We are absolutely thrilled to be part of this astronomical blog tour and are delighted that Christopher Edge has answered some questions set by the young worms. You can read our review of The Infinite Lives of Maisie Day now or later.
What are you reading at the moment?
I’ve just finished reading Daemon Voices, a wonderful collection of essays from Philip Pullman on the art of storytelling. I always read in bed at night before I go to sleep, so for the past few weeks I feel as though I’ve been having some rather intense late-night discussions with Philip Pullman!
Could you tell us how you got into writing?
I’ve been writing stories since I first learned how to write, although publication came much later. Following a short-lived career in teaching, I made the move into educational publishing and there had a role reading some of the best contemporary children’s literature being published with a view to discovering novels that teachers might want to use in the classroom. Reading books by authors such as Frank Cottrell Boyce, Sonya Hartnett and Philip Reeve showed me the brilliance and ambition of the stories being told in children’s fiction and made me want to write my own, which I then started doing on the commute to and from work. After a couple of unpublishable novels that are still locked away in a drawer somewhere, I wrote the story that found me my agent, and then a publisher and so finally realized my dream.
Do you miss teaching?
As you might have guessed from my description of my short-lived teaching career, the answer is no! I was waylaid into teaching by the film Dead Poets Society and misled into believing that all you needed to do to be a great teacher was inspire students to stand on desks declaiming poetry.
Where and when do you write?
In the best tradition of Roald Dahl and Charles Dickens I have an office at the bottom of my garden that I retreat to. When I’m writing the first draft of a story I like to immerse myself in this writing full-time, but other times I’ll be travelling to events with a notebook handy so I can keep scribbling away on the move. I actually think I do some of my best writing on trains, so would quite like to be hired as the writer-in-residence on Great Western Railways.
You have written several books for budding authors. What is the most important piece of advice you have on this?
Every writer is a reader and every reader can be a writer too. Fill yourself with stories and I believe your own will start tumbling out.
Which books and authors inspire you?
Too many to mention! Every book I’ve ever read feeds the roots of the tree my stories grow from. Many years ago, bunking off school to get my comics signed my Neil Gaiman inspired me to dream that one day I could be a writer and I’ve blogged about this here.
How do you choose names for your characters?
For me, every story starts with a character and they seem to come to me with a name attached. For The Infinite Lives of Maisie Day I had an image of a girl opening her front door to find an infinite blackness outside and the moment this image came into my mind, I knew this girl’s name was Maisie.
Do you have any connection with Wales?
I’ve walked the whistling sands on the Llyn Peninsula, visited Conwy Castle as a child, but think my strongest connection to Wales is my love of the Super Furry Animals!
You’re clearly interested in Science. Where did this interest come from?
I didn’t enjoy science at school, but as I’ve got older my interest in science has grown. Watching documentaries made by scientists such as Carl Sagan and Professor Brian Cox make me marvel at the sheer wonder of the Universe, and I now find myself picking up books by popular science writers such as Brian Clegg and Carlo Rovelli to read for pleasure!
Your most recent books have been full of scientific ideas but there is often an emotional human story at the heart. Is this a fair assessment, and do you see either as more important?
I think both science and stories approach the same questions from different angles. Why are we here? What makes us human? How do we know we really exist? Both science and fiction help us to make sense of the world, with all its wonder and possibilities as well as its inevitable pain. In my books I hope to use scientific ideas to explore the human condition and tell stories about love, loss and family. Without heart, the story would be a lifeless thing.
You have a Spotify playlist for Jamie Drake. Are you planning one for Maisy Day? If so, what would be your top choices?
Yes, there is a soundtrack for The Infinite Lives of Maisie Day – actually there’re two! As well as my own chapter-by-chapter soundtrack for the book, there’s also a soundtrack that’s been curated by BBC Radio DJ Chris Hawkins of the songs the story reminded him of. And the one song that made it onto both soundtracks is the mesmerizing ‘Birthday’ by The Sugarcubes, whose queasy beauty sets the scene in my mind for the opening chapter of the story. (For more on this visit the Nosy Crow blog).
We love the covers by Matt Saunders. How much involvement do you have with this and how important is it for you that the cover somehow reflects your writing?
I love Matt’s cover art too and the brilliant design that Nosy Crow create for my books. I’m very lucky in the fact that I’m allowed to comment on the cover concepts and designs as these are developed, and feel incredibly proud that the first contact a reader might have with my books comes via Matt’s cover art as I love the way my stories are represented by his artwork.
Can you reveal anything about what you’re working on at the moment?
I’m writing a new novel at the moment which should hopefully be published in Spring 2019. I can’t say too much about it at the moment, but it’s about friendship and what it means to be alive.
What question do you wish we’d asked?
I’m just glad you didn’t ask me to explain infinity!
Thank you so much to Christopher Edge for indulging us. Did you know he came with us to Scotland? Read our review now.
The Infinite Lives of Maisie Day
Review by Noah (age 10) with Mummy Worm
Terrifying and terrific science educates as much as it entertains.
A few weeks ago we took Christopher Edge on a very long car journey. It was one of the most interesting car journeys we’ve ever been on – one which expanded our minds and took us to other dimensions. We’d heard so much about his ‘science’ novels, and the Albie Bright audiobook was out-of-this-world amazing. Imagine our keenness and delight, when we were invited to review Edge’s new story, The Infinite Lives of Maisie Day.
10 year old Noah was drawn in by the ‘familiar world’ story of gifted Maisie, also 10, struggling to make sense of her relationship with her big sister. He was more fascinated by the terrifying science bits and keen to share his new found understanding of “dark matter” with his confused Mother (who decided to read the book for herself to understand what her very intelligent-sounding son was going on about!) Mum enjoyed feeling (temporarily) super-intelligent too and anticipates some impressed stares from her Mummy friends as she and Noah discuss the authenticity of the plot’s ability to anchor familiarity in its setting, whilst at the same time enabling the space-time distortion to feel weirdly authentic.
There comes a point in the story, a very powerful and crucial point, where the mystery begins to unravel and things start to change, heading towards a resolution – this is Noah’s favourite part. The vivid descriptions of optical illusions such as Escher’s never ending staircase chill as much as they thrill. The alternate universe and the superb and frighteningly convincing explanation of events make this a unique book from a unique author – Noah has never read anything like it, nor has Mum, hence its huge appeal. This really is a book you must pick up and you won’t want to put down.
With its challenging concept, engaging plot, endearing narrator and satisfying conclusion, The Infinite Lives of Maisie Day is a “boss read”. Noah would recommend it especially to anyone in Year 6 or Year 7 who enjoys thrilling heavenly stories!
We were part of the Maisie Day Blog Tour – you can read a Q and A with Christopher here.
The House with Chicken Legs
My house has chicken legs. Two or three times a year, without warning, it stands up in the middle of the night and walks away from where we’ve been living.
The House with Chicken Legs has been garnering lots of praise since proof copies found its way into the hands of readers just before Christmas. Booklover Jo called it “the most accomplished debut”, whilst The Bookseller described it as “utterly magical and highly original” and countless enthusiastic authors including Claire Fayers, Stephanie Burgis and Kiran Millwood Hargrave have used words such as “spellbinding”, “beautiful” and “full of heart”.
How wonderful to come home to this delightfully presented packet. Looking forward to sharing with Noah Worm. Thanks so much! pic.twitter.com/onWi966QPz
— 🏴familybookworms🏴 (@bookwormswales) December 13, 2017
So can 10 year old Noah add any superlatives to the list? Well he’d like to start with “fascinating, gripping and really cool!” At the heart of his fascination is the Chicken House itself, borne of the Russian folktale of Baba Yaga but reimagined for the 21st Century. The Yaga House is a house that can walk, changing location whenever it wants to, without warning. Noah tells me it can also grow things – “really cool” does this justice! The Yaga House has a purpose though – it holds the gate through which the dead must walk in order to complete the circle of life. Baba Yaga, our heroine’s grandmother, makes food for the dead to give them a good sendoff.
This lifestyle is far from ideal for Marinka, a complex lead character who comes across as bold and daring but has insecurities. She feels like she’s trapped in the house with no future and no friends; she has no opportunities to build relationships or put down roots because the house keeps moving on. But she is destined to be a Yaga herself and is struggling to accept this destiny. The rebellion of youth does not sit well with this transient life.
Swansea-raised Anderson has written a lyrical and emotional debut; rooted in folklore but completely contemporary. As Marinka struggles with the circle of her own life, we get to explore human themes of friendship, purpose, contentment, life and death. Noah says “It sounds like it’s going to be a gloomy book about death but actually it’s not – you can really empathise with Marinka.”
The book should be in shops come May 3rd and if Sophie Anderson is interested in more praise, then she should know that Noah has placed The House with Chicken Legs next to Sky Song (Abi Elphinstone) in his top reads of 2018 so far.
Thank you to Usborne for providing a review copy of the book in exchange for this review.
Family Bookworms is proud to present our Children’s Books of the Year. Throughout December we will be announcing the shortlists for different categories as chosen by the ‘worms. The categories broadly follow the ages of Noah, Nina and Kit and we will also have a popular vote on Twitter. The categories are as follows:
- Wales Picture Book of the Year
- Wales Children’s Book of the Year (Age 7-9)
- Wales Middle Grade Book of the Year (Age 9-12)
- Wales Illustrator of the Year
- Wales Children’s Book of the Year – People’s Choice
- Family Bookworms Children’s Book of the Year (International Category)
Eligibility for the awards depends on the following criteria:
- The book must be written by a writer who was born in Wales; or is of Welsh parentage; or is a current resident in Wales.* (In the case of Wales Illustrator of the Year, these conditions apply to the illustrator only).
- The book must have been published during 2017.
*Criteria number 1 does not apply to the International Category!
These awards are just another way of us highlighting the brilliant books we have enjoyed this year and promoting some of the wonderful things happening within the Welsh publishing world. It is also recognition that whilst there is a Wales Book of the Year for adults, and an award for a children’s novel set in Wales (Tir na n-Og), there is no set of awards acknowledging the quality of children’s fiction in Wales. Above all else though, this is a bit of fun so please don’t get worked up about it. Let us know your recommendations though – we’re very keen to keep learning and are bound to leave out someone’s favourite.
This page will be updated below as we announce our shortlists.
Picture Book of the Year 2017
King of the Sky, Nicola Davies (author) Laura Carlin (illustrator) WALKER
The Pond, Nicola Davies (author) Cathy Fisher (illustrator) GRAFFEG
You Can Never Run Out of Love, Helen Docherty (author) Ali Pye (illustrator) SIMON & SCHUSTER
The Great Dinosaur Hunt, Helen Look (author and illustrator) GWASG GOMER
The Glump and the Peeble, Wendy Meddour (author) Rebecca Ashdown (illustrator) FRANCES LINCOLN
Mrs Noah’s Pockets, Jackie Morris (author) James Mayhew (illustrator) OTTER-BARRY BOOKS
Children’s Book of the Year 2017 (age 7-9)
Thimble Holiday Havoc, Jon Blake (author) Martin Chatterton (illustrator) FIREFLY PRESS
The Dragon with a Chocolate Heart, Stephanie Burgis BLOOMSBURY
The Marsh Road Mysteries: Dogs and Doctors, Elen Caldecott BLOOMSBURY
The White Fox, Jackie Morris BARRINGTON STOKE
The Story of King Arthur, Sian Lewis (author) Graham Howells (illustrator) RILY
Planet Adventures: The Lost Moon, Pat Roper (author) Huw Aaron (illustrator) BURST
St. David’s Day is Cancelled, Wendy White (author) Huw Aaron (illustrator) GWASG GOMER
MG (Middle Grade) Book of the Year 2017
The Bus Stop at The End of the World, Dan Anthony GWASG GOMER
The Extraordinary Colours of Auden Dare, Zillah Bethell PICADILLY PRESS
Aubrey and the Terrible Ladybirds, Horatio Clare FIREFLY PRESS
Accidental Pirates Journey to Dragon Island, Claire Fayers MACMILLAN
Sky Dancer, Gill Lewis OXFORD UNIVERSITY PRESS
Gaslight, Eloise Williams FIREFLY PRESS
Goodly and Grave in a Deadly Case of Murder, Justine Windsor HARPER COLLINS
International Book of the Year 2017
Moonlocket, Peter Bunzl USBORNE
The Starman and Me, Sharon Cohen QUERCUS
Who Let The Dogs Out, Maz Evans CHICKEN HOUSE
The Song From Somewhere Else, AF Harold (author) Levi Pinfold (Illustrator) BLOOMSBURY
Alex Sparrow and the Really Big Stink, Jennifer Killick FIREFLY PRESS
The Five Realms: The Legend of Podkin One-Ear, Kieran Larwood FABER AND FABER
Beetle Queen, MG Leonard CHICKEN HOUSE
Where The World Ends, Geraldine McCaughrean USBORNE
Radio Boy, Christian O’Connell HARPER COLLINS
The Explorer, Katherine Rundell BLOOMSBURY
Dragon’s Green, Scarlett Thomas CANONGATE
With this post, we aim to make a list of the children’s authors from Wales that we have enjoyed throughout 2017. As it’s Advent, we’ve gone for 24 – one for each window of your calendar. This is not a definitive list of the best authors from Wales – the omission of Dylan Thomas may make that obvious. These are authors that the whole family of bookworms have enjoyed: authors who have given us great pleasure; fits of the giggles; something to think about; episodes of escape; and moments to treasure.
Let’s clear up our criteria at the outset. If you want to play rugby for Wales then there are three ways to qualify: firstly, through birth; secondly because parents or grandparents have been born in Wales; and thirdly, through residency – you must have lived in Wales for three successive years. This is the same criteria we have used for Welsh authors.
In this post, we do not necessarily discuss authors who have written about Wales or have set their books in Wales – that can be dealt with in another post!
In alphabetical order, here’s our list (click on author name to visit their own website or Twitter profile):
As an experienced scriptwriter and short story writer, Dan Anthony has written extensively for children including working on CBBC’s Story of Tracy Beaker and S4C’s The Baaas. He was born in Cardiff, lives in Penarth, and his radio plays have been performed on Radio Wales, Radio 4 and Radio 2.
Zillah was born in Papua New Guinea and came to the UK when she was 8. A graduate of Wadham College, Oxford, she settled in South Wales and has published two fantastic novels aimed at the #mglit market – ‘A Whisper of Horses’ and ‘The Extraordinary Colours of Auden Dare’ both published by Piccadilly Press.
An experienced author with over 60 published books, Jon has lived in Cardiff for over 30 years. His most popular book is a picture book illustrated by Axel Scheffler, You’re a Hero Daley B. In the past year he has received acclaim for Thimble Monkey Superstar, his Laugh Out Loud Award shortlisted comic caper.
Stephanie Burgis grew up in East Lansing, Michigan, but now lives in Monmouthshire with her husband and two sons, surrounded by mountains, castles and coffee shops. Her Bloomsbury-published ‘The Dragon with a Chocolate Heart’ is a favourite in our house and we can’t wait for ‘The Girl with the Dragon Heart’ coming next year.
Horatio Clare @HoratioClare
Horatio Clare grew up on a hill farm in the mountains of South Powys. He studied English at the University of York. He has written extensively as a journalist and travel writer and had a best-seller ‘Running for the Hills’ in which he described his childhood experiences. He has continued to write books for adults and in 2015 won the Branford Boase Award for Debut Children’s Book of the Year, after publishing ‘Aubrey and the Terrible Yoot’ with Firefly Press. ‘Aubrey and the Terrible Ladybirds’ was published this year.
Nicola Davies was born in Birmingham and worked as a zoologist and TV Presenter before settling in Powys to write. Many of her books are rooted in her scientific training and are essential additions to any library. These successful narrative non-fiction books cover, amongst other things, the diversity of living things, microbes, owls and bears. Recent picture books published by Walker and Graffeg have delved more deeply into the human condition providing opportunities for children to reflect on refugees, grief and trauma.
Roald Dahl was born in Llandaff, Cardiff in 1916 and raised in the countryside around Cardiff. His infamous recount of The Great Mouse Plot featuring Mrs Pratchett’s sweet shop is believed to have been inspired by his childhood in Cardiff (though no-one’s really sure how much truth is in the episode). He also referred to many fond memories of Wales, including holidays in Tenby. It is known that he found Dylan Thomas to be “marvellous” and may have been urged to build his own writing hut having visited The Boathouse in Laugharne. Of course, Miss Honey also recites ‘In Country Sleep’ to Matilda.
Helen’s family is from Wales, and she now lives in Swansea with illustrator husband Thomas. Having studied languages, and taught oversees, she also has a Masters in Film and Television Production. She loved writing as a child and returned to it in 2010. Her high-quality picture books, often illustrated with Thomas Docherty, are well-loved by children throughout the Foundation Phase (toddlers to age 7), with ‘The Knight Who Wouldn’t Fight’ being nominated for several awards. These books should feature in every home and school library.
Jonny spent his childhood in North Wales and recently returned to the ‘wet and windy hills’. After studying illustration at college he wrote his first picture book ‘The Pirate Cruncher’ which was published in 2009. Subsequently, he helped design the characters for Aardman’s stop-motion movie ‘The Pirates! In an Adventure with Scientists!’. More picture books followed with a focus on pirates, dinosaurs and space. He also produced a full set of brilliant designs for the Harry Potter covers in 2014.
Claire was born in Cardiff and used to work in the science library of Cardiff University. She has two books published with MacMillan Children’s – both part of ‘The Accidental Pirates’ trilogy and are ideal for children in Year 4 (age 8 upwards). In 2018, we can look forward to a slightly different tale – Unwise Magic.
Catherine Fisher was born in Newport, and her fantasy books are aimed at Year 6 (age 10) upwards. Having worked as a teacher, lecturer and archaeologist it is no surprise that her books are often set in Wales and are heavily influenced by Arthurian legends, old myths and the Mabinogion.
Giancarlo Gemin was born in Cardiff , of Italian parents, and now lives in London. Both of his novels have won the Tir-na-n-Og Award for children’s writing set in Wales and his latest, Sweet Pizza, is a glorious exploration of community life in the South Wales valleys.
Rhian Ivory @Rhian_Ivory
A proud Welshwoman, Rhian was born in Swansea, speaks Welsh as her first language and studied English Literature at Aberystwyth University. She published 4 novels with Bloomsbury under her maiden name, Rhian Tracey, before taking a break. She returned as Rhian Ivory in 2015 with ‘The Boy Who Drew The Future’, a tense and compelling read about two boys who draw things that come true. More recently, her YA novel ‘Hope’ was also published by Firefly.
Emma Levey lives in Cardiff and has illustrated several picture books including ‘Where is The Bear?’, authored by Camilla De la Bedoyere. She is the author of ‘Hattie Peck’ and ‘Hattie Peck The Journey Home’. This gorgeously fun and friendly character is one of Kit Worm’s favourite books of all time, so watch this space as we look forward to lots more from Emma.
Siân Lewis is the most prolific author on this list, having published over 250 books. In 2015, she was given the Mary Vaughan Jones Award for her special contribution to children’s literature in Wales. She has published a wide variety of fiction and non-fiction, and this year with Rily Publications released The Story of King Arthur in English and Welsh versions.
Born in North Wales and now based in Aberystwyth Sharon Marie Jones was a primary school teacher for 13 years. In 2016, she published Grace-Ella: Spells for Beginners with Firefly Press, a charming and captivating story about friendship, fun and magic.
Recently awarded the Hay Festival Medal for his contribution to storytelling, Daniel Morden was born in Cwmbran. Focussing on the oral traditions of storytelling, Daniel travels the world delighting audiences with his tales – many from Wales. He has published several anthologies of legends, two of which have won the Tir-na-n-Og Award.
Jackie Morris lives on the wild Pembrokeshire coast. Before settling there, she had lived in Evesham and London. She is inspired by “our” environment; particularly the birds (peregrines, goldfinch, buzzards), seals, foxes and landscapes surrounding her home. She says “I am a stranger here, a foreigner. And yet I am at home.” Her beautifully illustrated international bestselling books have wide appeal, and are mostly published by Frances Lincoln, Graffeg and Otter-Barry. Jackie exhibits her artwork in galleries nationwide.
Jenny Nimmo has lived in Wales for most of her life, having married Welsh artist David Wynn Millward in 1974. Her stories are rooted in Welsh mythology and she is also inspired by the landscapes of Wales. She appeals to Junior age children (age 7 and up) and has plenty to occupy them – from the award winning Snow Spider trilogy, to the Charlie Bone octalogy (yes, that’s a series of 8 books!).
Philip Pullman spent ten years of his childhood in Llanbedr Ardudwy, near Harlech. This may not be enough to claim him for our own, except that he has referred to Wales as being an inspiration to his writing. “I knew I wanted to write books and I got those ambitions, that sensibility, from the time I spent in Wales.” He’s written some books that have become quite famous (!) and are devoured by children in Year 4 upwards (age 8).
Hailing from Llanelli, Wendy White was inspired by her local library to become an author. Her books for children are available from Gwasg Gomer and have a Welsh theme. Welsh Cakes and Custard won the Tir-na-n-Og Award in 2014 and this year’s St David’s Day is Cancelled is a joyous tale for 7-9 year olds. Wendy writes under a pseudonym, Sara Gethin, for adults.
Eloise Williams lives in West Wales. She has worked on stage as a singer and an actress after graduating from the Welsh College of Music and Drama in Cardiff. She has two books, both set in Wales and both from the Firefly publishing house. Gaslight, a Victorian thriller is currently causing a stir across the country and is best suited to Year 6 (age 10) upwards. Eloise was a Literature Wales bursary winner.
Justine Windsor @justinewindsor
Justine Windsor is a previously shortlisted author of The Times/Chicken House children’s fiction competition. She currently lives and works in London and this year saw the publication of her debut middle grade crime capers ‘Goodly and Grave’. A third installment, also with Harper Collins is due in 2018.
Aubrey and the Terrible Ladybirds
Horatio Clare / Illustrated by Jane Matthews
I love sharing books with Noah. We read together at bedtime, snuggled on beanbags in his bedroom. Last year, we read Aubrey and the Terrible Yoot, Horatio Clare’s first foray into children’s stories; a deeply affecting and skillfully crafted novel with touches of fantasy and lots of heart. It instantly became a favourite book for both of us and we have been anticipating the arrival of these ladybirds for a while, and there was absolutely no way I was going to let him read it without me.
Aubrey can talk to animals, but that’s a moot point. At the start of his Easter holidays, he is shrunken to the size of a ten pence coin and is visited by a spider asking him to save the world. You see, a family of ladybirds has arrived from overseas – they are not like the domestic ladybirds and are not welcomed. What starts as a small argument between ladybirds (“They’re not from round here. They’re big and weird. Go back to where you came from!”) develops into an extremely unattractive fracas involving all the animals of Rushing Wood.
There are big themes at work here, with issues of tolerance and respect at the core. I can’t help but revel in the irony that Clare uses animals to teach lessons about humanity. Aubrey discovers that insects on the continent are being poisoned by farming methods, which in turn affects the food chain – “If you don’t help us the insects will vanish. The plants won’t grow and the animals won’t eat. And humans are animals too.” This is termed ‘The Great Hunger’ and is the reason the spider asks Aubrey to save the world.
You may be thinking that this all sounds very hardgoing, but Clare handles it all with a lightness of touch and great humour: From hapless spy Mr Ferraby the neighbour who reports back to his incredulous wife, to the inspired footnotes dotted throughout the book which support our understanding but also take the reader down surreal cul-de-sac*. The plethora of insects, birds and mammals who make up the cast of this novel are also great fun with their stereotype personas.
There is brilliant storytelling too – from the heart-stopping descriptions of Aubrey clinging to the back of Hirundo the swallow as he tries to outsmart the high speed aerial manoeuvres (and talons) of a Hobby, to the impassioned speech of French human child Pascale.
Aubrey and the Terrible Ladybirds is a fantastic book. Nine year old Noah “absolutely loved it” because it was full of awesome adventure and has slotted it next to Terrible Yoot in his Top Ten books. Undoubtedly, The Ladybirds will have a wider appeal than Yoot, bringing it to the attention of a bigger audience. That audience will understand that Aubrey and the Terrible Ladybirds is a book about the universal truths of love, compassion and kindness – to each other, to the environment and to the animals.
Aubrey and the Terrible Yoot can be purchased from your local independent bookshop, or online.
We are grateful to Firefly Press who provided a copy of this book in exchange for an honest review.
*This is the correct plural of cul-de-sac, coming from the French, literally meaning “bottom of the bag”. Some dictionaries allow cul-de-sacs but this is madness. In this case, it is used metaphorically to express an action that is an impasse**.
**Impasse describes a situation in which progress is impossible.
Sputnik’s Guide to Life on Earth
Frank Cottrell Boyce / Illustrated by Steven Lenton
MacMillan Children’s Books
Reviewed by Noah Worm (Aged 9)
Sputnik is an alien visible as a dog to everyone except Prez; to Prez he is a boy exploring the universe. Here – Steven Lenton shows it much better than I can explain it…
Frank Cottrell Boyce has produced another great page-turner with this book – ideal for Year 4 and up (but Year 3 will love the funny bits). The really funny bits come mostly when people treat Sputnik like a dog, and he replies with sarcasm or disbelief, but they just hear barking. Sputnik’s mission is to make a list of 10 things that make the Earth special.
A bigger story than Sputnik’s search for ten things, is Prez’s search for his Grandad. There are sad parts to the book when Prez discovers his Grandad but we realise that Grandad doesn’t recognise or know who Prez is.
This is an hilarious, often touching novel, full of the greatest storytelling.
Daddy Worm says: I was in bits! Frank Cottrell uses this comic caper to touch on some “grown-up” ideas. I thought it was brilliant and thoroughly enjoyed it.
So here are Noah’s favourite reads. He’s ordered them from top to bottom in the picture, and we’ll take them in reverse order. He’s given a one-word review of each book.
10. Cogheart, Peter Bunzl – Exciting
9. Swallows and Amazons, Arthur Ransome – Gripping
8. A Boy Called Christmas, Matt Haig – Emotional
7. Jinks O’Hare Funfair Repair, Reeves & McIntyre – Magical
6. The Imaginary, A.F. Harrold – Imaginative
5. Aubrey and the Terrible Yoot, Horatio Clare – Innovative
4. Fizzlebert Stump and the Bearded Boy, A.F. Harrold – Hilarious
3. Radio Boy, Christian O’Connell – Heroic
2. The Bus Stop at the End of the World, Dan Anthony – Mythical
1. Wolf Wilder, Katherine Rundell – Adventurous
Some observations: A.F. Harrold makes 2 appearances; there’s no room for Harry Potter (11), Tom Gates (12) or Wimpy Kid (erm, probably 20); two of the authors are Welsh; Swallows and Amazons is clearly the oldest book on the list (1930), swiftly followed by Fizzlebert Stump (2013!); the remaining books have been published since 2014 with numbers 2 and 3 being published this year.