The Song That Sings Us is an exhilarating new novel from Nicola Davies to be published in October by Firefly Press. We feel hugely privileged to be asked to reveal the cover which features stunning artwork by Jackie Morris.
The Song That Sings Us is the story of twins Ash and Xeno, and their older sister Harlon, who has been raised to protect her younger siblings because they have siardw: a power to communicate with animals that is outlawed by the state. But when the ruling sinister Automators attack their mountain home, they are forced to flee for their lives. It is an immediately gripping edge-of-the-seat first chapter, which sees the siblings escape on snowboards down a dangerous gully.
The thrilling and dangerous adventure continues as each must journey alone through the ice fields, forests and oceans of Rumyc to try to rescue the others and fulfil a mysterious promise about a lost island made to their mother.
Nicola told us: “The Song that Sings Us is rooted in all that I really know about animals; their ability to think, to feel and to communicate. But it is not set in the real world; it is a fantasy adventure with chases and escapes, fights and mysteries, death and miraculous life. It contains magic, but that part of the story is real – the real magic of nature with which every human has deep need to connect.
“I hope that, in travelling to this fantasy world, readers will see the truth of ours.”
The book has a touching dedication to Jackie Morris, Cathy Fisher and Molly Howell, and whilst Jackie Morris and Nicola Davies have been friends for years, this is the first time they have worked together. As well as the cover illustration, Jackie has created beautiful artwork for the chapter headings.
Jackie Morris said, “When you love a book so much it is the hardest thing to work on the cover. I try to give everything to every piece of work I do, but in this case there was the long friendship I have with Nicola Davies, a person I both love and admire, AND the fact that the story is amazing.
“Trying to do the words justice is always the problem. For this cover I worked on clapboard, a medium new to me, but one that made the colours of the starling really sing. They are such beautiful birds. And it was so important that the image sings, in every way possible. Finding the image for the book, that’s another problem, but somehow that little starling, so full of its own power, she is what sang out from the text.
“I heard this book first. Nicola and I often would call each other when we’d done the first drafts of a work, and read to each other. Restrictions had eased and Nicola, Cathy Fisher and I were a bubble, and Nicola would come around every week with the next ‘instalment’. How utterly amazing. It made images dance in my mind’s eye. It was an honour and a privilege to work on this cover. For now it’s the best it can be, and my hope is it’s the beginning of a series. I cannot wait for the next one.”
Special proof copies of The Song That Sings Us are landing on doormats this week. A limited edition deluxe gift hardback, is available to pre-order now and will be published on 14th October 2021. Visit the Firefly Press website to place your order.
Follow Nicola and Jackie and Firefly on Twitter for more updates. You can listen to Nicola read the first chapter of The Song That Sings Us below.
Golden Flowers for Little Dragon is the latest book by Dr Ffion Jones, a Swansea-based author whose books deal with challenging and difficult topics. The illustrations are by Gareth Jones. This book fills a need for child-friendly literature to support the thousands of families that are forced to deal with the devastating news that their child has a life-limiting disease.
Ffion’s previous books have dealt with bullying, inclusivity, social issues and the Nurse Ted series which is used to explain serious illnesses, such as cancer, to children.
Ffion told us, “Families supported by charities such as ‘Together for Short Lives’ said that their children had very few books with which they could identify. As one parent said, books can help you realise that your feelings after a bereavement are normal and that things can get better.
“Golden Flowers for Little Dragon focuses on the siblings’ feelings and looks at how they cope at different stages of bereavement. My hope is that children reading the book will identify with the characters, and that caregivers can use the book as a gentle way to open a dialogue about loss and grief.”
We are delighted to be asked to reveal the cover, and so without further ado, here is Gareth Jones’ artwork:
Golden Flowers for Little Dragon follows a dragon family’s journey through loss and grief following the death of the youngest sibling, Little Dragon. Covering life before Little Dragon dies, his death, and then the period of time after his death, the book supports children preparing for or coping with the death of a sibling, including those with rare or undiagnosed conditions. By focusing on how Little Dragon’s brother and sister, Tan and Dewi, are affected by his illness and death, the book normalises confusing emotions such as anger, guilt and sadness that may seem overwhelming to a child faced with these circumstances. The book also includes an information section, written by a paediatric palliative care nurse, incorporating questions for children to work through with adults.
Illustrator Gareth Jones, said, “It’s been a privilege to work with Ffion on Golden Flowers for Little Dragon. I felt it was important that the characters in the book were believable, expressive and reflected the story accurately. Living in Swansea it seemed fitting to champion Wales’ unique and magical landscapes such as Three Cliffs and Paviland Cave that are fit for dragons to roam.”
The book has already received high praise from professionals and healthcare organisations.
This beautifully written story gently explores the most difficult of topics; the death of a sibling. I look forward to recommending to families in the future and only wish it had been around for many families in the past.
Dr Jo Griffiths, Consultant in Paediatric Palliative Medicine
A key strength of the story is the overriding message that everyone responds to the loss of a loved one differently, but that all emotions are equally valid.
Ffion Jones is a children’s author and illustrator, focusing on books that deal with challenging subjects. She has a PhD in English Literature from the University of Wales, Bangor. She writes and illustrates the Nurse Ted series (www.nurseted.com), which is used worldwide to help parents explain serious illness such as cancer to children. More recently, she founded a social enterprise called Fly Me Stories (www.flymestories.com) which sends personalised stories to seriously unwell children all around the UK. Her other books include Emily is Being Bullied: What Can She Do? co-authored with Professor Helen Cowie and Dr Harriet Tenenbaum (Jessica Kingsley Publisher, 2018), A School for Everyone: Stories & Lesson Plans to Teach Inclusivity & Social Issues (Jones, Cowie, Tenenbaum, Jessica Kingsley Publisher, September 2021) and To the Moon and Back (Ventorros Press, November 2021). Ffion lives in Swansea.
We are absolutely thrilled to be taking part in this Blog Tour for Swansea-based author and illustrator, Helen and Thomas Docherty. They really are the perfect picturebook pairing and have just published yet another playful, engaging and colourful story that will entertain by the bucketload.
The Snaffle has arrived in the city and she just wants to play – but everyone is distracted by phones, tablets and devices. They don’t seem to have time for each other. So the Snaffle becomes The Screen Thief and embarks on a mission to change the city into a more playful and more caring place. Ultimately, eating screens doesn’t do this for her, and leaves her feeling lonely, but a wonderful friend called Max is kind and caring and together they put things right.
Clearly ‘screen time’ is a huge issue for parents and teachers and striking a balance is important in all our lives, so this book will appeal to everyone looking to provide more than a subtle dose of encouragement to adopt healthier habits.
Helen’s joyous rhyming text is funny and great fun to read aloud. Thomas’ illustrations are so vibrant and full of detail – we’ve been poring over them over several bedtimes, reading the emotions of the characters and looking how they change through the story.
It’s totally apt therefore that Thomas joins us on this blog tour to give an insight into the illustration process.
Creating the Snaffle: Thomas Docherty on illustrating THE SCREEN THIEF
Throughout the story, the Snaffle
goes through a whole range of emotions, so above all she had to be expressive. At
the same time she gets up to plenty of mischief, so she needed to be dynamic. I
also had to make sure that she was loveable. After all, she acts with the
innocent impulses of a small child and that vulnerability comes through at the
end of the story.
As always, she went through many
versions before we decided on the final design. From the start, her general
body shape remained more or less the same. The hard part was solving the
question of how to resolve her face and head.
In the end I found that the long ears helped to make her very expressive
and the trunk was fun and surprising. It was also good for sniffing and tasting
It mentions in the text that the
Snaffle is small and blue. I was going to be painting the illustrations by hand
and I wanted the Snaffle to stand out. I found a bottle of blue ink that I
particularly liked, renamed it SNAFFLE BLUE and used it only for painting the
I had a lot of fun hiding the Snaffle
in the library, the cinema and the TV shop and I hope children will enjoy
looking for her in the illustrations. My favourite moment where she eats a
screen is when she is walking away with the ice cream sign from outside the
When I’m creating a book, lots of the
ideas never get included. If there was one set of pictures I would have liked
to keep, it was of the Snaffle reacting to the different tastes and textures of
the screens. In the end there just wasn’t room for everything.
One early idea that I’m glad was
taken out was a moment where the Snaffle is arrested by the police for eating
everyone’s screens. It’s just too sad!
The city is full of so many other
characters. Originally I imagined these as made up creatures but in the end we
went for animals, which made the Snaffle stand out more.
I had so much fun drawing them all
glued to their screens, oblivious to everything around them.
Of course the Snaffle wants to join
Creating The City
One of the fun things about
illustrating The Screen Thief was
that it is set in a city. I hadn’t drawn a city before in a picture book and I
was excited about all the visual opportunities that this presented. It also
meant a huge amount of work as I had to plan the city from scratch.
At the beginning, I tried a slightly
futuristic city with rounded buildings and bubble cars. However, in the end we
decided that it would be more relatable to children if it was set in the
The most complicated image to compose
was the first page when the Snaffle arrives in the city. I tried lots of
options including a train station and coming out of a subway. In the end I
wanted to show all the main locations in the story on this page, so I went for
a roof top view of a square. You can see Max’s house, the Library, the cinema
and the park.
I even drew myself a map to make sure
I knew where all the other places the Snaffle visits made sense.
The city is full of shops selling all
sorts of things (I actually walked past a cactus shop just like this recently!).
Of course the Snaffle is only interested in the TV shop…
As always, some of my rough ideas
didn’t make it into the book. I did some sketches of inside the animal’s homes
and some other locations which would have been fun to include.
Although cities are full of life, the
Snaffle soon discovers that they can be lonely places too. There is a moment in
the story where despite all the screens the Snaffle has gobbled, she still
feels empty inside. What’s missing? Nothing that a screen can give her, what
the Snaffle needs is a friend. Setting this scene in a deserted ally seemed to
fit the Snaffle’s mood.
The park is not mentioned in the text,
but it seemed the perfect place to develop the key message of the story. At the
beginning, the Snaffle comes across children in the playground. They are so
absorbed in their screens that they are not even playing. However, by the end
of the story the park has been transformed into a magical space full of activity.
Max and the Snaffle have managed to bring everyone together.
Huge thanks to Thomas Docherty for preparing this blog and sharing his insight and these amazing images.
Books to develop insight into the culture, people and history of Wales
This St. David’s Day, we’ve decided to take a look at some brilliant stories with a Welsh context. These are books that will fire the imagination and connect children to the landscape and the communities of Wales, both now and in the past. We hope that our suggested reading list is fuel for teachers, parents and reading enthusiasts from Holyhead to Haverfordwest and Highmoor Hill to Hawarden. We also have some suggestions for activities that will help to get to know these books better.
Reception (Age 5)
Tad-cu’s Bobble Hat was Malachy Doyle’s 100th book and was recently included in the Iechyd Da wellbeing pack from the Welsh Books Council delivered to all Welsh primaries. Set in the Cambrian Mountains not far from Machynlleth, the story features a boy and his tadcu (grandfather) on walks through the hills. On one particular trip the snow falls and tadcu lends his bobble hat which is then lost. The book, illustrated by Dorry Spikes, deals with the loss of a grandparent in a very gentle way and the symbolism of the changing seasons can be explored whilst connecting with the intergenerational theme and the welsh landscapes. ‘A touching story that conveys the warmth and joy between two generations, and handles the universal themes of love, loss and renewal with gentleness. On one walk, as Tadcu gets older, his special bobble hat is lost. Winter sets in and with it, life dies. When the thaw of spring arrives, the boy returns to the hillside walk to look for the hat. Its discovery brings comfort and a renewed sense of love and positive memories.’
Year 1 (Age 6)
The Quilt by Valeriane Leblond is a wonderful picturebook that can be read and enjoyed by any age. Children and adults will be captivated by the gorgeous illustrations that take us from rural Wales at the turn of the 20th century to the New World via Liverpool. This book connects us to our past but could also open up conversations about migration, homes, family, travel as well as Wales’ unique landscapes. ‘A beautifully illustrated story about emigration and homesickness. A little girl lives with her parents on a farm near the coast, around the turn of the twentieth century. Times are hard and the family decides to emigrate to the USA, raising the fare by selling all of their possessions except for a black and red quilt lovingly hand-made by the mother. The little girl feels homesick and sad at times, but the memories and love contained in the quilt help her overcome this and adapt to her new life. The book offers a message of hope which is sure to strike a chord with many adult readers: when things look bleak, remember that happy times will return.’
Little Honey Bee also has illustrations by Valeriane Leblond and is written by Caryl Lewis. The Welsh landscapes are evident throughout the story which will connect readers to the rich plantlife of their locality through a sensitive story about a bee-keeping grandma. ‘One wintry night, Elsi is left on her grandmother’s doorstep. Elsi is as silent as snow until Grandma shows her a secret at the bottom of the garden…’
Year 2 (Age 7)
Owen and the Mountain by Malachy Doyle and Giles Greenfield has echoes of Tadcu’s Bobble Hat in that it highlights a warm and loving relationship between a boy and his grandfather. Climbing the remote Welsh mountain can be seen as a metaphor that is difficult for both grandfather and grandson. Ultimately this is a story about love, achieving your heart’s desire and the glory of nature. ‘Owen is visiting his grandad and he wants to climb the mountain. But his grandad is not sure. The journey is long and tiring and when they succeed they are not only happy to have completed a difficult task but have also learnt a bit more about each other.’
The Seal Children by Jackie Morris is a story built on the celtic myth of half-woman half-seal selkies, and is set just above St. David’s Head. ‘When a fisherman falls in love with a selkie she gives him her sealskin as a sign of her love, and bears him two children, Ffion and Morlo, before returning to her own people. When a stranger comes to the village, telling of a land far away, the children remember their mother’s stories of the cities of gold and pearls beneath the waves…’ The Hamilton Trust have written teaching notes for The Seal Children aimed at Year 4, and you can hear Jackie read the book below.
Cities in the Sea
While considering books for this list, it became clear that there are many excellent quality stories about the legend of Cantre’r Gwaelod – the prosperous land accidently flooded when the gates to the low-lying kingdom were left open. These three versions are suitable to read together (and work great as a read-aloud) to bridge the journey between Year 2 and Year 3.
Year 3 (Age 8)
Wendy White has some really brilliant stories all about Welsh communities. Short manageable chapters make these great books for newly independent readers to try for themselves. But there’s great humour to be had in reading aloud – especially the Welsh caricatures in the seasonally apt St. David’s Day Is Cancelled.
The Snow Spider by Jenny Nimmo is a classic story that has to be included in this list. About to mark its 35th birthday following the recent TV adaptation by Owen Sheers, The Snow Spider is another story that features the Welsh landscape almost as an additional character. It’s also great for empathy as readers have to come to terms with the reactions of different family members to the disappearance of Gwyn’s sister. More mature readers could be encouraged to investigate the links to the Mabinogion. ‘Gwyn’s grandmother leaves him five gifts: a brooch, a piece of dried seaweed, a tin whistle, a scarf, and a broken toy horse. She tells him they will help make him a magician – but can Gwyn use them to bring his missing sister, Bethan, home?’
Year 4 (Age 9)
Two books that have dual Italian-Welsh heritage are Sweet Pizza and King of the Sky. Both of these books provide opportunities for children to discover an important part of Welsh history – Italian cafes or ice-cream parlours were commonplace at one time. Sweet Pizza by G.R. Gemin, is about a South Wales valley café under threat; Joe, has an entrepreneurial spirit like his immigrant ancestors; he is unwilling to accept that the café is a lost cause and has ideas to breathe new life into it and make it the centre of the community once more. The pride that Joe feels for his own heritage, his ancestors and the valley in which he lives is obvious and infectious in this heart-warming book. ‘Joe loves his Italian heritage: the language, the opera, the lasagne! But it’s hard to celebrate his Italian roots in Bryn Mawr, South Wales, where his mam is sick of running the family’s tatty café. Just like his great-grandfather, who opened the café in 1929, Joe is an entrepreneur. He vows to save the family business, and to spice up the tired High Street with a little Italian flavour!’
King of the Sky, meanwhile, features an Italian boy who is finding it hard to call Wales home. Only when he meets the pigeon-racing Mr Evans does he begin to connect and start to belong. Nicola Davies’ perfectly pitched prose and Laura Carlin’s earthy illustrations make this a delightfully evocative book about Wales’ recent past. The book is one of many on this list that would work with all ages, and there are lots of teacher notes available to download. We particularly like the ones from Walker and Amnesty. We made a video about King of the Sky when it was shortlisted for the Tir na n-Og Award in 2018. It made me smile to go back, so here it is again…
The most recent winner of the Tir na n-Og Award (an award for children’s books that have an authentic Welsh context), is Storm Hound by Claire Fayers. I have recently used Storm Hound as a Whole Class Read in my Year 4 class so can vouch that it totally engaged and enthused the children. Based on both Norse and Welsh mythology the story centres on a family new to Abergavenny who adopt a puppy from the Dog Centre; he just happens to be one of the Hounds of Odin’s Wild Hunt! Funny, fast-paced and hugely satisfying with lots of layers to unpeel. ‘Storm of Odin is the youngest stormhound of the Wild Hunt that haunts lightning-filled skies. He has longed for the time when he will be able to join his brothers and sisters but on his very first hunt he finds he can’t keep up and falls to earth, landing on the A40 just outside Abergavenny. Enter twelve-year-old Jessica Price, who finds and adopts a cute puppy from an animal rescue centre. And suddenly, a number of strange people seem very interested in her and her new pet, Storm. People who seem to know a lot about magic . . . Jessica starts to see that there’s something different about her beloved dog and will need to work out which of her new friends she can trust.’
The Valley of Lost Secrets by Lesley Parr was only published at the start of 2021 but it already feels like it belongs in this list. In fact, it feels like a classic as you read it and I’m sure many schools will be adopting it for their teaching as the word begins to spread. It’s a brilliant World War II evacuee story that we described as “a moving love song to the valleys”.
‘When Jimmy is evacuated to a small village in Wales, it couldn’t be more different from London. Green, quiet and full of strangers, he instantly feels out of place. But then he finds a skull hidden in a tree, and suddenly the valley is more frightening than the war. Who can Jimmy trust? His brother is too little; his best friend has changed. Finding an ally in someone he never expects, they set out together to uncover the secrets that lie with the skull. What they discover will change Jimmy – and the village – forever.‘
The Clockwork Crow is a world-class fantasy for children by Catherine Fisher, set at the end of the Victorian era. Taking the myth of the Tylwyth Teg and using it to inspire a trilogy of stories located in a Mid-Wales manor house, provides a treasure trove of interesting links. The eponymous Crow has a mystery of his own, but the talking corvid is not the central character. Seren is an orphan who seeks to belong and is determined to solve the central mystery of a missing child. ‘A magical story of snow and stars; a mysterious gothic Christmas tale set in a frost-bound Victorian country mansion. When orphaned Seren Rees is given a mysterious package by a strange and frightened man on her way to her new home, she reluctantly takes it with her. But what is in the parcel? Who are the Family who must not be spoken of, and can the Crow help Seren find Tomos, before the owner of the parcel finds her?’
Max Kowalski Didn’t Mean It by Susie Day is an extraordinary book. A witty, gritty, profound adventure set in the heart of Snowdonia. It’s got sibling rivalry, dragons and mountains. It’s fresh, it’s real, it’ll make you cry. One reviewer described it as “Jacqueline Wilson meets Alan Garner” and there’s no doubt that this is a raw coming-of-age adventure. ‘Max wants to be just like his dad – fun, loud and strong. Instead, he always seems to be accidentally getting into fights and breaking things. But when his dad starts bringing home mysterious boxes, even more mysterious wads of cash starts turning up. Then Dad disappears. And it’s up to Max to look after his sisters until he comes home.
When they run away to a remote village in Wales, he’s convinced that no one will find them. He’s Max Kowalski. Of course he can look after three kids with no grownups around! Although, he can’t stop thinking about where Dad really went. And the whispers of a golden dragon, asleep under the Welsh mountains…’
Gaslight is a highly atmospheric and very dramatic historical fiction set in Victorian Cardiff. Wales’ Children’s Laureate, Eloise Williams has crafted a rich and vividly descriptive novel that will have you on the edge of your seat. Nansi is the central character, trying to solve the disappearance of her mother, whilst scraping a living between bit parts on the Empire Theatre stage and thieving from rich households. Nansi dreams of finding her own identity and freeing herself from the perilous life she leads. In parts bleak and brutal, this is a gripping tale that will fire many imaginations. ‘All Nansi knows is that her mother disappeared on the day she was fished out of Cardiff docks. Now, in 1899, she can’t remember anything else. With no other family to turn to, she works for Sid at the Empire Theatre, sometimes legally, sometimes thieving to order, trying to earn enough money to hire a detective to find her mother. Everything changes when Constance and Violet join the theatre, both with their own dark secrets. Nansi is forced to be part of Violet’s crooked psychic act. But it’s when Constance recognises her, and realises who her mother must be, that Nansi’s world is turned upside down forever. She is soon on the run for her life and she will have to risk everything if she’s going to find the truth.’
Year 7+ (Age 12 and up)
Traditionally our blog has focussed on the primary years, but as our children grow up (two of them are now over 12) we are learning more about books for more mature children and young adults. We are therefore delighted to recommend these titles for secondary age children.
Non-Fiction for all ages
The book Wales on the Map was published a couple of years ago, and is an indispensable guide to Wales, it’s regions, landscapes, culture and history. It really is essential reading for all and is presented with gorgeous double page spread illustrations in a large format book. Elin Meek has done the research and written the little facts in readable bitesize nuggets while illustrations are by the ridiculously talented Valeriane Leblond, who has several books on this page.
For those looking to explore specific periods of history in Wales, then the Wicked Wales series published by Gomer presents the information in a similar manner to the Horrible Histories books.
Folk Tales and Legends
We’d also like to recommend some folk tales and legends to spark your imagination – there are a number of really fantastic versions available. A special mention for the newly published Welsh Fairy Tales, Myths and Legends by Claire Fayers which is a cracking compilation of short stories – some familiar, some not so familiar, but all told with Claire’s friendly fireside storytelling voice – there’s a real focus on building each story and telling it well. It’s going down a storm in our house with all ages from 8 to 46 (am sure it appeals to older and younger too!).
Claire is also contributing towards a new collection of stories from The Mabinogion. The Mab has now received full funding for publication and will feature stories from some of our best-loved authors, put together by Eloise Williams and Matt Brown. You can pre-order your copy here.
Here’s a gallery of other folk tales and legends that have captivated us:
5 Activities to encourage Reading for Pleasure with books from Wales
Many of these ideas are credited to research carried out by the Open University Reading for Pleasure groups, in association with the UKLA (UK Literacy Association). I have provided links to the examples of practice on their website, where relevant. These are all tried and tested methods in my own classroom and can be easily transferred to the home setting. This is not about comprehension tasks or analysis of writing – it’s about firing a spark and reading for pleasure!
1. Book Blanket
A Book Blanket is essentially where you lay out books and encourage readers to look, read the blurbs, dip in, see what appeals and then, importantly, talk about it. If you’re in school you can do this with a whole class and have a little crib sheet that they fill in, or tick the ones they like the look of and want to read later. At home, you can engage in more detailed conversations about why books appeal; what do we think they will be about; have we read anything similar? Book blankets are normally carried out on a ‘theme’ so collecting together books about Wales is an ideal opportunity. If you don’t have many books about Wales, you could widen it to books by Welsh authors.
Similar to the Book Blanket, Book Tasting is a means to show children that there are more genres, more authors, more stories to be found. It is about widening their reading repertoires and showing them new stories in a fun and interesting way. Provide a selection of books for children to look at. Make it fun by turning the classroom into a cafe – tablecloths, menus, flowers… that kind of thing. You could put on an apron and be the waiter/waitress attending to the cafe customers. Children can write down the menu of books they have chosen and discuss with friends which ‘flavours’ they enjoyed most and would like more of. Again, it’s important to encourage ‘book talk’ – find out why particular books are chosen. A special Welsh cafe for St. David’s Day would be rather wonderful wouldn’t it?
Here’s one for the grown-ups. The research by Open University shows that a teacher who has good knowledge of the available books is much better placed to give a suitable recommendation and foster reading for pleasure in the classroom or home. If you want a vibrant and diverse collection of books for children to explore, which should include books from Wales, then you have to develop your knowledge of these texts.
Much has been written about the reliance on celebrity authors and also the reliance on the authors of our childhoods like Dahl and Blyton, but for many teachers it’s seen as a professional responsibility to increase their own knowledge of available books.
So how about this: get out a map of Wales and place the books in their geographical locations. Are there gaps on the map? Do you have books that children in your community can relate to? Are there some places in Wales that inspire more stories than others? Do the characters reflect the realities of the children you teach/parent? You may want to explore the Tir na n-Og shortlists of the past in conjunction with our blog post.
Adopt an author is an idea to engage with one author and find out more about their work. In the context of Books from Wales, you could choose any of the authors, although it would work particularly well with Claire Fayers, Eloise Williams, Jenny Nimmo, Valeriane Leblond, Catherine Fisher, Jenny Sullivan, Sian Lewis, Jackie Morris as these names have more than 1 book set in Wales. You could widen it to include authors from Wales – in which case this graphic will be useful…
Children could be encouraged to become an expert in that author and produce a presentation; make promotional posters; record readings (try to keep the focus on the book, themes and connections – this isn’t a biography.)
5. Write a Letter
This is a bit old school, but authors love to hear when children have enjoyed their books. Writing a letter helps to connect the child to the book and to the author. Why not get children to write to the author of their favourite book set in Wales, explaining why they like the book so much? P.G. Bell, Welsh author of The Train to Impossible Places, is a big fan of letter writing and has produced some supportive resources.
Composing a tweet is a similar idea – and sometimes more challenging for a child to express themselves in a limited number of words.
This delightfully shimmery new Christmas picture book comes from Cardiff author and illustrator, Rebecca Harry. Rebecca has published a number of well-loved stories with Nosy Crow and this tale featuring Christmas Mouse is a fantastic addition to the set.
Mouse is very excited for Christmas, but first she needs to find a home! On her way through the forest, she meets Fox, Bunny and Bear, all in need of a little help – which she gladly offers. Things don’t look good for Mouse though, the light is fading and it looks like she won’t have a cosy home for Christmas. Luckily, her new friends are about to reward her generosity with a very big surprise…
This is a wonderfully gentle and warm story perfect for 2 to 5 year olds – they will love the character of Mouse who shows great kindness to others and demonstrates how a community is built on caring, hospitality and friendship.
The story leaves you with a glow and the illustrations are equally soft and tender. Rebecca’s smouldering winterscapes set the Christmas scene, making the animal house interiors seem even more warm and inviting with cosy fires and hot chocolate. The added foils on every page bring a seasonal glint to this festive tale.
Grab a Christmassy drink, curl up with your little ones, get cosy and enjoy A House for Christmas Mouse, in which animals teach us all about humanity.
A review and Q&A with Helen Docherty and Thomas Docherty.
Pirate Nell’s Tale to Tell is the latest collaboration between husband and wife team Helen and Thomas Docherty. The pair have separate successful careers but have often worked together with amazing results.
Helen has always loved stories and as a child would make her own books (you can see some fine examples on her website). Her early career was as a languages teacher both in the UK and in South America. In 2010, encouraged by Thomas, she began writing again and they published ‘Ruby Nettleship and the Ice Lolly’ together. This was followed in 2013 by her first rhyming text, The Snatchabook, since translated into 22 languages, nominated for many awards and considered a classic by everyone from Booktrust to CBeebies.
Since he was very young, Thomas has always enjoyed drawing and keeping sketchbooks. He was a big Asterix fan. His first book, Little Boat was shortlisted for the Kate Greenaway Medal in 2009. He has since written and illustrated 4 more solo works, 5 books with Helen and 5 books with other authors.
They live in Swansea with their two children and, through Storyopolis, enjoy helping children and young people to write their own Book in a Day.
Pirate Nell’s Tale to Tell (Sourcebooks) is a charming and colourful rhyming story about independent Nell. Beautifully detailed illustrations capture the tumbling waves, sea monsters and idiosyncratic shipmates. Our eponymous heroine, the newest member of the pirate crew, relies on knowledge, learning and books to chart the seas and live the pirate life. Captain Gnash is too proud, dismissive and closed to new ideas, and he certainly doesn’t approve of books being on board! Cue Nell showing him the error of his ways, the joy of books and reading, and finding life’s real treasure.
We are delighted that Helen and Thomas have answered some of our questions. Huge thanks to them both.
What are you reading at the moment?
I’ve just finished Girl, Woman, Other by Bernadine Evaristo, and I’m
sorry it’s come to an end; it was a brilliant and absorbing read.
still read to our girls (age 10 and 12) every night, though they’re both avid
readers themselves. Over half term we enjoyed Carbonel by Barbara Sleigh
– a Halloween gem from my own childhood. We’ve just started The Castle of
Tangled Magic by Sophie Anderson and next up is Max Kowalski Didn’t Mean
It by Susie Day.
Thomas: In an
attempt to keep my Welsh up over lockdown (we’ve been learning for a number of
years) I’ve got through most of my daughter’s Welsh teen novels, most recently
the Yma trilogy by Lleucu Roberts, but also her brilliant adult novel Saith
Oes Efa (challenging Welsh but very rewarding). Before that I read two
books by Kathleen Jamie, Sightlines and Among Muslims, both
beautifully observed and poetic real journeys in words.
As a husband and wife picturebook team you must have more opportunity to discuss your ideas together?
Yes, we’re very lucky in that we can brainstorm ideas for stories, give each
other feedback on story drafts and develop characters or plots together. The
first book we collaborated on, Ruby Nettleship and the Ice Lolly Adventure,
was very much a joint effort. Having said that, when Tom is working flat out
illustrating a book, he doesn’t have a lot of free time (or headspace) to
discuss new ideas – it’s such a time-consuming job!
Do your own children input into your ideas?
Helen: A few years ago, a conversation with our youngest daughter directly inspired me to write a picture book text. She asked me whether it’s possible for a parent to love a new baby as much as their other children, and I reassured her that we’re not born with a limited amount of love to give, and that You Can Never Run Out of Love. As soon as the words left my mouth, I knew I was onto something, and I started working on the text that very night.
our eldest daughter was feeling anxious at the beginning of lockdown this
spring – as so many of us were – and missing her friends and grandparents. I
wrote a new picture book text, All the Things We Carry, partly in
response to this. The central message is that we don’t have to bear our worries
alone; we carry one another, even when we are apart.
Thomas: I love our
daughters’ pictures (all children’s pictures) and I sometimes wish my own
illustrations could be as free and spontaneous as theirs. I’m still waiting for
them to hand me a best seller on a plate though!
Helen, when you start to write a picturebook text, what are you hoping to achieve? (Do you have a set of overarching aims?)
Picture books are a child’s first encounter with books and stories. They can
help to frame children’s understanding of the world, and they introduce them to
new concepts and ideas. They can also be a vehicle for exploring different
emotions and how we deal with them. That’s why writing picture books feels like
such a privilege to me – and also a responsibility. I want each book I write to
carry a positive message – not just for children, but for the adults reading
it, too. I want children to care about the characters in each story. And, of
course, I want to entertain my audience.
What, do you think, makes a successful picturebook?
There are so many different ways in which a picture book can be successful. I
guess the ultimate litmus test is, do you want to read it – or have it read to
you – again (and again)? The best picture books endure multiple readings, and
become more loved over time.
Thomas, the endpapers are often a place of innovation, humour and thought-provocation. What is their importance?
Thomas: When creating the endpapers you are freed from the
constraints of the story, but at the same time you have the chance to add
something new or unexpected. It’s a chance to take the reader further into the
visual world you have created, maybe in a different direction. I sometimes like
the end papers more than the illustrations inside the book, possibly because
they stand alone and speak for themselves.
Pirate Nell celebrates the power of reading. Sharing stories is also a central theme of The Knight Who Wouldn’t Fight and The Snatchabook. Are you on a mission?
Apparently so! Believe it or not, it’s never been intentional, in that I didn’t
set out to write a series of ‘books about books.’ However, I’ve always been a
bookworm and I strongly believe in the power of stories to bring people
together and nurture empathy, so perhaps it’s no surprise that it’s become a
Captain Gnash is the ‘top dog’, yet he doesn’t listen and is quite arrogant. Is it too much to read a political message into the story?
What could a greedy, power-obsessed pirate captain with an over-inflated ego, a
disdain for books and very few actual skills possibly have in common with any
of the great political leaders of our time?
hope our young readers will be more inspired by Pirate Nell’s example; she is
brave, compassionate and eager to share and to help others.
The character of Captain Gnash was first conceived in an earlier version of the
story, Captain Gnash and the Wrong Treasure, which I started working on
at the very end of 2016. Here are the opening verses:
Just two things mattered to Captain Gnash:
Making his fortune; and fame.
He was desperate to find some treasure,
And for all to know his name.
He worked very hard on his image
(He took selfies every day).
But woe betide any pirate
Who dared to get in his way.
His temper tantrums were famous;
You could hear them for miles around.
The other pirates did their best
To block out the terrible sound.
The book features some glorious seascapes and coastal illustrations. Are you inspired by your local Swansea shores?
Thomas: If I wasn’t
a children’s book illustrator I would like to draw landscapes. In fact, I often
sketch when we go out walking – so I’m definitely inspired by the Swansea
shores. The Knight who Wouldn’t Fight is full of Brecon Beacons inspired
hills, a nod to Castell Carreg Cennen and a twisty tree you can find half way
up Skirrid Fawr.
Absolutely! I grew up by the sea (in Weymouth, Dorset) and I’m so happy that we
live by the sea on the beautiful Gower peninsula now. Knowing how much Tom
loves to draw the sea, I wrote Pirate Nell’s Tale To Tell for him to illustrate.
You’re both learning Welsh. Sut mae’n mynd?
Thomas: Da iawn
It’s been a real effort over many years, but we’re both so happy that we can
now speak (and understand) Welsh – as can our daughters, who both attend Welsh
medium schools. Cymraeg was my Granny’s first language, and she would be so
proud – and pretty amazed – to see us all now. O bydded i’r hen iaith
Could you recommend any favourite picturebooks?
Cross The Line! By Isabel Minhos Martins and Bernardo P. Carvalho
illustrated by Christian Robinson
We have so many favourites in our house – too many to mention! Anything by
Shirley Hughes. I would second Christian Robinson’s books – he’s a genius. When
Tom and I first met, we found we had a favourite picture book from our
respective childhoods in common: How Tom Beat Captain Najork and his Hired
Sportsmen by Russell Hoban and Quentin Blake. One of the books which has
most inspired me over time is The Sneetches by the great Dr Seuss. And a
book I always return to is Leon and Bob by Simon James. So understated,
so much heart – and the best last line in any picture book I’ve ever read. Gets
me every time.
The Screen Thief is coming in 2021. What can you tell us about it? Is it a follow-up to The Snatchabook?
The Screen Thief is about a little creature called the Snaffle who
arrives in the city hoping to make friends to play with. Unfortunately,
everyone is too busy looking at their screens. When the Snaffle eats a stray
mobile phone out of curiosity, she develops a taste for screens… But will they
ever really satisfy her hunger? This story was so much fun to write, and I love
the world that Thomas has created with his illustrations. It wasn’t intended as
a follow-up to The Snatchabook, but there are obvious similarities. And Snatchabook
fans might enjoy spotting Eliza and her friend on a couple of pages in The
Do you have any other projects on the horizon?
Thomas: I’ve got a
new book of my own out with Egmont in April called The Horse That Jumped
– it’s full of landscapes! Helen and I are also working on a new book together
for Sourcebooks in the US called Orange Moon, Blue Baboon and I’m just
starting the illustrations for that now.
Helen: I have three other picture books commissioned by different publishers, all soon to be illustrated (by different illustrators, not Thomas): All the Things We Carry, The Bee Who Loved Words and Someone Just Like You. And of course, I’m always working on new story ideas… Watch this space!
Thanks again to Helen and Thomas for taking the time to answer our questions. Pirate Nell’s Tale to Tell is published by Sourcebooks and is available from your local independent bookshop.
Thomas’ new book, The Horse That Jumped is published in April 2021 by Egmont. The Screen Thief publishes with Alison Green Books in May 2021.
Earlier this week, a crowdfunding campaign was launched to finance a new version of The Mabinogion for young people. These are the earliest prose stories of Britain and have been hugely influential on storytelling across Europe. With contributions from 11 acclaimed Welsh writers for children, the new book promises to be an epic retelling for a new generation. Each tale will be written in English then translated into Welsh by Bethan Gwanas and will feature glorious illustrations from the incredible Max Low.
The book is being put together and edited by Children’s Laureate Wales, Eloise Williams and Matt Brown who will also contribute a story each. Matt posted this video to explain more about The Mab.
The book, which is not yet a reality, is seeking publication through Unbound, a crowdfunding publisher. Readers choose a reward – everything from a signed copy of the book to author virtual visits – pledge their money, and wait for the project to be 100% funded.
At Family Bookworms we are giving this project our full support and backing and would encourage you all to visit the unbound website to donate if you can. As one of our worms says:
Eloise Williams, Children’s Laureate Wales and author of 4 novels set in Wales, told us, “As far as we know, there isn’t another collection like it! We have so many amazing people working on the project and we are so excited to bring the stories to everyone.”
So let’s take a look at the amazing cast of contributors and hear directly about their involvement, their excitement and their motivations…
The Mab will feature illustrations by Max Low.
It’s been a real pleasure to be involved in #TheMab launch. Please head over to Unbound to donate if you can. We’ll be keeping a close eye on the funding target over the coming months.
Thanks to all the authors and illustrator for giving us some exclusive content. While we wait for The Mab, and if you have any money left after donating on Unbound, you can head over to your local bookshop and buy a book by one of the contributors. Here’s our recommendations*:
*Firefly Press will publish Daydreams and Jellybeans by Alex Wharton in Spring 2021.
**Images on this page (the author profiles) were made by EW Graphic Designs and are not to be reproduced without permission.
Popular illustrator and artist Valériane Leblond has written her first book for children, as well as painting the images that bring the story to life. Valeriane was brought up in Angers, France but moved to Wales in 2007 and now lives in a farmhouse near Aberystwyth. Valeriane speaks French, English and Welsh.
The Quilt (Y Lolfa) is a beautifully illustrated hardback offering a message of hope and hiraeth. The picturebook pages are captivating taking us from rural Wales at the turn of the 20th century to the New World via Liverpool. We love the colour palette and how this changes as the family enter America (reminiscent of Kyffin Williams’ tone in his Patagonian paintings) and the buzz of Liverpool is Lowry-esque in it’s industrious hustle and bustle. This truly is a stunning book and we felt compelled to get in touch with Valériane to find out more.
Could you tell us how you became an artist?
I’ve always enjoyed drawing, painting and being creative in general, so it happened quite naturally. I had another job for a few years before being able to go full time though.
What was your own journey to settling near Aberystwyth?
I had a Welsh boyfriend that I met at University in Brittany and I followed him home here to Ceredigion. I didn’t know much about Wales at the time, but I felt welcomed here, and I fell in love with the place and its people. Now I’ve got three sons who were born here, I’ve learnt the language and I feel that I can make a contribution through my art.
What are you reading at the moment?
I’m reading a novel called Le Principe by Jérôme Ferrari about the physicist Heisenberg. It’s sometimes a bit too clever for me!
The Quilt is an incredible achievement. How long did it take to complete?
Thank you! It must have taken 6 to 8 months to write, and about 3 months to illustrate. I was working on other projects while writing, but I worked full time on the illustrations.
What attracted you to the story?
I always wanted to illustrate a story about a Welsh quilt, I think it is a fascinating craft, visually and historically. And I’ve always been interested in movements of people, especially to North America as my father was from there.
What are your methods of illustration?
I have several techniques, and I love varying and experimenting. I always use a sketchbook to draw roughly the silhouettes and plan the compositions. For The Quilt, I worked with gouache and coloured pencils on paper, and to obtain the muted palette and the sepia overall tone I dyed the paper with brown ink before painting.
The story absolutely suits your illustration style – particularly the period and lifestyle – is this just coincidence?
No, it’s not just coincidence. Being both the author and illustrator has been a very interesting experience: the text has been feeding the illustrations, the illustrations have been modelling the text too. There are pictures that I just wanted to paint for a book some day, like the double page with a small ship in the big ocean, and this was the perfect opportunity.
Did it involve a lot of research?
Yes, there was a lot of research involved. I got help from the historian Menna Morgan in the National Library, and from quilt expert Jen Jones of the Welsh Quilt Centre and I used pictures and paintings from different archives as references for the illustrations.
What’s the most interesting thing you learned from your research on The Quilt?
I loved learning about anything food-related : what people ate on the ship, the ‘discovery’ of different food like watermelons, pumpkins, sweetcorn in North America. I would love to explore further the relations between food, home, and place in the future, in a book or in my art.
What was the inspiration for the design and colours of the quilt itself?
I needed a quilt design that would be realistic for the period. After talking to Jen Jones I realised that a bold black and red flannel quilt would suit the story, and I used an existing quilt from her collection.
There is a symmetry between the family’s new life in America and the life they leave in Wales. How did you go about making these connections?
I wanted to show that places have a lot in common rather than insist on the differences. I’m interested in the idea of “home”, and it is a universal theme we can all relate to, whether we are grown-up or not, wherever we live or come from.
Do you consider yourself an artist or an illustrator?
It’s difficult to answer, but I would say both. When I work with another author, I am definitively an illustrator, but for The Quilt, I might tend towards being an artist!
The Quilt is a fine example of a picturebook where the images give as much information as the words. Do you have any favourite picturebooks?
My all-time favourite is The Ox-Cart Man by Donald Hall and Barbara Cooney. The text is beautifully written and works by itself, and Barbara Cooney’s pictures are extraordinary. I also love Where the Wild Things Are by Maurice Sendak. When pictures go beyond the text it literally creates a new dimension.
The book was published in Welsh first then English. Are there any differences between the two versions? Which language did you originally write it in?
I wrote it in French, my mother’s tongue, first. Then I re-wrote it in English, and finally in Welsh. I also worked on the pictures before finishing the text, so it’s difficult to say what is the original version! I think the Welsh text might be more poetic, but it might be down to the language itself!
Can you tell us something about your next book/idea/future plans?
I’m currently working on a language book with Rily Publications, which involves thousands of small pictures, and I’m also about to start on a very exciting book about Siani Pob Man, an eccentric woman who lived on the beach near New Quay in the 1900s’.
If you weren’t an author/illustrator what would you do?
Maybe a teacher? Or a researcher of some kind? There are a lot of things I would enjoy doing I think!
Thank you / diolch / merci Valériane for answering our questions. The Quilt by Valériane Leblond (£5.99, Y Lolfa) is available now from your local independent bookshop. You could also order it direct from Y Lolfa.
Here is a unique book, the first in a series, that aims to tell the story of baroque music to a new, young (8+) audience. It’s an eye-catching and engaging volume and educational too. Further books on classical, romantic and modern music styles will follow.
The books have been put together by Mark Llewelyn Evans, himself an opera star with a successful career and wealth of experience with Welsh National Opera and other UK-wide companies. Mark is the creative director of ABC of Opera; an organisation offering educational workshops around the country (more info here). Established landscape artist Karl Davies has ventured into the world of illustration and has brought the words to life with incredibly sparky artwork in this colourful and vibrant book.
Mark Llewelyn Evans says: ‘I was 14 when I saw my first opera and was blown away by the whole experience. To this day opera still captivates me, and I wanted to introduce the next generation to this incredible art form in a unique way – one that would not only engage them with the beautiful music but also with the genius composers who created this world. I wanted each composer to come alive, step out of the book and into the hearts of the children. With 97% of the children we have met through the ABC of Opera workshops asking to meet the composers, we knew it was time to open the doors to The Academy of Barmy Composers.’
With Karl Davies, Mark has created a storybook that takes us back in time to learn factual information about the baroque period and its composers. Jack and Megan find a forgotten trunk in an old music hall which takes them back to 1597. They meet the inventor of opera, Professor Peri, who introduces them to the likes of Monteverdi, Handel and Purcell. The narrative text, in many ways, makes this an accessible book to a wide audience. Little footnotes and wry nuggets of explanation adorn the pages making it great fun. There follows some extremely informative pages at the back of the book where fact-seekers will revel in learning about other baroque composers, baroque instruments, operatic voices and more!
Opera is defined as a story set to music and this thrilling history of baroque music is aptly wrapped in a story that will delight and educate in equal measure. We can’t wait to read the rest of the series!
On this page, we list published authors and illustrators from Wales. These brilliant folk are either born in Wales, raised in Wales or established in Wales. If there’s anyone missing, please let us know.
Daddy Worm thought that an A to Z of Welsh authors would be a great way to develop knowledge of children’s writers – particularly as he is a teacher and is now better informed in those all-important discussions at Book Club.
Research by the Open University has shown that a teacher’s knowledge of children’s literature is highly significant in developing children as readers who can and DO choose to read. You can read more at this link.
A Huw Aaron Lauren Ace Sophie Anderson Dan Anthony
B Laura Baker P.G. Bell Zillah Bethell Jon Blake Karla Brading Stephanie Burgis
C Anne Cakebread Elen Caldecott Phil Carradice Karin Celestine Lucy Christopher Horatio Clare Nathan Collins Tracey Corderoy
D Huw Davies James Davies Karl Davies Nicola Davies Helen Docherty Thomas Docherty Diane Doona Jonny Duddle Heather Dyer
E Fran Evans John Evans Mark Llewelyn Evans
F Claire Fayers Catherine Fisher Helen Flook
G G.R. Gemin Maria Grace Robert Graves
H Maggie Harcourt Rebecca Harry Sam Hay Eric Heyman Graham Howells
I Rhian Ivory
J Gilly John Catherine Johnson Cynan Jones Jac Jones Tudur Dylan Jones
K Sarah Kilbride
L Valériane Leblond Emma Levey Caryl Lewis Gill Lewis Rob Lewis Siân Lewis Helen Liscombe T Llew Jones Jenny Løvlie Max Low
M Paul Manship Sharon Marie-Jones Wendy Meddour Elin Meek Daniel Morden Ruth Morgan Jackie Morris