Vivi to Beddgelert and recounts his story right next to his grave. Try holding the tears in when you get to that part. A really lovely retelling of Gelert for children is the Cerys Matthews version but it also appears in the ‘Tales from Wales’ collection.
Vivi meets Dara at the lake – like Vivi, Dara has been gifted a magical power associated with a figure from mythology. Ceridwen is that mythical legend – a sorceress who had a magical cauldron. The story of how she brewed a potion to give her own hideous son great wisdom, but instead the potion inadvertently spilled on a servant boy, is told brilliantly by Jenny Nimmo in ‘Gwion and the Witch’, illustrated by Jac Jones.
The Lady of the Lake / Excalibur
Also known as Nimuë (or Viviane in some tales), the Lady of the Lake is the Arthurian story of the enchantress who, amongst other things, gives Arthur the Excalibur sword. Vivi and Nimuë are partnered souls and the discovery of Excalibur in Llyn Arian is the start of Vivi’s adventure. This is a story told many times in many ways. I’ve chosen three books which were all nominated for the Tir na nOg Award in their day.
The Afanc is a lake monster from Welsh mythology – an enormous supernatural beast sometimes described as resembling a crocodile, and often a scaly beaver – take your pick! Chapter 1 of Vivi gets us off to an uber-exciting start as Vivi has to wrestle with the Afanc in the lake. There is an afanc pool near Betws-y-Coed and the Showell Styles book provides a guided walk. The Claire Fayers collection recounts the legend of how the afanc was removed to a more remote lake away from the town, and the Dark is Rising sequence features the afanc in the final book.
The Coraniaid feature in the Mabinogion tale of Lludd and Llefelys. They are one of three plagues that descended on Britain during the reign of King Lludd – an undefined creature or people who were characterised by a remarkable sense of hearing – which meant that the land fell silent because no-one could take any action against them. In Vivi’s story the creatures take on an arachnid form and they learn about the Coraniaid plague from a pamphlet in the British Library. ‘The Three Plagues of Britain’ is recounted in Gwyn Jones’ Stories from Wales, while Zillah Bethell retells the story (wherein “even the fool daren’t tell his jokes”) in The Mab. In ‘Island of the Mighty’ Haydn Middleton’s version features tiny folk called the Corannies who were water-tamers (there’s another link to Vivi there, but I think we’ve given away enough spoilers!)
The third calon to be discovered in the story of Vivi Conway is that of Rhiannon – a character from the Mabinogion (though probably better known through the Fleetwood Mac song). Rhiannon is the intelligent, beautiful horse goddess. She features in the first branch of the Mabinogi, but also the third. Aside from The Mab, mentioned above, here are two other versions of the Mabinogion.
Thanks very much to Lizzie, Knights Of and Team ED for inviting us to be part of the blog tour and for sharing an early proof copy of Vivi.
We are so pleased to be kicking off the Honesty and Lies Blog Tour. Eloise Williams is a true hero of ours and we absolutely adore her writing. As Wales’ first Children’s Laureate she worked her socks off to encourage a love of reading and writing for pleasure across the whole of the country. She is also the most amazing encourager and supporter of artists in Wales, raising the visibility of quality children’s literature on both sides of the River Severn. When we’ve met her, she has been kind, thoughtful, optimistic, funny and always willing to chat. As an editor of The Mab (with Matt Brown), she brought together an incredible assembly of talent to produce new versions of the Mabinogion stories for the children of the 21st Century.
Honesty and Lies is a truly brilliant novel. Set in Elizabethan times, in the court of the Queen, Honesty has fled West Wales for London. A chance meeting with Alice finds her working as a maid. Whilst Honesty is keen to make a name for herself, to escape the menial tasks and get closer to the Queen, Alice has a reason to stay hidden. She keeps her head down and aims to go unnoticed. The friendship between the two is put under the spotlight by Eloise, expertly aided by a dual narrative in the first person. You really feel a part of the secrets and lies – the frustrations, the claustrophobia, the anger and desperation of the teenagers. It is a thoroughly enjoyable read with a brilliant climax. Eloise’s best yet!
Another Eloise novel means another chance to ask her some questions! Thanks for indulging us once again Eloise!
What are you reading at the moment?
I’ve just finished reading Fear Ground by Jennifer Killick which is a little bit creepy but absolutely hilarious and a definite must read. Balanced at the top of my teetering TBR pile is The Shadow Order by Rebecca F. John. I’m really looking forward to it.
Where and when do you write?
All over the place and at no specific time. It depends how busy I am with other things. Often, I’m dashing from school to school, so I only have time to write in the evening or make notes on scraps of paper throughout the day. If I’m at home, I sometimes write in my attic room which is very small and has a slanted ceiling so it’s easy to bump your head if you aren’t careful, but I can often be found writing in the garden, the kitchen, in the woods, or on the beach. Lots of my writing is done in my head before I ever put pen to paper, or fingertips to laptop keys.
What was the seed that began Honesty and Lies?
Honestly, I can’t remember what it was exactly. A mixture of things, I think. I’ve always loved London and am fascinated by its history. I recently took a trip to Greenwich and a boat back along the Thames to Southwark. I think that had a lot of influence as you get a very different perspective of London from the water. I’ve also been wanting to write something through two different points of view for a while and the contrast of rich versus poor, appearance versus reality, honesty versus lies seemed to fit perfectly into the court of Queen Elizabeth I.
This is your 6th novel. What do you know now that you wish you’d known before Elen’s Island?
That you should define what success is for you as a writer and not compare yourself with anyone else. It’s not a linear path and there are huge emotional ups and downs. I’ve been extraordinarily lucky and I’m very grateful, but I have had lots of times when writing has been hard for many different reasons. I now define my success as a writer by my dedication to telling the story in the best way I can. That’s the only thing I can control and really, it’s the most important part.
As Wales’ inaugural Children’s Laureate, you travelled the country inspiring hundreds of children to read and write. You must have learned some lessons yourself?
Absolutely. It reaffirmed my belief that stories connect generations. I also learned that young people are endlessly creative and courageous and that made me challenge myself more. They taught me to take risks and to laugh at myself when something failed. If you are failing, you are trying. They’ve also taught me about individuality and how it should be celebrated. One group of young people made me a thank you card which advised me to ‘stay weird’. It’s one of my favourite possessions.
What is your writing routine?
I laughed when I read this question. I’m not very good at routines. For a while, I tried to kid myself that I had a routine but really, I was just aspiring to be an organised writer. I’d keep reading about other writer’s routines and thinking, yes, that sounds like the right way to do it! Then I’d get up at the crack of dawn and write and think, yes, I am better at this time, until that pattern dwindled. Then I’d try writing late at night until that dwindled too. Eventually I just accepted that my writing routine is a bit haphazard, I’m afraid. I spend long periods of time thinking and then I’ll write something in bursts. It always seems like a minor miracle when I’ve managed to finish a story.
Honesty and Lies is brilliant, and totally brings into focus a relationship between two girls. Interplay between characters and particularly the development of friendships is a common theme for you. Did you enjoy writing these characters?
Thank you so much! I’m so glad you enjoyed it. I loved creating Honesty and Alice. Creating different characters is one of my favourite parts of writing. These two were particularly fun because they are both flawed in different ways. I always give my characters a really hard time and I felt really guilty to put them through so much! That’s why their friendship was so important. Together they are strong. They are so real to me, and it was very difficult to leave them behind.
What is your favourite period in history? Why?
Ooh, I’m not sure. I loved writing about the Elizabethans, but I also loved writing Gaslight which is set in Victorian Cardiff. I’m a big fan of historical fiction so am reading lots about different periods of history at the moment. This is a tricky question. Can I go for the 1980s? My niece learned about the TV adverts from the Eighties as part of her homework once and it was so strange to think of my own childhood as ‘history’. That was a good lesson for me. It made me remember that people from history were real people. I mean, I knew it, but it brings it home every time I think about it.
What do you hope young readers will get out of Honesty and Lies?
I’m really hoping they’ll enjoy the story if they love historical fiction and that it will give them a taste for it if they haven’t read any before. There is so much wonderful historical fiction out there and if this book opens the door to the past for even one young reader, then my work is done!
Which of your characters is most like you?
That’s a really difficult question – I can see elements of me in both. I think probably Alice though. She keeps a lot on the inside and gets irritated easily because she is worrying. I’m a worrier too! She also chooses to be kind at every opportunity, and I hope that I do the same. Alice has a quiet nature and that’s one of the qualities I like most about her and about myself too.
What books can you recommend for fans of Honesty and Lies?
Flight and Safe by Vanessa Harbour are great historical reads. Anything by Emma Carroll, Lucy Strange, Lesley Parr, Catherine Johnson, Phil Earle or Kiran Millwood Hargrave.
If you want a pre-order I’m really looking forward to Rhian Tracey’s forthcoming book, ‘I. Spy’.
What are you excited about right now?
I may have some exciting book news on the way, but my lips are sealed!
How would your 10 year old self react to what you do now?
I think I’d be very surprised! It took me a long time to realise that I’m at my happiest when I’m allowed to be quiet. For a long time, I thought that I had to be loud and outgoing to be interesting. I think that being loud is often confused with having something to say and with being a success. I love that I can now accept myself for being the quiet person I was always meant to be.
What is next for Eloise Williams?
I’m working on a few writing things in my own haphazard way but am mostly looking forward to spending some time with my family. Autumn is my favourite season so there’ll be lots of dog walks, warm jumpers, pumpkin soup and ghost stories involved.
If you weren’t an author what would you be?
A detective. I like to think I could be the next Miss Marple!
Huge thanks to Eloise for putting up with our questions, and to Karen for organising the blog tour. Honesty and Lies is available to buy now. Order direct from Firefly Press.
We are delighted to conclude the blog tour for Rebecca F. John’s first novel for children, The Shadow Order. The book has been hotly anticipated and most definitely does not disappoint. Beginning with a unique premise, that shadows begin to show people’s real character rather than an outline of their shape, this is a book that has many curious twists and turns. Those in power ban citizens from going out in the daytime, thus passing ‘The Shadow Order’. From the outset it is pacey and intriguing – the fantasy world is built with care and skill, and the characters are immediately believable and totally likeable. There is a threat that hangs over the characters throughout and these ingredients make for a thrilling and edgy pageturner – authored by a writer with serious talent. Whilst there are pertinent central messages about government control and confinement, the power of rebellion and the will for change, there is an overriding sense of hope. It’s a brilliant read, and we’d say that even if we weren’t in the blog tour.
As with all #TheShadowOrder blog tour posts, we have some exclusive content from Rebecca. First, in a series of posts about the world of Copperwell, we get to know one of the alleys of this fantasy world. (Do visit the other stops on the blog tour to find out more about this wonderfully realised world).
Judge Marlow’s Way Before it was renamed, Judge Marlow’s Way was called Runaway Alley. It was where all the petty criminals of Copperwell lived, stacked together in houses where nothing was safe. Men and women tricked and stole from one another, and no law-abiding citizen dared to set foot there… Except for Judge Marlow, who strode onto the alley one rainy autumn day and declared that from then on Runaway Alley would be made honest, Judge Marlow’s way. Betsy was only a tiny bit of a girl that day, but, cowering in a doorway, she had laughed at Judge Marlow’s declaration. People could not be changed so easily, she’d thought. But that was before the Shadow Order, before she met Teddy and Effie, and before she understood that people really can be changed entirely.
We are also very pleased to bring you this Q and A with author, editor and publisher, Rebecca F. John. Thanks so much to Rebecca for answering our questions with such care – a lot of work goes into organising a blog tour and we are extremely grateful to Rebecca and to Karen at Firefly Press.
What are you reading at the moment?
As usual, I’m reading more than one book. My work as an editor means that I’m always reading several as-yet-unpublished books, in various stages of the editing process. But beyond that, I tend to be partway through two or three published books simultaneously. At the moment, those books are Liz Hyder’s middle-grade novel Bearmouth (which I’m really excited about as I ADORED Liz’s adult novel, The Gifts), and a proof of a novel called The Circus Train, by Amita Parikh, which is due to publish in the UK in 2023 but which I think has been a bestseller elsewhere in the world. I’ve only just started reading both, but I’m equally entranced by the two completely different stories.
Where and when do you write?
Anywhere and everywhere. I’m busier than I ever have been: I started working as an editor for Firefly Press very recently; I set up my own publisher, Aderyn Press, last year; I have published three of my own books this year, and I’m currently working on edits for another which will publish next year; and I had a baby four months ago. So at the moment, I write in bed for about ten minutes between the time when the baby falls asleep and I do! I’ve always felt able to write just about anywhere, though, luckily: at a desk in my study preferably, yes, but also in doctors’ waiting rooms, or in car parks, or hotel rooms, or at the beach. Once I’m writing, it’s very easy to tune out from the rest of the world and exist instead within the one I’m creating.
What was the seed that began The Shadow Order?
As I wrote The Shadow Order, it became apparent that it was being shaped by a number of different ideas, memories, books and more. There was a specific moment, though, when the concept for the central idea – the shifted shadows – came to me. I was walking my dogs, Betsy, Teddy, and Effie, along the beach one early morning. It was cold, just after sunrise, and I noticed that our shadows were very clearly cast across the sand, but also that they were quite distorted: stretched long. With that observation came the inciting incident for The Shadow Order – what would happen, I wondered, if our shadows suddenly started revealing our secret feelings? – and also the characters. It was the presence of the dogs as I had this thought, I suppose, which caused them to become integral to the idea in my mind. Or versions of them, at least. I didn’t start writing the novel for another year or two, but that idea stuck with me, and the world of Copperwell started to build around it, so I knew I had to write it.
You have written for adults and this is your first book for children. Was The Shadow Order always a children’s book?
I never really thought about writing for children, though I’ve long stated that it was a children’s book that made me decide to become a writer. When I read Philip Pullman’s Northern Lights, aged roughly ten, I was so blown away by the characters, the world, (and jealous, of course, of the animal daemons), that I decided immediately that I would become a writer. For some reason, I always imagined I’d be a novelist for adult readers – and I have been and will continue to be. But when the idea for The Shadow Order came to me, I knew it was supposed to be a children’s book. I never questioned that. The concept and the characters came to me quite completely, and, as with all my best story ideas, my task was then to transcribe what was already so well realised in my mind. I ‘see’ my stories in that way: like films, almost; as though they already exist. I was fairly nervous about writing for children. I thought of them as a tougher audience – I still do. But the story existed for me by the time I finished that beach walk, and so I had to tell it.
In terms of the writing process, was writing ‘The Shadow Order’ different to your other
Not really in terms of process. I’m not a great planner and I’m not a great plotter (though I’m a better one now, having written a children’s book!). The story tends to play for me like a film – though not as neatly of course – which I desperately try to get down on paper. I think most writers will say, however, that none of it is ever as good, as vivid, as it is in your mind by the time is reaches the page… I suppose I’m quite a simple writer in that sense, though. I start at the beginning and write to the end, stopping to research when I reach a sticky point. What did feel slightly different was the editing process, which was often focussing on not holding the young reader up, through description, but also through punctuation, for instance. That was a learning curve for me.
Do you have a writing routine?
Absolutely not. I wish I did, but I genuinely don’t have the time. I snatch writing minutes or hours whenever I can. Perhaps if I were a full-time writer, I might develop a routine, but I’m not sure that would suit me particularly. I think those aspects of routine which, by necessity, I lack, are made up for with industriousness. I work incredibly hard, whenever I’m able. And I LOVE the time I spend writing, so I’m always looking forward to it. One of my favourite things to do is get up very early and write while everyone else in the house (dogs included) is still asleep… I suppose there is one aspect of my life which is routine driven, and which certainly feeds into my writing, and that’s my daily walk. I start almost every day with a dog walk and, like many writers, I find that the act of walking allows my ideas to grow and settle in ways I might never have expected. I don’t know whether it’s something to do with the rhythm of footsteps, or being out exploring and experiencing nature, but whatever it is, I don’t feel that I’d be the same writer if I wasn’t able to walk along the coast or amongst trees.
The Shadow Order has a very unique, almost sci-fi idea at its core which is to do with
space, time and horology. Is this something that interests you? (and how on earth did you
come up with it!?)
It does now! Really the idea grew from that one moment I described on the beach. As I wrote further into the novel, the world obviously needed to be more and more realised, it needed to have its own set of rules – a fantasy novel can’t work otherwise. And as the world grew, so too did these ideas around space, time, and horology. I soon realised that Betsy was a keen amateur astronomer and that added another layer to those developing ideas. I won’t pretend to know very much about any of it. I was learning along with the characters. But it certainly was fascinating to write… As for how I came up with it… Who knows? Writing is so often exploration of a question or an idea the writer wants to know more about, and probably that’s what I was doing with this novel – exploring and musing on the human relationship with the natural world and all that we cannot control.
The main characters of the book are inspired by your dogs, not just in name but in
personality too. Did this lead to any confusion for you?
It actually helped me to develop the characters. Oftentimes, characters begin as a true blank slate. But with Betsy, Teddy, and Effie, I had their funny little ways to refer to, to flesh out the characters which would, inevitably, grow apart from their canine counterparts as human concerns increasingly shaped their thoughts and actions. Still, the characters have retained the essence of Betsy, Teddy, and Effie’s personalities, I think. Betsy remains the apparent leader of the pack, but with a need to lean on her friends for support. Teddy still lacks confidence compared to the others, but is loyal and true. And Effie’s mature and more sensible nature reflects that of the real Effie-cocker-spaniel. It was a lot of fun to humanise them in that way.
The world you have created is fantastically realised. What is the key to making it so tangible?
Thank you… Practise! World building is just another facet of writing – like character development or description – and hopefully, the more we do it, the better we get at it. There are techniques, of course: writing the senses, moving your characters with attention through the space, allowing yourself to develop aspects of that world that will never belong on the page, so that you can know and feel them. But really what I’m saying is you have to believe in it. You need to be able to envisage what your characters might do off the page. Just knowing those things, even if they never leave your mind, will enable you to write more convincingly.
You are a keen walker. How important is walking to your writing process – if at all?
Ah, I touched on this earlier! I think it’s hugely important. So many writers walk, and that can’t be coincidental. There might be something to the rhythm of just putting one foot in front of the other which, I don’t know, encourages ideas to … solidify, almost. Perhaps being in nature nurtures creativity. Maybe it is simply that doing something physical, as opposed to sitting still with your thoughts, helps to shape them. I really don’t know; it’s probably all of those things. What I do know, though, is if I don’t walk, I experience the same feeling I get if I can’t write: an itchy, uncomfortable, discontent which can’t be assuaged by any other means.
What do you hope young readers will get out of The Shadow Order? Particularly, what do
you hope they might learn from Betsy, Teddy and Effie’s journey?
I hope The Shadow Order will encourage young readers to explore and adore the natural world, to challenge the systems they live within, and to nurture their true talents, whatever they might be. Those ideas are central to this novel for me. I hope, too, that they will learn to accept themselves, as Betsy, Teddy, and Effie do. That is something I came to later, after I turned thirty, and something which I think we could talk to young people about more, rather than expecting them to figure it out by themselves. Self-acceptance is not necessarily something we all just arrive at over time.
Which of your characters is most like you?
Betsy, probably. She’s the one who reveals the least of herself, and I think that’s one of my traits. I’m very self-contained. I like to be perceived as always calm, always capable, and so does Betsy. I think, though, that we are forever mining different parts of ourselves for characters. They are perhaps all variations on who the writer is or might be.
Tell us about working with Firefly Press.
Working with Firefly Press has been amazing. Penny Thomas is an incredible editor: experienced, wise, and sensitive. She’s taught me a lot about writing for children and in a completely unobtrusive way. I’ve admired Firefly’s books for a long, long time, so when I had the idea for The Shadow Order, I knew exactly where I wanted it to be published. I’m so pleased the Firefly team were willing to take a chance on me as a first-time children’s writer.
You recently set up Aderyn Press. Why did you feel there was a need and will there be
Aderyn is dedicated to adult books – specifically spooky, historical, and speculative stories. There were a lot of reasons for setting up Aderyn. I wanted to help prove that books of wonderful quality, with global appeal, can be produced in Wales. I wanted to offer a home to those stories which ought to be told, but perhaps don’t quite fit within the parameters of big-five publishing. I wanted to be a female business owner. I wanted to publish first-time authors and really support them through the process. I could go on… I decided, though, that this big project needed to have quite a narrow focus for it to work, so I came to the conclusion that I should publish the kind of books I most like to read. ‘Spooky, historical, and speculative’ best summed that up. Aderyn will publish only three titles a year, since I’m going it alone and there really is SO MUCH involved in publishing a book. I’m scheduled up to the end of 2023 with novels which are completely different which all tell compelling, intricate, and heart-breaking and/or hopeful stories.
What books can you recommend for fans of The Shadow Order?
Philip Pullman’s Northern Lights. Anything by Kiran Millwood Hargrave: The Way Past Winter is a favourite of mine. Eloise Williams’ Gaslight. Catherine Fisher’s The Clockwork Crow. October October by Katya Balen. I loved all of these books.
What are you excited about right now?
So much! The Shadow Order publishing, of course. The book I’m publishing next year being announced. The new ideas I have that I want to write. The huge stack of books I have yet to read. Winter – I LOVE the winter. And planning what comes next. I’m not much of a planner when it comes to narrative, but I love planning for life: little excursions; big ambitions. I try to make the most of every minute.
How would your 10 year old self react to what you do now?
My ten-year-old self would be seeing her dream come true! And actually, I think that’s really important to reflect on every now and then. It’s incredibly easy in this industry to always be comparing yourself to someone else and finding yourself lacking. I published a book, but why didn’t a bigger publisher want it? Or… I sold a book, but not in a big auction. Or… why didn’t my book win a major prize? I’m pretty sure everyone falls into those traps now and then, and I definitely include myself in that. But I do try to remind myself that I have fulfilled my ten-year-old self’s dream. I have published books. They exist in the world for people to pick up and read and find their own dreams or comfort or hope in. My ten-year-old self would be ecstatic about that!
Will there be more books for children?
I hope so. I would like The Shadow Order to become a trilogy, as I don’t think Betsy, Teddy, and Effie have finished with me yet, and I do have an idea for their next adventure. But we’ll see!
If you weren’t an author what would you be?
My first dream was to become a tennis player. I was a very practical child, however, and I soon realised that I really wasn’t very good at tennis. Still, I love to watch it and, in my heart of hearts, I can still quite easily envisage myself on centre court at Wimbledon. Ha! I’m a good dreamer, aren’t I? … Like many writers, there are a hundred things I’d like to be. Perhaps that’s part of the reason we’re writers. I’d like to be a historian, a psychologist, an artist. But at the top of the list is a desire to work with animals. I’d love to offer a retirement home to elderly unwanted dogs – as many of them as possible – and see them live out their days happy.
Thanks again to Rebecca for the content and to Karen for organising. The Shadow Order is available to buy now from your local bookshop or direct from Firefly Press.
What’s the strangest thing to be sent through the post? Well, after a few hours down several internet rabbit holes, I can tell you that there are no limits to the things that people have attempted to send through our beloved Royal Mail. Pets, children, suffragettes, bricks, shepherd’s pie (warm), game (just a label around the neck will do) and a severed ear have all been wrapped and sent in the history of the international postal service. “Mail artists” have sought to push the envelope (thank you very much) and write addresses on unwrapped items such as leaves, apples, potatoes and a piece of toast.
It appears Holly Rivers was inspired by these tales to write The Boy in The Post (charming and funny with a golden heart), her second novel with Chicken House. The book features children mailing themselves to New York in order to solve their problem. You see, the Shalloo siblings have taken on a job for the summer holidays. Their mum is too wrapped up in her second-hand car business to give them her attention and so they answer the call of Grandy Brock to help him establish a new kind of postal service. The kind of postal service that has animals delivering the mail. Animails. Yes that’s right – Grandy Brock has a menagerie of feathers and furs (as well as a rather impressive number of his own children) and is trying to get his new business venture off the ground.
Taber, the youngest of the Shalloo siblings, is responsible for training Geronimo, a pelican, to find it’s way home. Using inbuilt navigation systems, this all goes rather swimmingly (soaringly?) and the bird becomes the best homing pelican you can imagine. However, following an international flight, the bird fails to return home and Taber holds himself responsible. The young boy takes off in the middle of the night, posting himself with a shipment to New York. Taber’s brother and sister become very concerned for him and crate themselves off in a similar manner, embarking on the adventure of a lifetime.
The book has a very classic, vintage feel. The characters are brilliant – written with so much joy you can’t fail to fall in love with them. Grandy Brock is a favourite. He’s eccentric and peculiar but has “a mischievous twinkle in his eyes that hinted at adventure and excitement and fun.” He’s warm and generous and shows kindness that the Shalloo siblings have rarely seen. The book is also laden with some of the best postal-related puns you are ever likely to feast on (it’s all in the delivery!) Now that’s definitely something to write home about.
We’re delighted to be able to share this Q and A with Holly Rivers which delves a bit further into the inspiration behind the book:
Tell us a little about your new novel, The Boy in the Post
The Boy in the Post is a postal-themed adventure story set across land, sea and sky! It follows the Shalloo siblings — adventurous twelve year old Orinthia; nature-loving five year old Taber; and sensible middle child Séafra.
During the summer holidays the three siblings accept a summer job from an eccentric old man called Grandy Brock who lives in a tumbledown windmill. He and his five adopted children are opening a very special postal service called The Mailbox Menagerie, which is to be staffed entirely by animals and birds! The Shalloo siblings become especially fond of Geronimo, a homing pelican. But when the big bird fails to return from a delivery to New York, the Shalloo siblings have no choice but to post themselves across the Atlantic to find her…
What inspired the story?
The story was inspired by a fascinating article published by The Smithsonian Institute, about children who were sent through the mail in the 1900s. Yes, back then it was legal to send your kids through the post! The first child delivered by the U.S. parcel post service was a boy in Ohio, in 1913 — his parents paid 15 cents for the stamps and insured their son for $50, who was then delivered to his Grandmother’s house a few miles away. Even though these children weren’t technically stuffed into mailbags (and instead travelled in the mail vans of trusted postmen) I couldn’t help but start imagining prospective characters being wrapped in brown paper and stamps being stuck to their foreheads; and the idea for The Boy in the Post was born!
What was your favourite piece of information that you uncovered in your research?
I loved reading about loads of other weird and wonderful things that have been sent through the post and intercepted over the years — a turnip with the recipient’s address carved into its flesh; a hive of live bees; false teeth; jars of scorpions; prosthetic limbs; a pair of underpants with an address scrawled across the crotch; a first edition copy of Ulysses deemed ‘obscene’; a brace of game birds; a tree trunk; a building’s worth of bricks; and two suffragettes hoping to get to Herbert Asquith! The bizarre and eccentric side of humanity never fails to inspire and entertain me!
Who were your favourite characters to write?
I had a hoot (excuse the pun) coming up with ideas for my animails — the animals and birds that work at The Mailbox Menagerie. I really let my imagination run wild and ended up penning a homing pelican who gets paid in sardines; a fruit bat who will only work the night shift; a pair of Sphynx cats in charge of licking stamps; an octopus who can deliver 8 parcels at a time; and snakes who cane spell out postcodes with their bodies. All the while I had my own pet chihuahua, Silver snuggled up on my lap — whose snores and farts and woofs made the experience all the richer! She even turns up in the last chapter of the book…..
What do you think the key message is to take away from the book?
I hope that the story inspires readers to embrace more old-school ways of communicating in their post-pandemic lives. During lockdown — a time dominated by zoom calls and emails — sending and receiving letters from family and friends during brought me so much joy; and there was nothing lovelier than hearing the postman coming up the garden path. I hope the book inspires children to switch off their screens, go buy some stamps and put pen to paper. I’m always open to receiving letters from new pen-pals!
You wrote the book during lockdown, how was that as an experience compared to writing your first novel Demelza and the Spectre Detectors?
When I was working on Demelza I was able to take my laptop to so many different locations to write — libraries, cosy pubs, cafes, parks, the northbound Piccadilly line, number 91 bus! But because of lockdown and the fact that all of our worlds had suddenly become a lot smaller, the entirety of The Boy in The Post was written at an antique desk gifted to me by Grandma. I was surprisingly focused and motivated during lockdown and managed to write the first draft of the book fairly quickly. Penning an epic transatlantic adventure also meant that I could travel the world and go on a journey even though I wasn’t allowed to leave the house — it felt like a real tonic!
You work as a children’s workshop facilitator, does this help to inform your writing?
As you can see from the acknowledgments sections of both Demelza and The Boy In The Post, the children I work with are a huge inspiration to me and my writing. They buoy me with their ideas, energy, humour, warmth and imagination, and I’m always jotting down the unusual and funny things they come out with! Being around children so much reminds me to remain playful, and they stop me from turning into too much of a grumpy old grown-up!
Thank you to Holly and Laura for the Q and A and for allowing us to host today’s post on the Blog Tour. The Boy in The Post is available now to buy in your local independent bookshop, published by Chicken House. You can follow Holly on Twitter.
It’s a totally bonkers feeling that we get to celebrate the publication day of Thimble and the Girl from Mars with you. An honour and a pleasure to be kicking off this blog tour.
We first met Thimble, the anarchic Monkey Superstar, around 4 years ago. The debut was a fresh and funny madcap adventure full of hilarious slapstick episodes. Plenty of toilet humour and unbelievable escapades, with the parents (particularly Douglas, the dad) ending up as the ‘butt’ of the joke. Our children have laughed out loud with Thimble and Jams and have grown up loving this favourite series.
That first book was rightly nominated for the Lollies Laugh Out Loud Award, at which point Jon Blake wrote us a rather wonderful blog introducing Thimble to the nation. Do check it out.
Subsequent books, Holiday Havoc and Wonga Bonkers, continued to thrill new generations of the Bookworms family and even inspired one to commit an outrageous act in a branch of IKEA.
All this brings us to Thimble and the Girl from Mars, the newly published installment featuring an extremely unlikeable girl who wants to claim Thimble as her own. This feisty and intelligent foster child, with fantastic football skills, is a mean match for Jams as she manipulates his family and charms his primate pal. Jams needs to use all his wits to keep Thimble on his side. Just like the rest of the series, this is great fun, fast-paced, light-hearted and ever so slightly unhinged!
Jon Blake has written over 60 books for children (and many more radio scripts and books for adults). He is well used to questions, having regularly carried out school visits. Indeed he answered our Q and A back in 2017. But “What are the best questions that children have asked Jon Blake?” we hear you call through the Internet. Here is some exclusive Blog Tour content:
We are very grateful to Jon for sharing this video with us and look forward to finishing Thimble and the Girl from Mars as our current bedtime read. The book is out now and you can buy signed copies from Jon here.Follow Jon and illustrator Martin on Twitter, and check out Jon’s website because there is plenty to explore!
The Queen on our Corner is a very special picture book written by Lucy Christopher and illustrated by Nia Tudor. Both Lucy and Nia were born in Wales so we are delighted to take part in this book tour (and even without the Welsh connection, we’d jump at the chance to celebrate such a lovely book!).
The Queen in question is a homeless lady who lives on the corner of the street with her pet dog. She is ignored by most, feared by some and often seen as a nuisance. But as Lucy Christopher writes, “She is just tired from all the battles she has fought and won, and the ones she has fought and lost too.” The adult reader may see real-world problems in this statement, but the child narrator imagines the fascinating adventures that the Queen may have had combatting dragons and journeying to the far reaches of the globe. It is clear that illustrator Nia Tudor enjoyed these flights of fancy too and these imaginings form the basis for the wonderful endpapers.
Later in the book, the Queen is responsible for an act of extreme braveness and kindness which averts a certain disaster in the street. Suddenly, attitudes change and the residents want to give their thanks and support to the lady who they now acknowledge. But what can they do to show their gratitude? The child narrator has a wonderfully generous and heart-warming thought, but you’ll need to read or listen to the book yourself to find out!
Lucy Christopher was inspired to write this story by the compassion and charity of her friends. She urges all readers to look for the queens in their lives and to reach out. Don’t you think we should treat everyone like a queen? You never know the adventures they have had in their lives.
We absolutely adore Nia’s illustrations in The Queen On Our Corner, her first published picture book. The autumnal palette is just gorgeous and we love the characterisation of the people in the street and have enjoyed spotting the nods to adventure through hidden items in the wonderful spreads. Nia was very kind and answered a few questions from bookworms Kit and Nina to mark the occasion.
What was your first reaction to Lucy Christopher’s words? I thought it was a beautiful story with an important message, and I instantly started imagining the possibilities for the illustrations.
What is your favourite illustration in the book? The picture that shows the whole street. I loved how much detail I was able to put into it.
How do you illustrate? I illustrate digitally using my iPad Pro and Apple Pencil in Procreate.
What is your reaction to seeing the book in the shops? It’s very surreal! I’m just really flattered that there are people out there who are enjoying the book.
We love the dragons and mountains that you included in the book. Are you inspired by Wales? Yes, it was great to include a little homage to my heritage through the dragon!
THE QUEEN ON OUR CORNER is now available in all good bookshops! OR, buy your copy from Lantana’s online shop and donate a book to children who need books the most with your purchase.
Thank you to Katrina and Lantana for inviting us to participate in the book tour. You can follow Lucy, Nia and Lantana on Twitter, and find out more about the author and illustrator at their websites.
We are very happy to be part of the blog tour for His Royal Hopeless, the debut novel from Chloë Perrin, published by Chicken House. We heard that Chloë had been brought up in North Wales so were keen to support them and find out more.
His Royal Hopeless is funny, tender and wise, centering on Robbie – the heir to the Sinistevils – the most wicked dynasty in the world. He can’t wait to pledge his heart to the menacing power of the family Sceptre and embark on his bloodthirsty future. The thing is, Robbie is … well … nice. And when he discovers his heart has been swapped for clockwork, he’s incapable of believing Mother had dark intentions. Instead, he embarks on a quest to retrieve his heart, claim his wicked destiny, and secure Mother’s pride at last. But Mother has other ideas …
Billed as ‘Despicable Me’ meets ‘The Descendants’, this is a fun and absorbing fairy tale from a new voice in middle-grade fiction.
What are you reading at the moment?
I’m reading The Peculiar Tale of the Tentacle Boy by Richard Pickard at the moment – it’s an offbeat adventure about a girl and a mysterious boy with tentacles for hair and crab claws for hands. It’s really heartfelt, funny and wonderfully twisted (all my favourite things in a book).
What are your favourite books?
I absolutely LOVE Terry Pratchett and the Discworld
series, his “fantasy-gone-wrong” tone really influenced me as a writer! I also
love Diana Wynne Jones’ Howl’s Moving Castle, for the wonderful and
hilarious characters but also for the complete Welsh-ness of it all.
Where and when do you write? Do you have a routine?
My writing routine is woefully non-existent!! I tend
to end up writing in any spare moment I have, usually late at night fuelled by
dangerous amounts of coffee and toast (would not recommend).
What was your journey to publication?
My journey to publication was quite a fun one. I
entered His Royal Hopeless in the Times Chicken House competition
in 2019 and was longlisted, which was amazing! However, when I didn’t make the
shortlist I assumed HRH’s journey was over for the time being- until I got a
phone call from Chicken House saying that while HRH wasn’t right for the
competition they still wanted to have a chat about it. A coffee-shop meeting
and several panicked emails to my university lecturers with the subject header
“what do I do what do I do???” later, and HRH was on its way to publication!
You are a “North Walian writer who currently lives in London”. Tell us about your Welsh upbringing.
I grew up in the tourist town of Llandudno and lived there for most of my life. Llandudno isn’t such a rural area but there’s still mountains whichever way you look, castle ruins down the road and wild goats wandering the streets completely nonplussed by the people. And, of course, there’s Snowdon, Yr Wyddfa, less than an hour away. I love the history you see walking around London, but nothing will beat the wildness of North Wales for me.
Does Wales or coming from Wales, have any influence on your writing?
I think all the things I mentioned about North Wales
in the previous question pretty much set me up to write fantasy-adventure
stories. The fact that Robbie and Layla need to traverse through deep forests
and treacherous mountains is a very Welsh influence on HRH. I also used to work
as a storyteller, which involved reciting Welsh folklore by heart, and the
constant practice of retelling exciting and often frightening stories about
castles and magic and devious villains really moulded what I’d eventually end
up writing down.
In His Royal Hopeless, there is an optimistic message for readers about forging your own path and accepting yourself for who you are. How deliberate and planned was this?
Without giving anything away, I always wanted HRH to
be a book about understanding yourself in spite of what the world around you is
telling you to be, so it was very deliberate. The optimism, I went back and
forth on- I appreciate children’s books that give layers of reality to the
lessons they teach, and I definitely didn’t want to completely sugar coat the
ending of HRH. Hopefully I struck the right balance, but we’ll see what people
What are your hopes for His Royal Hopeless?
I hope that HRH will give perspective to people who
may be in Robbie’s situation without realising it. It’s SO easy for us to get
stuck trying to be something that’s actually harming us, and no one is immune
to Robbie’s level of obliviousness. But honestly, I’ll just be happy if the
readers laugh at the jokes!
What’s the best piece of writing advice you have received?
Have projects ready. They don’t need to be polished,
but when competitions start calling for submissions you don’t want to be stuck
with only a third of a first draft to hand.
The book is brilliantly illustrated by George Ermos, including some internal illustrations. What were your thoughts when you first saw them?
I ADORED them!! My biggest anxiety around HRH wasn’t
“what if people don’t like it?”, but “what if it has a bad cover?” The moment I
was told George Ermos was designing it, however, I never had that worry again.
I was honestly stunned by the final design. George Ermos has done an absolutely
amazing job. And Robbie’s crown! I very much want that crown.
Could you recommend any other books for those who enjoy His Royal Hopeless?
The books I mentioned before – any of Pratchett’s middle grade work or Diana Wynne Jones’ Howl’s Moving Castle. I wouldn’t dare put myself on their level but we do share a “this is fantasy but not quite how you remember it” tone I know children will love. Also, they’re hilarious.
Do you have any other projects on the horizon?
A few little things, but I’ll also be starting my
Creative Writing MA at Brunel University London this year so I’m going to be
busy either way!
What question have we forgotten to ask you?
What my favourite sweet is, and it’s
Terry’s Chocolate Oranges. And yes, if you see me in the street you should definitely hand me one and I will graciously
HIS ROYAL HOPELESS by Chloë Perrin is out now in paperback (£6.99, Chicken House), available from all good bookshops including your local independent store.
Thank you to Chloë for answering our questions. Follow Chloë on Instagram @chloeperrin_author and Twitter @ChloePerrinUK
We are absolutely thrilled to be taking part in this Blog Tour for Swansea-based author and illustrator, Helen and Thomas Docherty. They really are the perfect picturebook pairing and have just published yet another playful, engaging and colourful story that will entertain by the bucketload.
The Snaffle has arrived in the city and she just wants to play – but everyone is distracted by phones, tablets and devices. They don’t seem to have time for each other. So the Snaffle becomes The Screen Thief and embarks on a mission to change the city into a more playful and more caring place. Ultimately, eating screens doesn’t do this for her, and leaves her feeling lonely, but a wonderful friend called Max is kind and caring and together they put things right.
Clearly ‘screen time’ is a huge issue for parents and teachers and striking a balance is important in all our lives, so this book will appeal to everyone looking to provide more than a subtle dose of encouragement to adopt healthier habits.
Helen’s joyous rhyming text is funny and great fun to read aloud. Thomas’ illustrations are so vibrant and full of detail – we’ve been poring over them over several bedtimes, reading the emotions of the characters and looking how they change through the story.
It’s totally apt therefore that Thomas joins us on this blog tour to give an insight into the illustration process.
Creating the Snaffle: Thomas Docherty on illustrating THE SCREEN THIEF
Throughout the story, the Snaffle
goes through a whole range of emotions, so above all she had to be expressive. At
the same time she gets up to plenty of mischief, so she needed to be dynamic. I
also had to make sure that she was loveable. After all, she acts with the
innocent impulses of a small child and that vulnerability comes through at the
end of the story.
As always, she went through many
versions before we decided on the final design. From the start, her general
body shape remained more or less the same. The hard part was solving the
question of how to resolve her face and head.
In the end I found that the long ears helped to make her very expressive
and the trunk was fun and surprising. It was also good for sniffing and tasting
It mentions in the text that the
Snaffle is small and blue. I was going to be painting the illustrations by hand
and I wanted the Snaffle to stand out. I found a bottle of blue ink that I
particularly liked, renamed it SNAFFLE BLUE and used it only for painting the
I had a lot of fun hiding the Snaffle
in the library, the cinema and the TV shop and I hope children will enjoy
looking for her in the illustrations. My favourite moment where she eats a
screen is when she is walking away with the ice cream sign from outside the
When I’m creating a book, lots of the
ideas never get included. If there was one set of pictures I would have liked
to keep, it was of the Snaffle reacting to the different tastes and textures of
the screens. In the end there just wasn’t room for everything.
One early idea that I’m glad was
taken out was a moment where the Snaffle is arrested by the police for eating
everyone’s screens. It’s just too sad!
The city is full of so many other
characters. Originally I imagined these as made up creatures but in the end we
went for animals, which made the Snaffle stand out more.
I had so much fun drawing them all
glued to their screens, oblivious to everything around them.
Of course the Snaffle wants to join
Creating The City
One of the fun things about
illustrating The Screen Thief was
that it is set in a city. I hadn’t drawn a city before in a picture book and I
was excited about all the visual opportunities that this presented. It also
meant a huge amount of work as I had to plan the city from scratch.
At the beginning, I tried a slightly
futuristic city with rounded buildings and bubble cars. However, in the end we
decided that it would be more relatable to children if it was set in the
The most complicated image to compose
was the first page when the Snaffle arrives in the city. I tried lots of
options including a train station and coming out of a subway. In the end I
wanted to show all the main locations in the story on this page, so I went for
a roof top view of a square. You can see Max’s house, the Library, the cinema
and the park.
I even drew myself a map to make sure
I knew where all the other places the Snaffle visits made sense.
The city is full of shops selling all
sorts of things (I actually walked past a cactus shop just like this recently!).
Of course the Snaffle is only interested in the TV shop…
As always, some of my rough ideas
didn’t make it into the book. I did some sketches of inside the animal’s homes
and some other locations which would have been fun to include.
Although cities are full of life, the
Snaffle soon discovers that they can be lonely places too. There is a moment in
the story where despite all the screens the Snaffle has gobbled, she still
feels empty inside. What’s missing? Nothing that a screen can give her, what
the Snaffle needs is a friend. Setting this scene in a deserted ally seemed to
fit the Snaffle’s mood.
The park is not mentioned in the text,
but it seemed the perfect place to develop the key message of the story. At the
beginning, the Snaffle comes across children in the playground. They are so
absorbed in their screens that they are not even playing. However, by the end
of the story the park has been transformed into a magical space full of activity.
Max and the Snaffle have managed to bring everyone together.
Huge thanks to Thomas Docherty for preparing this blog and sharing his insight and these amazing images.
Zillah Bethell’s stunning new novel is finally here and we are thrilled and delighted to be able to post a special blog on publication day.
We have a review of the book, plus some special musical content to mark the occasion.
Inspired by Bethell’s childhood, The Shark Caller is set against the backdrop of the islands of the South Pacific, and their traditional practice of shark-calling. Zillah was born in the shadow of the volcano Mount Lamington in Papua New Guinea. It’s a jaw-dropping story of friendship, forgiveness and bravery which is harvesting some remarkable reviews.
Reviews, as they say, have been ‘rave’. And before we get to ours, just take a look at what others are saying…
“Magnificent and beautiful.” Sophie Anderson @sophieinspace
“A master storyteller with an adventure that will catapult children into wildness & wonder.” Abi Elphinstone @moontrug
“Outstanding storytelling that is at once moving, heart-stirring and life-affirming.” Alison, Booksfortopics
“Beautiful and lyrical storytelling.” Shapes @shapes4schools
“Stunning and powerful. One of the best books I’ve ever read!” Mary Rees @marysimms72
“A beautifully written book” Emily Weston @primaryteachew
“Feels like it should be a classic.” Andrew Rough @teacher_mr_r
“An elegiac and very beautiful book.An absolute winner!” Ben Harris @onetoread
The Shark Caller really is a remarkable book that will leave you completely stunned and totally in awe of the wonderful storytelling.
Blue Wing lives with her guardian Siringen, a shark-caller, on the outskirts of her village. She’s desperate to become a shark-caller herself to avenge the death of her parents, who were killed by notorious shark, Xok. But it’s against tradition for a girl to become one, and Siringen believes Blue Wing still harbours too much anger in her heart.
When two Americans arrive on the island – Professor Atlas Hamelin and his daughter Maple – Blue Wing is charged with looking after the prickly and infuriating Maple. But, slowly, Blue Wing finds that Maple might be the one person who can understand what she’s going through, having recently lost her own mother. And when they discover that Professor Hamelin is secretly searching for an ancient treasure, they find themselves on a journey to the depths of the ocean, where Xok lies waiting…
The Shark Caller is really something! My first impression after reading the book was to sit in stunned silence. The book touches the heart, and speaks to the soul.
Let me lay my cards on the table. I am a big Zillah Bethell fan. The Extraordinary Colours of Auden Dare, her last book, is one of my absolute favourite novels of all time. I am a sucker for good storytelling, the best of which, for my money comes from Katherine Rundell, Gill Lewis, Kiran Millwood-Hargrave, Catherine Johnson, SF Said and Sophie Anderson. I’d put Zillah in this list. These are authors who have a magical ability to craft their stories, weaving the universal human condition with their enchanting threads.
The story is set in New Ireland, Papua New Guinea where Blue Wing and her guardian Siringen are charged with caring for a visiting professor and his daughter. The girls take an instant dislike to each other, but slowly realise they have things in common and a voyage of both self-discovery and learning the ways of friendship begins.
The landscape is beautifully portrayed and we are given a real sense of the geography of the country. A vista of small towns and mines is painted alongside the mountains, forests and shimmering Pacific seas. The flora and fauna of the island is an integral part of the book, not least the sharks, whales and dolphins that swim alongside Blue Wing and The Shark Caller.
The novel is a technicolour, cinematic delight. There are highly vivid, intense scenes; wide-screen viewing in 4D could not be more impactful. Yet this is the joy of reading and particularly the joy of Zillah’s writing – she somehow makes us feel the expansiveness of the landscapes alongside the intimate thoughts and deep emotions of the characters close-up.
There is a juxtaposition between the traditional island ways and the Westernisation of the culture. The ‘Bigman’ (village chief) is a symbol of this: swigging Coca Cola, disowning his heritage and admonishing those who take the remedies of the village witch doctor. His incompatibility and ineptitude with the old ways is often depicted with humour particularly in the awkwardness with which he wears his ceremonial dress.
Bethell’s narration inhabits the character Blue Wing, bringing life and love to her thoughts, actions and talk. Throughout, there is huge wisdom. I particularly like this:
People are like rocks on the shore. The sea will slam into the rocks day after day after day. Hour after hour after hour. Oltaim. But the rocks still look like rocks, they do not become something else. There might be a few scars and parts of the rock might crumble like dust into the sea.But they are still almost the way they were when they were created by Moroa.
The same is with people. There is nothing that can happen on this world that will stop a person being who they are. We are all born a certain way, and we all die a certain way.
This is an astonishing book. An exceptional story from an incredibly talented writer. Read it open-mouthed in wonder at the storytelling, revel in the wisdom, the sage and salient thoughts of Blue Wing, the remarkable sensitivity and deftness of touch on essential human themes of life, death, love, family and friendship. More than anything, just read it.
Usborne have produced a great video in which Zillah talks about The Shark Caller – we thought it worth posting here.
In the review, we mention that the book is a vivid cinematic delight, told in technicolour and with Dolby Surround Sound. Quite often when I’m reading I hear a soundtrack in my head – accompanying music to suit the mood or reflect the emotions of the book. This was particularly true for The Shark Caller so I spoke to Zillah about her love of music and her Shark Caller Playlist.
“When I’m writing, I work in my head, so I need silence for that. Otherwise, especially when driving, I like music. Schubert’s Impromtu in G Flat No. 3 played by Horowitz and Beethoven’s Piano Concerto No. 5, 2nd movement played by Zimmerman are my favourite classical pieces but I love all genres – particularly club and disco for dancing.
“My favourite song is Thieves Like Us by New Order, and I love Neil Young, Paul Simon, Morrisey and Marr, Kirsty MacColl, New Order, Manic Street Preachers, Neil Finn, Bill Withers, Blondie, John Legend, Kate Bush, Sia, Taylor Swift, I could go on…”
Below is The Shark Caller playlist as suggested by Zillah, featuring some of her favourite artists. We love the opening Bowie track and will be test-driving the whole playlist in car journeys.
As the final credits roll on The Shark Caller blog post, we need some accompanying music, so here is a new piece entitled ‘Blue Wing’. This is for Zillah and I hope she likes it! I hope she hears it full of contradictions and feels it as a physical and emotive reaction to the book.
The Shark Caller is available to buy now from your local bookshop. Thank you to Usborne, Zillah Bethell and Fritha Lindqvist for everything! Follow Zillah and Usborne on Twitter and seek out Saara Katariina Söderlund, the cover artist, on instagram. Also – go and check out the other blog posts in the tour – there are some brilliant pieces of new writing from Zillah to be found. Our review was originally published last year when we were sent a proof copy by Usborne.